Sew What?

Isabella Rosner
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Sep 17, 2020 • 33min

A Collage of Ideas: An Interview with Dr Freya Gowrley

In this episode, Isabella interviews Dr Freya Gowrley, historian of material and visual culture focusing on the home, the body, and collage. The two discuss Freya's recent article and upcoming book, as well as patchwork and the intersection of needlework and emotions.
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Sep 10, 2020 • 23min

To Bead or Not to Bead: Historic Beadwork of England and the Americas

This episode is all about beadwork. Isabella begins the episode discussing 17th-century English beadwork before moving on to discuss Native American beadwork techniques. 
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Sep 3, 2020 • 37min

Fashion in 18th-Century Colonial Spanish America: An Interview with Laura Beltrán-Rubio

In this episode, Isabella interviews Laura Beltrán-Rubio, a PhD student who focuses on the consumption, dissemination, and representation of dress and practices of self-fashioning in 18th-century colonial Spanish America (specifically modern-day Colombia, Peru, and Venezuela). The two discuss surviving South American costume and textiles, the presence of needlework in the Spanish colonies, and learning how to stitch from your grandmother.As always, images and resources discussed in this episode are available on the "Sew What?" Twitter, Instagram, and Facebook pages.
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Aug 27, 2020 • 19min

Stitching While Imprisoned, Part 2

In this episode, Isabella discusses needlework created by suffragettes and a woman with an alias of "Myrllen," as well as the British charity Fine Cell Work.As always, images and resources discussed in this episode are available on Twitter, Instagram, and Facebook at @sewwhatpodcast.
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Aug 20, 2020 • 22min

Stitching While Imprisoned, Part 1

In this episode, Isabella discusses needlework created by imprisoned women, focusing specifically on the embroidery of Mary Queen of Scots, Agnes Richter, and Lorina Bulwer. As always, images and resources discussed in this episode are available on Twitter, Instagram, and Facebook at @sewwhatpodcast.
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Aug 13, 2020 • 35min

Making and Consuming in the 18th Century: An Interview with Dr Serena Dyer

In this episode, Isabella interviews Dr Serena Dyer, historian of dress, consumption, and material culture. The two discuss Serena's two upcoming books, Material Lives: Women Makers and Consumer Culture in the 18th Century and Material Literacy in Eighteenth-Century Britain: A Nation of Makers. They also talk about Serena's favourite needleworked objects and her passion for making historic costume.As always, images and resources discussed in this episode are available on Twitter and Instagram at @sewwhatpodcast.
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Aug 6, 2020 • 31min

Needlecraft and Wellbeing: An Interview with Dr Alison Mayne

In this episode, Isabella interviews Dr Alison Mayne, a textile researcher and practitioner who wrote her PhD about knitting and crocheting Facebook groups and wellbeing. The two discuss the intersection of needlework and social media, new Soviet dress, fashions from the feminist magazine Spare Rib, and the continued fight for inclusivity in the world of needlework and textiles more generally. As always, images and resources discussed in this episode are available on Twitter and Instagram at @sewwhatpodcast.
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Jul 30, 2020 • 21min

Opening the Doors to 17th-Century Embroidered Cabinets and Caskets

In this episode, Isabella discusses one of her greatest loves, embroidered cabinets and caskets made in the 17th century. She explains the differences between cabinets and caskets, how they were made, some exceptional surviving examples, and what these boxes can tell us about the relationship between early modern women and privacy. 
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Jul 23, 2020 • 38min

Black Love, Black Family: An Interview With Kelli Coles

In this episode, Isabella talks with Kelli Coles, a PhD student who researches Black American schoolgirl samplers. The two discuss Black samplers made by girls across America's East Coast in the late eighteenth through mid-nineteenth centuries.
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Jul 16, 2020 • 32min

Unstitching Colonialism: South Indian Missionary School Samplers

In this episode, Isabella examines a group of mid-19th-century samplers made by South Indian girls in a missionary school run by a British woman. She discusses the intersection of these samplers and colonialism, focusing on evidence of colonialism in the samplers' threads, inscriptions, and compositions. 

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