New Books in Literary Studies

Yussef El Guindi's In a Clear Concise Arabic Tongue (Broadway Play Publishing, 2021) collects short plays and monologues from almost twenty years of this exciting playwright's career. Guindi writes mainly about Arab and Muslim character, but does so within the framework of the American immigrant story. These are stories of characters caught between the reductive ideas wider American society holds about them and the much more complex reality they know is obscured by stereotypes. These plays are funny, moving, political, personal, epic, and miniature. They represent the arc of a playwright coming to artistic maturity, and should be a welcome addition to any theatre or school festival of short work.Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

It is a scary and disorienting time for art, as it is a scary and disorienting time in general. Aesthetic experience is both overshadowed by the spectacle of current events and pressed into new connection with them. The self-image of art as a social good is collapsing under the weight of capitalism’s dysfunction.Art in the After-Culture: Capitalist Crisis and Cultural Strategy (Haymarket Books, 2022), art critic Ben Davis makes sense of our extreme present as an emerging "after-culture"—a culture whose forms and functions are being radically reshaped by cataclysmic events. In the face of catastrophe, he holds out hope that reckoning with the new realities of art, technology, activism, and the media, can help us weather the super-storms of the future.Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Manuscripts teem with life. They are not only the stuff of history and literature, but they offer some of the only tangible evidence we have of entire lives, long receded.Hidden Hands: The Lives of Manuscripts and Their Makers (Riverrun, 2021) tells the stories of the artisans, artists, scribes and readers, patrons and collectors who made and kept the beautiful, fragile objects that have survived the ravages of fire, water and deliberate destruction to form a picture of both English culture and the wider European culture of which it is part.Without manuscripts, she shows, many historical figures would be lost to us, as well as those of lower social status, women and people of colour, their stories erased, and the remnants of their labours destroyed.From the Cuthbert Bible, to works including those by the Beowulf poet, Margery Kempe, Julian of Norwich, Sir Thomas Malory, Chaucer, the Paston Letters and Shakespeare, Mary Wellesley describes the production and preservation of these priceless objects. With an insistent emphasis on the early role of women as authors and artists and illustrated with over fifty colour plates, Hidden Hands is an important contribution to our understanding of literature and history.Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Farah Bakaari talks about Trace, a core concept in deconstruction, that denotes an absent presence, a mark of something that is no longer there. She talks about how in her own work she has used the concept of trace to write about legacies of colonialism and slave trade in the Atlantic and Indian oceans, for which there is no archive that is conventionally legible.In the episode Farah mentions the work of Parisa Vaziri on Iranian cinema and music as an example of work that interrogates an historical trace. You can listen to Parisa discuss forthcoming book here.Farah Bakaari is a doctoral student in the Department of Literatures in English at Cornell University. Her research focuses on twentieth-century African literature, in particular the politics of time in anti-colonial and postcolonial works of art. She also works in memory studies and trauma theory. She holds a BA in English and Political Science from Grinnell College.Image: © 2021 Saronik BosuMusic used in promotional material: ‘The Lost and Forgotten’ by Hellenica Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In 1940, Hans Augusto Rey and Margret Rey built two bikes, packed what they could, and fled wartime Paris. Among the possessions they escaped with was a manuscript that would later become one of the most celebrated books in children’s literature—Curious George. Since his debut in 1941, the mischievous icon has only grown in popularity. After being captured in Africa by the Man in the Yellow Hat and taken to live in the big city’s zoo, Curious George became a symbol of curiosity, adventure, and exploration. In Curious about George: Curious George, Cultural Icons, Colonialism, and US Exceptionalism (University Press of Mississippi, 2021), author Rae Lynn Schwartz-DuPre argues that the beloved character also performs within a narrative of racism, colonialism, and heroism.Using theories of colonial and rhetorical studies to explain why cultural icons like Curious George are able to avoid criticism, Schwartz-DuPre investigates the ways these characters operate as capacious figures, embodying and circulating the narratives that construct them, and effectively argues that discourses about George provide a rich training ground for children to learn US citizenship and become innocent supporters of colonial American exceptionalism. By drawing on postcolonial theory, children’s criticisms, science and technology studies, and nostalgia, Schwartz-DuPre’s critical reading explains the dismissal of the monkey’s 1941 abduction from Africa and enslavement in the US, described in the first book, by illuminating two powerful roles he currently holds: essential STEM ambassador at a time when science and technology is central to global competitiveness and as a World War II refugee who offers a “deficient” version of the Holocaust while performing model US immigrant. Curious George’s twin heroic roles highlight racist science and an Americanized Holocaust narrative. By situating George as a representation of enslaved Africans and Holocaust refugees, Curious about George illuminates the danger of contemporary zero-sum identity politics, the colonization of marginalized identities, and racist knowledge production. Importantly, it demonstrates the ways in which popular culture can be harnessed both to promote colonial benevolence and to present possibilities for resistance.Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Brecht and the Bible: A Study of Religious Nihilism and Human Weakness in Brecht's Drama of Morality and the City (UNC Press, 2020), Father G. Ronald Murphy argues that Brecht, atheist and Marxist though he was, was also a sensitive reader and interpreter of the Bible. Murphy persuasively shows that Brecht's use of Biblical texts was not only satirical, but was at times deadly serious, particularly concerning the theme of death itself. For Brecht, the Bible provides eloquent reminders of the finitude of life and of the necessity of work, of eating by the sweat of one's brow. The conflict between work and life, for example in the case of Mother Courage's paradoxical dependence on the war for her survival even as it kills her precious children, proves a major theme in Brecht. This is a work that should appeal to scholars of German literature, but also to anyone interested in the interpretation of Brecht, whether for scholarly or artistic reasons.Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Toni Morrison’s Playing in the Dark: Whiteness and the Literary Imagination is a must-read for anyone interested in American literature and in the formation of American identity in general. In her short, incisive book, Nobel-prize winner Morrison explores the ways in which canonical authors like Edgar Allan Poe, Herman Melville, Mark Twain, Willa Cather, William Faulkner and Ernest Hemingway conspicuously invented African American characters for their projects of creating American identity – and how critics have deliberately overlooked, ignored or dismissed this dimension of the American canon. Morrison’s point is not to out these writers as racist or to cancel their works but to explain the role of African American figures in the aesthetic and artistic project of inventing American identity and a canon of national literature. I spoke with Paul Edwards, who is my colleague as Assistant Professor of English and Dramatic Literature at New York University and a book reviews editor for The Black Scholar. Professor Edwards’s current book project, The Black Wave: The New Negro Renaissance in Interwar Germany, reveals the effects of the New Negro/Harlem Renaissance in Germany from 1925 to 1938. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Stories of world-ending catastrophe have featured prominently in film and television lately. Zombie apocalypses, climate disasters, alien invasions, global pandemics, and dystopian world orders fill our screens—typically with a singular figure or tenacious group tasked with saving or salvaging the world. In her new book, Apocalypse and Heroism in Popular Culture: Allegories of White Masculinity in Crisis (McFarland Press, 2022), Dr. Katherine E. Sugg asks, why are stories of End Times crisis so popular with audiences? And why is the hero so often a white man who overcomes personal struggles and major obstacles to lead humanity toward a restored future?This book examines the familiar trope of the hero and the recasting of contemporary anxieties in films and TV like The Walking Dead, Snowpiercer, Mad Max: Fury Road, and more. Some have familiar roots in Western cultural traditions, yet many question popular assumptions about heroes and heroism to tell new and fascinating stories about race, gender and society, and the power of individuals to change the world.Katherine E. Sugg is a professor of English and Latino & Puerto Rican studies at Central Connecticut State University in New Britain, Connecticut. She teaches and writes on world literatures, Latino and comparative American studies, and film and media. She has also written several journal articles and published a book entitled Gender and Allegory in Transamerican Fiction and Performance.Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. carrie-lynn.evans@lit.ulaval.ca @carrielynnland  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Mahakavi Subramania Bharati was a multi-faceted genius, an innovative poet who initiated a new era in Tamil literature. He was the first writer to have introduced to the Tamil literary world a new genre called ‘novella’ by his composition of Ñānaratam (‘The Wisdom-chariot’) written in elegant Tamil prose. In Soaring with Bharati in the Wisdom-Chariot (Ñānaratam), Dr Radha Raghunathan gives the biographical background of Bharati, his association with Dr. Annie Besant of the Theosophical Society and his contributions for ‘New India’ and ‘Commonweal,’ and a translation of Bharati’s ‘novella’ Ñānaratam.Raj Balkaran is a scholar, online educator, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Stephen Guy-Bray talks about sexuality, a concept that brings together the the use of sexual metaphors in the description of textual production and the erotics that inhere in reading praxes. Among other things, this concept is a critique of the use of popular heteronormative metaphors of reproduction to describe the creation of literature.Stephen Guy-Bray is professor of English at the University of British Columbia. He specializes in Renaissance poetry, queer theory, and poetics. He has just finished a monograph on line endings in Renaissance poetry.Image: © 2021 Saronik BosuMusic used in promotional material: ‘The Gold Lining’ by Broke For Free Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies