New Books in Literary Studies

Erin McCarthy, who teaches digital humanities at Newcastle University, Australia, has just published a fabulous new book about the ways in which the printing of poetry impacted upon the reading and imagination of poetry in early modern England. Doubtful Readers: Print, Poetry and the Reading Public in Early Modern England (Oxford UP, 2020) offers readings of work by Shakespeare, Lanyer, Donne and many other poets to show that early printings of their work organised their texts in order to make specific points about both poetry and poets. Why do most anthologies of work by Donne begin with “The Flea”? Tune in to find out more about how poetry was transformed in and sometimes by the move to print.Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of Survival and Resistance in evangelical America: Christian Reconstruction in the Pacific Northwest (Oxford UP, 2021).  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Listen to this interview of Kit Nicholls, Director of Cooper Union Center for Writing. We talk about writing, thinking, the university, and what everyone cares about.Interviewer : "That's the key, and the sense that I get from many students, and even also from faculty, when it comes to the point that they're writing up their results––well, it's basically, this is just a necessity, a thing that's just sort of got to be got around, got through. But if you can actually provide them with the view that the writing is the research, that you're doing your research right now as well. Or even if you can get them to drop the 'as well' and say, 'I'm doing my research still.'"Kit Nicholls : "Yeah, it's not like you do sort of all this prior work and then you sit down and write. That's a surefire way to produce some pretty terrible writing. It's much better to write your way through, which is exactly why the Center for Writing offers ongoing sessions, because otherwise students almost automatically come to the assumption that the Center of Writing is a place you come only when you've got an assignment to finish. It sends the message that writing is just a thing you do at the end. But anyone who seriously writes knows that writing is this long, complicated process."The interviewer, Daniel Shea, heads the podcast series Scholarly Communication, where the world of research publishing is brought to your ears. Daniel is Director of the Writing Program at Heidelberg University, Germany. Just write Daniel.Shea@zsl.uni-heidelberg.de Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In many popular accounts of contemporary “Western” society there is an inherent contradiction between the principles underlying liberal secularism and Islam. This type of binary discourse about “religion” and “secular” naturalizes these differences and promotes the seeming rigidity of the two categories. But secularism is much messier than that.Danielle Haque, Associate Professor at Minnesota State University, Mankato, questions this simplistic narrative in her new book Interrogating Secularism: Race and Religion in Arab Transnational Art and Literature (Syracuse University Press, 2019). She deconstructs liberal accounts of secularism through an examination of the work of authors and artists from ethnic and religious minorities. The literary and visual economies that inform their art demonstrates that secular values are not always neatly distinguished from religious principles nor are spiritual forms necessarily steeped in tradition. In our conversation we discuss secular ideologies, contemporary orientalism, the racialization of Muslims, the War on terror, state surveillance, visual and literary cultural production, transnational identities, publishing norms, museum practice, human rights discourses, Muslim feminist praxis, and LGBTQ identities.Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Transforming Ethos: Place and the Material in Rhetoric and Writing (Utah State UP, 2020) approaches writing studies from the rhetorical flank, the flank which, for many, is the only flank the discipline has. However, at a time when universities are optimizing structurally and streamlining pedagogically, the book must plead the case for a university where character is formed. Now that writing studies has shouldered up to its other disciplinary and institutional neighbors, composition instructors need to begin asking themselves tough questions about administration, teaching, and assessment, and perhaps more importantly, composition instructors need to begin providing answers.Rosanne Carlo provides answers, answers which spring from the New Rhetoric, from the writings of Jim Corder, from ethos as a gathering place for community, from kairos, chora, and from many another well found and well placed theoretical tool turned to her overriding purpose of teaching writing and teaching rhetoric as a way of life.Scholarly Communication is the podcast series about how knowledge gets known. Scholarly Communication adheres to the principle that research improves when scholars better understand their role as communicators. Give scholars more opportunities to learn about publishing, and scholars will communicate their research better.The interviewer, Daniel Shea, heads Scholarly Communication, a Special Series on the New Books Network. Daniel is Director of the Writing Program at Heidelberg University, Germany. Just write writingprogram@zsl.uni-heidelberg.de Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

After reading How Dead Languages Work (Oxford University Press 2020), Coulter George hopes you might decide to learn a bit of ancient Greek or Sanskrit, or maybe dabble in a bit of Old Germanic. But even if readers of his book aren’t converted into polyglots, they will walk away with an introduction to the (in)famous Sapir-Whorf hypothesis, which is responsible for the inaccurate meme claiming that Inuits understand snow more deeply than other cultures because their language has one hundred (one thousand?) words for it. George criticizes this hypothesis, but through his six chapters, uses examples of ancient languages to argue that a subtler form of that hypothesis is apt: languages aren’t fungible, and the properties of different languages are interwoven with their literary traditions. The book takes readers through Greek, Latin, Old English and the Germanic Languages, Sanskrit, Old Irish and the Celtic Languages, and Hebrew, introducing their phonology, morphology, lexicons, grammar, and excerpting passages from texts such as the Illiad, Beowulf, and the Rig Veda, to illustrate how the flavor of a language is always lost a little in translation.Malcolm Keating is Assistant Professor of Philosophy at Yale-NUS College. His research focuses on Indian philosophy of language and epistemology in Sanskrit. He is the author of Language, Meaning, and Use in Indian Philosophy (Bloomsbury Press, 2019) and host of the podcast Sutras (and stuff). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode of New Books in Literary Studies we speak with Lissette Lopez Szwydky, author of the new book Transmedia Adaptation in the Nineteenth Century (Ohio State UP, 2020)A comprehensive study of adaptation across media, form and genre, this book argues passionately for the importance of adaptation to our understanding of literary texts. For Lopez Szwydky, adaptation does not just constitute the afterlife of the adapted work, but instead it forms part of the dynamic process that brings the work to life. Transmedia Adaptation in the Nineteenth Century explores a range of works by authors such as Mary Shelley, Charles Dickens, Lord Byron, John Keats and many more. Filled with engaging case studies, this book charts the evolution of literary narratives across novels, illustrations, stage plays, chapbooks, commercial merchandise and more.Lissette Lopez Szwydky is Associate Professor of English at the University of Arkansas in Fayetteville where she teaches courses in Nineteenth-Century Literature and Culture, Adaptation Studies, Gender Studies and Career Education. You can follow her work on her website at http://www.lissettesz.com/Transmedia Adaptation in the Nineteenth Century is now available on the Ohio State University Press website https://ohiostatepress.org/books/titles/9780814214237.html and other online retailers. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

When Judith G. Coffin discovered a virtually unexplored treasure trove of letters to Simone de Beauvoir from Beauvoir's international readers, it inspired Coffin to explore the intimate bond between the famed author and her reading public. This correspondence, at the heart of Sex, Love, and Letters: Writing Simone de Beauvoir (Cornell UP, 2020), immerses us in the tumultuous decades from the late 1940s to the 1970s—from the painful aftermath of World War II to the horror and shame of French colonial brutality in Algeria and through the dilemmas and exhilarations of the early gay liberation and feminist movements. The letters also provide a glimpse into the power of reading and the power of readers to seduce their favorite authors. Sex, Love, and Letters lays bare the private lives and political emotions of the letter writers and of Beauvoir herself. Her readers did not simply pen fan letters but, as Coffin shows, engaged in a dialogue that revealed intellectual and literary life to be a joint and collaborative production. "This must happen to you often, doesn't it?" wrote one. "That people write to you and tell you about their lives?"Judith G. Coffin is an Associate Professor of History at the University of Texas at Austin. She teaches modern European history, including courses on the French Revolution, World Wars 1 and 2, Postwar Europe as well as courses on gender and sexuality. She has written The Politics of Women’s Work: The Paris Garment Trades (Princeton UP, 1996), the modern half of W.W. Norton’s Western Civilizations (New York, 2002, 2005, 2008, 2011) and a series of articles from her book. “Historicizing The Second Sex,” French Politics, Culture & Society 25, 3 (Winter 2007); “Beauvoir, Kinsey, and Mid-Century Sex,” French Politics, Culture, and Society 28, 2 (summer, 2010); “Opinion and Desire: Polling Women in Postwar France” in Kerstin Bruckweh, ed. The Voice of the Citizen Consumer (Oxford University Press, 2011); and "Sex, Love, and Letters: Writing Simone de Beauvoir," American Historical Review October, 2010. She is also writing about the histories of psychoanalysis and radio (“The Adventure of the Interior: Menie Grégoire’s Radio Broadcasts.”), and has taught graduate classes in the history of radio, publicity, and privacy.She lived three years in Paris, got her PhD at Yale, taught at Harvard and UC Riverside; she's been a fellow at NYU and the Radcliffe Institute for Advanced Study; her husband is Professor and Dean for Research at the UT School of Law; her children are in their twenties, and she is happiest in the winter in Austin and when visiting the Hill Country.Julia Gossard is Assistant Professor of History at Utah State University and learned quite a bit about gender, psychoanalysis, and feminist studies from Judy as a student at UT-Austin  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In her stunning and conceptually adventurous new book Emotions and Colonial Modernity in Colonial India: From Balance to Fervor (Oxford University Press, 2020), Margrit Pernau examines the varied and hugely consequential expressions of and normative investments in emotions in modern South Asian Muslim thought. By considering a wide array of sources including male and female reformist literature, poetry, newspapers, journals, sermons, and much more, Pernau explores the question of how the career of Islam in colonial India saw a paradigmatic shift from emphasis on balance or ‘adl to fervor and ebullience (josh). The intensification rather than the retreat of emotion represents a major feature of South Muslim scholarly thought and culture in late nineteenth and early twentieth century, Pernau convincingly demonstrates. Through the specific case study of modern South Asian Islam, she also presents and argues for novel conceptualizations of modernity as a lived and analytical category, marked not by just the disciplining of the body and emotions, but one infused with emotional politics, passions, and communities. This riveting read will fascinate and interest not only Islam and South Asia specialists, but anyone interested in the interaction of modernity, emotion, religion, and politics.SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His book Defending Muhammad in Modernity (University of Notre Dame Press, 2020) received the American Institute of Pakistan Studies 2020 Book Prize. His other academic publications are available here. He can be reached at sherali.tareen@fandm.edu. Listener feedback is most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

When I put down Getting it Published: A Guide for Scholars and Anyone Else Serious about Serious Books (U Chicago Press, 2016) I looked up and began to wonder. I wondered about the book on gnomic poetry in Medieval Greek I had read over the weekend, I wondered about the PDF conference volume on my desktop between other PDFs downloaded at my university library. Casting an eye to the bookshelves along my wall, I looked at the spines of all those books there, upright and peaceful in their rows, and I wondered just who the people behind the books were: who printed the bindings and pages, who stocked backlisted copies in the warehouse, who encouraged booksellers to buy, who adopted the book project early stages, who chauffeured the manuscript through marketing, which editor oversaw production while which harried professor, between lectures biting into a sandwich, flipped the pages and weighed the arguments and challenged the ideas. Getting It Published opens up the other spaces which are part of every book. There's quite a lot that goes into those books on our Works Cited lists, and we don't know. Or we don't know enough, anyway.Getting It Published, as the subtitle announces, is the guide to knowing everything a scholar needs to know about where his or her research goes. William Germano, the author, is the guide of the book. A deft hand at elegant and lucid prose style, William Germano has the industry experience, the university experience, and the teaching experience to know what writers of research will need when it's their own manuscript that's becoming the next book on a shelf or the next PDF on a desktop.Scholarly Communication is the podcast series about how knowledge gets known. Scholarly Communication adheres to the principle that research improves when scholars better understand their role as communicators. Give scholars more opportunities to learn about publishing, and scholars will communicate their research better.The interviewer, Daniel Shea, heads Scholarly Communication, a Special Series on the New Books Network. Daniel is Director of the Writing Program at Heidelberg University, Germany. Just write writingprogram@zsl.uni-heidelberg.de Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Black Land: Imperial Ethiopianism and African America (Princeton University Press, 2019), Nadia Nurhussein explores late nineteenth and twentieth century African American cultural engagement with and literary depictions of imperial Ethiopia. Widely celebrated as one of two African nations to resist European colonization in the age of modern imperialism, Ethiopia captured the attention of a host of African American journalists, artists, writers, adventurers, and even financiers. Drawing on an array of images, plays, and texts from well-known figures such as Paul Laurence Dunbar, Langston Hughes, Claude McKay, and George Schuler to lesser known figures such as Harry Foster Dean and William Henry Ellis, Nurhussein shows how some African Americans came to embrace and others later critiqued an imperial Ethiopia.This work provides an innovative approach to the study of Ethiopianism as more than a concept but a concrete place.Sharika Crawford is an associate professor of history at the United States Naval Academy.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies