New Books in Literary Studies

Corey Ichigen Hess is an ordained Zen monk and body therapist. He lived a monastic life for many years at Sogenji Zen Monastery in Okayama, Japan. He teaches meditation classes and works with individual clients doing private embodiment process coaching sessions, Sourcepoint Therapy, Structural Integration, and Biodynamic Craniosacral therapy at his home on Whidbey Island in Langley, Washington. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Oishani Sengupta talks about the felt experiences of racism, especially as they are represented in Victorian literature and its contemporary readership, which is the subject of her research. The conversation ranges from the novels of H. Rider Haggard and Charles Dickens to the felt experience of caste, as analyzed in the work of scholars like Junaid Shaikh.Oishani Sengupta (@oishani on Twitter) is a PhD candidate at the University of Rochester exploring histories of racial affect and visual print culture in the nineteenth century British empire. Also the project coordinator of the William Blake Archive, she looks closely at racist illustration practices and their central role in colonial politics.Image: Cover of the first French edition of H. Rider Haggard’s King Solomon’s MinesMusic used in promotional material: ‘Last Sigh’ by Holy Pain Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The #metoo movement has forced many fans to consider what they should do when they learn that a beloved artist has acted immorally. One natural thought is that fans ought to give up the artworks of immoral artists, but according to Mary Beth Willard, it’s hard to find good reasons to do so. In Why It's OK to Enjoy the Work of Immoral Artists (Routledge, 2021), she contends that because most boycotts of artists won’t succeed, there’s no ethical reason to do so most of the time. She then argues that canceling artists is ethically risky because it encourages moral grandstanding.In this interview, Allison Leigh talks to Mary Beth Willard about the differences between enjoyment and engagement when it comes to immoral artists, as well as whether we should enjoy artworks that have immoral outlooks and behaviors embedded in them. Their conversation ranges from the problems associated with collective versus individual actions, the positive effects that giving up the work of immoral artists may have for shifting cultural norms, and the distinction between public and private enjoyment.Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today’s guest is Leslie Leonard, who received their doctorate in American Studies and 19th C. American Literature from the University of Massachusetts Amherst. Their dissertation, The Burdens and Blessings of Responsibility: Duty and Community in Nineteenth-Century America, is a study of the emergent idea of personal responsibility as it conflicted with more established ideas of duty in the writings of Herman Melville, and Harriet Jacobs. Drawing on a range of sources –works of literature, theology, domestic manuals, labor pamphlets – their research shows how many Americans began to conceive of moral responsibility as distinct from both duty and rules of behavior prescribed by traditional social roles. Today, we are discussing Leslie's discovery of an unpublished text by Frederick Douglass, an essay titled “Slavery,” which appeared in the fall 2021 issue of J19: The Journal of Nineteenth-Century Americanists.John Yargo recently received his PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Kim speaks with Julie Beth Napolin about Resonance.Julie Beth’s book The Fact of Resonance: Modernist Acoustics and Narrative Form (Fordham UP, 2020) explores resonance and sound in modern literature. In the episode she references Jean-Luc Nancy’s book Listening (Fordham UP, 2007), Inayat Khan’s The Mysticism of Sound and Music (Shambala Publications, 1996), the music of Toru Takemitsu, and Damo Suzuki´s “sound carriers.” In our longer conversation she talked about Naomi Waltham-Smith’s new book, Shattering Biopolitics: Militant Listening and the Sound of Life (Fordham UP, 2021)Julie Beth is an Associate Professor of Digital Humanities at The New School. She also makes music under the name Meridians. You can listen on Sound Cloud!This week’s image is a simulation of interference between two sound waves in two-dimensions made by Ibrahim S. Souki, used under a Creative Commons Attribution Share Alike License, from Wikimedia Commons. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

This striking contribution to Black literary studies examines the practices of Black writers in the mid-twentieth century to revise our understanding of the institutionalization of literary studies in America. In Outside Literary Studies: Black Criticism and the University (U Chicago Press, 2022), Andy Hines uncovers a vibrant history of interpretive resistance to university-based New Criticism by Black writers of the American left. These include well-known figures such as Langston Hughes and Lorraine Hansberry as well as still underappreciated writers like Melvin B. Tolson and Doxey Wilkerson. In their critical practice, these and other Black writers levied their critique from “outside” venues: behind the closed doors of the Senate Permanent Subcommittee on Investigations, in the classroom at a communist labor school under FBI surveillance, and in a host of journals. From these vantages, Black writers not only called out the racist assumptions of the New Criticism, but also defined Black literary and interpretive practices to support communist and other radical world-making efforts in the mid-twentieth century. Hines’s book thus offers a number of urgent contributions to literary studies: it spotlights a canon of Black literary texts that belong to an important era of anti-racist struggle, and it fills in the pre-history of the rise of Black studies and of ongoing Black dissent against the neoliberal university.Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

6 Plays (Agate Press, 2022) collects six plays written over a twenty year period by playwright Mickle Maher. Maher is a legend of the Chicago theatre. He is a founder of Theater Oobleck, which has produced many of his plays since their founding as a student theatre group at the University of Michigan in the 1980s. Maher's plays often riff on an existing literary or theatrical classic (Shakespeare's The Tempest in Spirits to Enforce, Chekhov's Cherry Orchard in The Hunchback Variations) but they're never inaccessibly academic. Rather, they invite audiences into a playful, funny, profoundly moving dialogue with canonical works. In this discussion, we talk about the founding of Theater Oobleck, Maher's teaching methodology, and why the Faust myth spoke to him so profoundly during a time of personal crisis. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

William Ghosh talks to Saronik about Realism, and how it can both be subtly conservative and effectively radical, depending on its use. He takes us through realist tactics in texts ranging from V.S. Naipaul’s A Bend in the River to Virginie Despentes’s Vernon Subutex.William Ghosh teaches Victorian and Modern literature and Literary Theory at Jesus College, University of Oxford. His first book, V.S. Naipaul, Caribbean Writing, and Caribbean Thought was published by OUP in October 2020. At present he is working on a book on the British writer Penelope Fitzgerald, and on a multimedia project about Caribbean poetry and poetics.Image: ‘Still Life with Corn’ by Charles Ethan PorterMusic used in promotional material: ‘Made in the City’ by Ed Askew Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this 2019 episode, John interviews the celebrated British writer Zadie Smith. The conversation quickly moves through Brexit (oh, the inhumanity!) and what it means to be a London–no, a Northwest London–writer before arriving at her case against identity politics. That case is bolstered by a discussion of Hannah Arendt on the difference between who and what a person is.Zadie and John also touch on the purpose of criticism and why it gets harder to hate as you (middle) age. She reveals an affection for “talkies” (as a “90’s kid,” she can’t help her fondness for Quentin Tarantino); asks whether young novelists in England need to write a book about Henry VIII just to break into bookstores; hears Hegel talking to Kierkegaard, and Jane Austen failing to talk to Jean Genet. Lastly, in Recallable Books, Zadie recommends Jean-Philippe Toussaint’s The Bathroom.Transcript of the episode here.Mentioned: Zadie Smith, White Teeth, NW, Swing Time, “Two Paths for the Novel” “Embassy of Cambodia,” Joni Mitchell: Some Notes on Attunement” “Zadie Smith on J G Ballard’s Crash“ Willa Cather, Song of the Lark (1915, revised 1932) Elif Batuman, The Idiot Charlotte Bronte, The Professor and Villette George Eliot, Middlemarch Pauline Kael, various film reviews Quentin Tarantino, Once Upon a Time…In Hollywood Ursula Le Guin, “The Story’s Where I Go: An Interview” Doris Lessing, The Fifth Child Hilary Mantel, Beyond Black and Wolf Hall Dexter Filkins, “The Moral Logic of Humanitarian Intervention” (on Samantha Power) Patti Smith, Just Kids Elizabeth Strout, Olive Kitteridge, Olive Again Gary Winick (dir.), Thirteen Going on Thirty (starring Jennifer Garner, not Anne Hathaway) Sally Rooney, Normal People Toyin Ojih Odutola Matthew Lopez, The Inheritance Jean-Philippe Toussaint, The Bathroom Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

An interview with debut novelist Peter C Baker. Planes (Knopf, 2022) is the story of a global crime unfolding principally in the domestic lives of two women, Amira, an Italian convert to Islam living in Rome, and Mel, a school board member in North Carolina. Amira is a direct victim of the crime of extraordinary rendition, her husband, Ayoub, having been abducted without criminal charges and taken first to Pakistan and then Morocco, where he was imprisoned and tortured. Ayoub’s eventual return to Amira is a lesson in how trauma comes like a wave for all those in its path.Mel’s life appears quieter. Her activist days behind her, she lives an ordinary suburban life, throwing herself into work on the school board and into a workmanlike affair that seems, at the surface, to have little effect on her family life. That is until the affair is discovered and her onetime partner on the school board is revealed to be deeply intwined with the rendition program that abducted Ayoub.Peter and I talk about how to write about torture outside of the torture room, our unwitting complicity with illegal rendition programs in the US, and our shared love of W.G. Sebald.Books Recommended in this episode:W.G. Sebald, The Rings of SaturnMarlen Haushofer, The WallChris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies