St. Louis on the Air

We listen back to our 2023 conversation about “Black St. Louis,” a book that explores the life of Black people, from the founding of the city to the start of the 21st century. Through colorful imagery and detailed documentation, co-authors Calvin Riley and NiNi Harris tell the stories of enslaved people, night-club owners, soldiers and everyday Black St. Louisans.

Missouri's mental health jail backlog is worsening. Over 500 people are currently waiting for court-ordered mental health services that would allow their criminal cases to move forward. Three years ago, the waitlist numbered around 200. Many have not been convicted of a crime but still languish in jails for months or even years. Missouri Independent Reporter Steph Quinn shares her insights from her reporting and a recent legislative hearing on the “crisis” of Missouri’s mental health backlog. Annie Legomsky, director of client advocacy for the Missouri public defender’s office, takes us behind the scenes of the ongoing struggle to address the mental health backlog.

St. Louis is packed with punk bands in every genre under that umbrella. Organizer of 314 Punk Weekend and lead singer of Wes Hoffman & Friends Wes Hoffman joins music show originator Miya Norfleet to discuss their picks for the hottest new and new-”ish” releases from St. Louis artists on this month’s new music roundup. Check out our new music roundup playlist.

Antoine White doesn’t shy away from his roots in St. Louis’ streets. Known as T-Dubb-O on stage and in his community, the St. Louis native has cultivated a reputation for lyricism as a battle rapper and recording artist. His music and advocacy work flow through his latest album, “Sets on the Wall.” He takes us behind the scenes of his songs, “No Treaty,” “Turbulence,” and “Stand Tall,” as well as the origins of his company Audacity Music Group.

Missouri Gov. Mike Kehoe wants voters to decide whether or not to phase out the state income tax. How will that affect your financial situation — and funding for state services? Two tax experts answer those questions and discuss how the elimination of state income tax has played out in other states.

Many often associate frostbite with outdoor sports and mountain climbers with blackened fingers and faces. But advocates in St. Louis say the issue is also commonly seen in people closer to ground level — people experiencing homelessness or who otherwise lack a stable place to stay in freezing temperatures. STLPR reporter Sarah Fentem shares insights from her recent reporting on the suffering and challenges facing homeless people during the recent streak of bitter cold. We also hear from Kevin Roberts, a resident of an encampment who lost two toes to frostbite last winter; and Dr. Josh Fernelius, a volunteer with Street Med STL, who shares his experience treating frostbite among St. Louis’ homeless population.

For professional wrestling fans, the theme music that ushers a grappler into the ring is almost as memorable as a finishing move or signature pose. But Florissant resident Paul Morad has taken the recollection of pro wrestling entrance music to a new level: He was recently recognized as the Guinness world record holder for identifying the most WWE entrance songs in 60 seconds. Morad sits down with STLPR reporter (and admitted wrestling fan) Jason Rosenbaum to explore the meaning behind wrestling’s greatest hits. For the special “main event,” Rosenbaum offers Morad the chance to demonstrate his prodigious talent for recall.

Naltrexone is an FDA-approved drug that helps people beat addiction by blocking the effects of opioids and alcohol. Yet it’s not as widely known, or used, as the synthetic opioid medication methadone. St. Louis journalist Ben Westhoff’s new documentary “Antagonist” explores why. Westhoff and Assisted Recovery Centers of America President Percy Menzies join us to discuss why naltrexone is so effective at treating opioid and alcohol misuse and how the drug got sidelined by big money interests.

The community radio station 88.1 KDHX was a lifeline for eclectic, locally curated music in the St. Louis area — until it was torn apart by battles over diversity, accountability and the essence of the station’s identity. It went off the air and its broadcast license was sold to the highest bidder in 2025. In Part 2 of our special report “KDHX: How a radio station unravelled,” we examine how KDHX leaders pushed through a controversial sale in the face of widespread community opposition — and what lessons can be learned from the differing public reactions to the station’s 2019 and 2023 controversies. We also witness the birth of "a new era for music in St. Louis."

The community radio station 88.1 KDHX was a lifeline for eclectic, locally curated music in the St. Louis area — until it was torn apart by battles over diversity, accountability and the essence of the station’s identity. It went off the air and its broadcast license was sold to the highest bidder in 2025. In Part 1 of our special report “KDHX: How a radio station unraveled,” we examine charges of racism and sexual harassment in 2019 and the start of a DJ revolt four years later, after station leaders fired one of their own for bullying and harassment.