New Books in Literary Studies

What can a French translator do with a novelist who writes brilliantly about the “confrontation between Englishes?” How can such a confrontation be made legible across the boundaries of language, nation, and history? Renowned scholar and translator Brent Hayes Edwards sits down with publisher and translator Jean-Baptiste Naudy to consider these questions in a wide-ranging discussion about translating the Jamaican American writer Claude McKay. They focus especially on the recent translation into French of McKay’s 1941 Amiable with Big Teeth, which paints a satirical portrait of efforts by 1930s Harlem intelligentsia to organize support for the liberation of fascist-controlled Ethiopia. Brent and Jean-Baptiste consider McKay’s lasting legacy and ongoing revival in the U.S. and France. Translating McKay into French, they note, is a matter of reckoning with France’s own imperial history. That history, along with McKay’s complex understanding of race both in the U.S. and abroad, is illuminated in this conversation about one of the Harlem Renaissance’s most celebrated writers. Be sure to check out this episode’s special bonus material for a dramatic, bilingual reading from Amiable with Big Teeth by Jean-Baptiste!Find out more about Novel Dialogue and its hosts and organizers here. Contact us, get that exact quote from a transcript, and explore many more conversations between novelists and critics. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Elizabeth and John talk with Brandeis linguistic anthropologist Janet McIntosh about the language of US alt-right movements. Janet's current book project on language in the military has prompted thoughts about the "implausible deniability" of "Let's Go Brandon"--a phrase that "mocks the idea we have to mince words."The three of them unpack the "regimentation" of the phrase, the way it rubs off on associated signs, and discusses what drill sergeants on Parris Island really do say. They speculates on the creepy, Dark Mirror-esque similarity between the deciphering of "Q-drops" and academic critique. Turning back to her work on basic training, Janet unpacks the power of "semiotic callousing."Mentioned in this episode: "Code Words and Crumbs," Brandeis Magazine "Crybabies and Snowflakes," Download from Language in the Trump Era: Scandals and Emergencies, edited by Janet McIntosh and Norma Mendoza-Denton, Cambridge University Press, 2020. Theodor Adorno, The Stars Down to Earth. Hofstadter, Richard The paranoid style in American politics." 1964. Lepselter, Susan, The Resonance of Unseen Things: Poetics, Power, Captivity, and UFOs in the American Uncanny. University of Michigan, 2016 Trollope, Anthony. Marion Fay: a Novel. Vol. 29. Chatto and Windus, Piccadilly, 1883. Silverstein, Michael. "Language and the culture of gender: At the intersection of structure, usage, and ideology." In Semiotic mediation, pp. 219-259. Academic Press, 1985. Listen to the episode hereRead the transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What can James Joyce, Kate O’Brien, Edna O’Brien, Keith Ridgway, Tana French, and Anne Enright tell us about Ireland’s culture of child sexual abuse? Much, it turns out. In their 2020 co-authored book, Writing the Unspeakable: The Child Sex Scandal and Modern Irish Literature (Indiana UP, 2020), Margot Gayle Backus and Joseph Valente examine the works of these six modern Irish authors, whose writings are both reflections of and engagements with the “open secrets,” “architecture of containment”, and “enigma of sexual violence” in the Free State/Republic. Join us as we chat about psychoanalysis, the struggle to write about child sexual abuse, the anti-trans and homophobic rhetoric of current Florida and Texas “child protection” laws, and the window that literature provides for thinking about Irish history.Averill Earls is the Executive Producer of Dig: A History Podcast (a narrative history podcast, rather than interview-based), and an Assistant Professor of History at St. Olaf College. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What can James Joyce, Kate O’Brien, Edna O’Brien, Keith Ridgway, Tana French, and Anne Enright tell us about Ireland’s culture of child sexual abuse? Much, it turns out. In their 2020 co-authored book, Writing the Unspeakable: The Child Sex Scandal and Modern Irish Literature (Indiana UP, 2020), Margot Gayle Backus and Joseph Valente examine the works of these six modern Irish authors, whose writings are both reflections of and engagements with the “open secrets,” “architecture of containment”, and “enigma of sexual violence” in the Free State/Republic. Join us as we chat about psychoanalysis, the struggle to write about child sexual abuse, the anti-trans and homophobic rhetoric of current Florida and Texas “child protection” laws, and the window that literature provides for thinking about Irish history.Averill Earls is the Executive Producer of Dig: A History Podcast (a narrative history podcast, rather than interview-based), and an Assistant Professor of History at St. Olaf College. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today I talked to Hester Blum, editor of a new edition of Moby-Dick (Oxford UP, 2022)."It will be a strange sort of a book, tho', I fear; blubber is blubber you know; tho' you may get oil out of it, the poetry runs as hard as sap from a frozen maple tree;--& to cook the thing up, one must needs throw in a little fancy.... Yet I mean to give the truth of the thing, spite of this."Moby-Dick has a monumental reputation. Less well known are the novel's unexpectedly weird, funny, tantalizing, messy, and wondrous moments. Narrator Ishmael, along with the whaleship Pequod's other meanest mariners, and renegades and castaways, is beguiled into joining Captain Ahab in his vengeful pursuit of the white whale that dismasted him. But along the way, Ishmael takes the reader along many a detour into variegated ways of knowing. In a tone strangely compounded of fun and fury, Moby-Dick brings outlandish curiosity to bear on the multitudinous, oceanic scale of our diverse world.William Domnarski is a longtime lawyer who before and during has been a literary guy, with a Ph.D. in English. He's written five books on judges, lawyers, and courts, two with Oxford, one with Illinois, one with Michigan, and one with the American Bar Association. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

You probably already know the story of Snow White—as well as Little Red Riding Hood, Briar Rose, The Frog Prince, and so many others. These tales have a rich history of oral storytelling. They’ve travelled through culture, adapted and readapted in each retelling and reaching as far as the popular Disney movies that our kids watch over and over. Jacob and Wilhelm Grimm saw the power of this folklore and made it their life’s mission to compile and preserve it. But while we tend to think of Grimms’ Fairy Tales as stories for children, the themes found in Jacob and Wilhelm’s book can be pretty mature…and a little dark. Columbia professor Annie Pfeifer discusses how the Grimm brothers ended up creating a whole new literary genre and their stories have been shaped and molded throughout history. Annie Pfeifer is an Assistant Professor of Germanic Languages at Columbia University. She has published articles in The New German Critique, German Life and Letters, and the peer-reviewed volumes Que(e)rying Consent and Iran and the West and edited a collection of essays titled “Walk I absolutely Must” in 2019. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Frederik Ruysch (1638-1731) was a celebrated Dutch anatomist, master embalmer, and museologist. He is best remembered today for strange tableaux, crafted from fetal skeletons and other human remains, that flicker provocatively at the edges of science, art, and memento mori. Ruysch exhibited these pieces, along with hundreds of other artful specimens, in his home museum and catalogued them in his lavishly illustrated Frederik Ruysch and His Thesaurus Anatomicus (MIT Press, 2022). This book offers the first English translation of Ruysch's guide to his collection, along with all the illustrations from the original volume, photographs of some his most imaginative extant specimens, and more.Ruysch was at once a brilliant scientist, a preternaturally gifted technician, an esteemed physician, a religious moralizer, and an artist whose prime form of expression was the medium of human remains. His works were sometimes described as Rembrandts of anatomical preparation; today they seem so strange that we can hardly believe that they even existed, much less that they were so popular in their time. His combination of the religious and the scientific, the painstakingly accurate and the extravagantly fantastical, offers vivid testimony of an era in which science overlapped seamlessly with religion and art. Essays accompanying Ruysch's text and images consider such topics as the historical context of Ruysch's work, the paradox of an artist of death whose work engenders the illusion of life, the conservation of Ruysch's specimens, and the shifting ascendancies of romanticism and rationality in the natural sciences.Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In the face of a Korean cultural world preoccupied with newness, literary output from the more measured and regulated Choson period (1392-1910) can seem difficult to engage with for readers both inside and outside the country. But as Ksenia Chizhova’s Kinship Novels of Early Modern Korea: Between Genealogical Time and the Domestic Everyday (Columbia UP, 2021) shows, a particular genre of late-Chsoson lineage novels reflect not only the staid norms of Confucian patriarchy and heredity, but also a more textured world of unruly emotions, gendered family disputes, calligraphic creativity and scandal simmering under the surface of mundane domestic life.Ed Pulford is an Anthropologist and Lecturer in Chinese Studies at the University of Manchester. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and indigeneity in northeast Asia. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

When Thomas Mann published The Magic Mountain in 1924, tuberculosis had a deadly hold on Europe and the United States, killing one in seven adults in the late 19th and early 20th centuries. If that wasn’t enough, Mann’s writing was interrupted by the First World War, so it took him twelve years to finish the book. Mann was a modern, experimental writer who wrote about the major issues of his time—not only the war and the pandemic, but also industrialization, class resentment, and rising nationalism. The characters of The Magic Mountain live in a sanitorium, recovering from tuberculosis. The experiences they have and the people they meet there symbolize many of the big ideas circulating Europe at the time. Professor Pericles Lewis of Yale University discusses Thomas Mann’s literary legacy and the encyclopedic nature of The Magic Mountain. Pericles Lewis is the Douglas Tracy Smith Professor of Comparative Literature and Professor of English at Yale University. His works include Modernism, Nationalism, and the Novel and Religious Experience and the Modernist Novel. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The African Heritage of Latinx and Caribbean Literature (Cambridge University Press, 2022) unearths a buried African archive within widely-read Latinx writers of the last fifty years. It challenges dominant narratives in World Literature and transatlantic studies that ignore Africa's impact in broader Latin American culture. Sarah Quesada argues that these canonical works evoke textual memorials of African memory. She shows how the African Atlantic haunts modern Latinx and Caribbean writing, and examines the disavowal or distortion of the African subject in the constructions of national, racial, sexual, and spiritual Latinx identity. Quesada shows how themes such as the 19th century 'scramble for Africa,' the decolonizing wars, Black internationalism, and the neoliberal turn are embedded in key narratives. Drawing from multilingual archives about West and Central Africa, she examines how the legacies of colonial French, Iberian, British and U.S. Imperialisms have impacted on the relationships between African and Latinx identities. This is the first book-length project to address the African colonial and imperial inheritance of Latinx literature. -From the Cambridge University Press website.Anna E. Lindner is a doctoral candidate in the Communication Department at Wayne State University in Detroit, Michigan. On Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies