The University of Chicago Press Podcast

“What are chromosomes? And what does it mean to treat them as visual objects?” asks Soraya de Chadarevian in her new book, Heredity Under the Microscope: Chromosomes and the Study of the Human Genome (University of Chicago Press, 2020). Considering this question as she follows the history of microscope-based practices in chromosomal research across a variety of contexts—from the medical clinic to the study of human variation—de Chadarevian offers readers a new history of postwar human genetics. This approach enables her to argue that cytogenetics was far from just “old fashioned biology that was eventually superseded by molecular approaches” and to show the continuities and interdependencies between different methods for studying our DNA. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of New Books in History, Jana Byars talks with Ara Marjian, Professor of Italian and affiliate of the Institute of Fine Arts and the Department of Art History at New York University about his newest book Against the Avant-Garde: Pier Paolo Pasolini, Contemporary Art, and Neocapitalism (University of Chicago Press, 2020). Paosolini, a filmmaker who created art in a variety of media, has something approaching a cult following. Merjian explores, “Pasolini’s fraught relationship to the aesthetic experiments of his own age… [and] demonstrates how Pasolini's campaign against neocapitalist culture fueled his hostility to the avant-garde. An atheist indebted to Catholic ritual; a revolutionary communist inimical to the creed of 1968; a homosexual hostile to the project of gay liberation: Pasolini refused the politics of identity in favor of a scandalously paradoxical practice, one vital to any understanding of his legacy. Against the Avant-Garde examines these paradoxes through case studies from the 1960s and 1970s, concluding with a reflection on Pasolini's far-reaching influence on post-1970s art. Merjian not only reconsiders the multifaceted work of Italy's most prominent postwar intellectual, but also the fraught politics of a European neo-avant-garde grappling with a new capitalist hegemony.”Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sergey Brin, a cofounder of Google, once compared the perfect search engine to “the mind of God.” As the modern face of promiscuous knowledge, however, Google’s divine omniscience traffics in news, maps, weather, and porn indifferently. Promiscuous Knowledge: Information, Image, and Other Truth Games in History (U Chicago Press, 2020), begun by the late Kenneth Cmiel and completed by his close friend John Durham Peters, provides a genealogy of the information age from its early origins up to the reign of Google. It examines how we think about fact, image, and knowledge, centering on the different ways that claims of truth are complicated when they pass to a larger public. To explore these ideas, Cmiel and Peters focus on three main periods—the late nineteenth century, 1925 to 1945, and 1975 to 2000, with constant reference to the present.Cmiel’s original text examines the growing gulf between politics and aesthetics in postmodern architecture, the distancing of images from everyday life in magical realist cinema, the waning support for national betterment through taxation, and the inability of a single presentational strategy to contain the social whole. Peters brings Cmiel’s study into the present moment, providing the backstory to current controversies about the slipperiness of facts in a digital age. A hybrid work from two innovative thinkers, Promiscuous Knowledge enlightens our understanding of the internet and the profuse visual culture of our time.Marci Mazzarotto is an Assistant Professor of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on film and television studies.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Ellen Wayland-Smith is an associate professor of writing at University of Southern California. Her book The Angel in the Marketplace: Adwoman Jean Wade Rindlaub and the Selling of America (University of Chicago Press, 2020) follows the career of adwoman Jean Wade Rindlaub who in the mid-twentieth century created the advertising campaigns selling consumer products to the average American housewife. More than products, Rindlaub sold a dream of domesticity and prosperity delivered through free-market capitalism and a Christian corporate order. The market offered an equitable allocation of products and resources to create the most efficient and comfortable society. Women found their place as patriotic housewives engaged in educated consumption and moral market choices. Rindlaub produced some of the most successful and award-winning advertising campaigns for such brands as Betty Crocker, Campbell’s soup, and Chiquita bananas. At the end of her career, Rindlaub began to question the ideas she had once promoted and to doubt the free market as the solution to social ills.Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her most recent book is entitled The World Come of Age: An Intellectual History of Liberation Theology, (Oxford University Press, 2018). Her current research project is on the intellectdual history of feminism seen through the emblematic life and work of Simone de Beauvoir.  Learn more about your ad choices. Visit megaphone.fm/adchoices

When I put down Getting it Published: A Guide for Scholars and Anyone Else Serious about Serious Books (University of Chicago Press, 2016), I looked up and began to wonder. I wondered about the book on gnomic poetry in Medieval Greek I had read over the weekend. I wondered about the PDF conference volume on my desktop between other PDFs downloaded at my university library. Casting an eye to the bookshelves along my wall, I looked at the spines of all the books there, upright and peaceful in their rows, and I wondered just who did the publishing of those books. Who printed the bindings and pages? Who stocked backlisted copies in the warehouse? Who encouraged booksellers to buy? Who adopted the project early stages? Who chauffeured the manuscript through marketing? Which editor oversaw production while which harried professor, between lectures biting into a sandwich, flipped the pages and weighed the arguments and challenged the ideas? Getting It Published opens up the other spaces which are inside of every book. There's quite a lot besides just the research inside those books on our Works Cited lists, and we don't know. Or we don't know enough, anyway.Getting It Published, as the subtitle announces, is the guide to everything a scholar needs to know about where his or her research goes. William Germano, the author, is the guide of the book. A deft hand at elegant and lucid prose, William Germano has the industry experience, the university experience, and the teaching experience to know what writers of research will need when they go to submit their own manuscript, the manuscript that just might become the next book on a shelf or the next PDF on a desktop.Scholarly Communication is the podcast series about how knowledge gets known. Scholarly Communication adheres to the principle that research improves when scholars better understand their role as communicators. Give scholars more opportunities to learn about publishing, and scholars will communicate their research better.The interviewer, Daniel Shea, heads Scholarly Communication, a Special Series on the New Books Network. Daniel is Director of the Writing Program at Heidelberg University, Germany. Just write writingprogram@zsl.uni-heidelberg.de Learn more about your ad choices. Visit megaphone.fm/adchoices

How do you keep the cracks in Starry Night from spreading? How do you prevent artworks made of hugs or candies from disappearing? How do you render a fading photograph eternal—or should you attempt it at all? These are some of the questions that conservators, curators, registrars, and exhibition designers dealing with contemporary art face on a daily basis. In Still Life: Ecologies of the Modern Imagination at the Art Museum (University of Chicago Press, 2020), Fernando Domínguez Rubio delves into one of the most important museums of the world, the Museum of Modern Art (MoMA) in New York, to explore the day-to-day dilemmas that museum workers face when the immortal artworks that we see in the exhibition room reveal themselves to be slowly unfolding disasters.Still Life offers a fascinating and detailed ethnographic account of what it takes to prevent these disasters from happening. Going behind the scenes at MoMA, Domínguez Rubio provides a rare view of the vast technological apparatus—from climatic infrastructures and storage facilities, to conservation labs and machine rooms—and teams of workers—from conservators and engineers to guards and couriers—who fight to hold artworks still.As MoMA reopens after a massive expansion and rearranging of its space and collections, Still Life not only offers a much-needed account of the spaces, actors, and forms of labor traditionally left out of the main narratives of art, but it also offers a timely meditation on how far we, as a society, are willing to go to keep the things we value from disappearing into oblivion.This interview is part of an NBN special series on “Mobilities and Methods.”Fernando Domínguez Rubio is an Associate Professor at the Department of Communication at the University of California-San Diego.Alize Arıcan is a PhD candidate in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey.Nushelle de Silva is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In Everyone Loves Live Music: A Theory of Performance Institutions (University of Chicago Press), Fabian In Everyone Loves Live Music: A Theory of Performance Institutions (University of Chicago Press), Fabian Holt shows how festivals and other institutions of musical performance have evolved in recent decades.Adopting a critical approach, Holt upends commonly-held ideas of live music and introduces a theory of performance institutions. The two central institutions of popular music—the club and the festival—are analyzed within the broader history of music and cultural life in modernity, shedding new light on organized cultural life in capitalism, urban media cultures, and the role of festive events in society. Everyone Loves Live Music argues that while live music provides exciting experiences for many people, it also promotes a new ideology of music in neoliberal capitalism.Dr. Fabian Holt is associate professor in the Department of Communication and Arts at Roskilde University. He is also the author of the book Genre in Popular Music, also published by the University of Chicago Press.Emily Ruth Allen (@emmyru91) is a Ph.D. candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations.Adopting a critical approach, Holt upends commonly-held ideas of live music and introduces a theory of performance institutions. The two central institutions of popular music—the club and the festival—are analyzed within the broader history of music and cultural life in modernity, shedding new light on organized cultural life in capitalism, urban media cultures, and the role of festive events in society. Everyone Loves Live Music argues that while live music provides exciting experiences for many people, it also promotes a new ideology of music in neoliberal capitalism.Dr. Fabian Holt is associate professor in the Department of Communication and Arts at Roskilde University. He is also the author of the book Genre in Popular Music, also published by the University of Chicago Press.Emily Ruth Allen (@emmyru91) is a Ph.D. candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Merchants of Medicine: The Commerce and Coercion of Health in Britain’s Long Eighteenth Century (The University of Chicago Press), medicines embody the hopes of those who prepared, sold, and ingested them.By investigating the different contexts and practices associated with the British long-distance trade in patent medicines, Zachary Dorner unravels the intertwined history of financial markets, health concerns, and colonial warfare. He argues that from the late seventeenth-century, medicines were produced, distributed, and consumed in new ways, providing solutions to the problems of labor shortages in the armed forces, trading companies and plantations, while also informing the categories of difference that organized such institutions.Zachary Dorner is the Patrick Henry Postdoctoral Fellow in history at Johns Hopkins University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Everyday suffering—those conditions or feelings brought on by trying circumstances that arise in everyone’s lives—is something that humans have grappled with for millennia. But the last decades have seen a drastic change in the way we approach it. In the past, a person going through a time of difficulty might keep a journal or see a therapist, but now the psychological has been replaced by the biological: instead of treating the heart, soul, and mind, we take a pill to treat the brain.Chemically Imbalanced: Everyday Suffering, Medication, and Our Troubled Quest for Self-Mastery (University of Chicago Press) is a field report on how ordinary people dealing with common problems explain their suffering, how they’re increasingly turning to the thin and mechanistic language of the “body/brain,” and what these encounters might tell us.Drawing on interviews with people dealing with struggles such as underperformance in school or work, grief after the end of a relationship, or disappointment with how their life is unfolding, Joseph E. Davis reveals the profound revolution in consciousness that is underway. We now see suffering as an imbalance in the brain that needs to be fixed, usually through chemical means. This has rippled into our social and cultural conversations, and it has affected how we, as a society, imagine ourselves and envision what constitutes a good life.Davis warns that what we envision as a neurological revolution, in which suffering is a mechanistic problem, has troubling and entrapping consequences. And he makes the case that by turning away from an interpretive, meaning-making view of ourselves, we thwart our chances to enrich our souls and learn important truths about ourselves and the social conditions under which we live.Joe Davis is Research Professor of Sociology at the University of VirginiaClaire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. She teaches and writes about health behavior in historical context. Learn more about your ad choices. Visit megaphone.fm/adchoices

By the dawn of the twentieth century, Budapest was a burgeoning cosmopolitan metropolis. Known at the time as the “Pearl of the Danube,” it boasted some of Europe’s most innovative architectural and cultural achievements, and its growing middle class was committed to advancing the city’s liberal politics and making it an intellectual and commercial crossroads between East and West.In addition, as historian Anita Kurimay reveals, fin-de-siècle Budapest was also famous for its boisterous public sexual culture, including a robust gay subculture. Queer Budapest, 1873-1961 (University of Chicago Press) is the riveting story of nonnormative sexualities in Hungary as they were understood, experienced, and policed between the birth of the capital as a unified metropolis in 1873 and the decriminalization of male homosexual acts in 1961.Kurimay explores how and why a series of illiberal Hungarian regimes came to regulate but also tolerate and protect queer life. She also explains how the precarious coexistence between the illiberal state and queer community ended abruptly at the close of World War II. A stunning reappraisal of sexuality’s political implications, Queer Budapest recuperates queer communities as an integral part of Hungary’s—and Europe’s—modern incarnation.Anita Kurimay is an Associate Professor of History at Bryn Mawr College (USA).Steven Seegel is Professor of History, University of Northern Colorado Learn more about your ad choices. Visit megaphone.fm/adchoices