New Books in African American Studies

Building the Black Arts Movement: Hoyt Fuller and the Cultural Politics of the 1960s (U Illinois Press, 2019) explores the history of the Black Arts Movement through the experience of activist and organizer, Hoyt W. Fuller (1923-1981). In the first book to document and analyze Fuller's profound influence on the movement, Jonathan Fenderson attends to the paradox between Fuller's central role in the Movement and his marginal place in African-American historiography. Though focused on Fuller, the project is not simply a biographer; it is a series of historical vignettes covering different aspects of Fuller's cultural activism. As it chronicles Fuller's life, the book also address pivotal events and formative moments that grant insight into the ways the Black Arts Movement took shape at the local level; the ways artists shaped the Movement; how race, class, gender, sexuality, and corporate interests impacted the Movement; and, especially, how recovering Hoyt Fuller's work fundamentally alters our knowledge of the Black Arts MovementMickell Carter is a doctoral student in the department of history at Auburn University. She can be reached at mzc0152@auburn.edu and on twitter @MickellCarter Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Welcome to The Academic Life! In this episode you’ll hear about: Dr. White’s journey to earn a PhD in tuba The Baltimore School for the Arts The importance of having a village The hidden curriculum Why teaching and mentoring are equally important for educators to do A discussion of the book I’m Possible: A Story of Survival, A Tuba, and the Small Miracle of a Big Dream Today’s book is: I'm Possible: A Story of Survival, a Tuba, and the Small Miracle of a Big Dream (Flatiron Books, 2021), a memoir by Dr. Richard Antoine White. When he and his mother didn’t have a key to a room or a house, they had each other. Richard believed he could look after his mother, even as she struggled with alcoholism and sometimes disappeared, sending Richard into loops of visiting familiar spots until he could find her again. One night, when he almost died searching for her in the snow, he was taken in by his adoptive grandparents. When Richard joined the school band, he discovered a talent and a sense of purpose. He was accepted to the Baltimore School for the Arts, then to the Peabody, where he navigated racial and socioeconomic disparities as one of few Black students in his programs. Richard secured a coveted spot in a symphony orchestra and became the first African American to earn a doctorate in music for tuba performance.Our guest is: Dr. Richard Antoine White, a professor, mentor, and motivational speaker. He received his bachelor's degree at the Peabody Conservatory of Music, and his master's and doctoral degrees at Indiana University. Dr. White was principal tubist of the New Mexico Symphony Orchestra from 2004 until its untimely demise in 2011. He is now principal tubist of the Santa Fe Symphony and is in his tenth season as principal tubist of the New Mexico Philharmonic. He teaches at the University of Mexico, where he is associate professor of tuba/euphonium. He is the author of I’m Possible.Our host is: Dr. Christina Gessler, a historian of women and gender.Listeners to this episode might also be interested in: Information about the documentary referenced in this podcast and the film’s trailer Baltimore School for the Arts The Peabody Conservatory at Johns Hopkins University The Santa Fe Symphony The New Mexico Philharmonic Dr. White playing tuba You are smart and capable, but you aren’t an island and neither are we. We reach across our mentor network to bring you experts about everything from how to finish that project, to how to take care of your beautiful mind. Wish we’d bring on an expert about something? DM us on Twitter: The Academic Life @AcademicLifeNBN. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In The Rule of Law in the United States: An Unfinished Project of Black Liberation (Hart, 2021), Dr. Paul Gowder focuses on examining the ideals of the American rule of law by asking: how do we interpret its history and the goals of its constitutional framers to see the rule of law ambitions its foundational institutions express? The book considers those constitutional institutions as inextricable from the problem of race in the United States and the tensions between the rule of law as a protector of property rights and the rule of law as a restrictor on arbitrary power and a guarantor of legal equality. In that context, it explores the distinctive role of Black liberation movements in developing the American rule of law. Finally, it considers the extent to which the American rule of law is compromised at its frontiers, and the extent that those compromises undermine legal protections Americans enjoy in the interior. It asks how America reflects the legal contradictions of capitalism and empire outside its borders, and the impact of those contradictions on its external goals.This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Lyndsey Ellis’s debut novel, Bone Broth (Hidden Timber Books 2021) tells the story of Justine Holmes, who is mourning her husband’s death and grappling with both societal and family tensions. It’s 2015, and the suburbs of St. Louis, Missouri are still simmering after the fatal police shooting sparked a national debate about use-of-force law, militarization of police, and the relationship between the police and African Americans. Justine’s adult children, an unemployed former activist who is angry at her mother, a realtor still mourning the loss of her only child, and a defeated politician who struggles with his sexual identity, are all mourning their own losses. Tension builds as Justine faces her activist past, her marriage to an abusive husband, and her unquenched longing for family peace, but the only thing that makes her feel alive is stealing small items from other people’s funerals.Lyndsey Ellis is a fiction writer, essayist, and novelist. Her work has appeared in Kweli Journal, Catapult, Fiction Writers Review, Electric Literature, Joyland, Entropy, Shondaland, and several anthologies. Ellis was a recipient of the San Francisco Foundation’s Joseph Henry Jackson Literary Award and the Barbara Deming Memorial Fund for her fiction. She’s currently a prose editor for great weather for MEDIA and The Account: A Journal of Poetry, Prose & Thought. She lives in St. Louis, Missouri, where she enjoys thrift stores, bike riding and horror films when she’s not reading or writing.G.P. Gottlieb is the author of the Whipped and Sipped Mystery Series and a prolific baker of healthful breads and pastries. Please contact her through her website (GPGottlieb.com). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Police put Eric Garner in a fatal chokehold for selling cigarettes on a New York City street corner. George Floyd was killed by police outside a store in Minneapolis known as “the best place to buy menthols.” Black smokers overwhelmingly prefer menthol brands such as Kool, Salem, and Newport. All of this is no coincidence. The disproportionate Black deaths and cries of “I can’t breathe” that ring out in our era — because of police violence, COVID-19, or menthol smoking — are intimately connected to a post-1960s history of race and exploitation.In Pushing Cool: Big Tobacco, Racial Marketing, and the Untold Story of the Menthol Cigarette (U Chicago Press, 2021), Keith Wailoo tells the intricate and poignant story of menthol cigarettes for the first time. He pulls back the curtain to reveal the hidden persuaders who shaped menthol buying habits and racial markets across America: the world of tobacco marketers, consultants, psychologists, and social scientists, as well as Black lawmakers and civic groups including the NAACP. Today most Black smokers buy menthols, and calls to prohibit their circulation hinge on a history of the industry’s targeted racial marketing. In 2009, when Congress banned flavored cigarettes as criminal enticements to encourage youth smoking, menthol cigarettes were also slated to be banned. Through a detailed study of internal tobacco industry documents, Wailoo exposes why they weren’t and how they remain so popular with Black smokers.James West is a historian of race, media and business in the modern United States and Black diaspora. Author of "Ebony Magazine and Lerone Bennett Jr.: Popular Black History in Postwar America" (Illinois, 2020), "A House for the Struggle: The Black Press and the Built Environment in Chicago" (Illinois, 2022), "Our Kind of Historian: The Work and Activism of Lerone Bennett Jr. (Massachusetts, 2022). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

How do gender and race interact to affect the election, behavior, and impact of all individuals – raced women and gendered minorities alike? According to our authors, “what we know depends mightily on how we go about obtaining that knowledge.” Political scientists have often assumed that there are no gender differences among minority representatives, and no racial differences among female representatives. Race, Gender, and Political Representation: Toward a More Intersectional Approach (Oxford UP, 2020)examines HOW and to what extent political representation is simultaneously gendered and raced in the context of late 20th and early 21st century US state legislatures. Haynie, Reingold, and Widner examine how gender and race interact to affect the election, behavior, and impact of individual state legislators. The analysis – and their substantive findings – demonstrate how intersectionality, as a critical epistemology, compels us to re-evaluate the study of gender, race, and representation. Without critically evaluating single-axis women-and-politics and race-and-ethnic-politics theories about descriptive representation, we miss the differences in obstacles to election, substantive policy contributions, or policy leadership styles among White women, men of color, and women of color. The book aims to both give us a more nuanced understanding of representation and an intersectional “tool kit” that others can use to answer critical political questions. Winner of the 2021 Richard Fenno, Jr. Prize for the best book in Legislative Studies.Dr. Kerry L. Haynie is Professor and Chair of Political Science and Professor of African and African American Studies at Duke University. His many books and articles interrogate how the underlying theory, structures, and practices of American political institutions affect African Americans’ and women’s efforts to organize and exert influence on the political system.Dr. Beth Reingold is an Associate Professor of Political Science and Women’s, Gender, and Sexuality Studies at Emory University. Her previous books and articles engage questions about the complex relationships between gender, race, ethnicity, and political representation, primarily in and around legislative institutions in U.S. states.Dr. Kirsten Widner is an Assistant Professor of Political Science at the University of Tennessee at Knoxville. As a lawyer, she represented children in the child welfare and juvenile justice systems, and taught in the public policy and legislative advocacy clinics at Emory Law School. She helped advocate for laws in Georgia to address child abuse, human trafficking, and adoption. As a political scientist she focuses on how laws and policies that affect marginalized groups are made with a particular interest in the political representation of people without the right to vote – children, noncitizens, and people disenfranchised due to criminal convictions or mental incapacity. Her work has been published in both political science journals and law reviews.Thank you to Nadia E. Brown for suggesting the book and Daniella Campos, the senior editorial assistant for New Books in Political Science.Susan Liebell is Dirk Warren '50 Professor of Political Science at Saint Joseph’s University in Philadelphia. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Jumping the Broom: The Surprising Multicultural Origins of a Black Wedding Ritual (UNC Press, 2020), Tyler D. Parry untangles the convoluted history of the "broomstick wedding." Popularly associated with African American culture, Parry traces the ritual's origins to marginalized groups in the British Isles and explores how it influenced the marriage traditions of different communities on both sides of the Atlantic Ocean. His surprising findings shed new light on the complexities of cultural exchange between peoples of African and European descent from the 1700s up to the twenty-first century. Drawing from the historical records of enslaved people in the United States, British Romani, Louisiana Cajuns, and many others, Parry discloses how marginalized people found dignity in the face of oppression by innovating and reimagining marriage rituals. Such innovations have an enduring impact on the descendants of the original practitioners. Parry reveals how and why the simple act of "jumping the broom" captivates so many people who, on the surface, appear to have little in common with each other.Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Black Gathering: Art, Ecology, Ungiven Life (Duke UP, 2021), Dr. Sarah Jane Cervenak engages with Black artists and writers who create alternative spaces for Black people to gather free from interruption or regulation. Drawing together Black feminist theory, critical theories of ecology and ecoaesthetics, and Black aesthetics, Cervenak shows how novelists, poets, and visual artists such as Gayl Jones, Toni Morrison, Clementine Hunter, Samiya Bashir, and Leonardo Drew advance an ecological imagination that unsettles Western philosophical ideas of the earth as given to humans. In their aestheticization and conceptualization of gathering, these artists investigate the relationships among art, the environment, home, and forms of Black togetherness. Cervenak argues that by offering a formal and conceptual praxis of gathering, Black artists imagine liberation and alternative ways of being in the world that exist beyond those Enlightenment philosophies that presume Black people and earth as given to enclosure and ownership.Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Kristin Waters' book Maria W. Stewart and the Roots of Black Political Thought (U Mississippi Press, 2021) tells a crucial, almost-forgotten story of African Americans of early nineteenth-century America. In 1833, Maria W. Stewart (1803–1879) told a gathering at the African Masonic Hall on Boston’s Beacon Hill: “African rights and liberty is a subject that ought to fire the breast of every free man of color in these United States.” She exhorted her audience to embrace the idea that the founding principles of the nation must extend to people of color. Otherwise, those truths are merely the hypocritical expression of an ungodly white power, a travesty of original democratic ideals. Like her mentor, David Walker, Stewart illustrated the practical inconsistencies of classical liberalism as enacted in the US and delivered a call to action for ending racism and addressing gender discrimination.Between 1831 and 1833, Stewart’s intellectual productions, as she called them, ranged across topics from true emancipation for African Americans, the Black convention movement, the hypocrisy of white Christianity, Black liberation theology, and gender inequity. Along with Walker’s Appeal to the Coloured Citizens of the World, her body of work constitutes a significant foundation for a moral and political theory that is finding new resonance today―insurrectionist ethics.Jane Scimeca is Professor of History at Brookdale Community College. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Our second January Novel Dialogue conversation is with Caryl Phillips, professor of English at Yale and world-renowned for novels ranging from The Final Passage to 2018’s A View of the Empire at Sunset. He shares his thoughts on transplantation, on performance, on race, even on sports. Joining him here are John and the wonderful comparatist Corina Stan, author of The Art of Distances: Ethical Thinking in 20th century Literature. If you enjoy this conversation, range backwards through the RtB archives for comparable talks with Jennifer Egan, Helen Garner, Orhan Pamuk, Zadie Smith, Samuel Delany and many more.It’s a rangy conversation. John begins by raving about Caryl’s italics–he in turn praises Faulkner’s. Corina and Caryl explore his debt (cf. his The European Tribe) to American writers like Richard Wright and James Baldwin. Meeting Baldwin was scary–back in those days before there were “writers besporting themselves on every university campus.” Caryl praises the joy of being a football fan (Leeds United), reflects on his abiding loyalty to his class and geographic origins and his fondness for the moments of Sunday joy that allow people to endure. John raises Orhan Pamuk’s claim (In Novel Dialogue last season) that the novel is innately middle-class; Caryl says that it’s true that as a form it has always taken time and money to make–and to read. But “vicars and middle class people fall in love, too; they get betrayed and let down…a gamut of emotion that’s as wide as anybody else.” He remains drawn to writers haunted by the past: Eliot, W.G. Sebald, the huge influence of Faulkner trying to stitch the past to the present.Mentioned in the Episode James Baldwin, Blues for Mister Charley, The Fire Next Time Richard Wright, Native Son Johnny Pitts, Afropean Caryl Phillips, Dancing in the Dark J. M. Coetzee, “What We like to Forget” (On Caryl Phillips) Graham Greene (e.g Brighton Rock and The Quiet American) wrote in “The Lost Childhood” (1951) that at age 14 ” I took Miss Marjorie Bowen’s The Viper of Milan from the library shelf…From that moment I began to write.” Maya Angelou, Letter to My Daughter William Faulkner, Absalom, Absalom Read a transcript here Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies