New Books in Southeast Asian Studies

In 2021, a team of divers led by renowned maritime archaeologist Dr Michael Flecker and sponsored by the ISEAS-Yusof Ishak Institute surveyed two historic shipwrecks discovered in the Singapore Strait, working for several months to bring their submerged cargos to the surface. Chinese trade ceramics found in these cargos date their demise to the fourteenth and eighteenth centuries – pivotal moments in the history of the globe-spanning China Trade. The most intriguing aspect of this salvage operation, however, is the discovery in the remains of the older vessel of the most substantial cargo of Yuan-dynasty blue-and-white porcelain yet found in Southeast Asian waters.Joining Dr Natali Pearson on SSEAC Stories, Dr Alex Burchmore argues that these discoveries provide valuable insights into the complex interactions between China and Southeast Asia, allowing us to reposition Southeast Asia at the centre of historic trade narratives. Through the international trade of Chinese ceramics, Dr Burchmore invites us to reimagine the past, rethinking traditional narratives of Chineseness across the region, as well as Australia’s identity in the Asia-Pacific.About Alex Burchmore:Dr Alex Burchmore is an art historian specialising in the study of Chinese and Southeast Asian art, past and present, with a particular focus on ceramics, trade and exchange, and the interweaving of the personal and material. Alex received his PhD from the Australian National University in 2019 and joined the University of Sydney’s Museum and Heritage Studies department in 2021. His first book, New Export China: Translations Across Time and Place in Contemporary Chinese Porcelain Art (University of California Press, 2023), traces the extent to which artists within and beyond China have used porcelain to shape their personal, historical, and cultural identities, from the 1990s to the present. His recent publications include a study of the ‘material Chineseness’ of ink and porcelain in the Australian and New Zealand Journal of Art and a chapter dedicated to the ‘fugitive luxury’ of contemporary Chinese ceramics in The Allure of Matter: Materiality Across Chinese Art (University of Chicago Press, 2021).For more information or to browse additional resources, visit the Sydney Southeast Asia Centre’s website: www.sydney.edu.au/sseac.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/southeast-asian-studies

Quyền Văn Minh (b. 1954) is not only a jazz saxophonist and lecturer at the prestigious Vietnam National Academy of Music, but he is also one of the most preeminent jazz musicians in Vietnam. Considered a pioneer in the country, Minh is often publicly recognized as the “godfather of Vietnamese jazz.” Playing Jazz in Socialist Vietnam: Quyền Văn Minh and Jazz in Hà Nội (UP of Mississippi, 2021) tells the story of the music as it intertwined with Minh’s own narrative. Stan BH Tan-Tangbau details Minh’s life story, telling how Minh pioneered jazz as an original genre even while navigating the trials and tribulations of a fervent socialist revolution, of the ideological battle that was the Cold War, of Vietnam’s war against the United States, and of the political changes during the Đổi Mới period between the mid-1980s and the 1990s.Minh worked tirelessly and delivered two breakthrough solo recitals in 1988 and 1989, marking the first time jazz was performed in the public sphere in the socialist state. To gain jazz acceptance as a mainstream musical art form, Minh founded Minh Jazz Club. With the release of his debut album of original compositions in 2000, Minh shaped the nascent genre of Vietnamese jazz.Minh’s endeavors kickstarted the momentum, from his performing jazz in public, teaching jazz both formally and informally, and contributing to the shaping of an original Vietnamese voice to stand out among the many styles in the jazz world. Most importantly, Minh generated a public space for musicians to play and for the Vietnamese to listen. His work eventually helped to gain jazz the credibility necessary at the national conservatoire to offer instruction in a professional music education program.Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/southeast-asian-studies

Why did leading historians in both Indonesia and the Philippines become involved in projects to write national histories during the 1970s? How far were these projects essentially political undertakings to legitimate the Suharto and Marcos regimes respectively? In conversation with Duncan McCargo, Rommel Curaming discusses how he managed to interview key protagonists behind these controversial history-writing endeavors, many of whom were initially rather reluctant to talk about their roles.Examining two state-sponsored history writing projects in Indonesia and the Philippines in the 1970s, Power and Knowledge in Southeast Asia: State and Scholars in Indonesia and the Philippines (Routledge, 2019) illuminates the contents and contexts of the two projects and, more importantly, provides a nuanced characterization of the relationship between embodiments of power (state, dictators, government officials) and knowledge (intellectuals, historians, history). Known respectively as Sejarah Nasional Indonesia (SNI) and the Tadhana Project, these projects were initiated by the Suharto and Marcos authoritarian regimes against the backdrop of rising and competing nationalisms, as well as the regimes' efforts at political consolidation. The dialectics between actors and the politico-academic contexts determine whether scholarship and politics would clash, mutually support, or co-exist parallel with one another. Rather than one side manipulating or co-opting the other, this study shows the mutual need or partnership between scholars and political actors in these projects. This book proposes the need to embrace rather than deny the entwined power/knowledge if the idea is for scholarship to realize its truly progressive visions. Analyzing the dynamics of state-scholars relations in the two countries, the book will be of interest to academics in the fields on Southeast Asian history and politics, nationalism, historiography, intellectual history and the sociology of knowledge.Rommel A. Curaming is Senior Assistant Professor at the Universiti Brunei Darussalam (UBD). His areas of research include comparative historiography, history and memory of violence, historical theory, and knowledge politics in Southeast Asia, mainly Indonesia and the Philippines. Eighteen books have appeared to date in the Routledge Rethinking Southeast Asia series, which was launched in 2000. The series includes a number of ground-breaking monographs by scholars including Bob Hadiwinata, Jun Honna, Michael Connors, David Streckfuss and Jess Melvin.  Duncan McCargo is an eclectic, internationalist political scientist and literature buff: his day job is directing the Nordic Institute of Asian Studies at the University of Copenhagen. Learn more here, here, here, and here.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/southeast-asian-studies

Aro Velmet's Pasteur's Empire: Bacteriology in France, Its Colonies, and the World (Oxford UP, 2020) is a complex history of the Pasteur Institutes, a network of scientific laboratories established in France and throughout the French empire, beginning in the last decade of the nineteenth century. The book examines the crucial roles Pastorians and Pasteurization played in the imperial project in and between different locations, particularly in Southeast Asia and Africa. Participating in the "civilizing mission," helping to establish and maintain industrial monopolies, and the control of colonial bodies through public health regulation and disease management, the institutes had a tremendous political impact.  Attentive to the experiences and perspectives of the Vietnamese and African peoples in the sites the book focuses on, Pasteur's Empire examines a range of scientific responses and measures, from the study and containment of infectious and epidemic disease to the microbiological aspects of industry. The book's chapters move from "Indochina" to North and West Africa, tracing the way that Pastorians and Pasteurization worked with(in) and sometimes pushed against colonial structures and assumptions. French modernity and the "civilizing mission" had profound and practical biological dimensions. A history that pursues ideas about modernity and the meanings of scientific and other forms of mobility, Pasteur's Empire moves from the local to the global while bringing together science, medicine, and politics. Enjoy the episode!Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and its empire. If you have a recent title to suggest for the podcast, please send her an email (panchasi@sfu.ca).Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/southeast-asian-studies

In Empires of Vice: The Rise of Opium Prohibition across Southeast Asia (Princeton University Press, 2020) Diana Kim situates the regulation of vice at the heart of colonial state building. Through a layered comparison of opium prohibition in Burma, Malaya and Vietnam she shows how petty bureaucrats told stories to one another about opium that incrementally transformed into official problems, which those same bureaucrats and their successors had to solve. Prohibition did not come through grand decisions and decisive moments in old European metropoles and new international organizations so much as it did via accumulated observations and interpretations by thousands of “bad ethnographers” in the British and French imperial civil services.Empires of Vice won the Giovanni Sartori Best Book Award, Qualitative Methods Section of the American Political Science Association, and got honourable mentions from the committees for the Charles Taylor Book Award, Interpretive Methodologies and Methods section of APSA, and the Allan Sharlin Memorial Award, Social Science History Association.This is the fifth episode of New Books in Interpretive Political and Social Science to featuring an exemplary monograph in interpretive political or social science. The others are Natasha Behl on Gendered Citizenship, Lisa Wedeen on Authoritarian Apprehensions, James Scott on Against the Grain, and Sarah Wiebe on Everyday Exposure. To download or stream episodes in the series, please subscribe to our host channel: New Books in Political Science.Nick Cheesman is an associate professor in the Department of Political and Social Change, Australian National University. He is a committee member of the Interpretive Methodologies and Methods group and co-convenes the Interpretation, Method, Critique network.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/southeast-asian-studies

Today, oral histories of everyday Singaporeans are more widely circulated in the nation’s mediascape than ever before. At first glance, storytelling in Singapore appears to have lost its monolithic quality, becoming diffuse and diversified. But as Dr Cheng Nien Yuan argues, Singapore has become a Storytelling State, marketing bite-sized pieces of consumable lives as authentic windows to the private self. The result is the use of personal stories within the neoliberal public sphere, mirroring a growing global phenomenon. To tell this story, Dr Natali Pearson is joined by Dr Cheng Nien Yuan to discuss her award-winning research that charts Singapore’s development into a storytelling state over the last decade.About Cheng Nien Yuan:Cheng Nien Yuan is an Honorary Associate at the University of Sydney’s School of Literature, Art and Media, as well as the Sydney Southeast Asia Centre. Her research centres around the politics and poetics of storytelling in Singapore. She obtained her PhD in Theatre and Performance Studies in 2020 at Sydney University. Her thesis titled ‘The Storytelling State: Performing Life Histories in Singapore’ was awarded the 2020 John Legge Best Thesis in Asian Studies Prize by the Asian Studies Association of Australia. She has published in the journals Studies in Theatre and Performance (2021), Performance Paradigm (2018), and the Oral History Review (2017). She is also a dramaturg and performance-maker. Cheng is currently based in the Intercultural Theatre Institute in Singapore, where she researches their pedagogy and practice.For more information or to browse additional resources, visit the Sydney Southeast Asia Centre’s website: www.sydney.edu.au/sseac.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/southeast-asian-studies

One of the first members of Albert Samaha’s family introduced in his memoir Concepcion: An Immigrant Family’s Fortunes (Riverhead Books, 2021) is his uncle Spanky: a baggage handler in San Francisco’s airport. Spanky emigrated to the United States from his home country, the Philippines, where he lived a very different life as a rockstar: one of the founding members of VST & Co., one of the country’s most famous bands.That’s merely one of the family members Albert Samaha profiles in Concepcion which traces the lives of generations of Filipinos, and Filipino-Americans, trying to find a better life for themselves and navigating the ups-and-downs of American society and politics.Albert Samaha is an investigative journalist and inequality editor at BuzzFeed News whose work has appeared in The New York Times, the Village Voice, San Francisco Weekly, and the Riverfront Times, among other outlets. A Whiting Foundation Creative Nonfiction Grant recipient, he is also the author of Never Ran, Never Will: Boyhood and Football in a Changing American Inner City (PublicAffairs: 2018), which was a finalist for the 2019 PEN/ESPN Literary Sports Writing Award and winner of the New York Society Library’s 2019 Hornblower Award.We’re also joined by Helen Li. Helen is a freelance journalist originally based in Asia, and has since relocated to the United States. She joined us previously for our interview with Amish Mulmi on All Roads Lead North.The three of us talk about immigration, U.S.-Filipino relations, class and how that all relates to the immigrant experience: both in general, and regarding the many members of Albert’s family.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Concepcion. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/southeast-asian-studies

Raj Balkaran has a candid conversation with seasoned scholar Dr. Vasudha Narayanan about her academic journey, the current state of Hindu Studies and her ground-breaking work on Hindu temples and traditions in Cambodia. Dr. Narayanan is Distinguished Professor, Department of Religion, at the University of Florida, Director for the Centre for the Study of Hinduism and former President of the American Academy of Religion.Raj Balkaran is a scholar, educator, consultant, and life coach. For information see rajbalkaran.com.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/southeast-asian-studies

Instruments of Empire: Filipino Musicians, Black Soldiers, and Military Band Music during US Colonization of the Philippines published in 2021 by the University Press of Mississippi by Mary Talusan focuses on the Philippine Constabulary band, a military band organized in 1902 that served the colonial government in the Philippines until World War II. Founded and led for most of its history by Walter Loving, a Black soldier in the American military, the band visited the United States four times between 1904 and 1939 and it is these visits that Talusan examines in Instruments of Empire. Listening with what Talusan calls the imperial ear, American commentators understood the group’s command of the standard band repertory of the period not as a result of the Filipino musician’s training and skill, but as evidence of their so-called natural musical ability which had been tamed by the allegedly civilizing influence of American colonial rule. Tracing the band’s reception over time, Talusan analyzes the cultural, political, and social causes and byproducts of American imperial ambitions.Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/southeast-asian-studies

Why was there a large flow of overseas remittances into Vietnam after 1975, and how were they channelled? Why was there so little public discussion of the financial role played by the Vietnamese diaspora? What was the Vietnamese state’s attitude towards these remittances, and how much did they help transform the Vietnamese economy? In this podcast, Linh Phương Lê talks to Hoàng Minh Vũ, a diplomatic historian of twentieth-century Vietnam and the Asia-Pacific, about the significance of remittances from the Vietnamese overseas community in reducing hyperinflation and stabilising the national economy during after the Đổi Mới period. This episode of the Nordic Asia Podcast offers a snapshot of Vietnam’s recent economic history that has far-reaching implications.Hoàng Minh Vũ completed his PhD on the Third Indochina War at Cornell in 2020. He is currently a faculty member in history at Fulbright University in Vietnam – see here for his profile and recent publications: https://fulbright.edu.vn/our-team/vu-minh-hoang/Linh Phương Lê is a PhD student at the Institute for Media Studies, KU Leuven University, Belgium. Her work explores the media representation of Vietnamese female migrants to China and Taiwan. A 2020 NIAS SUPRA Fellow, Linh works on media systems, journalism practices and gender (in)equality in the media in Vietnam.The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, Asianettverket at the University of Oslo, and the Stockholm Centre for Global Asia at Stockholm University.We aim to produce timely, topical and well-edited discussions of new research and developments about Asia.About NIAS: www.nias.ku.dkTranscripts of the Nordic Asia Podcasts: http://www.nias.ku.dk/nordic-asia-podcastSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/southeast-asian-studies