New Books in Literary Studies

What does ethnography look like when presented as fiction? In this episode, we talk with Alexandros Plasatis, author of the new book Made by Sea and Wood, in Darkness (Spuyten Duyvil, 2021) a linked book of short stories based on the lives of Egyptian immigrant fishermen and other marginalized residents of a Greek town. Alexandros describes the fieldwork he conducted as a waiter in his family’s all-night café with a diverse clientele before explaining how and why he transitioned from studying anthropology to creative writing. He tells us how his fieldwork provided the basis for his novel, drawing on his conversations and experiences with the café’s clients to write semi-fictional stories that ring true. Finally, he describes how he uses writing to work with immigrant communities in England, including “the other side of hope”, a new print and online literary magazine dedicated to the stories of immigrants and refugees.Read an excerpt from Alexandros’ book here.Alex Diamond is a Ph.D. candidate in sociology at the University of Texas, Austin. Sneha Annavarapu is a postdoctoral researcher at the University of Chicago. Dr. Sneha Annavarapu is a postdoctoral researcher at the University of Chicago. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Matthew Karp is a historian of the U.S. Civil War era and its relationship to the nineteenth-century world. He received his Ph.D. in History from the University of Pennsylvania in 2011 and joined the Princeton faculty in 2013.The piece we are talking about is The Politics of a Second Gilded Age, published in February 2021 in The Jacobin.His first book, This Vast Southern Empire: Slaveholders at the Helm of American Foreign Policy (Harvard UP, 2016) explores the ways that slavery shaped U.S. foreign relations before the Civil War. Karp is now at work on a book about the emergence of anti-slavery mass politics in the United States, and in particular the radical vision of the Republican Party in the 1850s. Agata Popeda is a Polish-American journalist. Interested in everything, with a particular weakness for literature and foreign relations. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Listen to this interview of Iain McGee, a PhD student in the Department of Religion and Theology at the University of Bristol (UK), where he also teaches Applied Linguistics. We talk about his book Understanding the Paragraph and Paragraphing (Equinox, 2018), the paragraph as a break in the text, about the paragraph as a unit of the text, and about the ¶.Iain McGee : "Often writing instruction in classroom environments is readerless in terms of the actual text and in terms of who will engage with it. Many writers in classrooms know that the only reader will be the teacher. But when it comes to writing for purposeful reasons, then we will be thinking of the reader, and the reader will have certain (as Michael Hoey puts it) textual colligation expectations, that means that the reader will be expecting paragraphs to flow in a certain way, will be expecting certain ways of organizing that text. And so, for the writer in that environment, the writer needs to be aware of those discourse-specific ways in which we communicate. One of the points I make in the book is that, Alexander Bain and his work in particular never really considered the reader and as such, made rather prescriptive, one-size-fits-all comments on what good paragraphing is. But in reality, the genre very much determines how we will go about writing our paragraphs, for example, how many sentences we might have, or the kinds of links between the paragraphs, for example, those links will be very different between reading an article in a newspaper and reading a journal article. And so, that sensitivity to genre is one of the focal points of my research, and I want to draw attention to the fact that we need to understand genres better so that we can make comments about the paragraph which are more intelligent, more specific, and more relevant to the actual readers of real genres and to the writers engaged with those genres."Daniel Shea heads Scholarly Communication, the podcast about how knowledge gets known. Daniel is Director of the Writing Program at Heidelberg University, Germany. Daniel's YouTube Channel is called Write Your Research. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What more can we learn about legendary American writer Elizabeth Bishop (1911-79), dubbed by Bethany Hicok “the most stunning poet of the twentieth century”, by exploring the wonderful archives of her life and work at Vassar? Why are literary archives coming back into vogue? How do new techniques in digital humanities create novel possibilities for archival-based research and publication? And how can we develop collaborative methods of studying and teaching in literary archives?In this lively, well-crafted podcast, leading Bishop scholar Bethany Hicok of Williams College completely fails to control her infectious enthusiasm for Elizabeth Bishop’s writings. She explains to Duncan McCargo why Bishop has become for her the poet of the pandemic, and above all what happened when she spent three weeks embedded in the Vassar archives with sixteen other scholars and poets – a project that resulted in this beautifully produced and copiously illustrated edited volume.Since Elizabeth Bishop and the Literary Archive is an Open Access publication, you can and should download it (free of charge), so you can read along here.  Duncan McCargo is an eclectic, internationalist political scientist and literature buff: his day job is directing the Nordic Institute of Asian Studies at the University of Copenhagen.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today we are joined by Martha Moffitt Peacock, Professor of Art History at Brigham Young University about her new book, Heroines, Harpies, and Housewives: Imaging Women of Consequence in the Dutch Golden Age, out in 2020 with Brill.In Heroines, Harpies, and Housewives, Peacock provides a novel interpretive approach to the artistic practice of imaging women of consequence in the Dutch Golden Age. From the beginnings of the new Republic, visual celebrations of famous heroines who crossed gender boundaries by fighting in the Revolt against Spain or by distinguishing themselves in arts and letters became an essential and significant cultural tradition that reverberated throughout the long seventeenth century. This collective memory of consequential heroines who equaled, or outshone, men is frequently reflected in empowering representations of other female archetypes: authoritative harpies and noble housewives. Such enabling imagery helped in the structuring of gender norms that positively advanced a powerful female identity in Dutch society.Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Welcome to The Academic Life. You are smart and capable, but you aren’t an island, and neither are we. So we reached across our mentor network to bring you podcasts on everything from how to finish that project, to how to take care of your beautiful mind. Wish we’d bring in an expert about something? Email us at cgessler05(at)gmail.com or dr.danamalone(at)gmail.com or find us on Twitter: The Academic Life @AcademicLifeNBN.In this episode you’ll hear about: the importance of expanding the boundaries of academic theory through interdisciplinary studies, why you need to build and acknowledge your own support network, the social construction of race and racism, and a discussion of the book Relative Races.Our guest is: Dr. Brigitte Fielder, an Associate Professor at the University of Wisconsin-Madison. She is (with Jonathan Senchyne) co-editor of Against a Sharp White Background: Infrastructures of African-American Print and author of Relative Races: Genealogies of Interracial Kinship in Nineteenth-Century America. Her work has been published in various journals and edited collections. She is currently writing a book on racialized human-animal relationships in the long nineteenth century, which shows how childhood becomes a key site for (often simultaneous) humanization and racialization.Our host is: Dr. Christina Gessler, a historian of women and gender. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In his follow-up to the Pulitzer Prize–winning The Metaphysical Club, acclaimed scholar and critic Louis Menand, Professor of English at Harvard University and staff writer at The New Yorker, offers a new intellectual and cultural history of the postwar years. The Cold War was not just a contest of power. It was also about ideas, in the broadest sense—economic and political, artistic and personal. In The Free World: Art and Thought in the Cold War (Farrar, Straus & Giroux, 2021), Professor Menand tells the story of American culture in the pivotal years from the end of World War II to Vietnam and shows how changing economic, technological, and social forces put their mark on creations of the mind.How did elitism and an anti-totalitarian skepticism of passion and ideology give way to a new sensibility defined by freewheeling experimentation and loving the Beatles? How was the ideal of “freedom” applied to causes that ranged from anti-communism and civil rights to radical acts of self-creation via art and even crime? With the wit and insight familiar to readers of The Metaphysical Club and his New Yorker essays, Menand takes us inside Hannah Arendt’s Manhattan, the Paris of Jean-Paul Sartre and Simone de Beauvoir, Merce Cunningham and John Cage’s residencies at North Carolina’s Black Mountain College, and the Memphis studio where Sam Phillips and Elvis Presley created a new music for the American teenager. He examines the post war vogue for French existentialism, structuralism and post-structuralism, the rise of abstract expressionism and pop art, Allen Ginsberg’s friendship with Lionel Trilling, James Baldwin’s transformation into a Civil Right spokesman, Susan Sontag’s challenges to the New York Intellectuals, the defeat of obscenity laws, and the rise of the New Hollywood.Stressing the rich flow of ideas across the Atlantic, he also shows how Europeans played a vital role in promoting and influencing American art and entertainment. By the end of the Vietnam era, the American government had lost the moral prestige it enjoyed at the end of the Second World War, but America’s once-despised culture had become respected and adored. With unprecedented verve and range, this book explains how that happened. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Pirates and Publishers: A Social History of Copyright in Modern China (Princeton University Press, 2019) is a detailed historical look at how copyright was negotiated and protected by authors, publishers, and the state in late imperial and modern China. In Pirates and Publishers, Fei-Hsien Wang reveals the unknown social and cultural history of copyright in China from the 1890s through the 1950s, a time of profound sociopolitical changes. Wang draws on a vast range of previously underutilized archival sources to show how copyright was received, appropriated, and practiced in China, within and beyond the legal institutions of the state. Contrary to common belief, copyright was not a problematic doctrine simply imposed on China by foreign powers with little regard for Chinese cultural and social traditions. Shifting the focus from the state legislation of copyright to the daily, on-the-ground negotiations among Chinese authors, publishers, and state agents, Wang presents a more dynamic, nuanced picture of the encounter between Chinese and foreign ideas and customs. Developing multiple ways for articulating their understanding of copyright, Chinese authors, booksellers, and publishers played a crucial role in its growth and eventual institutionalization in China. These individuals enforced what they viewed as copyright to justify their profit, protect their books, and crack down on piracy in a changing knowledge economy. As China transitioned from a late imperial system to a modern state, booksellers and publishers created and maintained their own economic rules and regulations when faced with the absence of an effective legal framework. Exploring how copyright was transplanted, adopted, and practiced, Pirates and Publishers demonstrates the pivotal roles of those who produce and circulate knowledge.Fei-Hsien Wang is associate professor at the Department of History, Indiana University Bloomington. She is a historian of modern China, with a particular interest in how information, ideas, and practices were produced, transmitted, and consumed across different societies in East Asia. Her research has revolved around the relations between knowledge, commerce, and political authority after 1800. She is Associate Editor of the American Historical Review.Ghassan Moazzin is an Assistant Professor at the Hong Kong Institute for the Humanities and Social Sciences and the Department of History at the University of Hong Kong. He works on the economic and business history of 19th and 20th century China, with a particular focus on the history of foreign banking, international finance and electricity in modern China. His first book, tentatively titled Banking on the Chinese Frontier: Foreign Banks, Global Finance and the Making of Modern China, 1870–1919, is forthcoming with Cambridge University Press. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In recent years the phrase “revisionist history” has emerged as a label for politically-correct reexaminations of an unalterable understanding of our past. As James M. Banner, Jr. demonstrates in his book The Ever-Changing Past: Why All History Is Revisionist History (Yale UP, 2021), such a definition ignores how historical knowledge in the West has always been fluid and subject to reinterpretation by scholars. As Banner illustrates, such revisionism occurs in a variety of ways and can reflect everything from the discovery of new information to the reconsideration of the past from different perspectives the present. These approaches are evident even in the earliest works of history, and reflect the changes that have taken place in civilization over time. By addressing recent public controversies at which revisionism was at the heart, Banner shows that It is through this process that we better understand who we are today and the course we will take as a society going forward. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Paul J. Contino, author of Dostoevsky's Incarnational Realism, discusses the theological underpinnings of The Brothers Karamazov and the portrayal of Christian love in action. They also explore the role of confessional dialogue, practical wisdom in fiction, and the presence of Christ in the midst of human suffering.