New Books in Music

Mary Gauthier was twelve years old when she was given her Aunt Jenny’s old guitar and taught herself to play with a Mel Bay basic guitar workbook. Music offered her a window to a world where others felt the way she did. Songs became lifelines to her, and she longed to write her own, one day.Then, for a decade, while struggling with addiction, Gauthier put her dream away and her call to songwriting faded. It wasn’t until she got sober and went to an open mic with a friend did she realize that she not only still wanted to write songs, she needed to. Today, Gauthier is a decorated musical artist, with numerous awards and recognition for her songwriting, including a Grammy nomination.In Saved by a Song: The Art and Healing Power of Songwriting (St. Martin's Essentials, 2021), Mary Gauthier pulls the curtain back on the artistry of songwriting. Part memoir, part philosophy of art, part nuts and bolts of songwriting, her book celebrates the redemptive power of song to inspire and bring seemingly different kinds of people together.The Associated Press named Mary Gauthier one of the best songwriters of her generation. Her album Rifles & Rosary Beads was nominated for a Grammy award for Best Folk Album and Record of the Year by the Americana Music Association. Her songs have been recorded by dozens of artists, including Boy George, Blake Shelton, Tim McGraw, Bettye Lavette, Kathy Mattea, Amy Helm and Candi Staton. Saved by a Song is her first book. She lives in Nashville.Morris Ardoin is author of STONE MOTEL – MEMOIRS OF A CAJUN BOY (2020, University Press of Mississippi), which was optioned for TV/Film development in 2021. A communications practitioner, his work has appeared in regional, national, and international media. He divides his time between New York City and Cornwallville, New York, where he does most of his writing. His blog, Parenthetically Speaking, can be found at www.morrisardoin.com. Twitter: @morrisardoin Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Baylor University musicologist and the author of Hearing Beethoven Robin Wallace chats with Howard about the magic of Beethoven, weaving personal sentiments with professional insights to explore his unparalleled musical legacy.Howard Burton is the founder of Ideas Roadshow, Ideas on Film and host of the Ideas Roadshow Podcast. He can be reached at howard@ideasroadshow.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Caseen Gaines' Footnotes: The Black Artists Who Rewrote the Rules of the Great White Way (Sourcebooks, 2021) is a rollicking, entertaining, and fascinating cultural history of the 1921 Broadway musical Shuffle Along. Created by Black writers and composers and performed by an all-Black cast, Shuffle Along was one of the early cultural milestones of the Harlem Renaissance, not least because it launched the career of Josephine Baker. While it was beloved in its time, the humor of Shuffle Along came to be seen as offensive in subsequent decades, and it has not been staged in its original form since it closed almost 100 years ago. Gaines makes a compelling case for Shuffle Along's place in the American musical theatre canon as a flawed but inspired work of Black creativity. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Janaki Bakhle's book Two Men and Music: Nationalism in the Making of an Indian Classical Tradition (Oxford UP, 2005) is a provocative account of the development of modern national culture in India using classical music as a case study. The author demonstrates how the emergence of an “Indian” cultural tradition reflected colonial and exclusionary practices, particularly the exclusion of Muslims by the Brahmanic elite, which occurred despite the fact that Muslims were the major practitioners of the Indian music that was installed as a “Hindu” national tradition. This book lays bare how a nation’s imaginings—from politics to culture—reflect rather than transform societal divisions.Dr. Pankaj Jain is a Professor of Philosophy and Religious Studies at FLAME University, where he is heading the Indic Studies Initiative in the FLAME School of Liberal Education. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Although hip hop culture has widely been acknowledged as a global phenomenon that has spread far beyond its roots in American African-Caribbean-Latinx cultures, there are few studies that have examined the participation of women in global hip hop, and even fewer that examine the reception of female artists by other women.  Angela Williams's book Hip Hop Harem: Women, Rap and Representation in the Middle East (Peter Lang, 2020) explores the social reception of seven prominent female rappers from the region: Shadia Mansour (Palestine), Malikah (Lebanon), Soultana (Morocco), Soska (Egypt), Myam Mahmoud (Egypt), Amani (Yemen), and Justina (Iran), who use their music and personal styles to give voice to themes of self-determination and liberation within their own lives.Easily accessibly by undergraduates, Hip Hop Harem is an important work that allows Middle Eastern Muslim women to participate in knowledge creation about themselves in the western academic tradition, rooted in Third Wave Feminism and post-colonial theory.  Christopher S Rose is a social historian of medicine focusing on Egypt and the Eastern Mediterranean in the 19th and 20th century. He currently teaches History at St. Edward's University in Austin, Texas. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Crisis? What Crisis? At a time where there are repeated claims of the impending demise of art criticism, The Ends of Art Criticism (Lund Humphries Publishers, 2021) dispel these myths by arguing that the lack of a single dominant voice in criticism is not, as some believe, a weakness, but a strength, allowing previously marginalised voices and new global and political perspectives to come to the fore.Patricia Bickers speaks with Pierre d’Alancaisez about her time as the editor of Art Monthly, the changing role of art criticism, the politics of speaking and writing about art, the art school, the relationship between artists and critics, the academicisation of critical discourse, the relationship between art history and criticism, and.. the art of the interview.Some of the works mentioned in the conversation: The Freeze exhibitions That Jerry Saltz tweet Richard Serra, Weight and Measure Danielle Brathwaite-Shirley, Black Trans Archive Pilvi Takala, The Trainee Cameron Rowland, 3 & 4 Will. IV c. 73 The Art Monthly Talking Art anthology of artist interviews: Volume 1, Volume 2 A bonus episode with an extra 20 minutes from the conversation is available on Pierre’s website.Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

During the nadir of race relations in the United States South from 1877 to 1932, African Americans faced segregation, disfranchisement, and lynching. Among many forms of resistance, African Americans used their musical and theatrical talents to challenge white supremacy, attain economic opportunity, and transcend segregation. In Rough Tactics: Black Performance in Political Spectacles, 1877-1932 (University Press of Mississippi, 2021), Dr. Mark A. Johnson argues that African Americans, especially performers, retooled negative stereotypes and segregation laws to their advantage. From 1877 to 1932, African Americans spoke at public rallies, generated enthusiasm with music, linked party politics to the memory of the Civil War, honored favorable candidates, and openly humiliated their opposition.Dr. Mark A. Johnson is Lecturer at the University of Tennessee at Chattanooga. Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

How can music change the world? In Sonic Intimacy: Reggae Sound Systems, Jungle Pirate Radio and Grime YouTube Music Videos (Bloomsbury, 2020), Malcolm James, Senior Lecturer in Media and Cultural Studies at the University of Sussex, introduces the concept of sonic intimacy to think through the social, cultural, and political importance of three key moments in the history of British music. The book blends the history of music, society, and technology to show the moments of community and resistance fostered by the vibe of sound systems and the hype of Jungle Pirate Radio, along with the advent of new modes of engagement fostered by Grime on YouTube. With important implications for the future of critical scholarship, as well as our current cultural context, the book is essential reading for cultural studies and social science scholars, as well as for anyone interested in music and culture. Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Believing Your Ears: Examining Auditory Illusions is based on an extensive filmed conversation between Howard Burton and Diana Deutsch, Professor of Psychology at UC San Diego and one of the world’s leading experts on the psychology of music. This conversation provides behind the scenes insights into her discovery of a large number of auditory illusions, including the so-called Octave Illusion, which concretely illustrate how what we think we’re hearing is often quite different from the actual sounds that are hitting our eardrums.Howard Burton is the founder of the Ideas Roadshow, Ideas on Film and host of the Ideas Roadshow Podcast. He can be reached at howard@ideasroadshow.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

The Science of Siren Songs: Stradivari Unveiled is based on an in-depth filmed conversation between Howard Burton and master violinmaker and acoustician Joseph Curtin, recipient of a prestigious MacArthur Fellowship. This in-depth conversation explores Curtin’s long quest to characterize the sound of a Stradivari violin and the rigorous series of double-blind tests he and his colleagues developed to probe whether or not professional musicians can really tell the difference between a Stradivari and a modern violin. The conversation also covers violin acoustics and how Joseph Curtin marries acoustic science to the art of violin making and merges time-honoured techniques with new materials and design.Howard Burton is the founder of the Ideas Roadshow, Ideas on Film and host of the Ideas Roadshow Podcast. He can be reached at howard@ideasroadshow.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music