Obsessed: The Podcast

Comedian Fortune Feimster has had an incredibly busy two years. And she put as much of it as she could fit in her new Netflix stand-up special ‘Good Fortune.’ In this bonus episode, Feimster returns to the podcast to discuss how she wanted to move past her coming out story in her second Netflix hour, explain why she decided to respond to a particularly “nasty” Instagram message on stage and share stories from the set of the upcoming action series in which she co-stars with Arnold Schwazenegger. Follow Fortune Feimster on Twitter @FortuneFeimster and Instagram @fortunefeimsterFollow Matt Wilstein on Twitter @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Melissa Villaseñor was among the eight cast members to leave ‘Saturday Night Live’ after its most recent season. And in this episode, she opens up for the first time about everything that led her to the difficult decision to step away from the show that had become her home for the past six years. The comedian and author of the new book ‘Whoops… I’m Awesome’ also talks about how she got her start doing celebrity impressions on ‘America’s Got Talent,’ looks back at the most surreal highlights from her time on SNL and shares some thoughts about what she wants to do with her life now that she has left that high pressure job behind. Follow Melissa Villaseñor on Twitter @melissavcomedy and Instagram @melissavcomedyFollow Matt Wilstein on Twitter @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpodBuy ‘Whoops… I’m Awesome: A Workbook with Activities, Art, and Stories for Embracing Your Wonderfully Awesome Self’ Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

When Trevor Noah announced he would be stepping down as host of ‘The Daily Show,’ he cited a conversation with Roy Wood Jr. as part of what made him decide it was time to move on. In his return to the podcast, the longtime ‘Daily Show’ correspondent, who started the same day as Noah, talks about this huge moment of transition for the show and addresses the speculation that he is on the short list to take over as host. Wood also opens up about how Jerrod Carmichael’s ‘Rothaniel’ special lit a fire under him to put out his own deeply personal hour of stand-up and previews how he might cover Herschel Walker when ‘The Daily Show’ travels to Atlanta for the midterms. Follow Roy Wood Jr. on Twitter @roywoodjr and Instagram @roywoodjrFollow Matt Wilstein on Twitter @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

It wasn’t until Judy Greer had more or less given up on becoming a Hollywood star that it finally started to happen for her. The perennial “best friend” in early aughts rom-coms like ‘13 Going on 30’ and ‘The Wedding Planner’ has spent the past few years popping up in huge franchise films like ‘Ant-Man,’ ‘Jurassic World’ and this month’s ‘Halloween Ends.’ Now, she is the co-lead—and the funniest part—of Hulu’s high-profile meta-sitcom ‘Reboot.’ In this episode, Greer opens up about her uniquely prolific career and explains why she no longer covets the type of massive fame she once desired. She also reflects on her big breakthrough comedy role on ‘Arrested Development’ and shares her reaction to the ugly drama behind the scenes.Follow Judy Greer on Twitter @missjudygreer and Instagram @missjudygreerFollow Matt Wilstein on Twitter @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hasan Minhaj has had a very busy five years between the release of his first big stand-up special ‘Homecoming King’ in 2017 and the premiere this week of his new hour The King’s Jester on Netflix. The former ‘Daily Show’ correspondent roasted Trump in absentia at the White House Correspondents Dinner, launched and ended his weekly Netflix series ‘Patriot Act’ and found himself in the crosshairs of the Saudis for his unflinching criticism of Crown Prince Mohammed bin Salman. All of it and more form the heart of his new special, which Minhaj discusses at length in this episode. The comedian also opens up about the moment he realized he may have crossed a line with his comedy, reveals an elaborate prank he pitched to Nathan Fielder, addresses the accusations of a toxic work environment at ‘Patriot Act’ and a lot more.  Follow Hasan Minhaj on Twitter @hasanminhaj and Instagram @hasanminhajFollow Matt Wilstein on Twitter @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jena Friedman is a former ‘Daily Show’ field producer, an uncompromising stand-up comedian and, as of this past year, an Oscar-nominated screenwriter for ‘Borat Subsequent Moviefilm.’ Now, she is headlining her own hour-long stand-up special ‘Ladykiller’ on Peacock and taking on the true crime industrial complex as the host of ‘Indefensible,’ which premieres its second season on SundanceTV and AMC+ next month. In her second appearance on the podcast, Friedman talks about exposing “crisis pregnancy centers” in ‘Borat,’ weighs in on “Missing White Woman Syndrome,” and shares her thoughts on the death of John McAfee, with whom she conducted the definitive interview for her previous show ‘Soft Focus.’This episode was originally published on October 12, 2021 Read Matt Wilstein’s review of Jena Friedman’s new special ‘Ladykiller’ Follow Jena Friedman on Twitter @JenaFriedman and Instagram @jenafriedmanFollow Matt Wilstein on Twitter @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Comedian Sheng Wang has spent much of his comedy career trying to hide in plain sight. Now, thanks to a boost from his longtime friend and colleague Ali Wong, he is reluctantly stepping into the spotlight. In this episode, Wang opens up about everything that led to his first hour-long stand-up special ‘Sweet and Juicy,’ which premiered on Netflix earlier this month and also marks Wong’s directorial debut. He breaks down how seeing the late, great Mitch Hedberg perform forever changed the way he thought about comedy and tells stories about getting judged by Norm Macdonald on ‘Last Comic Standing,’ channeling his own childhood as a writer on ‘Fresh Off the Boat,’ the origins of his most famous bit about ripe avocados and more. Follow Sheng Wang on Twitter @shengwangtime and Instagram @shengwangtimeFollow Matt Wilstein on Twitter @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Alison Brie had one of the luckiest big breaks in the history of television. Before the age of 30, she managed to simultaneously co-star on TV’s most celebrated drama (‘Mad Men’) and most obsessed over comedy (‘Community’) before the age of 30. In the seven years since those two shows ended their iconic runs, she has gone toe-to-toe with both comedy stars like Will Ferrell and acting legends like Meryl Streep on the big screen and rose to the top of the call sheet in her beloved Netflix series ‘GLOW.’ In this episode, Brie talks about making the move to indie film screenwriting with ‘Horse Girl’ and now her Italy-set comedy ‘Spin Me Round.’ She also addresses whether fans can expect to see Chevy Chase in the eventual ‘Community’ movie, explains why she felt the need to apologize for her voice work on ‘Bojack Horseman’ and a lot more.Follow Alison Brie on Twitter @alisonbrie and Instagram @alisonbrieFollow Matt Wilstein on Twitter @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jay Duplass never wanted to be an actor. For years, he remained entirely behind the scenes of the intimate indie films he wrote and directed with younger brother Mark Duplass. Then, he was handed the role of Josh Pfefferman in ‘Transparent,’ which transformed his life and career more than he ever could have imagined when he still thought it was a little “web show” for Amazon. In this episode, Duplass reveals how his latest acting gig as “Mr. COVID” Jesse Bloom on HBO’s ‘Industry’ was inspired by Jeff Bezos, opens up about the difficult decision to separate from his brother professionally, explains why it would be “unthinkable” for a cis actor to play Jeffrey Tambor’s role on ‘Transparent’ today—even if that’s what viewers “needed” at the time—and a lot more. Follow Matt Wilstein on Twitter @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Emmy-nominated comedian and actress Natasha Rothwell talks about her very big year, from facing off with Jennifer Coolidge in ‘The White Lotus’ to stealing scenes in the final season of ‘Insecure.’ And things are only looking up from here, with two new shows in development at HBO, a third in the works with Disney-ABC and a mysterious role in the upcoming ‘Wonka’ movie starring Timothée Chalamet. In this episode, Rothwell opens up about auditioning for ‘Saturday Night Live’ as part of that show’s “clunky” search for a Black female cast member and ending up as a writer instead, getting hired as a writer on ‘Insecure’ before landing her breakout role as Kelli and returning to her dramatic roots as Belinda in ‘The White Lotus,’ a role that became very different after she was cast.    This episode was originally published on November 16, 2021 Follow Natasha Rothwell on Twitter @natasharothwell and Instagram @natasharothwellFollow Matt Wilstein on Twitter @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices