In Our Time: Culture

Delve into the enigmatic world of Jay Gatsby, as scholars unravel his obsession with rekindling his romance with Daisy Buchanan amidst the opulence of the Jazz Age. Explore F. Scott Fitzgerald's unique influences and the stark contrasts between wealth and reality in American life. Discover the poetic artistry embedded in Gatsby's tragic tale and analyze the evolving perception of this classic novel, from its rocky beginnings to its modern acclaim. The rich layers of humor and social satire further enrich the conversation on ambition and the American Dream.

Melvyn Bragg and guests discuss the Portuguese poet Pessoa (1888-1935) who was largely unknown in his lifetime but who, in 1994, Harold Bloom included in his list of the 26 most significant western writers since the Middle Ages. Pessoa wrote in his own name but mainly in the names of characters he created, each with a distinctive voice and biography, which he called heteronyms rather than pseudonyms, notably Ricardo Reis, Alberto Caeiro, Álvaro de Campos and one who was closer to Pessoa's own identity, Bernardo Soares. Most of Pessoa's works were unpublished at his death, discovered in a trunk; as more and more was printed and translated, his fame and status grew.WithCláudia Pazos-Alonso Professor of Portuguese and Gender Studies and Senior Research Fellow at Wadham College, University of OxfordJuliet Perkins Visiting Senior Research Fellow in Portuguese Studies at King’s College LondonAndPaulo de Medeiros Professor of English and Comparative Literary Studies at the University of WarwickProducer: Simon Tillotson

Melvyn Bragg and guests discuss the great German artist Albrecht Dürer (1471-1528) who achieved fame throughout Europe for the power of his images. These range from his woodcut of a rhinoceros, to his watercolour of a young hare, to his drawing of praying hands and his stunning self-portraits such as that above (albeit here in a later monochrome reproduction) with his distinctive A D monogram. He was expected to follow his father and become a goldsmith, but found his own way to be a great artist, taking public commissions that built his reputation but did not pay, while creating a market for his prints, and he captured the timeless and the new in a world of great change.With Susan Foister Deputy Director and Curator of German Paintings at the National GalleryGiulia Bartrum Freelance art historian and Former Curator of German Prints and Drawings at the British MuseumAndUlinka Rublack Professor of Early Modern European History and Fellow of St John’s College, University of CambridgeStudio production: John Goudie

Melvyn Bragg and guests discuss William Langland's poem, written around 1370, about a man called Will who fell asleep on the Malvern Hills and dreamed of Piers the Plowman. This was a time between the Black Death and The Peasants’ Revolt, when Christians wanted to save their souls but doubted how best to do it - and had to live with that uncertainty. Some call this the greatest medieval poem in English, one offering questions not answers, and it can be as unsettling now as it was then.WithLaura Ashe Professor of English Literature at Worcester College, University of OxfordLawrence Warner Professor of Medieval English at King’s College LondonAnd Alastair Bennett Lecturer in Medieval Literature at Royal Holloway, University of LondonProducer: Simon Tillotson

Melvyn Bragg and guests discuss one of Shakespeare’s greatest tragedies. When three witches prophesy that Macbeth will be king one day, he is not prepared to wait and almost the next day he murders King Duncan as he sleeps, a guest at Macbeth’s castle. From there we explore their brutal world where few boundaries are distinct – between safe and unsafe, friend and foe, real and unreal, man and beast – until Macbeth too is slaughtered.The image above shows Nicol Williamson as Macbeth in a 1983 BBC TV adaptation.With:Emma Smith Professor of Shakespeare Studies at Hertford College, University of OxfordKiernan Ryan Emeritus Professor of English Literature at Royal Holloway, University of LondonAnd David Schalkwyk, Professor of Shakespeare Studies and Director of Global Shakespeare at Queen Mary, University of LondonProducer: Simon Tillotson

In a programme first broadcast in May 2019, Melvyn Bragg and guests discuss Mary Shelley's (1797-1851) Gothic story of a Swiss natural philosopher, Victor Frankenstein, and the creature he makes from parts of cadavers and which he then abandons, horrified by his appearance, and never names. Rejected by all humans who see him, the monster takes his revenge on Frankenstein, killing those dear to him. Shelley started writing Frankenstein when she was 18, prompted by a competition she had with Byron and her husband Percy Shelley to tell a ghost story while they were rained in in the summer of 1816 at the Villa Diodati by Lake Geneva.The image of Mary Shelley, above, was first exhibited in 1840.WithKaren O'Brien Professor of English Literature at the University of OxfordMichael Rossington Professor of Romantic Literature at Newcastle UniversityAnd Jane Thomas Professor of Victorian and Early 20th Century Literature at the University of HullProducer: Simon TillotsonThis programme is a repeat

Melvyn Bragg and guests discuss the works and life of one of the most popular writers in Europe in C19th, Amantine Lucile Aurore Dupin (1804-1876) who wrote under the name George Sand. When she wrote her first novel under that name, she referred to herself as a man. This was in Indiana (1832), which had the main character breaking away from her unhappy marriage. It made an immediate impact as it overturned the social conventions of the time and it drew on her own early marriage to an older man, Casimir Dudevant. Once Sand's identity was widely known, her works became extremely popular in French and in translation, particularly her rural novels, outselling Hugo and Balzac in Britain, perhaps buoyed by an interest in her personal life, as well as by her ideas on the rights and education of women and strength of her writing.With Belinda Jack Fellow and Tutor in French at Christ Church, University of OxfordAngela Ryan Senior Lecturer in French at University College CorkAndNigel Harkness Pro-Vice-Chancellor for Humanities and Social Sciences and Professor of French at Newcastle UniversityProducer: Simon Tillotson

Melvyn Bragg and guests discuss Catullus (c84-c54 BC) who wrote some of the most sublime poetry in the late Roman Republic, and some of the most obscene. He found a new way to write about love, in poems to the mysterious Lesbia, married and elusive, and he influenced Virgil and Ovid and others, yet his explicit poems were to blight his reputation for a thousand years. Once the one surviving manuscript was discovered in the Middle Ages, though, anecdotally as a plug in a wine butt, he inspired Petrarch and the Elizabethan poets, as he continues to inspire many today.The image above is of Lesbia and her Sparrow, 1860, artist unknownWithGail Trimble Brown Fellow and Tutor in Classics at Trinity College at the University of OxfordSimon Smith Reader in Creative Writing at the University of Kent, poet and translator of CatullusandMaria Wyke Professor of Latin at University College LondonProducer: Simon Tillotson

Melvyn Bragg and guests discuss the life and poetry of WH Auden (1907-1973) up to his departure from Europe for the USA in 1939. As well as his personal life, he addressed suffering and confusion, and the moral issues that affected the wider public in the 1930s and tried to unpick what was going wrong in society and to understand those times. He witnessed the rise of totalitarianism in the austerity of that decade, travelling through Germany to Berlin, seeing Spain in the Civil War and China during its wars with Japan, often collaborating with Christopher Isherwood. In his lifetime his work attracted high praise and intense criticism, and has found new audiences in the fifty years since his death, sometimes taking literally what he meant ironically. With Mark Ford Poet and Professor of English at University College LondonJanet Montefiore Professor Emerita of 20th Century English Literature at the University of KentAnd Jeremy Noel-Tod Senior Lecturer in Literature and Creative Writing at the University of East AngliaProducer: Simon Tillotson

Melvyn Bragg and guests discuss the novel written by Dostoevsky and published in 1866, in which Raskolnikov, a struggling student, justifies his murder of two women, as his future is more valuable than their lives. He thinks himself superior, above the moral laws that apply to others. The police have little evidence against him but trust him to confess, once he cannot bear the mental torture of his crime - a fate he cannot avoid, any more than he can escape from life in St Petersburg and his personal failures.The image above is from a portrait of Dostoevsky by Vasili Perov, 1872.WithSarah Hudspith Associate Professor in Russian at the University of LeedsOliver Ready Lecturer in Russian at the University of Oxford, Research Fellow at St Antony’s College and a translator of this novelAnd Sarah Young Associate Professor in Russian at the School of Slavonic and East European Studies, University College LondonProducer: Simon Tillotson