New Books in Literary Studies

Kirsten Williams Lawson used to work with rocket scientists at NASA. Now she writes books for curious kids. Kirsten is the author of the picture book released several months back, A TRUE WONDER: The Comic Book Hero Who Changed Everything, illustrated by Katy Wu (Clarion, 2021). She is also author of WOOD, WIRE, WINGS: EMMA LILIAN TODD INVENTS AN AIRPLANE, illustrated by Tracy Subisak (Calkins Creek, 2020), and THE FIRE OF STARS: The Life and Brilliance of the Woman Who Discovered What Stars Are Made Of, illustrated by Katherine Roy (Chronicle, 2023), and the middle grade, graphic nonfiction, THE LIGHT OF RESISTANCE, illustrated by Barbara McClintock, (Roaring Brook, 2023). Kirsten lives near Los Angeles with her husband, lhasa-poo, and two curious kids. Her house is filled with LEGOs, laughter, and lots of books!Mel Rosenberg is a professor of microbiology (Tel Aviv University, emeritus) who fell in love with children's books as a small child and now writes his own. He is also the founder of Ourboox, a web platform that allows anyone to create and share awesome flipbooks. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In less than half a century, the Socialist Federal Republic of Yugoslavia successfully defeated Fascist occupation, fended off dominating pressures from the Eastern and Western blocs, built a modern society on the ashes of war, created its own form of socialism, and led the formation of the Nonaligned Movement. This country's principles and its continued battles, fought against all odds, provided the basis for dynamic and exceptional forms of art.Drawing on archival materials, postcolonial theory, and Eastern European socialist studies, Nonaligned Modernism: Socialist Postcolonial Aesthetics in Yugoslavia, 1945-1985 (McGill-Queen's UP, 2020) chronicles the emergence of late modernist artistic practices in Yugoslavia from the end of the Second World War to the mid-1980s. Situating Yugoslav modernism within postcolonial artistic movements of the twentieth century, Bojana Videkanic explores how cultural workers collaborated with others from the Global South to create alternative artistic and cultural networks that countered Western hegemony. Videkanic focuses primarily on art exhibitions along with examples of international cultural exchange to demonstrate that nonaligned art wove together politics and aesthetics, and indigenous, Western, and global influences.An interdisciplinary book, Nonaligned Modernism highlights Yugoslavia's key role in the creation of a global modernist ethos and international postcolonial culture. Jill Massino is a scholar of modern Eastern Europe with a focus on Romania, gender, and everyday life. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In The Fairy Tellers: A Journey into the Secret History of Fairy Tales (John Murray, 2022), Nick Jubber unearths the lives of the dreamers who made our most beloved fairy tales: inventors, thieves, rebels and forgotten geniuses who gave us classic tales such as 'Cinderella', 'Hansel and Gretel', 'Beauty and the Beast' and 'Baba Yaga'. From the Middle Ages to the birth of modern children's literature, they include a German apothecary's daughter, a Syrian youth running away from a career in the souk and a Russian dissident embroiled in a plot to kill the tsar. Following these and other unlikely protagonists, the book travels from the steaming cities of Italy and the Levant, under the dark branches of the Black Forest, deep into the tundra of Siberia and across the snowy fells of Lapland.“This is how the history of fairy tales operates: stories splintering along zigzagging pathways, carrying long-sounding echoes that turn down narrative alleyways suggested elsewhere or replicate each other with astonishing exactitude.”In the process, Jubber discovers fresh perspectives on some of our most frequently told stories. Filled with adventure, tragedy and real-world magic, this bewitching book uncovers the stranger lives behind the strangest of tales.This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, focusing on qualitative analyses of the Angolan and Mozambican civil wars. However, she is also a life-long lover of fairy tales & fantasy; her father continues to be surprised that her PhD did not once mention dragons, elves, or castles. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Listen to this interview of Nigel Caplan, Associate Professor at the English Language Institute, University of Delaware. We talk generically.Nigel Caplan : "And this sort of brings us to an important point about knowledge and expertise in a discipline. The great genre scholar Doreen Starke-Meyerring said that academic writing tends to be transparent to experts in the discipline, and they forget how opaque it is to novices. So, if you study engineering, biology, philosophy, whatever it is, and you're immersed in that world all the time, it's very easy to believe that that is the only way of writing, because that's the only type of writing you have done for decades. And it quickly becomes, 'Well, that's obviously good writing.' And the idea is, 'Anything else is bad writing.' But experts don't realize what we see as English teachers, especially as teachers in English for Academic Purposes, where we work with students across the disciplines — what we see is that each discipline does have its own way of creating knowledge and communicating that knowledge. But that can be very opaque to a novice. And I think what novices need are the tools to crack open that opacity, and what experts need is a little reminder now and then that good writing is actually not transparent. It is highly contextual, it is something that needs to be learned, it is not natural in any sense. It is not automatically good writing just because you like it and it works in your field."Visit the Michigan Series in English for Academic and Professional Purposes here. Visit and join the Consortium on Graduate Communication here.Watch Daniel edit your science here. Contact Daniel at writeyourresearch@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Around the beginning of the twentieth century, Jewish writers and artists across Europe began depicting fellow Jews as savages or "primitive" tribesmen. Primitivism—the European appreciation of and fascination with so-called "primitive," non-Western peoples who were also subjugated and denigrated—was a powerful artistic critique of the modern world and was adopted by Jewish writers and artists to explore the urgent questions surrounding their own identity and status in Europe as insiders and outsiders. Jewish primitivism found expression in a variety of forms in Yiddish, Hebrew, and German literature, photography, and graphic art, including in the work of figures such as Franz Kafka, Y.L. Peretz, S. An-sky, Uri Zvi Greenberg, Else Lasker-Schüler, and Moï Ver.In Jewish Primitivism (Stanford UP, 2021), Samuel J. Spinner argues that these and other Jewish modernists developed a distinct primitivist aesthetic that, by locating the savage present within Europe, challenged the idea of the threatening savage other from outside Europe on which much primitivism relied: in Jewish primitivism, the savage is already there. This book offers a new assessment of modern Jewish art and literature and shows how Jewish primitivism troubles the boundary between observer and observed, cultured and "primitive," colonizer and colonized.Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

As the first state to legalize same-sex marriage in Asia and host the first annual gay pride in the Sinophone Pacific, Taiwan is a historic center of lesbian, gay, bisexual, transgender, and queer culture. With this blazing path of activism, queer Taiwanese literature has also risen in prominence and there is a growing popular interest in stories about the transgression of gender and sexual norms.Since the lifting of martial law in 1987, queer authors have redefined Taiwan’s cultural scene, and throughout the 1990s many of their works have won the most prestigious literary awards and accolades. This anthology provides a deeper understanding of queer literary history in Taiwan. It includes a selection of short stories, previously untranslated, written by Taiwanese authors dating from 1975 to 2020. Readers are introduced to a wide range of themes: bisexuality, aging, mobility, diaspora, AIDS, indigeneity, recreational drug use, transgender identity, surrogacy, and many others. The diversity of literary tropes and styles canvased in this book reflects the profusion of gender and sexual configurations that has marked Taiwan’s complex history for the past half century.Queer Taiwanese Literature: A Reader (Cambria Press, 2021) is a timely and important resource for readers interested in Taiwan studies, queer literature, and global cultural studies.Howard Chiang is an associate professor in the Department of History at the University of California, Davis. He is the author of After Eunuchs: Science, Medicine, and the Transformation of Sex in Modern China and Transtopia in the Sinophone Pacific. He is also the Editor-in-Chief of the Global Encyclopedia of Lesbian, Gay, Bisexual, Transgender, and Queer History.Li-Ping Chen is Postdoctoral Scholar and Teaching Fellow in the East Asian Studies Center at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Erotics of Grief: Emotions and the Construction of Privilege in the Medieval Mediterranean (Cornell UP, 2021) considers how emotions propagate power by exploring whose lives are grieved and what kinds of grief are valuable within and eroticized by medieval narratives. Megan Moore argues that grief is not only routinely eroticized in medieval literature but that it is a foundational emotion of medieval elite culture.Focusing on the concept of grief as desire, Moore builds on the history of the emotions and Georges Bataille's theory of the erotic as the conflict between desire and death, one that perversely builds a sense of community organized around a desire for death. The link between desire and death serves as an affirmation of living communities. Moore incorporates literary, visual, and codicological evidence in sources from across the Mediterranean—from Old French chansons de geste, such as the Song of Roland and La mort le roi Artu and romances such as Erec et Enide, Philomena, and Floire et Blancheflor; to Byzantine and ancient Greek novels; to Middle English travel narratives such as Mandeville's Travels.In her reading of the performance of grief as one of community and remembrance, Moore assesses why some lives are imagined as mattering more than others and explores how a language of grief becomes a common language of status among the medieval Mediterranean elite. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Western ruins have long been understood as objects riddled with temporal contradictions, whether they appear in baroque poetry and drama, Romanticism’s nostalgic view of history, eighteenth-century paintings of classical subjects, or even recent photographic histories of the ruins of postindustrial Detroit. Decay and Afterlife: Form, Time, and the Textuality of Ruins, 1100 to 1900 (U Chicago Press, 2021) pivots away from our immediate, visual fascination with ruins, focusing instead on the textuality of ruins in works about disintegration and survival. Combining an impressive array of literary, philosophical, and historiographical works both canonical and neglected, and encompassing Latin, Italian, French, German, and English sources, Aleksandra Prica addresses ruins as textual forms, examining them in their extraordinary geographical and temporal breadth, highlighting their variability and reflexivity, and uncovering new lines of aesthetic and intellectual affinity. Through close readings, she traverses eight hundred years of intellectual and literary history, from Seneca and Petrarch to Hegel, Goethe, and Georg Simmel. She tracks European discourses on ruins as they metamorphose over time, identifying surprising resemblances and resonances, ignored contrasts and tensions, as well as the shared apprehensions and ideas that come to light in the excavation of these discourses.Lea Greenberg is a scholar of German studies with a particular focus on German Jewish and Yiddish literature and culture; critical gender studies; multilingualism; and literature of the post-Yugoslav diaspora. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Black Gathering: Art, Ecology, Ungiven Life (Duke UP, 2021), Dr. Sarah Jane Cervenak engages with Black artists and writers who create alternative spaces for Black people to gather free from interruption or regulation. Drawing together Black feminist theory, critical theories of ecology and ecoaesthetics, and Black aesthetics, Cervenak shows how novelists, poets, and visual artists such as Gayl Jones, Toni Morrison, Clementine Hunter, Samiya Bashir, and Leonardo Drew advance an ecological imagination that unsettles Western philosophical ideas of the earth as given to humans. In their aestheticization and conceptualization of gathering, these artists investigate the relationships among art, the environment, home, and forms of Black togetherness. Cervenak argues that by offering a formal and conceptual praxis of gathering, Black artists imagine liberation and alternative ways of being in the world that exist beyond those Enlightenment philosophies that presume Black people and earth as given to enclosure and ownership.Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Our second January Novel Dialogue conversation is with Caryl Phillips, professor of English at Yale and world-renowned for novels ranging from The Final Passage to 2018’s A View of the Empire at Sunset. He shares his thoughts on transplantation, on performance, on race, even on sports. Joining him here are John and the wonderful comparatist Corina Stan, author of The Art of Distances: Ethical Thinking in 20th century Literature. If you enjoy this conversation, range backwards through the RtB archives for comparable talks with Jennifer Egan, Helen Garner, Orhan Pamuk, Zadie Smith, Samuel Delany and many more.It’s a rangy conversation. John begins by raving about Caryl’s italics–he in turn praises Faulkner’s. Corina and Caryl explore his debt (cf. his The European Tribe) to American writers like Richard Wright and James Baldwin. Meeting Baldwin was scary–back in those days before there were “writers besporting themselves on every university campus.” Caryl praises the joy of being a football fan (Leeds United), reflects on his abiding loyalty to his class and geographic origins and his fondness for the moments of Sunday joy that allow people to endure. John raises Orhan Pamuk’s claim (In Novel Dialogue last season) that the novel is innately middle-class; Caryl says that it’s true that as a form it has always taken time and money to make–and to read. But “vicars and middle class people fall in love, too; they get betrayed and let down…a gamut of emotion that’s as wide as anybody else.” He remains drawn to writers haunted by the past: Eliot, W.G. Sebald, the huge influence of Faulkner trying to stitch the past to the present.Mentioned in the Episode James Baldwin, Blues for Mister Charley, The Fire Next Time Richard Wright, Native Son Johnny Pitts, Afropean Caryl Phillips, Dancing in the Dark J. M. Coetzee, “What We like to Forget” (On Caryl Phillips) Graham Greene (e.g Brighton Rock and The Quiet American) wrote in “The Lost Childhood” (1951) that at age 14 ” I took Miss Marjorie Bowen’s The Viper of Milan from the library shelf…From that moment I began to write.” Maya Angelou, Letter to My Daughter William Faulkner, Absalom, Absalom Read a transcript here Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies