Arts & Ideas

Caribbean migrants striving to make their lives in London are the focus of this 1956 novel by Samuel Selvon. Written in creolized English, it established him as an important Caribbean voice. In an event organised in partnership with the Royal Society of Literature and the British Library, Shahidha Bari is joined by the poet Anthony Joseph, the writer Guy Gunaratne and by Susheila Nasta who is a writer, critic and literary executor and representative for the Sam Selvon literary estate.Guy Gunaratne‘s first novel In Our Mad And Furious City won the International Dylan Thomas Prize, Jhalak Prize and the Authors Club Award. Their second novel published earlier this year is called Mister Mister. Anthony Joseph was born in Trinidad. The author of five poetry collections, Sonnets for Albert, won the T. S. Eliot Prize 2022 and was shortlisted for The Forward Prize for Best Collection 2022. Susheila Nasta founded Wasafiri, the Magazine of International Contemporary Writing and is an Emeritus Professor at Queen Mary, London and the Open University. Her books include The Cambridge History of Black and Asian British Writing, and Brave New Words: The Power of Writing Now.Producer: Torquil MacLeod You can find other conversations about prose, poetry and drama - some recorded as events at the British Library and in partnership with the Royal Society of Literature gathered into a collection on the programme website for BBC Radio 3's Free Thinking. They are all available to download as the Arts & Ideas podcast.

Over 200 women sculptors have been uncovered in the research of Sophie Johnson from Bristol University. She describes some of their creations and discusses the challenges of working with the incomplete personal archives of these artists – including Mrs Goldsmith, Patience Wright, and Catherine Andras, who created wax portrait miniatures and effigies, and Anne Seymour Damer, who carved in marble.Kathleen Collins died in her 40s and left un-filmed screenplays and unpublished stories which Alix Beeston from Cardiff University has been researching. Collins’ finished film Losing Ground didn’t get a theatrical release when it was made in 1982 but it was restored and reissued in 2015. Now her work is finding a new audience. But how should we approach her unfinished works? Joan Passey hosts the conversation.Producer in Cardiff: Fay LomasDr Joan Passey teaches English at Bristol University and is a New Generation Thinker working with the BBC and the Arts and Humanities Research Council to share research on radio. Sophie Johnson is a PhD candidate at the University of Bristol researching eighteenth century European women sculptors. Her research focuses on women wax modellers and their entrepreneurship. Links to her articles are available at https://research-information.bris.ac.uk/en/persons/sophie-johnson Dr Alix Beeston is a feminist writer and academic based at Cardiff University. Her most recent book is Incomplete: The Feminist Possibilities of the Unfinished Film. More details of her work are available at https://alixbeeston.com/With special thanks to Michael Minard, who provided the song ‘It Might Be’ – written by Minard and Kathleen Collins, performed by Jenny Burton, intended for use in an unfinished film project by Collins – which we hear in the podcast.This New Thinking episode of the Arts and Ideas podcast was made in partnership with the AHRC, part of UKRI. You can find more conversations about new research available on the website of Radio 3’s Free Thinking programme and another collection exploring Women in the World all available as the Arts & Ideas podcast.

Ursula Le Guin's philosophical fiction, "The Ones Who Walk Away from Omelas," is discussed by guests including Una McCormack, Naomi Alderman, Esmie Jikiemi-Pearson, Kevan Manwaring, and Sophie Scott-Brown. They explore Le Guin's writing career, thought experiments, and NK Jemisin's response to Omelas. Topics include themes of colonialism, exploitation, utilitarianism, the city of Ummhalat, breaking the fourth wall in Le Guin's writing, and upcoming books by Alderman and Jikiemi-Pearson.

Guests Amy Paxton and Sophie Oliver discuss women's art and activism in a new exhibition at Tate Britain, highlighting protests, the Brixton Black Women's Group, and the politics of household cleaning. They also explore art and activism linked to ecology at the Barbican Centre and celebrate eco-feminist Monica Sjöö at Modern Art Oxford. The podcast delves into the intersection of art, feminism, and politics, featuring insights from curators, academics, and members of the BLK art group in Britain. It touches on topics such as representation, identity, creative resistance, humor in feminist art, and the role of art in environmental movements.

A professor, a film studies expert, and a journalist discuss the global influence of Shakespeare's works. They explore adaptations in different cultures, including a version of King Lear set in Delhi and Indian cinema's interpretation of Shakespeare. The podcast also delves into the issues in Kashmir and the portrayal of conflict zones through Shakespeare's plays. The speakers challenge the notion of Shakespeare as a singular genius and discuss the importance of authenticity and originality in art.

Goldilocks, Robin Hood, Little Bess of Bromley, Moll Frith were star performers on the bear baiting circuit in Elizabethan England. New evidence of bear bones uncovered in archaeological digs and over 1,100 accounts in letters and documents from the period, are being studied in a research project called Box Office Bears. Andy Kesson delves into bears’ impact on the literary culture of the time and asks if bear baiting was not so much a sporting contest as a staged spectacles akin to contemporary wrestling. Hannah O’Regan explains how bear bones found in archaeological digs in Southwark’s theatre land reveal the animals’ stressful lives and she suggests that the scary, fighting bears of our cultural imaginary are strikingly different from the playful, conflict defusing bear of real life. Were they unfairly typecast? Hannah O'Regan is Professor of Archaeology and Palaeoecology at the University of Nottingham and Principal Investigator in the BOB Project. She has excavated on sites in the UK, Israel and South Africa. Her current research interests include human-non-human animal interactions (particularly bears). Andy Kesson is a Reader in Renaissance Literature at the University of Roehampton and Co-Investigator in the BOB project. He was the principal investigator for Before Shakespeare, and is working with the theatre maker Emma Frankland on a production of John Lyly’s Galatea which he discussed in an episode of Free Thinking called Galatea and Shakespeare https://www.bbc.co.uk/programmes/m001kvpk. He has recently explored a multitude of bears in early modern plays. Box Office Bears: Animal baiting in early modern England, is a project bringing together researchers from the Universities of Nottingham, Roehampton and Oxford and project partner Museum of London Archaeology (MOLA) https://boxofficebears.com/about/ Dr Emma Whipday is a Lecturer in Renaissance Literature at Newcastle University and an expert in Shakespeare, early modern literature, women's history, theatre history, and the history of the home and family . Her current book project, Subordinate Roles, explores the cultural importance of the brother-sister relationship and the place of the unmarried woman in early modern society. She’s a BBC/AHRC New Generation Thinker on the scheme which promotes research on the radio.This New Thinking episode of the Arts and Ideas podcast was made in partnership with the Arts and Humanities Research Council, part of UKRI. You can find more in a collection of the website of BBC Radio 3's Free Thinking programme and all available on BBC Sounds.

Ultrasound tests in Burnley market hall will help the phonetics lab at Lancaster University explore tongue positions and accents as part of this year's Being Human Festival. Claire Nance joins John Gallagher to explain more. Alongside them are Rob Drummond from Manchester Met University, author of a new book You're All Talk, Andrea Smith from the University of Suffolk, who is researching early radio voices and Shane O'Mara, Professor of Experimental Brain Research in Trinity College Dublin, who has been exploring why we converse.Producer in Salford: Faith LawrenceThis New Thinking episode of the Arts and Ideas podcast was made in partnership with the Arts and Humanities Research Council, part of UKRI. Professor Claire Nance and her team from Lancaster University are at Burnley Market on Saturday 11th November. The Being Human Festival runs a series of public events across the UK showcasing humanities research at universities. It runs November 9th - 18th https://www.beinghumanfestival.org/ Dr Andrea Smith is a Lecturer in English and Creative Writing at the University of Suffolk Professor Shane O'Mara teaches at Trinity College Dublin and is the author of books including In Praise of Walking and Talking Heads: The New Science of How Conversation Shapes Our WorldsProfessor Rob Drummond's book You're All Talk is out now and you can hear more from him in these podcasts New Thinking: City Talk https://www.bbc.co.uk/programmes/p07h30hm and New Thinking: Accents https://www.bbc.co.uk/programmes/p0d66mtl You can find John Gallagher's programme A History of the Tongue available if you look up Radio 3's Sunday Feature programme website And we have other Free Thinking discussions about speech: Sadie Ryan, Lynda Clark and Allison Koenecke in an episode called Speech, Voice, Accents and AI https://www.bbc.co.uk/programmes/m000srbn New Thinking: Language the Victorians and Us https://www.bbc.co.uk/programmes/p0dmjgwx New Thinking: Language Loss and Revival https://www.bbc.co.uk/programmes/p0dw6ctr What is Speech? https://www.bbc.co.uk/programmes/b0b1q2f3 What is Good Listening? https://www.bbc.co.uk/programmes/m000djtd The pros and cons of swearing https://www.bbc.co.uk/programmes/b09c0r4m Language and Belonging https://www.bbc.co.uk/programmes/m0006fh9 AI and creativity: what makes us human? https://www.bbc.co.uk/programmes/m0005nml

From Iraq and Afghanistan and news headlines today back to earlier battles in the Spanish Civil War and World War Two, the relationship between war, photography and the press has affected attitudes towards conflicts. In the annual Remembrance discussion organised in partnership with the Imperial War Museum, Free Thinking presenter Anne McElvoy's panel are: Toby Haggith Senior Curator, Department of Second World War and Mid 20th Century Conflict; Irish Iraqi artist Jananne Al-Ani, whose work explores surveillance, aerial reconnaissance and exodus after warfare; Charlie Calder-Potts, who was an official war artist with the British Army in Afghanistan 2013/14; and Caroline Brothers, author of War and Photography: A Cultural History.The Blavatnik Art, Film and Photography Galleries at IWM London include around 500 works from the museum collections including John Singer Sargent’s painting Gassed, Steve McQueen’s response to the 2003 war in Iraq, Queen and Country, and works by artists including Paul Nash, Laura Knight, Peter Jackson, Olive Edis and Omer Fast. Charlie Calder-Potts works with aluminium, wasli, wood panel and vellum (calf skin); combining photography, painting and drawing and has worked in Afghanistan, Iraq, Pakistan, Iran and Russia. Jananne Al-Ani is an Irish Iraqi artist who teaches at the University of the Arts London. Her video piece Timelines which was on display at the Towner Art Gallery Eastbourne last year and has recently been seen at the Ab-Anbar Gallery, London, explores Armistice Day 1918 in the town of al-Hindayyah in what is now modern-day Iraq. Caroline Brothers is the author of War and Photography A Cultural History.Producer: Torquil MacLeodYou can find a collection of episodes exploring war and conflict on the Free Thinking programme website which include past discussions organised in partnership with the IWM.

From Lyons’ Corner House opera performances in the 1920s to 1980s productions staged in fish and chip shops in Scotland – Alexandra Wilson has been studying the history of opera going and presents us with a wider audience for the art form than current stereotypes might have you think. Callan Davies has looked at what went on in Elizabethan playhouses aside from plays by the likes of Shakespeare. New archaeological digs and legal documents featuring complaints are giving us evidence for a kind of leisure centre or arena which might have seen animal sports, fencing matches or spectaculars. Laurence Scott hosts the conversation.Alexandra Wilson is Professor of music and cultural history from Oxford Brookes University and the author of Opera in the Jazz Age: Cultural Politics in 1920s BritainCallan Davies is lecturer in 17th-century studies at the University of Southampton. His book is called What is a Playhouse? England at Play, 1520-1620 and he’s involved in a research project called Box Office Bears which you can hear more about in another of our New Thinking episodes of the Arts and Ideas podcast and you can find more information about playhouses here: https://www.shakespearesglobe.com/discover/shakespeares-world/playhouses/ https://www.thestageshoreditch.com/discover/history-heritage Laurence Scott is the author of two books The Four-Dimensional Human and Picnic Comma Lightning. He teaches writing and literature at New York University in London and became a BBC/AHRC New Generation Thinker in the first year of the scheme in 2011. This New Thinking episode of the Arts and Ideas podcast was made in partnership with the Arts and Humanities Research Council, part of UKRI. You can find a collection of episodes focused on new research on BBC Radio 3’s Free Thinking programme website.

Lady Fanshawe’s ‘Receipt Book’ (c.1651-1707) provides the inspiration for a public cooking event at Tamworth castle hosted by the academic Sara Read which includes preserving vegetables and a look at etiquette. Ideas about hospitality and how we behave when we eat are at the heart of a quiz organised by researchers at Edge Hill University. Both are part of the Being Human Festival and Sara Read and Zayneb Allak join Lindsay Middleton, who is researching food poverty, luxury ingredients and tin cans. Lisa Mullen is also joined at the Free Thinking table for a conversation about new research into food history by two authors: Rebecca May Johnson has written a memoir called Small Fires: an epic in the kitchen and Pen Vogler's History of Good Food and Hard Times in Britain is called Stuffed. So join them for a conversation which covers eel soup, salads, real butter and How to Cook a Wolf.Producer: Jayne EgertonThe Being Human Festival runs from Nov 9th to 19th showcasing university research from around the UK in a series of public events https://www.beinghumanfestival.org/ Dr Sara Read teaches at Loughborough University and is running a workshop at Tamworth Castle on Nov 18 Rebecca May Johnson is running an experimental cooking demo in Walton-on-the-Naze, Essex on Nov 18 and her memoir is called Small Fires Zaynab Allak at Edge Hill University is running events to do with hospitality 10-16 November Dr Lindsay Middleton is a literary historian of nineteenth-century food writing at the University of Glasgow. Her research projects include Dishes for the Sick Room: Invalid Recipes from Glasgow's Culinary Collections Pen Vogler is the author of Stuffed: A History of Good Food and Hard Times in Britain and Scoff: A History of Food and Class in BritainYou can find more episodes exploring new research in a collection on the Free Thinking programme website including other New Thinking podcast episodes made in partnership with the Arts and Humanities Research Council, part of UKRI