Who Arted: Weekly Art History for All Ages

Katsushika Hokusai is best known for The Great Wave off Kanagawa, part of his series of 36 Views of Mount Fuji. His family was in the mirror business, but Hokusai showed a proclivity for art starting at a young age. When he was 14 he started apprenticing as a wood carver. He spent 4 years carving wood blocks to use as stamps for printmaking. He then went on to study under artists to produce his own designs. His first prints were of actors from the Kabuki theater in 1779. Some years later, he would shift his focus to landscapes.Today marks 400 episodes in my feed. Although many have been encore presentations as I post re-runs when I need a break or in preparation for my annual Arts Madness Tournament (remember Mondays will still be new episodes) seeing that number on my feed made me pause to reflect for a moment. I am truly grateful for everyone who takes time out of their day to listen to my show. To make sure this would be a good episode for you all, I re-recorded one of my most popular episodes adding a little more information about Hokusai. This is one of the first episodes I am recording since upgrading my mic so it should sound good and hopefully, the show will just keep getting better as we go. Whether you have listened to every episode or you are just now discovering the show, I appreciate your support.Check out my other podcasts Art Smart | Rainbow Puppy Science LabWho ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Wassily Kandinsky was an artist, teacher and art theorist in the early 20th century. His work was very influential in the development of modern, abstract art. He was likely able to paint differently because he experienced the world differently. Kandinsky is thought to have had a rare condition called synesthesia, which is a combining of the senses. For him sound and color were linked. He would see music and often used that for inspiration in his paintings as in the case with Improvisation 28 (second version) which I used in the cover art for this episode. That piece is also one of the 250 required works for AP Art History. Check out my other podcasts  Art Smart | Rainbow Puppy Science LabWho ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

The Benin Bronzes, a collection of exquisite brass and bronze sculptures originating from the Kingdom of Benin (present-day Nigeria), stand as a testament to the artistic brilliance, historical significance, and the complex narrative of colonial exploitation. These bronze pieces were not merely decoration. They recorded the history of the people and the kingdom of Benin. Because the Benin Bronzes hold such great artistic, historical and cultural significance, it seems only fitting that the piece "Equestrian Oba and Attendants," would be one of the 250 artworks required for the AP Art History curriculum. Check out my other podcasts  Art Smart | Rainbow Puppy Science LabWho ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Marcel Duchamp liked to portray himself as a rebel and an outsider courting controversy. While he was bold and pushing boundaries, he also came from a family of artists and he served as an advisor to the likes of Peggy Guggenheim and MoMA. Two of Duchamp's best known pieces were Nude Descending a Staircase 2 and Fountain.Check out my other podcasts  Art Smart | Rainbow Puppy Science LabWho ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1936, Meret Oppenheim sat down in a cafe with Pablo Picasso and Dora Maar. Picasso took note of Oppenheim's bracelet and commented that anything could be wrapped in fur. Meret replied "even this tea cup" and thus found inspiration for one of the greatest Surrealist sculptures of all time.Other episodes for to explore: Meret Oppenheim | Object (full episode featuring Janet Taylor from The Art of Education University) Marcel Duchamp Pablo Picasso Art Smart: Surrealism Check out my other podcasts  Art Smart | Rainbow Puppy Science LabWho ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Henri Matisse was born in Northern France on December 31, 1869. His father was a successful grain merchant. In 1887, Henri was well on his way to a successful, respectable career when he went to Paris. He was going to study law, and was working in that arena for a while then at age 20, he had appendicitis. His mom gave him a paint set so he could have something to do while he recovered, and he decided to become an artist.Links:Katsushika HokusaiVincent van GoghHenri de Toulouse LautrecJMW TurnerCheck out my other podcasts  Art Smart | Rainbow Puppy Science LabWho ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Yayoi Kusama is one of the most popular contemporary artists with her infinity rooms drawing massive crowds wherever they are installed. In the infinity rooms, the walls are covered in mirrors creating reflections of reflections that seem to go on forever. This idea of playing with reflections was a fixture in Kusama’s work pretty much from the start. As I covered in my previous episode about Yayoi Kusama, she grew up in Japan where her family owned a nursery. She was surrounded by plans and looked at nature around her imagining not only what was beyond the mountains in the landscape, but what was inside the plants, the rocks, the dirt. This is where we get her signature polka dots. She refers to the repeated dots as Infiniti nets, a visualization of the structures that make up all of the things in our world and even our universe. It seems fitting that in 1966, she created Narcissus Garden to catapult her career to the next level. The piece consisted of an installation of 1,500 reflective spheres. It feels both personal to Kusama and simultaneously generic as the woman who grew up at her family's garden nursery installed a garden of mass-produced mirrored spheres. In 1966, she accompanied the installation with a performance as she dressed in a gold kimono and sold the mirrored balls for $2 each.Check out my other podcasts Art Smart | Rainbow Puppy Science LabWho ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Claude Monet loved his garden and made about 250 paintings of water lilies. He and his Impressionist contemporaries were focused on color, light, and how our eyes perceive the world, but I would say technology was also central to the development. In his paintings of the train station, The Gare Saint Lazare, Monet gives us a glimpse of iron and glass station filled with the smoke of the steam engines. One critic wrote, “Unfortunately thick smoke escaping from the canvas prevented our seeing the six paintings dedicated to this study.” While the Impressionists were overtly apolitical, there is always a statement made by what is shown and what is not shown. Even if the artist himself or herself strives to be objective simply holding a mirror to their world, which way they aim that mirror matters. Monet shows the steam engine in its element as the subject of the work not merely something in the background. Technology of course drives change in our world. In the middle of the 19th century, painters suddenly had to compete with the camera. As photographs could quickly and easily capture the lines, shapes and proportions of a subject, painters shifted their focus to the color, an element cameras could not capture at that time. The tube of paint and numerous synthetic pigments also came about in the 19th century giving artists easy access to a wider range of colors. As I look at Monet’s use of so many colors, the pinks and blues of the cloud rising from the steam engine, I think of the critics the defenders of the status quo feeling threatened by change. They feel overwhelmed by the subject and begin to choke at the sight of roaring engines filling the space with smoke and they want to look away. They want the grand facades buildings and well-dressed elites walking city streets, not the workers and machines that powered the advancements. Monet though was unwavering. He meticulously studied his subjects at different times and in different seasons to find the beauty of even the smoke and engines in the industrial space. While the critics wanted grand visions of mythology, Monet showed what he and countless others experienced in the real world.Other episodes to listen to: Claude Monet | Water Lilies Pierre-Auguste Renoir | Luncheon of the Boating Party Berthe Morisot | The Cradle Gustave Caillebotte | Paris Street Rainy Day Art Smart: Impressionism & Post Impressionism Check out my other podcasts Art Smart | Rainbow Puppy Science LabWho ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

As a young adult, Edvard Munch studied art. He was influenced early on by the Impressionists, but he really came into his own when he began using painting as a way of expressing his inner struggles. He is best known today for his expressionistic works like The Scream. Interestingly The Scream is not about a person screaming. The tormented figure in the painting is actually suffering an anxiety attack and overwhelmed by the din or the noise of the world around him. The specific look of the figure may have actually been based on a Peruvian mummy that was on display in the World’s Fair in Paris in 1889.Check out my other podcasts  Art Smart | Rainbow Puppy Science LabWho ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Alfred Stieglitz is considered by many to be the father of modern photography. He looked at the camera as not simply a tool to document the world, but an artistic medium. His photograph The Steerage from 1907 is possibly his most famous work. As he set out on a European vacation, Alfred and his family were in first class, but he did not feel comfortable. He went out onto the deck and looked down at the people on the lower deck, the steerage. He said he wished he could mingle with them and he was struck by the lines and shapes on the ship as well as on the people's clothing. Everything about the scene laid out before him felt like a modern artwork and he sought to create a photograph using those lines and shapes to express his feeling in the moment. He ran back to his room and got his camera but only had one glass plate, one shot to capture the scene. Check out my other podcasts  Art Smart | Rainbow Puppy Science LabWho ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices