New Books in Music

Throughout In Concert: Performing Musical Persona (University of Michigan Press, 2021), Dr. Philip Auslander addresses not only the visual means by which musicians engage their audiences through costume and physical gesture, but also spectacular aspects of performance such as light shows. Although musicians do not usually enact fictional characters on stage, they nevertheless present themselves to audiences in ways specific to the performance situation. Auslander’s term to denote the musician’s presence before the audience is musical persona. While the presence of a musical persona may be most obvious within rock and pop music, the book’s analysis extends to classical music, jazz, blues, country, electronic music, laptop performance, and music made with experimental digital interfaces.Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

From ships and novels to Mardi Gras, water, and television, how does the legacy of the Middle Passage, the leg of the Atlantic through which African people were trafficked as slaves, reverberate through the creations of writers and authors of the African diaspora? In this episode of New Books Network, Dr. Lee M. Pierce interviews Dr. Tara G. Green about her latest book on the Middle Passage, rebirth, trauma, water, social death, and resistance.In Reimagining the Middle Passage: Black Resistance in Literature, Television, and Song (Ohio State UP, 2018), Tara T. Green turns to twentieth- and recent twenty-first-century representations of the Middle Passage created by African-descended artists and writers. Examining how these writers and performers revised and reimagined the Middle Passage in their work, Green argues that they recognized it as a historical and geographical site of trauma as well as a symbol for a place of understanding and change. Their work represents the legacy African captives left for resisting “social death” (the idea that Black life does not matter), but it also highlights strong resistance to that social death (the idea that it does matter).Dr. Tara T. Green is Professor of African American and African Diaspora Studies at UNC Greensboro where she is also the Linda Arnold Carlisle Excellence Professor of Women’s and Gender Studies.Dr. Lee M. Pierce is Assistant Professor of Rhetoric at SUNY Geneseo and host of the RhetoricLee Speaking podcast. Connect on Gmail and social media @rhetoriclee. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In Vinyl Ventures: My Fifty Years at Rounder Records (Equinox, 2021), founder Bill Nowlin combines memoir with a history of the founding and evolution of Rounder as he talks about his experiences as one of the labels three founders. Rounder Records was born in 1970, a "hobby that got out of control," a fledgling record company more or less conceived while the Sixties were still in flower, which began on just over $1,000. Founded by three friends just out of college, the Boston-area company produced over 3,000 record albums, the most active company of the last half-century specializing in roots music and its contemporary offshoots. Rounder won 56 Grammy Awards and documented a swath of music that in many cases might otherwise never have been presented to a broader public. It's arguably a quintessentially American success story. This book focuses on the early years up to and just through when Rounder evolved to a second stage, with a generational change that has kept the label healthy and flourishing when so many other cultural enterprises from the era have folded or gone dark. It's the story of three people with no background in business who took an idea and, through hard work and passion, built up something of lasting cultural significance. Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Chronicling Stankonia: The Rise of the Hip-Hop South (University of North Carolina Press, 2021) pulses with the beats of a new American South, probing the ways music, literature, and film have remixed southern identities for a post–civil rights generation. For scholar and critic Dr. Regina N. Bradley, OutKast’s work is the touchstone, a blend of funk, gospel, and hip-hop developed in conjunction with the work of other culture creators—including T.I., Kiese Laymon, and Jesmyn Ward. This work, Bradley argues, helps define new cultural possibilities for Black southerners who came of age in the 1980s and 1990s and have used hip-hop culture to buffer themselves from the historical narratives and expectations of the civil rights era. André 3000, Big Boi, and a wider community of creators emerge as founding theoreticians of the hip-hop South, framing a larger question of how the region fits into not only hip-hop culture but also contemporary American society as a whole. Chronicling Stankonia reflects the ways that culture, race, and southernness intersect in the late twentieth and early twenty-first centuries. Although part of southern hip-hop culture remains attached to the past, Bradley demonstrates how younger southerners use the music to embrace the possibility of multiple Souths, multiple narratives, and multiple points of entry to contemporary southern Black identity.Dr. Regina N. Bradley is an alumna Nasir Jones HipHop Fellow at Harvard University and an Assistant Professor of English and African Diaspora Studies at Kennesaw State UniversityCheck out Bradley's podcast about Southern hip-hop, Bottom of the Map. Bradley also has another OutKast book coming in August 2021, An OutKast Reader:Essays on Race, Gender, and the Postmodern South (UGA Press).  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Churches have long sought the arts as a vehicle to communicate divine transcendence and to form worshipers. In Glimpses of the New Creation: Worship and the Formative Power of the Arts (Eerdmans, 2019), W. David O. Taylor brings much needed clarity into conversations around the role of arts in Christian liturgy. After framing the way our theological positions and ecclesiastical traditions carry with them a set of presuppositions and implications about the arts and worship, Taylor then devotes a chapter each to the "singular powers" of various artistic disciplines: musical arts, visual arts, poetic arts, kinetic arts, and more. Throughout, readers gain much needed precision and nuance that can guide them through a wide array of conversations about the arts across the Christian tradition. David Taylor is Associate Professor of Theology and Culture at Fuller Theological Seminary, and you can follow him on Twitter (@wdavidotaylor), Instagram (@davidtaylor_theologian), or visit his website. Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

During the Cold War, cultural diplomacy was one way that the governments of the United States and the Soviet Union tried to cultivate goodwill towards their countries. As Anne Searcy explains in her book, Ballet in the Cold War: A Soviet-American Exchange (Oxford University Press, 2020), dance was part of this effort. She focuses on two tours of the USSR undertaken by American troupes when the American Ballet Company visited the Soviets in 1960, and when choreographer George Balanchine returned to the country of his birth in 1962 with his New York City Ballet Company. These popular tours functioned as an important symbolic meeting point for Soviet and American officials, creating goodwill and normalizing relations between the two countries in an era when nuclear conflict was a real threat. Although geo-political tensions feature in the book, Searcy is just as concerned with the reception of these tours by Soviet and American critics, and how they filtered their opinions on the dances and performers they saw through local aesthetic debates, tinged by political realities.Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In My Private Lennon: Explorations From a Fan Who Never Screamed (Mad Creek Press, 2020), Sibbie O'Sullivan offers a new point of view from which to consider the Beatles’ impact on society and on the individual. In a series of linked autobiographical essays that explore the musical, cultural, and personal aspects of intense music fandom, Sibbie O’Sullivan dismantles the grand narrative of the fifteen-year-old hysterical female Beatles fan and replaces it with an introspective and often humorous tale about how the band shaped her intellectual and artistic development.My Private Lennon charts the author’s realization that the Beatles, especially John Lennon, were a crucial force in her development. A radical departure from other books written by Beatles fans, My Private Lennon invites its readers to consider subjects not usually found in works about Lennon and the band, such as the constraints of memory, the male body, grief, the female breast, race, cultural issues, and the importance of privacy in our over-mediated world. In pieces that engage cultural issues and historical contexts, My Private Lennon creates a witty and provocative intimacy with readers who value the power of art to change one’s life and who love John Lennon and the Beatles.Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

The choices that churches make about their musical style do more than simply change the sounds one hears in their gatherings, but actually form certain kinds of community. So Monique M. Ingalls, Associate Professor of Music at Baylor University, argues in her book Singing the Congregation: How Contemporary Worship Music Forms Evangelical Community (Oxford UP, 2018). Ingalls draws upon her original ethnographic research across five different forms of musical congregating among North American Evangelicals to analyze musical congregations at the concert, the conference, the local church, public events, and online spaces. Her study presents a new paradigm for congregational studies that is capable of taking a much more fluid approach to what constitutes a congregation. This study has wide-ranging implications for how to study religious mobilization and posturing beyond the strict, traditional institutional borders. Monique is also co-founder of the Christian Congregational Music: Local and Global Perspectives Conference. Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

During the middle decades of the twentieth century, the production of America’s consumer culture was centralized in New York to an extent unparalleled in the history of the United States. Every day tens of thousands of writers, editors, artists, performers, technicians, and secretaries made advertisements, produced media content, and designed the shape and feel of the consumer economy. While this centre of creativity has often been portrayed as a smoothly running machine, within these offices many white-collar workers challenged the managers and executives who directed their labours.Shannan Clark. author of The Making of the American Creative Class: New York's Culture Workers and 20th-Century Consumer Capitalism (Oxford UP, 2020), speaks with Pierre d’Alancaisez about the origins of the creative class, their labour union struggles and successes, the role of the Works Projects Administration, and institutions like the Design Laboratory and Consumer Union which foretell the experiences of today’s culture workers. Pierre d’Alancaisez is a contemprary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In Millennials Killed the Video Star: MTV’s Transition to Reality Programming (Duke University Press, 2021), Dr. Amanda Ann Klein examines the historical, cultural, and industrial factors leading to MTV's shift away from music videos to reality programming in the early 2000s and 2010s. Drawing on interviews with industry workers from programs such as The Real World and Teen Mom, Klein demonstrates how MTV generated a coherent discourse on youth and identity by intentionally leveraging stereotypes about race, ethnicity, gender, and class. Klein explores how this production cycle, which showcased a variety of ways of being in the world, has played a role in identity construction in contemporary youth culture—ultimately shaping the ways in which Millennial audiences of the 2000s thought about, talked about, and embraced a variety of identities.Dr. Amanda Ann Klein is associate professor in the Department of English at East Carolina University.Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music