The Harvard Brief

Traditionally histories of the Enlightenment era exclude Ireland in the belief that the movement left little impression on developments. In The Irish Enlightenment (Harvard University Press, 2016), Michael Brown challenges this assumption, demonstrating how the ideas and themes of the Enlightenment had a considerable impact upon the history of the country. He begins by examining how the Enlightenment entered the public discourse confessionally, though the debates taking place within the Presbyterian, Anglican, and Catholic faiths in the aftermath of the decisive War of the Two Kings in the 1690s. From there it spread to the public sphere, where issues of civility took center stage both as a means of addressing problems in Irish life and as a tool for bridging the divide between confessions. By the late 18th century, however, the public discourse became increasingly radicalized, with the divergence of views leading to the 1798 Rising, which Brown terms an “Enlightened Civil War” that represents the failure of civil society.

Benjamin Martin’s The Nazi-Fascist New Order for European Culture (Harvard University Press, 2016) examines the attempt by Nazi Germany and Fascist Italy to forge a European cultural empire out of their military conquests during World War II. Martin shows that the idea of Europe as a discrete political and cultural entity did not come from the postwar period (much less the European Union of the 1990s), but owes much to the cultural discourses of the 1930s. Germany in particular pushed for a kind of authentic “volkisch” cultural nationalism with a basis in folk traditions of central and eastern Europe. Germany’s initiatives in music, film, and literature appealed to the cultural sensibilities of Europe’s conservative cultural elite, offering a third way between American commercialism (epitomized by jazz and Hollywood films) and Soviet Bolshevism.With the Fall of France in 1940, the Nazi-fascist new order aimed to replace Anglo-French Civilization the universalist basis of European culture since the Enlightenment, with Kultur, a vision of culture that was transcendent and deeply rooted in national specificity. Nazi Germany’s attack on modernism created friction between its ally fascist Italy. Mussolini’s government promoted modernist experimentation in music and art as well the unconventional style of the futurists. Unlike Hitler, who abhorred modernism, Mussolini was a patron to modernism as well as more traditional artistic styles. Both coexisted in the fascist state. Martin shows that although Italy could scarcely compete with Germany militarily, the Italians believed they could export their culture in such a way as to build a kind of Italian-focused cultural hegemony in Europe, supplementing and even competing with Germany.James Esposito is a historian and researcher interested in digital history, empire, and the history of technology. James can be reached via email at espositojamesj@gmail.com and on Twitter @james_esposito_

Beginning with the Catholic doctrine of the literal, embodied presence of Christ, scholar of religion Robert Orsi imagines an alternative to the future of religion that early moderns proclaimed was inevitable. The gods really present, in the Catholic sense, were translated into metaphors and symptoms, and into functions of the social and political. Presence became evidence of superstition, of the infantile and irrational. History and Presence (Harvard University Press, 2016) confronts this intellectual heritage, proposing instead a model for the study of religion that begins with humans and gods present to each other in everyday life. These intersubjective encounters are always, Robert Orsi writes, an engagement with oneself and ones world in all modalities of being. Along the way, History and Presence examines Marian apparitions, the cult of the saints, relations with the dead, clerical sexual abuse, and a host of other events and encounters.Robert Orsi holds the Grace Craddock Nagle Chair in Catholic Studies at Northwestern University in Chicago.Hillary Kaell is associate professor of Religion at Concordia University in Montreal.

In Just Around Midnight: Rock and Roll and the Racial Imagination (Harvard University Press, 2016), Jack Hamilton examines major American and British recording artists of the 1960s to explain what happened during the decade to turn rock-n-roll white. By pairing musicians such as Sam Cooke and Bob Dylan or The Beatles and Motown, Hamilton explores the connections among artists and how artists influenced each other across racial and musical distinctions. Hamilton’s well-researched text seeks to expand how we think about the rock and roll canon and challenge how we think about music during the time period. He explores the ways in which rock and roll critics rebranded rock and roll as white and promoted and sold it as authentic to fans. Hamilton’s book challenges the racial categories of authenticity in the 1960s, and challenges readers to hear music differently.Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.

Ellen Widmer’s new book tells a story of the life and work of a literary family in China, in order to open out into a fascinating discussion of the ramifications of that story for how we understand and produce relationships between fiction and history. Fiction’s Family: Zhan Xi, Zhan Kai,...

Caroline Ford’s Natural Interests: The Contest over Environment in Modern France (Harvard University Press, 2016) explores the roots of French environmental consciousness in the eighteenth and nineteenth centuries. Far from being a product of the postwar environmental movement, Ford shows how French society began to understand how humans adversely affected their surroundings during the eighteenth and nineteenth centuries. Popular writers like Francois-Antoine Rauch demonstrated how deforestation altered the climate and damaged the habitability of the nation. War, revolution, and a series of devastating floods brought the questions of deforestation, urbanization, and industrial capitalism into conflict with the finite resources of nature. Public worries over resource depletion and climate change mingled with a new bourgeois consciousness developing in the nineteenth century. France’s countryside became a place of romantic longing for families, a source of inspiration for artists, and an important symbol of national pride. Historical landmarks became sites of a unique French heritage to be preserved and protected for future generations. Empire also became a site of environmental sensitivity, where the conflicting interests of Europeans and colonized peoples played out through discourses of conservation and ecological change in French Algeria.James Esposito is a historian and researcher interested in digital history, empire, and the history of technology. James can be reached via email at espositojamesj@gmail.com and on Twitter @james_esposito_

The transmission of a religion closely connected to a particular culture into a very different religious and cultural environment is a difficult act of translation in which a balance must be struck between remaining true to doctrine while understanding and accommodating cultural difference. Members of the Society of Jesus were engaged in a series of such projects in Asia in the late sixteenth and seventeenth centuries. This already difficult task was made more complex by the need to maintain unity and discipline among individual Jesuits when travel was dangerous and time consuming and letters might take years to reach their destinations. In his masterful book, The Visitor: Andre Palmeiro and the Jesuits in Asia (Harvard University Press, 2014), Liam Brockey explores these issues through a study of the life of Andre Palmeiro, who traveled throughout Asia settling disputes over complex questions of belief, practice, and ritual. This informative work is not only a biography, as Brockey skillfully uses the career of Palmeiro to complicate the story of the Jesuits in Asia, for instance, showing that national origin was not the main factor determining how much or how little individual Jesuits approved of an “accomodationist” approach. This book is highly recommended, and scholars, graduate students, and those interested in issues of both mission history and the problem of translation will find it well worth reading.

The story of the martyrdom of Husayn, the prophet Muhammad’s grandson, is recounted annually around the world. More broadly, the communal retelling of the lives of Shia imams has played an important part in shaping Shia identity and practice. Matthew Pierce, Assistant Professor of Religion at Centre College, examines the early canonization of these life stories in Twelve Infallible Men: The Imams and the Making of Shiism (Harvard University Press, 2016). Pierce carefully conceptualizes the relationship between history, author, text, and audience through an examination of several collective biographies of the twelve imams from the 10th-12th centuries. From this sub-genre several themes arise in the presentation of the imams, their families, and their actions. Martyrdom is central to the retellings not only of Husayn, but of all the imams. The imams’ death are remembered through images of suffering and mourning but structured in ways that provide solace for the audience. The collective biographies also offer representations of the imams’ bodily performance and communicate idealized forms of masculinity. Accounts of women in the biographies also help in establishing gender norms for the audience. In our conversation we discussed the social role of biography, collective memory, medieval Sunni and Shia identities, gendered bodies, birth narratives, devotional practices, imam Ali’s primordial existence, martyrdom, and the narrative relationships between the imams.Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu.

Ellen Fitzpatrick is professor of history at the University of New Hampshire. Her book The Highest Glass Ceiling: Women’s Quest for the American Presidency (Harvard University Press, 2016) provides the story of three women, out of over two hundred women, who pursued the presidency. In the nineteenth century, when women were denied the vote, the self-made Victoria Woodhull, a political and religious outsider, ran on a platform of change and reform. In the 1940s, the pragmatic Republican Margaret Chase Smith entered politics as the result of the “widow’s mandate.” She stayed in Congress for over two decades and ran for president in 1964. The Democrat Shirley Chisholm took on the double jeopardy of running as the first black woman to seek the presidency in 1972. Her grassroots base included black community activists and feminists. All three women faced structural obstacles rather than lack of grit. Hillary Clinton’s presidential run in 2008 would again challenge the American resistance to breaking the highest glass ceiling and demonstrated how much and how little the prospects for a woman president had changed.Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her current book project is entitled The World Come of Age: Religion, Intellectuals and the Challenge of Human Liberation.

The Song Chinese emperor Huizong (r. 1100-1126 CE) has long been regarded as a failure due to his dynasty’s defeat in their war against the Jurchens. In Emperor Huizong (Harvard University Press, 2014), however, Patricia Buckley Ebrey offers a more nuanced interpretation of his life and reign. Ebrey provides readers with a portrait of Huizong as a devout Daoist who devoted considerable attention to artistic interests. Focusing on Huizong’s efforts as an artist and collector, Ebrey presents him as an emperor of noteworthy cultural significance, one who not only was one of the leading calligraphers of his age but who made notable contributions to painting and poetry as well. Ebrey also examines Huizong’s role as a ruler, analyzing his relationships with his officials and how those relationships shaped the policies of his government. What emerges from her pages is the story of an emperor who, by favoring aesthetic concerns over administrative matters, made errors in judgment that in the end brought about his abdication and captivity.