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A.Ron and Jim check out another funky episode of HBO’s The Deuce. Lori and Eileen’s careers heat up as the pimps are left out in the cold! Vincent gets nostalgic with Abby, while Paul and Bobby do their best to fight off rivals to their trades.Join the discussion: Email | ForumsFollow us: Twitter | Instagram | FacebookLeave Us A Review on Apple Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

This edition is intended to be the definitive version. The interesting thing is, Jim and I have always been a bit “meh” on the classic Blade Runner experience. Sure, we always saw how influential it is, and could understand why it was highly regarded “for it’s day”. We both felt like we saw the film with fresh eyes on this cut. There are problems with world building and pacing here and there, but everything tracks so much cleaner, and the third act which was always a standout is now a pure joy. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mandy is a film by Panos Cosmatos starring Nick Cage. It is both a slow burn, 70’s style horror film dipped in acid, and a gonzo Nick Cage action film. It continually suffers from being torn in these two very different directions. A.Ron dug it, Jim wants nothing to do with it. This film boasts near universal acclaim on Rotten Tomatoes and yet is a tough one to wholeheartedly recommend. If you want to hear Jim and I argue about Mandy’s merits, you’ll have to be a Club Member! Learn more about your ad choices. Visit megaphone.fm/adchoices

Jim and A.Ron are happy to be back into the swinging 70’s with HBO’s The Deuce, with it’s return episode, “Our Raison D’être”. This time and setting are so colorful, fun, and alive that it’s easy to forget the layer of decay and menace that lurks just beneath each scene. Whether it’s pimps losing their grip on the game or mobsters that have grown fat and lazy from politicians looking the other way, there are a lot of dangerous people that could quickly decide that they are being squeezed out.Join the discussion: Email | ForumsFollow us: Twitter | Instagram | FacebookLeave Us A Review on Apple Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

Special thanks to commissioner Jaimie T. for having us check out the classic 1946 British film classic, “A Matter of Life and Death”. Featuring a story that pits love against the cosmic law of death, it explores post World War 2 tensions between the England and the Unites States. Both of us see the film’s obvious charm; lavish and colorful visuals, inventive special effects and set design, and appealing lead actors. We also have a few third act quibbles and thematic issues, but not enough to sink the  Learn more about your ad choices. Visit megaphone.fm/adchoices

Jim and A.Ron put on their brown pants tonight to go out and see The Nun, the latest installment in The Conjuring universe, but only one of us needed to. The film’s getting mixed reviews; and Jim worries that co-writer James Wan’s bag of tricks are getting played out and the movie suffers from inconsistent internal logic. Perhaps I’m the biggest wuss alive, but the movie got my hair standing up on the back of my neck fairly consistently. Your mileage may vary! Learn more about your ad choices. Visit megaphone.fm/adchoices

We’re back to finish up (?) our coverage of HBO’s Sharp Objects, and discuss our thoughts on Hulu’s Castle Rock through S01E08 (00:26:04). Next week we’ll be back to start our coverage of the second season of HBO’s The Deuce.Join the discussion: Email | ForumsFollow us: Twitter | Instagram | FacebookLeave Us A Review on Apple Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

Jim and I had high hopes for The Little Stranger, thinking it would be an ultra atmospheric mash up of The Witch with Downton Abbey. Instead, we got a commentary on upper class angst during the 1940’s as their fortunes crumbled alongside their estates masquerading as a dull, drab little ghost story. At no point does the film ever manage to generate anything but mild disquiet and malaise. Which is a shame, because all the pieces were there for genuine horror. Learn more about your ad choices. Visit megaphone.fm/adchoices

We thoroughly enjoyed the experience of watching Sharp Objects these past few months. We found the finale to be of a piece with the whole. Maybe there weren’t satisfying answers to every single element or question raised by the series, but isn’t that the way life goes? We feel we got enough through Camille’s point of view to understand what motivated Adora and Amma, and liked that the show left some things ambiguous and open to interpretation. But what did everyone else think?Join the discussion: Email | ForumsFollow us: Twitter | Instagram | FacebookLeave Us A Review on Apple Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

Special thanks to our commissioner for today’s podcast, Sean Ray. Today he selects the great A Few Good Men, where a gruff Colonel in the US Marine Corps takes issue with the USMC’s kinder, more gentler ways of discipline and organization, leading to the death of one of the men under his command. Tom Cruise and Demi Moore are effective as the counsel for the defense, and are given a lot of juicy material to work with. The script is packed with Sorkinisms and shot with a steady, confident eye. Learn more about your ad choices. Visit megaphone.fm/adchoices