New Books in Literary Studies

Adrienne Mayor is renowned for exploring the borders of history, science, archaeology, anthropology, and popular knowledge to find historical realities and scientific insights--glimmering, long-buried nuggets of truth--embedded in myth, legends, and folklore. Combing through ancient texts and obscure sources, she has spent decades prospecting for intriguing wonders and marvels, historical mysteries, diverting anecdotes, and hidden gems from ancient, medieval, and modern times. Flying Snakes and Griffin Claws: And Other Classical Myths, Historical Oddities, and Scientific Curiosities (Princeton UP, 2022) is a treasury of fifty of her most amazing and amusing discoveries.The book explores such subjects as how mirages inspired legends of cities in the sky; the true identity of winged serpents in ancient Egypt; how ghost ships led to the discovery of the Gulf Stream; and the beauty secrets of ancient Amazons. Other pieces examine Arthur Conan Doyle's sea serpent and Geronimo's dragon; Flaubert's obsession with ancient Carthage; ancient tattooing practices; and the strange relationship between wine goblets and women's breasts since the times of Helen of Troy and Marie Antoinette. And there's much, much more.Showcasing Mayor's trademark passion not to demythologize myths, but to uncover the fascinating truths buried beneath them, Flying Snakes and Griffin Claws is a wonder cabinet of delightful curiosities. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Hugo Marcus (1880–1966) was a man of many names and many identities. Born a German Jew, he converted to Islam and took the name Hamid, becoming one of the most prominent Muslims in Germany prior to World War II. He was renamed Israel by the Nazis and sent to the Sachsenhausen concentration camp before escaping to Switzerland. He was a gay man who never called himself gay but fought for homosexual rights and wrote queer fiction under the pen name Hans Alienus during his decades of exile.In German, Jew, Muslim, Gay: The Life and Times of Hugo Marcus (Columbia University Press, 2020), Marc David Baer uses Marcus’s life and work to shed new light on a striking range of subjects, including German Jewish history and anti-Semitism, Islam in Europe, Muslim-Jewish relations, and the history of the gay rights struggle. Baer explores how Marcus created a unique synthesis of German, gay, and Muslim identity that positioned Johann Wolfgang von Goethe as an intellectual and spiritual model. Marcus’s life offers a new perspective on sexuality and on competing conceptions of gay identity in the multilayered world of interwar and postwar Europe. His unconventional story reveals new aspects of the interconnected histories of Jewish and Muslim individuals and communities, including Muslim responses to Nazism and Muslim experiences of the Holocaust. An intellectual biography of an exceptional yet little-known figure, German, Jew, Muslim, Gay illuminates the complexities of twentieth-century Europe’s religious, sexual, and cultural politics.Marc David Baer is professor of international history at the London School of Economics and Political Science.Armanc Yildiz is a doctoral candidate in Social Anthropology with a secondary field in Studies in Women, Gender and Sexuality at Harvard University. He is also the founder of Academics Write, where he supports scholars in their writing projects as a writing coach and developmental editor. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Eric Wade speaks with Saronik about lust. They discuss how depictions of sexuality in medieval literature have persisted through literary traditions and shaped modern ideas of Orientalism and the sexual other.In the episode, Eric mentions a number of modern theorists, including Edward Said, Joseph Boone, Ghassan Moussawi, and Joseph Massad.Dr. Erik Wade—a visiting lecturer at the Universität-Bonn—researches the global origins of early medieval English ideas of sexuality and race. He is co-writing a book with Dr. Mary Rambaran-Olm, titled Race in Early Medieval England, out next year from Cambridge University Press.This week’s image is a medieval illumination of the Dream of the Magi, showing the three kings hanging out naked in bed, in the Salzburg Missal, Regensburg ca. 1478-1489 [München, Bayerische Staatsbibliothek, Clm 15708 I, fol. 63r].Music used in promotional material: ‘Streets of Sant’lvo’ by Mid-Air Machine Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode of How To Be Wrong, we talk with novelist New York Times and USA Today bestselling author Douglas Richards, about his career as a writer and how his started in the biotech industry. Doug is the author of 18 novels, his most recent being the science fiction thriller, Unidentified. Our conversation explores questions of changing paths in one’s career and also the complex and difficult work that goes into being a writer.John W. Traphagan, Ph.D. is Professor and Mitsubishi Heavy Industries Fellow in the Department of Religious Studies at the University of Texas at Austin, where he is also a professor in the Program in Human Dimensions of Organizations. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Tejanaland: A Writing Life in Four Acts (Texas A&M UP, 2021) by Teresa Palomo Acosta--poet, historian, author, and activist--spans three decades of her writing, from 1988 through 2018. The collection is divided into four parts: poems, essays, a children's story, and plays. Each work addresses cultural, historical, political, and gender realities that she experienced from her childhood to the present.The plays, set in the Central Texas Blackland Prairies where Acosta was raised, provide a unique Latina vision of memory, identity, and experience and are a vital contribution to Chicana feminist thought. The essays focus on Acosta's literary heroes Jovita González de Mireles, Sara Estela Ramírez, and Elena Zamora O'Shea, important writers who contributed significantly to Tejana literature and to Texas letters. The children's story, "Colchas, Colchitas," is based on Acosta's most notable poem, "My Mother Pieced Quilts," which pays homage to her mother and the many women of her generation who employed needles and thread, creating both practical and symbolic artifacts.This collection is a creative and, indeed, essential expansion of boundaries for what we think of as history, offering a unique and compelling look into the lived experiences and interior contemplations of a Texas artist well worth knowing. Readers will increase their understanding of Tejana experience in the late twentieth and early twenty-first centuries. Tejanaland promises to become an important addition to the cultural record, informing historical perspectives on the experiences of Tejana women and contributing significantly to the existing body of work from Tejana writers.Tiffany González is an Assistant Professor of History at James Madison University. She is a historian of Chicana/Latinx history, American politics, and social movements. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Eternalized Fragments: Reclaiming Aesthetics in Contemporary World Fiction (Ohio State UP, 2020) explores the implications of treating literature as art--examining the evolving nature of aesthetic inquiry in literary studies, with an eye to how twentieth- and twenty-first-century world fiction challenges our understandings of form, pleasure, ethics, and other critical concepts traditionally associated with the study of aesthetics. Since postmodern and contemporary fiction tend to be dominated by disjunctures, paradoxes, and incongruities, this book offers an account of how and why readers choose to engage regardless, articulating the cognitive rewards such difficulties offer. By putting narrative and philosophical approaches in conversation with evolutionary psychology and contemporary neuroscience, W. Michelle Wang examines the value of attending to aesthetic experiences when we read literature and effectively demonstrates that despite the aesthetic's stumble in time, our ongoing love affair with fiction is grounded in our cognitive engagements with the text's aesthetic dimensions. Drawing on a diverse range of works by Gabriel García Márquez, Kazuo Ishiguro, Arundhati Roy, Jeanette Winterson, Jennifer Egan, Italo Calvino, Flann O'Brien, and Alasdair Gray, Eternalized Fragments lucidly renders the aesthetic energies at work in the novels' rich potentialities of play, the sublime's invitation to affective renegotiations, and beauty's polysemy in shaping readerly capacities for nuances. Dr. Wang is Assistant Professor at Nanyang Technological University in Singapore. Gargi Binju is a researcher at the University of Tübingen. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

One of the largely untold stories of Orientalism is the degree to which the Middle East has been associated with "deviant" male homosexuality by scores of Western travelers, historians, writers, and artists for well over four hundred years. And this story stands to shatter our preconceptions of Orientalism.To illuminate why and how the Islamicate world became the locus for such fantasies and desires, Boone deploys a supple mode of analysis that reveals how the cultural exchanges between Middle East and West have always been reciprocal and often mutual, amatory as well as bellicose. Whether examining European accounts of Istanbul and Egypt as hotbeds of forbidden desire, juxtaposing Ottoman homoerotic genres and their European imitators, or unlocking the homoerotic encoding in Persian miniatures and Orientalist paintings, this remarkable study models an ethics of crosscultural reading that exposes, with nuance and economy, the crucial role played by the homoerotics of Orientalism in shaping the world as we know it today.A contribution to studies in visual culture as well as literary and social history, The Homoerotics of Orientalism (Columbia UP, 2014) draws on primary sources ranging from untranslated Middle Eastern manuscripts and European belles-lettres to miniature paintings and photographic erotica that are presented here for the first time.Joseph Allen Boone is a professor of English and gender studies at the University of Southern California and the author of Libidinal Currents: Sexuality and the Shaping of Modernism and Tradition Counter Tradition: Love and the Form of Fiction. He has received fellowships from the Guggenheim Foundation, the National Humanities Center, the Huntington, the Stanford Humanity Center, and the American Council of Learned Societies and has been in residency at the Liguria Center at Bogliasco, the Rockefeller-Bellagio Center, and the Valparaiso Foundation.Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Outrageous Fortune: Gloomy Reflections on Luck and Life (Oxford UP, 2020), William Ian Miller offers his reflections on the perverse consequences, indeed often the opposite of intended effects, of so-called 'good things'. Noted for his remarkable erudition, wit, and playful pessimism, Miller here ranges over topics from personal disasters to literary and national ones. Drawing on a truly immense store of knowledge encompassing literature, philosophy, theology, and history, he excavates the evidence of human anxieties around scarcity in all its forms (from scarcity of food to luck to where we stand in the eyes of others caught in a game of musical chairs we often do not even know we are playing). With wit and sensitivity, along with a large measure of fearless self-scrutiny, he points to and invites us to recognize the gloomy, neurotic, despondent tendencies of reasonably sentient human life. The book is a careful examination of negative beliefs, inviting an experience of bleak fellow-feeling among the author, the reader and many a hapless soul across the centuries. Just what makes you more nervous, he asks, a run of good luck, or a run of bad?William Domnarski is a longtime lawyer who before and during has been a literary guy, with a Ph.D. in English. He's written five books on judges, lawyers, and courts, two with Oxford, one with Illinois, one with Michigan, and one with the American Bar Association. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Nicholas Birns talks about ‘the hyperlocal’, a modality of American journalism in the early 1990s that he adapts to characterize a flexible and transposable concept of the local used in eighteenth and nineteenth century British and American literatures.Nicholas Birns teaches at the Center for Applied Liberal Arts at New York University. He is the author of The Hyperlocal in Eighteenth and Nineteenth Century Literary Space (Lexington, 2019). With Louis Klee, he is currently coexisting a companion to the Australian novel to be published by Cambridge University Press.Image: “The Hyperlocal” © 2021 Saronik BosuMusic used in promotional material: ‘It All Begins Here’ by Borrtex Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Justin Gautreau's book The Last Word: The Hollywood Novel and the Studio System (Oxford UP, 2020) argues that the Hollywood novel opened up space for cultural critique of the film industry at a time when the industry lacked the capacity to critique itself. While the young studio system worked tirelessly to burnish its public image in the wake of celebrity scandal, several industry insiders wrote fiction to fill in what newspapers and fan magazines left out. Throughout the 1920s and 1930s, these novels aimed to expose the invisible machinery of classical Hollywood cinema, including not only the evolving artifice of the screen but also the promotional discourse that complemented it. As likeminded filmmakers in the 1940s and 1950s gradually brought the dark side of the industry to the screen, however, the Hollywood novel found itself struggling to live up to its original promise of delivering the unfilmable. By the 1960s, desperate to remain relevant, the genre had devolved into little more than erotic fantasy of movie stars behind closed doors, perhaps the only thing the public couldn't already find elsewhere. Still, given their unique ability to speak beyond the institutional restraints of their time, these earlier works offer a window into the industry's dynamic creation and re-creation of itself in the public imagination.William Domnarski is a longtime lawyer who before and during has been a literary guy, with a Ph.D. in English. He's written five books on judges, lawyers, and courts, two with Oxford, one with Illinois, one with Michigan, and one with the American Bar Association. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies