New Books in Music

The Jahriyya Sufis—a primarily Sinophone order of Naqshbandiyya Sufism in northwestern China—inhabit a unique religious soundscape. The hallmark of their spiritual practice is the “loud” (jahr) remembrance of God in liturgical rituals featuring distinctive melodic vocal chants.The first ethnography of this order in any language, The Sound of Salvation: Voice, Gender, and the Sufi Mediascape in China (Columbia UP, 2021) draws on nearly a decade of fieldwork to reveal the intricacies and importance of Jahriyya vocal recitation. Guangtian Ha examines how the use of voice in liturgy helps the Jahriyya to sustain their faith and the ways it has enabled them to endure political persecution over the past two and a half centuries. He situates the Jahriyya in a global multilingual network of Sufis and shows how their characteristic soundscapes result from transcultural interactions among Middle Eastern, Central Asian, and Chinese Muslim communities. Ha argues that the resilience of Jahriyya Sufism stems from the diversity and multiplicity of liturgical practice, which he shows to be rooted in notions of Sufi sainthood. He considers the movement of Jahriyya vocal recitation to new media forms and foregrounds the gendered opposition of male voices and female silence that structures the group’s rituals.Spanning diverse disciplines—including anthropology, ethnomusicology, Islamic studies, sound studies, and media studies—and using Arabic, Persian, and Chinese sources, The Sound of Salvation offers new perspectives on the importance of sound to religious practice, the role of gender in Chinese Islam, and the links connecting Chinese Muslims to the broader Islamic world. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Investigating the development of Filipino popular dance and performance since the late 20th century, Choreographing in Color: Filipinos, Hip-Hop, and the Cultural Politics of Euphemism (Oxford UP, 2020) reveals how the Filipino dancing body has come to be, paradoxically, both globally recognized and indiscernible. The book draws from nearly two decades of ethnography, choreographic analysis, and community engagement with artists, choreographers, and organizers to ask: what does it mean for Filipinos to navigate the violent forces of empire and neoliberalism with street dance and Hip-Hop?Dr. J. Lorenzo Perillo is Assistant Professor of Theatre and Dance and affiliated faculty with the Department of Women, Gender, and Sexuality Studies, Center for Philippine Studies, and Center for Southeast Asian Studies at the University of Hawaiʻi at Mānoa. His work as an interdisciplinary cultural studies scholar is grounded within the indigenous Filipino concept of kapwa which translates imperfectly to ‘self-in-other’ and ‘together with the person’. In this way, he focuses on bridging Dance, Theatre, and Performance Studies with Critical Race, Ethnic, Feminist, and Indigenous Studies, while broadening the types of knowledge established within these fields.Isabel Machado is a cultural historian whose work often crosses national and disciplinary boundaries. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Teklife, Ghettoville, Eski: The Sonic Ecologies of Black Music in the Early 21st Century (Goldsmiths Press, 2021) uses three Black electronic musics – footwork, grime, and the work of the producer Actress – to provide a theory of how Black musical experimentation has disrupted the circuits of racialized domination and exclusion in the 21st Century city. The book carefully attends to the unique ‘sonic ecologies’ produced by these three musical forms in South/West Chicago; East London and South London respectively, steering a course between uncritical celebration narratives of ‘resistant’ cultural production and dystopian analyses of urban decay.Brar instead theorises these musics as forms of popular experimentalism which are not just inseparable from questions of space, race and class, but are productive of social and spatial relations. The book draws upon, and intervenes in, Black Studies literature to contribute a set of examples, questions and provocations that help readers to think about how the ‘Blackness of Black electronic dance music’ has produced (and continues to produce) a fugitive urban aesthetic sociality that has flourished in spite of the degradations of state and capital.At the end of the interview, Dhanveer recommended some music as good entry points into the three musical worlds that we discuss and that he analyses in the book:Actress – Splazsh (2010)DJ Rashad – Just a Taste Vol. 1 (2011)Slimzee/Wiley/Dizzee Rascal and more – Sidewinder sessions (2002-2004)Gummo Clare is a PhD researcher in the School of Media and Communications, University of Leeds. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Saronik talks to Tuhin Chakrabarty about the creative processes of Artificial Intelligence, what we can expect from it, and how to keep the results fair.(Saronik messes up the word GPT-3 twice!)Reading List:GPT3 CreativityWhen AI Falls in Love, GPT-3 Creative Fiction, Are You Ready for NaNoWriMo?Papers/Posts on Computational CreativityGenerating Similes Like a Pro, Content Planning for Neural Story Generation, Reverse, Retrieve, and Rank for Sarcasm Generation , The Comedian is in the MachineMusic and ArtGoogle MagentaCreating Image from TextDall-E, Creative Text GenerationBias in Language ModelsStereoset measures Racism, Sexism, and other Forms of Bias in AI Language Models, Towards Controllable Biases in Language Generation, The Woman worked as a Babysitter, Timnit Gebru’s thread about Google firing her, RealToxicityPrompts, Measuring and Reducing Gendered Correlations in Pre-trained ModelsBias in PoetryInvestigating Societal Biases in a Poetry Composition SystemAI PoetryGoogle’s New AI Helps You Write Poetry like Poe, Generating Topical PoetryAcademic VenuesComputational Creativity, Machine Learning for Creativity and DesignImage: created using Dall-E Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Curtis Mayfield. The Chi-Lites. Chaka Khan. Chicago’s place in the history of soul music is rock solid. But for Chicagoans, soul music in its heyday from the 1960s to the 1980s was more than just a series of hits: it was a marker and a source of black empowerment. In Move On Up: Chicago Soul Music and Black Cultural Power (U Chicago Press, 2019), Aaron Cohen tells the remarkable story of the explosion of soul music in Chicago. Together, soul music and black-owned businesses thrived. Record producers and song-writers broadcast optimism for black America’s future through their sophisticated, jazz-inspired productions for the Dells and many others. Curtis Mayfield boldly sang of uplift with unmistakable grooves like “We’re a Winner” and “I Plan to Stay a Believer.” Musicians like Phil Cohran and the Pharaohs used their music to voice Afrocentric philosophies that challenged racism and segregation, while Maurice White of Earth, Wind, and Fire and Chaka Khan created music that inspired black consciousness. Soul music also accompanied the rise of African American advertisers and the campaign of Chicago’s first black mayor, Harold Washington, in 1983. This empowerment was set in stark relief by the social unrest roiling in Chicago and across the nation: as Chicago’s homegrown record labels produced rising stars singing songs of progress and freedom, Chicago’s black middle class faced limited economic opportunities and deep-seated segregation, all against a backdrop of nationwide deindustrialization.Drawing on more than one hundred interviews and a music critic’s passion for the unmistakable Chicago soul sound, Cohen shows us how soul music became the voice of inspiration and change for a city in turmoil. Aaron Cohen covers the arts for numerous publications and teaches English, journalism, and humanities at City Colleges of Chicago. He is the author of Aretha Franklin's "Amazing Grace."Aaron Cohen on Twitter.Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Nancy Barile shares her love of hardcore punk in her new memoir, I'm Not Holding Your Coat: My Bruises and All Memoir of Punk Rock Rebellion (Bazillion Points, 2022). From disaffected Catholic schoolgirl and glam maniac to instigator on the 1980s hardcore punk scene, Barile discovered freedom at a time when punk music was new and dangerous. She made her place behind the boards and right in the front row as insurgents such as SSD, Minor Threat, Bad Brains, the Dead Kennedys, and Black Flag wrote new rules and made history. She survived punk riots and urban decay, ran the streets with outcasts, and ultimately found true love as she fought for fairness and found her purpose. Her memoir archives her first-hand experiences in the early Philadelphia punk scene and forefronts the role of women in the scene. Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Has the internet really been the main culprit behind the upheaval of the contemporary media industries? In Media Disrupted: Surviving Pirates, Cannibals, and Streaming Wars (MIT Press, 2021), Professor Amanda Lotz provides a rebuttal to persistent myths about disruption across the mediascape of the late 20th and early 21st Centuries. Through a granular reading of four media industries – newspapers, recorded music, film and television – Lotz demonstrates that the internet has had diffuse and divergent effects in each, none of which are adequately explained through simplistic narratives of piracy or cannibalism. Lotz suggests that the speed and scale of reconfiguration in these industries has stemmed more from built up consumer demand and business (mal)practices, often with deep historical roots, which have only then been catalysed by the advent of the internet.Alongside laying out what we often get wrong about the internet and the media industries, Lotz provides detailed analyses of those media businesses which managed to negotiate this tumultuous period successfully. Media Disruption helps us understand how the media industries got to where they are today and provides valuable lessons for those seeking to weather disruptions to come.Professor Amanda Lotz works at the Digital Media Research Centre at Queensland University of Technology. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Randall J. Stephens is an Associate Professor of British and American Studies at the University of Oslo. He previously taught at Northumbria University (Newcastle upon Tyne) and Eastern Nazarene College (Quincy, Massachusetts). He is a historian of religion, conservatism, the South, environmentalism, and popular culture. He is the author of The Fire Spreads: Holiness and Pentecostalism in the American South (Harvard University Press, 2008); The Anointed: Evangelical Truth in a Secular Age, co-authored with physicist Karl Giberson (Harvard University Press, 2011); and editor of Recent Themes in American Religious History (University of South Carolina Press, 2009). His latest book is The Devil’s Music: How Christians Inspired, Condemned, and Embraced Rock ’n’ Roll (Harvard University Press, 2018). Stephens has written for the Atlantic, Salon, the Wilson Quarterly, Christian Century, the Independent, History Today, the Chronicle of Higher Ed, and the New York Times. He has been interviewed for news and culture programs on the BBC, Sky News, Al Jazeera, KBYU-FM 89.1, Austrian Youth Radio, and NPR. Stephens is one of the Organization of American Historians Distinguished Lecturers. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In Media Primitivism: Technological Art in Africa (Duke University Press, 2020) Delinda Collier provides a sweeping new understanding of technological media in African art, rethinking the assumptions that have conceptualized African art as unmediated, primary, and natural. Collier responds to these preoccupations by exploring African artworks that challenge these narratives. From one of the first works of electronic music, Halim El-Dabh’s Ta’abir Al-Zaar (1944), and Souleymane Cissé's 1987 film, Yeelen, to contemporary digital art, Collier argues that African media must be understood in relation to other modes of transfer and transmutation that have significant colonial and postcolonial histories, such as extractive mining and electricity. Collier reorients modern African art within a larger constellation of philosophies of aesthetics and technology, demonstrating how pivotal artworks transcend the distinctions between the constructed and the elemental, thereby expanding ideas about mediation and about what African art can do.Holiday Powers is Assistant Professor of Art History at VCUarts Qatar. Her research focuses on modern and contemporary art in Africa and the Arab world, postcolonial theory, and gender studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Why do corporations fund cultural organisations and events? In Black Culture, Inc: How ethnic community support pays for corporate America Patricia Banks, Professor of Sociology at Mount Holyoke College, explores the role of corporate funding in shaping cultural life, from historical examples of tobacco advertising and media, through to contemporary social media businesses’ presence at music festivals. The book draws on a wealth of examples and scholarship on Black culture in America, alongside analysis of diversity policy and practices. Most crucially, the book introduces the idea of ‘diversity capital’, showing the costs of corporate influence on culture, as well as the ambivalence and enthusiasm of cultural producers and audiences. Moving beyond simple explanations and analysis of race, corporate funding, and culture, the book is essential reading across the arts, humanities and social sciences, as well as for anyone interested in the arts today.Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music