New Books in African American Studies

A major poet, Paul Laurence Dunbar (1872-1906) was one of the first African American writers to garner international recognition in the wake of emancipation. In this definitive biography, the first full-scale life of Dunbar in half a century, Gene Andrew Jarrett offers a revelatory account of a writer whose Gilded Age celebrity as the "poet laureate of his race" hid the private struggles of a man who, in the words of his famous poem, felt like a "caged bird" that sings.In Paul Laurence Dunbar: The Life and Times of a Caged Bird (Princeton UP, 2022), Jarrett tells the fascinating story of how Dunbar, born during Reconstruction to formerly enslaved parents, excelled against all odds to become an accomplished and versatile artist. A prolific and successful poet, novelist, essayist, playwright, and Broadway librettist, he was also a friend of such luminaries as Frederick Douglass and Orville and Wilbur Wright. But while audiences across the United States and Europe flocked to enjoy his literary readings, Dunbar privately bemoaned shouldering the burden of race and catering to minstrel stereotypes to earn fame and money. Inspired by his parents' survival of slavery, but also agitated by a turbulent public marriage, beholden to influential benefactors, and helpless against his widely reported bouts of tuberculosis and alcoholism, he came to regard his racial notoriety as a curse as well as a blessing before dying at the age of only thirty-three.Beautifully written, meticulously researched, and generously illustrated, this biography presents the richest, most detailed, and most nuanced portrait yet of Dunbar and his work, transforming how we understand the astonishing life and times of a central figure in American literary history. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Where are the success stories for people of color in opera? In Access, Diversity, Equity, and Inclusion in Cultural Organizations: Insights from the Careers of Executive Opera Managers of Color in the U.S. (Routledge, 2021), Antonio Cuyler, Director of the MA Program & Associate Professor of Arts Administration at Florida State University (FSU), and Visiting Associate Professor of Theatre & Drama at the University of Michigan, explores the careers of six leading figures in the American opera industry, and in doing so creates important theoretical insights and practical lessons about success and struggle in the arts. The book combines detailed interview data with a deep understanding of arts management and cultural policy as a field, along with a personal commitment to transforming opera to make it both an open and a sustainable genre. The book is essential reading across arts and humanities and social sciences, as well as for anyone interested in opera and the arts! Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In this 2011 episode from The Vault, Hilton Als reads from, and discusses, His Sister, Her Monologue, a novella he published in Mcsweeney's #35. Als is a staff writer at the New Yorker, and his theater criticism was awarded a Pulitzer Prize in 2017. He is the author of two books. The Women, published in 1996., and White Girls, which came out in 2014. "A Pryor Love," His New Yorker profile of Richard Pryor appeared in 1999. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

“Freedom, Now!” This rallying cry became the most iconic phrase of the Civil Rights Movement, challenging the persistent command that Black people wait—in the holds of slave ships and on auction blocks, in segregated bus stops and schoolyards—for their long-deferred liberation.In Black Patience: Performance, Civil Rights, and the Unfinished Project of Emancipation (NYU Press, 2022), Julius B. Fleming Jr. argues that, during the Civil Rights Movement, Black artists and activists used theater to energize this radical refusal to wait. Participating in a vibrant culture of embodied political performance that ranged from marches and sit-ins to jail-ins and speeches, these artists turned to theater to unsettle a violent racial project that Fleming refers to as “Black patience.” Inviting the likes of James Baldwin, Lorraine Hansberry, Alice Childress, Douglas Turner Ward, Duke Ellington, and Oscar Brown Jr. to the stage, Black Patience illuminates how Black artists and activists of the Civil Rights era used theater to expose, critique, and repurpose structures of white supremacy. In this bold rethinking of the Civil Rights Movement, Fleming contends that Black theatrical performance was a vital technology of civil rights activism, and a crucial site of Black artistic and cultural production.Mickell Carter is a doctoral student in the department of history at Auburn University. She can be reached at mzc0152@auburn.edu and on twitter @MickellCarter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

For five horrific weeks after Christmas in 1831, Jamaica was convulsed by an uprising of its enslaved people. What started as a peaceful labor strike quickly turned into a full-blown revolt, leaving hundreds of plantation houses in smoking ruins. By the time British troops had put down the rebels, more than a thousand Jamaicans lay dead from summary executions and extrajudicial murder.While the rebels lost their military gamble, their sacrifice accelerated the larger struggle for freedom in the British Atlantic. The daring and suffering of the Jamaicans galvanized public opinion throughout the empire, triggering a decisive turn against slavery. For centuries bondage had fed Britain’s appetite for sugar. Within two years of the Christmas rebellion, slavery was formally abolished.Island on Fire: The Revolt That Ended Slavery in the British Empire (Harvard University Press, 2020) is a dramatic day-by-day account of this transformative uprising. A skillful storyteller, Tom Zoellner goes back to the primary sources to tell the intimate story of the men and women who rose up and tasted liberty for a few brief weeks. He provides the first full portrait of the rebellion’s enigmatic leader, Samuel Sharpe, and gives us a poignant glimpse of the struggles and dreams of the many Jamaicans who died for liberty.This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Nearly 40 years after the Emancipation Proclamation was signed, American writer, sociologist and civil rights activist W. E. B. DuBois shed light on Black life in America and what it meant to be seen through a White gaze. In his 1905 text The Souls of Black Folk, DuBois explores the rich and complex African American world and how it helped shape the broader American culture. James Campbell is Professor of US History at Stanford University. He is the author of Slavery and the University - Histories and Legacies and more. See more information on our website, WritLarge.fm. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

When Frederick Douglass was born into slavery in 1818, it was illegal for him to learn the alphabet. Slave masters feared the power of a literate slave, so Douglass vowed to read. He became one of the most famous and accomplished American writers of his day, harnessing the power of the King James Bible, the spoken word, and the new visual language of photographs. Harvard professor John Stauffer discusses Douglass’s life and work. John Stauffer is the Sumner R. and Marshall S. Kates Professor of English and of African and African American Studies at Harvard University. He is the author of GIANTS: The Parallel Lives of Frederick Douglass and Abraham Lincoln, Picturing Frederick Douglass, and more. See more information on our website, WritLarge.fm. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The forceful music that rolled out of Muscle Shoals in the 1960s and 1970s shaped hits by everyone from Wilson Pickett and Aretha Franklin to the Rolling Stones and Paul Simon. Christopher M. Reali's in-depth look at the fabled musical hotbed examines the events and factors that gave the Muscle Shoals sound such a potent cultural power. Many artists trekked to FAME Studios and Muscle Shoals Sound in search of the sound of authentic southern Black music—and at times expressed shock at the mostly white studio musicians waiting to play it for them. Others hoped to draw on the hitmaking production process that defined the scene. Reali also chronicles the overlooked history of Muscle Shoals's impact on country music and describes the region's recent transformation into a tourism destination. Multifaceted and informed, Music and Mystique in Muscle Shoals (University of Illinois Press, 2022) reveals the people, places, and events behind one of the most legendary recording scenes in American history.Dr. Christopher Reali is an assistant professor of music at Ramapo College of New Jersey.Emily Ruth Allen (@emmyru91) holds a Ph.D. in musicology from Florida State University. Her current research focuses on parade musics in Mobile, Alabama's carnival. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In or, on being the other woman (Duke UP, 2022), Simone White considers the dynamics of contemporary black feminist life. Throughout this book-length poem, White writes through a hybrid of poetry, essay, personal narrative, and critical theory, attesting to the narrative complexities of writing and living as a black woman and artist. She considers black social life—from art and motherhood to trap music and love—as unspeakably troubling and reflects on the degree to which it strands and punishes black women. She also explores what constitutes sexual freedom and the rewards and dangers that come with it. White meditates on trap music and the ways artists such as Future and Meek Mill and the sonic waves of the drum machine convey desire and the black experience. Charting the pressures of ordinary black womanhood, White pushes the limits of language, showing how those limits can be the basis for new modes of expression.Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Slavery and its lingering remnants remain a plague on the United States, continuing to foster animosity between races that hinders the understanding and connection conducive to dismantling the remains of such systems. Personal relationships and connection can provide a path towards reconciling differences and overcoming the racial divisiveness that is America’s original sin. In his fascinating new book, Stars and Shadows: The Politics of Interracial Friendship from Jefferson to Obama (Oxford UP, 2022), Saladin Ambar, professor of Political Science and Senior Scholar at the Center on the American Governor at the Eagleton Institute of Politics at Rutgers University-New Brunswick, constructs a comprehensive overview of interracial friendships throughout U.S. history, detailing how friendship can be an invaluable and often overlooked tool when advocating for equality. Because political leaders, celebrities, and other cultural figures have such an influence on the general public, they can play a particular role in shaping public opinion. Thus, analyzing significant interracial friendships between well-known individuals throughout different historical moments can serve as windows into the state of race relations as they developed through time, and what that can mean for our future.Ambar meditates on the power of friendship in general, and interracial friendship in particular, through ten different, iconic cases, examining these relationships in both their personal and political capacity. The specific focus of each friendship duet is to explore the public consequences of relationships across race. Each duo has unique experiences that are particular to their historical moments and the political constraints of the time. Through these stories, Ambar develops a theory rejecting the notion that we must separate the personal from the political, detailing how, in an interracial democracy predicated on equality, the two must and do intertwine in order to overcome racial differences. Stars and Shadows examines, among others, Benjamin Banneker and Thomas Jefferson, Frederick Douglass and Abraham Lincoln, Angela Davis and Gloria Steinem, Marlon Brando and James Baldwin, and ends with Barack Obama and Joe Biden’s iconic bond. The analysis wrestles with the American political structure, which is not based on connecting individuals to each other in any kind of personal way, and yet friendship is what connects us all as human beings. Ambar’s theory challenges citizens to look inward and outward when interacting with one another, to engage intentionally with our differences, and not to run away from our past but to critically analyze it and incorporate it going forward.Emma R. Handschke assisted in the production of this podcast.Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies