New Books in Literary Studies

When we lose someone we love, when we suffer loss or defeat, when catastrophe strikes—war, famine, pandemic—we go in search of consolation. Once the province of priests and philosophers, the language of consolation has largely vanished from our modern vocabulary, and the places where it was offered, houses of religion, are often empty. Rejecting the solace of ancient religious texts, humanity since the sixteenth century has increasingly placed its faith in science, ideology, and the therapeutic. How do we console each other and ourselves in an age of unbelief? In a series of lapidary meditations on writers, artists, musicians, and their works—from the books of Job and Psalms to Albert Camus, Anna Akhmatova, and Primo Levi—esteemed writer and historian Michael Ignatieff shows how men and women in extremity have looked to each other across time to recover hope and resilience. Recreating the moments when great figures found the courage to confront their fate and the determination to continue unafraid, On Consolation: Finding Solace in Dark Times (Metropolitan Books, 2021) takes those stories into the present, movingly contending that we can revive these traditions of consolation to meet the anguish and uncertainties of our precarious twenty-first century.Michael Ignatieff is the former head of Canada's Liberal Party, director of the Carr Center for Human Rights at Harvard's Kennedy School, and president of Central European University. He is currently a professor at CEU in Vienna.Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Inspired by the reading and writing habits of citizens leading up to the French Revolution, The Writing Public: Participatory Knowledge Production in Enlightenment and Revolutionary France (Cornell UP, 2021) is a compelling addition to the long-running debate about the link between the Enlightenment and the political struggle that followed. Dr. Elizabeth Andrews Bond diligently scoured France's local newspapers spanning the two decades prior to the Revolution as well as its first three years shining a light on the letters to the editor. The Writing Public is a history of the thousands of readers and writers who participated in the Enlightenment and the French Revolution by writing to their local newspapers. A form of early social media, these letters constituted a lively and ongoing conversation among readers.Bond takes us beyond the glamorous salons of the intelligentsia into the everyday worlds of the craftsmen, clergy, farmers, and women who composed these letters. As a result, we get a fascinating glimpse into who participated in public discourse, what they most wanted to discuss, and how they shaped a climate of opinion.The Writing Public offers a novel examination of how French citizens used the information press to form norms of civic discourse and shape the experience of revolution. The result is a nuanced analysis of knowledge production during the Enlightenment.The Writing Public won the David H. Pinkney Prize from the Society for French Historical Studies.Dr. Elizabeth Andrews Bond is an associate professor of History at The Ohio State University. She is a specialist in the history of print and public opinion, the social history of ideas, the cultural history of the Enlightenment, and the French Revolution.Brigid Wallace is a Graduate Student in the History Department at Lehigh University. (Twitter: @faithismine51) Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Art After Liberalism (Columbia UP, 2022) is an account of creative practice at a moment of converging political and social rifts – a moment that could be described as a crisis of liberalism. The apparent failures of liberal thinking are a starting point for an inquiry into emergent ways of living, acting, and making art in the company of others.What happens when the framework of the nation-state, the figure of the enterprising individual, and the premise of limitless development can no longer be counted on to produce a world worth living in? It is increasingly clear that these commonplace liberal conceptions have failed to improve life in any lasting way. In fact, they conceal fundamental connections to enslavement, colonization, moral debt, and ecological devastation.Nicholas Gamso speaks to Pierre d’Alancaisez about the ills of liberalism and art’s role in deciding on what may come after the impasse.Nicholas Gamso is a writer and academic who works across theory, visual culture, performance, and space/place. He’s an editor at Places. Kara Walker, A Subtlety, 2014 Manaf Halbouni, Monument, 2017 Warren Kanders controversy at the Whitney Triple Chaser by Forensic Architecture My conversations with and on Forensic Architecture Wolfgang Tillmans and his anti-Brexit campaign Ren Hang Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Hannah Arendt said that she had one life-long “best friend.” That was Rachel Varnhagen, a Jewish woman who lived in Enlightenment-era Berlin around 1800 and died 73 years before Arendt was born, in 1906. Arendt wrote her first book, a startlingly original literary biography of Varnhagen who founded one of the most celebrated yet short-lived salons in Enlightenment era Prussia. I spoke with Courtney Blair Hodrick, a doctoral candidate completing a book-long study of Arendt, and Professor Amir Eshel, both of Stanford University to discover what is at stake in Arendt’s unusual biography, why the book meant at once so much to Arendt and why she nonetheless almost neglected to publish it, and what this biography of a Jewish women in 19th century Berlin can teach us today about questions of identity, belonging, assimilation, women, Jews, anti-Semitism, freedom, politics, the private and the public, and many of the other topics that concerned Arendt throughout her lifetime.Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Drawing on newly released and digitized archival records, Houlihan’s Theatre and Archival Memory: Irish Drama and Marginalised Histories 1951-1977 (Palgrave MacMillan, 2021) examines a pivotal period of social and cultural change in the history of Irish theatre, offering unique insights into the production and reception of Irish drama, its internationalization and political influences. From the 1950s onwards, Irish theatre engaged audiences within new theatrical forms at venues from the Pike Theatre, the Project Arts Centre, and the Gate Theatre, as well as at Ireland’s national theatre, the Abbey.Incorporating the work of overlooked female playwrights like Edna O’Brien, Mary Manning, Carolyn Swift, and Mairead Ni Ghrada, this book argues for an inclusive historiography reflective of the formative impacts of marginalized performance histories upon modern Irish theatre. This study examines these works' experimental dramaturgical impacts in terms of production, reception, and archival legacies. Theatre and Archival Memory is framed by the device of ‘archival memory’ and serves as a means for scholars and theatre-makers to inter-contextualize existing historiography and to challenge canon formation. It also presents a new social history of Irish theatre told from the fringes of history and reanimated through archival memory.Bridget English is a scholar of Irish literature and culture, modernism, and health humanities, based at the University of Illinois Chicago. She co-convenes the Irish Studies Seminar at the Newberry Library and is the Literature Representative for the American Conference for Irish Studies. On Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Silvia Schwarz Linder's Goddess Traditions in India: Theological Poems and Philosophical Tales in the Tripurarahasya (Routledge, 2022) is a study of the Śrīvidyā and Śākta traditions in the context of South Indian intellectual history in the late middle ages.Associated with the religious tradition known as Śrīvidyā and devoted to the cult of the Goddess Tripurā, the text was probably composed between the 13th and the 16th century CE. The analysis of its narrative parts addresses questions about the relationships between Tantric and Purāṇic goddesses. The discussion of its philosophical and theological teachings tackles problems related to the relationships between Sākta and Śaiva traditions. The stylistic devices adopted by the author(s) of the work deal uniquely with doctrinal and ritual elements of the Śrīvidyā through the medium of a literary and poetic language. This stylistic peculiarity distinguishes the Tripurārahasya from many other Tantric texts, characterized by a more technical language.Raj Balkaran is a scholar, online educator, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How did the Cold War shape culture and political power in decolonizing countries and give rise to authoritarian regimes in the so-called free world? Cold War Reckonings: Authoritarianism and the Genres of Decolonization (Fordham UP, 2021) tells a new story about the Cold War and the global shift from colonialism to independent nation-states. Assembling a body of transpacific cultural works that speak to this historical conjuncture, Jini Kim Watson reveals autocracy to be not a deficient form of liberal democracy, but rather the result of Cold War entanglements with decolonization.Focusing on East and Southeast Asia, the book scrutinizes cultural texts ranging from dissident poetry, fiction, and writers’ conference proceedings of the Cold War period, to more recent literature, graphic novels, and films that retrospectively look back to these decades with a critical eye. Paying particular attention to anti-communist repression and state infrastructures of violence, the book provides a richaccount of several U.S.–allied Cold War regimes in the Asia Pacific, including the South Korean military dictatorship, Marcos’ rule in the Philippines, illiberal Singapore under Lee Kuan Yew, and Suharto’s Indonesia.Watson’s book argues that the cultural forms and narrative techniques that emerged from the Cold War-decolonizing matrix offer new ways of comprehending these histories and connecting them to our present. The book advances our understanding of the global reverberations of the Cold War and its enduring influence on cultural and political formations in the Asia Pacific.Cold War Reckonings earned Honorable Mention for the 2022 René Wellek Prize.Jini Kim Watson is Professor of English and Comparative Literature at New York University. She is the author of The New Asian City: Three-dimensional Fictions of Space and Urban Form and editor, with Gary Wilder, of The Postcolonial Contemporary: Political Imaginaries for the Global Present.Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

A novelist, a translator and a theorist of translation walk into a Zoom Room......Alejandro Zambra, Megan McDowell, and Kate Briggs provide the perfect start to Season 4 of Novel Dialogue. Our first themed season is devoted to translation in all its forms: into and out of English and also in, around, and over the borders between criticism and fiction. We talk to working translators, novelists who write in multiple languages, and we even time travel to discover older novels made new again in translation. How perfect then to begin with Kate, whose 2017 This Little Art is filled with translational brainteasers: how do I translate characters speaking French in a German novel? what does it mean that “A translation becomes a translation only when somebody declares it to be one”?In this episode, Alejandro and Megan discuss their working relationship and share both Spanish and English passages from Alejandro’s most recent novel, Chilean Poet. There follows a dazzling discussion of poetry within novels, of struggling to be “reborn” as you learn a second language “as something that no longer goes without saying.” Alejandro proposes that to speak Spanish itself, (except “bestseller Spanish”) is already to pivot between the language as it’s spoken differently in different countries. Finally, the new ND “signature question” engenders a cheerful tirade from Megan that brings the conversation to a delightfully feisty conclusion.Find out more about Novel Dialogue and its hosts and organizers here. Contact us, get that exact quote from a transcript, and explore many more conversations between novelists and critics.Mentioned in the episode --Roland Barthes, The Preparation of the Novel; How to Live Together --Samanta Schweblin --Mariana Enriquez --Lina Meruane --Joseph Conrad --Vladimir Nabakov --Oulipo writers who chose rules to organize their writing: e.g.. Georges Perec wrote a novel without the letter e. --Wordsworth, "Nuns Fret Not at Their Convent’s Narrow Room" --Robert Browning as practitioner of "dramatic monologue" (or "double poem") --Alfred, Lord Tennyson --Elizabeth Barrett Browning --Emily Brontë --Charlotte Brontë --Emily Dickinson --T. S. Eliot, "The Waste Land" --I. A. Richards --Randall Jarrell ("Gertrude spoke French so badly anyone could understand it.....") Find out more about Novel Dialogue and its hosts and organizers here. Contact us, get that exact quote from a transcript, and explore many more conversations between novelists and critics. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Cultural historians Morgan Pitelka and Reiko Tanimura partner with one of Japan’s premier experts in calligraphy and letter writing, Takashi Masuda, to translate and annotate twenty-three unique letters alongside images of the hand-brushed originals. Each letter is presented first in its original format as a brushed piece of calligraphy. The authors provide a transcription of the letter into Japanese, followed by an English translation. Next is a commentary with the biography of the letter’s author and in some cases the addressee, the context for its writing, and brief descriptions of relevant locations, individuals, and historical events mentioned therein. Letters from Japan's Sixteenth and Seventeenth Centuries (IEAS, 2021) offers readers rare access in English to the voices of renowned historical figures from Japan’s Age of Unification and early Edo period.Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Celebrating Sorrow: Medieval Tributes to the Tale of Sagoromo (Cornell UP, 2022) explores the medieval Japanese fascination with grief in tributes to The Tale of Sagoromo, the classic story of a young man whose unrequited love for his foster sister leads him into a succession of romantic tragedies as he rises to the imperial throne. Charo B. D'Etcheverry translates a selection of Sagoromo-themed works, highlighting the diversity of medieval Japanese creative practice and the persistent and varied influence of a beloved court tale.Medieval Japanese readers, fascinated by Sagoromo's sorrows and success, were inspired to retell his tale in stories, songs, poetry, and drama. By recontextualizing the tale's poems and writing new libretti, stories, and commentaries about the tale, these medieval aristocrats, warriors, and commoners expressed their competing concerns and ambitions during a chaotic period in Japanese history, as well as their shifting understandings of the tale itself. By translating these creative responses from an era of uncertainty and turmoil, Celebrating Sorrow shows the richness and enduring relevance of Japanese classical and medieval literature.Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies