New Books in Music

Musical Solidarities: Political Action and Music in Late Twentieth-Century Poland (Oxford University Press, 2020) by Andrea Bohlman is a study of the music of dissent and protest during the Solidarity Movement in 1980s Poland. This book is not simply a re-telling of significant events in the fight against state socialism or an examination of important political anthems (although she does this as well). Instead, she grounds her study in the media networks and material culture by which music circulated throughout Poland and internationally. Through close readings of clandestine and state-sponsored recordings augmented by archival research and interviews with participants, Bohlman analyzes the hymns, art and popular music that made up the repertory of the Solidarity Movement. She argues that sound both unified and splintered the Polish opposition. She considers how different kinds of music contributed to the civil resilience of a country suffering under martial law, while at the same time narrating the Solidarity Movement and amplifying the political messages of its leaders.Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

The smoke was thick, the music was loud, and the beer was flowing. In the fast-and-loose 1980s, Jackson Station Rhythm & Blues Club in Hodges, South Carolina, was a festive late-night roadhouse filled with people from all walks of life who gathered to listen to the live music of high-energy performers. Housed in a Reconstruction-era railway station, the blues club embraced local Southern culture and brought a cosmopolitan vibe to the South Carolina backcountry.Over the years, Jackson Station became known as one of the most iconic blues bars in the South. It offered an exciting venue for local and traveling musical artists, including Widespread Panic, the Swimming Pool Qs, Bob Margolin, Tinsley Ellis, and R&B legend Nappy Brown, who loved to keep playing long after sunrise.The good times ground to a terrifying halt in the early morning hours of April 7, 1990. A brutal attack—an apparent hate crime—on the owner Gerald Jackson forever altered the lives of all involved.In this fast-paced narrative, Live At Jackson Station: Music, Community, and Tragedy in a Southern Blues Bar (U South Carolina Press, 2021)emerges as a cultural kaleidoscope that served as an oasis of tolerance and diversity in a time and place that often suffered from undercurrents of bigotry and violence—an uneasy coexistence of incongruent forces that have long permeated southern life and culture.Daniel M. Harrison earned a BA in Social Sciences from New College of the University of South Florida and MS and PhD degrees from Florida State University. He is currently Professor of Sociology at Lander University. He lives in Greenwood, SC, with his wife, artist Rebecca Salter Harrison, their two daughters, three dogs and two cats.Harrison's other work has appeared in journals such as Media, Culture, and Society, Sexualities and Current Perspectives in Social Theory.Morris Ardoin is author of STONE MOTEL: MEMOIRS OF A CAJUN BOY (2020, University Press of Mississippi). A communications practitioner, his work has appeared in regional, national, and international media. He divides his time between New York City and Cornwallville, New York, where he does most of his writing. His blog, Parenthetically Speaking, can be found at www.morrisardoin.com. Twitter: @morrisardoin Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

The “diva” is a common trope when we talk about culture. We normally think of the diva as a Western construction: the opera singer, the Broadway actress, the movie star. A woman of outstanding talent, whose personality and ability are both larger-than-life.But the truth is throughout history, many cultures have featured spaces for strong female artists, whose talent allows them to break free of the gender roles that pervaded their societies. In Three Asian Divas: Women, Art and Culture in Shiraz, Delhi and Yangzhou (Abbreviated Press: 2020) David Chaffetz briefly explores how these “Asian divas” could be seen as some of the first recognizably “modern women''.In this interview, David and I talk about the three different cultures of Three Asian Divas: Shiraz, Delhi and Yangzhou. We discuss what it meant to be a diva in these historical contexts, and what they say about gender roles in these historic Asian societies.After studying Persian, Turkish and Arabic in college, David Chaffetz worked on the publication of the Encyclopedia Iranica and is also the author of A Journey through Afghanistan, a study of its varied people, social classes and religious sects. He has lived in Afghanistan, Iran and Turkey, and travelled extensively in Asia. After a forty-year break working in the technology industry, he returned to writing with “Three Asian Divas.”You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he’s a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Sailor Song: The Shanties and Ballads of the High Seas (University of Washington Press, 2020) by performer and scholar Gerry Smyth includes lyrics and commentary for dozens of sea shanties, as well as a brief history of the genre. The world that emerges in these 19th century sailor songs is surprisingly multi-cultural; in a sense, sea shanties were the first sonic products of globalization, combining African-American work songs, Irish ballads, and English folk tunes. This book is designed to be used by performers and ensembles looking for singable versions of these ribald and entertaining songs.Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

How do songwriters, worship leaders, and music industry professionals collaborate to make music that can become prayer? Ari Y. Kelman explores this question in his excellent study, Shout to the Lord: Making Worship Music in Evangelical America (New York University Press, 2018). Presenting years of research through fieldwork, case studies, and interviews with more than 75 people involved in the production of the complex artifact that is the worship song, Kelman adroitly illuminates the tensions and values that propel this influential creative process. The confluence of popular music forms with liturgical participation has introduced a variety of paradoxes, and this research gives us a glimpse into how many of the leading voices in this movement conceptualize and navigate these competing concerns. Shout to the Lord provides readers with an expert example of the study of modern religion, and deserves the attention of both readers interested in the current developments of popular religion in the United States and also practitioners and participants across a wide spectrum of contemporary Evangelical worship. Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Anthony Valerio's Before the Sidewalk Ended: A Walk with Shel Silverstein (Daisy H. Productions, 2020) is a startling portrait of the great writer of children's books, songs and plays Shel Silverstein. What he was like as a man and a friend. What interested and inspired him. Some of the women in his life. The loving, often hilarious relationship between Shel Silverstein and Anthony Valerio depicted in these pages entertains as much as informs. Take a ground-breaking walk beside them through Greenwich Village on a routine workday, their stops, their conversations. Lending beauty and life to this charming memoir of an historical time and place are never before seen photos by the great graphic artist and photographer Dave Barry. About Anthony Valerio, Shel Silverstein wrote: "He knows his people. He knows his craft. He gets in, tells his story and gets out. It's what good writing should be."  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Enter the Wu-Tang. Return to the 36 Chambers. People listening to these albums by the Wu-Tang Clan and its members likely never knew about Sophia Chang: a Korean-Canadian woman who worked with members like RZA, ODB and Method Man. Q-Tip of A Tribe Called Quest called Sophia Chang “an integral part of the golden era of hip-hop.”The Baddest Bitch in the Room (Catapult, 2020) charts Sophia Chang’s life, from her childhood in Vancouver, through time in New York’s hip-hop scene and travels between the United States and China managing martial arts, through to the present day.Sophia Chang is the music business matriarchitect who managed Ol’ Dirty Bastard, RZA, GZA, D’Angelo, Raphael Saadiq, Q Tip, and A Tribe Called Quest as well as working with Paul Simon. She did marketing at Atlantic, A&R at Jive, A&R Admin at Universal, as well as serving as General Manager of RZA’s Razor Sharp Records, Cinematic Music Group, and Joey Bada$$’ Pro Era Records. Sophia is currently a screenwriter and author developing numerous TV properties, including a scripted series at FX based on her memoir “The Baddest Bitch in the Room”. She trained with and managed a Shaolin Monk, who became her partner and father of her children. She produced runway shows for Vivienne Tam and "Project Runway All Stars," and recently created Unlock Her Potential, a program that provides mentorship for women of color.In this interview, Sophia and I talk about her life: her time in the music business, her relationship with hip-hop, and her transition to martial arts and other cultural activities. We talk about what spurred her to tell her own story, and what it was like to be an Asian woman working in these spaces.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, where you can find its review of The Baddest Bitch in the Room. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he’s a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Mark Porter (@mrmarkporter) explores the relationship between music, sound, space, and spirit in his new book Ecologies of Resonance in Christian Musicking (Oxford University Press, 2020). Using the analytical tools of resonance to describe the sounding and re-sounding of sonic production in different spaces, Porter uses the disciplines of musicology and ethnography to describe the worlds of relationships in an assortment of Christian musical traditions. How do the varieties of musicking from the desert monastics, to charismatic evangelicals, to live-streamed prayer rooms, among others, illustrate the different approaches of Christian musical participation? How might these different ecologies of resonance contribute toward ecumenical dialogue and understanding? Join us for a conversation with Mark Porter to hear about his excellent new study. You can find more information about Mark’s work at his website. Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In the first book in the Modern Music Masters series, Tom Boniface-Webb examines the Manchester band Modern Music Masters-Oasis (MMM, 2020). Founded in 1994 and playing together until their spectacular and abrupt breakup in 2009, during their time together Oasis made an imprint on British music that will last for generations, impacting fans throughout the world. Modern Music Masters-Oasis looks at the ways in which the band's chart placings--including eight number 1 albums and eight number 1 singes- show the larger narrative of rock-n-roll and the way Oasis impacted the rock-n-roll landscape during their 15-year history. Modern Music Masters-Oasis is the first in this series of books that explores artists (most of which from the United Kingdom) by looking at the social and political environment surrounding their careers. Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In Bedroom Beats & B-Sides: Instrumental Hip-Hop & Electronic Music at the Turn of the Century (Velocity Press, 2020), Laurent Fintoni explores the rise of a new generation of bedroom producers at the turn of the century through the stories of various instrumental hip-hop and electronic music scenes. From trip-hop, downtempo, and IDM to leftfield hip-hop, glitch, and beats, the book explores how these scenes acted as incubators for new ideas about composition and performance that are now taken for granted. Combining social, cultural, and musical history with extensive research and over 100 interviews, the book tells the B-side stories of hip-hop and electronic music from the 1990s to the 2010s. Using the format of a beat tape, it explores the evolution of a modern beat culture from local scenes to global community via the diverse groups of idealists on the fringes who made it happen and the external forces that shaped their efforts. Before the uniformity of streaming services, always-on social media, and online tutorials for everything, this is a portrait of independence and experimentation amid historical change.Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music