Who Arted: Weekly Art History for All Ages

Willem de Kooning, a Dutch-American Abstract Expressionist painter, was born in Rotterdam in 1904. He stowed away on a freighter in 1926, eventually settling in New York City. De Kooning's early work transitioned from figurative studies to abstraction, though he never fully abandoned the figure, famously stating, "Flesh was the reason oil paint was invented." He gained recognition for his black-and-white abstract paintings and married fellow artist Elaine Fried. Known for his perfectionism, he often reworked his canvases extensively. He moved to East Hampton in 1963, and despite later suffering from Alzheimer's, continued painting until the late 1980s. De Kooning died in 1997, leaving a lasting legacy as a key figure in 20th-century art. Willem de Kooning's "Woman I," created between 1950 and 1952, is a seminal work of Abstract Expressionism. This large-scale painting, now housed at the Museum of Modern Art, is the first in his "Woman" series and is renowned for its intense process and controversial imagery. De Kooning worked on the canvas for nearly two years, repeatedly painting over and scraping away layers, embodying the "action painting" style. Inspired by diverse sources, from contemporary advertisements to ancient fertility figures, "Woman I" depicts a distorted, powerful female figure with aggressive brushstrokes, vibrant yet garish colors, and a chaotic composition. The painting sparked debate upon its 1953 exhibition, with some critics viewing it as misogynistic, while others recognized its challenge to traditional notions of beauty and the female nude. "Woman I" remains an influential piece, reflecting de Kooning's struggle with representation and solidifying his reputation as a major, albeit provocative, force in post-war art. Related episodes: ⁠Jackson Pollock⁠ ⁠Janet Sobel⁠ ⁠Lee Krasner⁠ ⁠Mark Rothko⁠ ⁠Erased de Kooning Check out my other podcasts  Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode is kicking off Arts Madness season. Every spring, listeners vote for their favorites in a bracketed tournament of 64 different artists. All during January and February, I will be posting daily episodes as a refresher on the artists and artworks in this year's tournament. Most of these will be encore presentations of old fan favorites, but there will still be new episodes coming into the feed as well. I am creating new episodes based on fan requests which will be coming out on Mondays. Today, I am starting things off with one of my favorites, Robert Rauschenber's Erased de Kooning. A young, up-and-coming Robert Rauschenberg knocked on the door of Willem de Kooning, one of the biggest stars of the art world in his day. Rauschenberg had a big ask. He didn't want advice or help in the traditional sense. He wanted de Kooning to give him a drawing so he could erase it. After an uncomfortable conversation, de Kooning agreed. He looked through his portfolios and picked out a drawing. It was not easy. Rauschenberg spent weeks and wore through numerous erasers on the mixed media piece. In the end he obliterated nearly every trace of de Kooning's drawing in an act that some consider to be an iconoclastic destruction of the artist's legacy and others see as an incredible tribute that completely upended the way we encounter the work moving it from the paper to the imagination. Learn more about your ad choices. Visit megaphone.fm/adchoices

For today's episode, I wanted to focus on the business side of art by looking at art fairs. I interviewed Amy from the 57th Street Art Fair in Chicago. Celebrating its 79th anniversary, this historic fair has evolved from a neighborhood gathering into a premier juried event. Learn the fascinating history of the fair, insights into the jury process, and stories of famous artists who got their start displaying their work between the trees of Hyde Park. The 57th Street Art Fair takes place annually on the first full weekend of June, located along 57th Street between Woodlawn and Kenwood in Chicago's Hyde Park neighborhood. The event is free to the public and features not only a diverse array of fine art but also food trucks, live music, and activities for children. Artists interested in exhibiting can apply through the ZAPP application system with a $45 fee, noting that the deadline for submissions is January 15th. Links to explore: 57thStreetArtFair.com ZAPP (for artists who wish to participate) Taylor Mazer (artist whose work we mentioned) Malen Pierson (artist whose work we mentioned) Check out my other podcasts  Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Tiziano Vecellio, known simply as Titian, stands as the central figure of the Venetian Renaissance, dominating the art world for over sixty years with his revolutionary approach to color and composition. Renowned for his specific "Titian Red" and the lavish application of expensive ultramarine blue derived from Afghan lapis lazuli, Titian elevated the status of the artist from craftsman to nobility. His career included prestigious roles as court painter for Holy Roman Emperor Charles V and King Philip II of Spain, where he pioneered the concept of poesie, arguing that painting was a liberal art of visual poetry equal to literature. Bacchus and Ariadne (1520–1523) was commissioned by the Duke of Ferrara to replace a work originally intended for Raphael. This canvas bridges the gap between classical mythology and dynamic Renaissance storytelling. The painting captures the precise moment the wine god Bacchus leaps from his cheetah-drawn chariot to save the abandoned Princess Ariadne, freezing a narrative of heartbreak and instant love in time. From the referencing of the Laocoön statue to the constellation of the Northern Crown, Titian’s work exemplifies how loose, expressive brushwork and rich pigmentation can bring ancient myths to vibrant life. If you would like to suggest a future topic, head over to WhoARTedPodcast.com/vote and let me know what artist/artwork I should cover next. Check out my other podcasts  Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Frederic Edwin Church stands as a titan of nineteenth-century American art, renowned for transforming landscape painting into a high-stakes blend of scientific exploration and cinematic spectacle. A star pupil of Thomas Cole, Church pivoted from his mentor’s moral allegories to embrace a rigorous "scientific realism" inspired by the naturalist Alexander von Humboldt. This dedication led him to retrace Humboldt's paths through South America and the Arctic, documenting the "physiognomy of nature" with such botanical and geological precision that his canvases served as both high art and field research. His 1859 exhibition of The Heart of the Andes revolutionized art marketing; by charging admission to a darkened, theatrically lit room where viewers used opera glasses to inspect microscopic details, Church pioneered the concept of the "blockbuster" exhibition. The artist's legacy is physically immortalized at Olana, his Persian-style estate in the Hudson Valley, which he designed as a living three-dimensional landscape. Even as rheumatoid arthritis forced him to adapt his technique later in life, Church’s work continued to bridge the gap between the terrestrial and the celestial. His 1865 masterpiece, Aurora Borealis, exemplifies this intersection, capturing the eerie translucence of the northern lights through meticulous layers of oil glazes. Created at the close of the American Civil War, the painting serves as a profound meditation on the sublime—juxtaposing the fragility of the human spirit, represented by a ship trapped in ice, against the vast, terrifying power of the natural world. What artist/artworks would you like to learn about? Who should I include in next year's Arts Madness Tournament? Give me your suggestions at ⁠www.WhoARTedPodcast.com/vote⁠ Check out my other podcasts ⁠ Fun Facts Daily⁠⁠ | Art Smart⁠ |⁠ Rainbow Puppy Science Lab⁠ Who ARTed is an⁠ Airwave Media⁠ Podcast. If you are interested in advertising on this or any other Airwave Media show, email: ⁠advertising@airwavemedia.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Tamara de Lempicka remains the definitive icon of the Art Deco era, blending polished Cubist techniques with the glamorous, high-stakes atmosphere of the Roaring Twenties. From her harrowing escape during the Russian Revolution to her transformation into a Parisian socialite and eventually a Hollywood favorite, her life was a calculated masterpiece of self-invention. Her signature style, characterized by "soft Cubism" and metallic, architectural lighting, captured the spirit of the "New Woman"—independent, liberated, and sophisticated. Known for her relentless self-promotion and a portfolio of portraits that defined modern luxury, she became a favorite of the European aristocracy and the American film elite alike. The legendary self-portrait Tamara in a Green Bugatti serves as a focal point for understanding both the artist and the Art Deco movement. This work embodies the era's obsession with speed, industry, and geometric precision, rejecting the organic curves of Art Nouveau in favor of sleek, machine-age aesthetics. Although she famously curated her public persona—even swapping her modest yellow Renault for a high-performance Bugatti on canvas—Lempicka’s influence on the world of fashion and fine art remains undeniable. Check out my other podcasts  Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest this week is David Hunt, the creator of Earthboard. Earthboard is an earth-sized collaborative mural where you claim real-world locations and doodle over famous landmarks across the globe. Draw King Kong climbing the Eiffel Tower, or collaborate with a famous artist in Tokyo, all in real time. Because all art is created inside the app, Earthboard is the first platform where human creativity is architecturally guaranteed. No AI-generated work, period. Every drawing has a limited lifespan, but what you inspire doesn't. Your work lives on in the permanent archive and in the pieces other artists build on top of yours. Earthboard is available now on IOS visit Earthboard.art to learn more Related episodes: Jason deCaires Taylor Marcel Duchamp Check out my other podcasts  Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

From 1912 to 1948, medals were awarded for artistic creations inspired by sport, alongside those for athletic prowess. This unique fusion of disciplines was the brainchild of Pierre de Coubertin, the founder of the modern Olympics, who envisioned the Games as a celebration of both physical and intellectual pursuits. Coubertin's vision for the modern Olympics extended far beyond athleticism. He believed in the holistic development of the individual, emphasizing the importance of both physical and intellectual pursuits. This philosophy stemmed from his deep admiration for the ancient Greek ideal of "kalokagathia," which represented the harmonious balance of body and mind. In 1894, Coubertin's efforts culminated in the establishment of the International Olympic Committee (IOC), and the first modern Olympic Games were held in Athens in 1896. The art competitions were introduced at the 1912 Stockholm Games, featuring five categories: architecture, literature, music, painting, and sculpture. A total of 146 artists were awarded Olympic medals for their artistic creations between 1912 and 1948. Tell me which artists/artworks you want me to cover in future episodes at WhoARTedPodcast.com/vote Check out my other podcasts  Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Domenico Ghirlandaio stands as a titan of the Quattrocento, often overshadowed by his most famous student, Michelangelo, yet serving as the vital bridge between the early and high Italian Renaissance. As the head of a prolific family workshop, Ghirlandaio dominated the Florentine art market, capturing the spirit of the age by integrating wealthy patrons like the Medici and Tornabuoni directly into sacred biblical narratives. His mastery of fresco technique—skills he later passed to a young Michelangelo—graced the walls of the Sistine Chapel long before the ceiling was painted, establishing him as the premier visual chronicler of 15th-century Florentine society. Beyond his technical precision and workshop efficiency, Ghirlandaio revolutionized Florentine painting by embracing the gritty realism of Northern European art. His masterpiece, The Adoration of the Shepherds in the Sassetti Chapel, merges classical Roman symbolism with unidealized, rugged figures inspired by Flemish masters. This synthesis of high fashion, local architecture, and naturalistic detail offers a vivid window into the life, culture, and theological complexity of Florence at the height of its power. What artist/artworks would you like to learn about? Who should I include in next year's Arts Madness Tournament? Give me your suggestions at www.WhoARTedPodcast.com/vote Check out my other podcasts  Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

German artist Max Ernst was a pivotal figure in modern art history, bridging the anarchic rebellion of the Dada movement with the psychological depths of Surrealism. Born in Bruehl and deeply scarred by his service in World War I, Ernst rejected the rigid rationality of his upbringing to explore the unconscious mind. His artistic evolution took him from the avant-garde circles of Cologne and Paris to a dramatic escape from Nazi-occupied Europe with the help of Peggy Guggenheim. Settling in Sedona, Arizona, his presence in the United States proved crucial in bridging the gap between European Surrealism and the emerging American Abstract Expressionist movement. Central to Ernst's legacy are his innovative "automatic" techniques, specifically frottage (rubbing) and grattage (scraping), which allowed chance and texture to dictate composition. A close analysis of his 1927 masterpiece, Forest and Dove, illustrates these methods in action. By scraping paint over textured surfaces to create impenetrable, fossil-like forests, Ernst juxtaposed the menacing power of nature with the fragility of the spirit, often represented by his bird alter ego, "Loplop." His work challenges the role of the artist, suggesting that creators should act as spectators to their own materials to unlock the hidden imagery of the subconscious. Check out my other podcasts  Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices