New Books in African American Studies

In 1987, Toni Morrison published her fourth novel, Beloved, based on the story of Margaret Garner, a woman who escaped slavery with her child. Garner and her daughter were discovered by slave catchers. Rather than have her return to slavery, Garner killed her child. In Beloved, Morrison’s character Sethe has a similar story, but years later she meets a young girl who is the incarnation of the daughter she had killed. When Beloved came out, it immediately became Morrison’s most acclaimed work. It was nominated for the National Book Award and won a Pulitzer Prize in 1988. Beloved examines community, motherhood, identity, slavery, freedom, and our relationship to the past. Amy Hungerford is the Vice President for Arts and Sciences as well as Dean of the Faculty of Arts and Sciences at Columbia University. She is a professor of English and the author of Making Literature Now and The Holocaust of Texts: Genocide, Literature, and Personification. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

While studying caregiving and chronic illness in families living in situations of economic and social insecurity in Baltimore, anthropologist Todd Meyers met a woman named Beverly. In All That Was Not Her (Duke UP, 2022) Meyers presents an intimate ethnographic portrait of Beverly, stitching together small moments they shared scattered over months and years and, following her death, into the present. He meditates on the possibilities of writing about someone who is gone—what should be represented, what experiences resist rendering, what ethical challenges exist when studying the lives of others. Meyers considers how chronic illness is bound up in the racialized and socioeconomic conditions of Beverly’s life and explores the stakes of the anthropologist’s engagement with one subject. Even as Meyers struggles to give Beverly the final word, he finds himself unmade alongside her. All That Was Not Her captures the complexity of personal relationships in the field and the difficulty of their ending.Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Ubiquitous illegal lotteries known as policy flourished in Chicago's Black community during the overlapping waves of the Great Migration. Policy "queens" owned stakes in lucrative operations while women writers and clerks canvased the neighborhood, passed out winnings, and kept the books. In Dream Books and Gamblers: Black Women's Work in Chicago's Policy Game (University of Illinois Press, 2022). Elizabeth Schroeder Schlabach examines the complexities of policy and gender politics in Chicago. Policy provided Black women with a livelihood for themselves and their families. At the same time, navigating gender expectations, aggressive policing, and other hazards of the infromal economy led them to refashion ideas about Black womanhood and respectability. Policy earnings also funded above-board enterprises ranging from neighborhood businesses to philanthropic institutions, and Schlabach delves into the various ways Black women straddled the illegal policy business and reputable community involvement.Vivid and revealing, Dream Books and Gamblers tells the stories of Black women in the underground economy and how they used their work to balance the demands of living and laboring in Black Chicago. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Guthrie P. Ramsey, Jr., is an award-winning musicologist, music historian, composer, and pianist whose prescient theoretical and critical interventions have bridged Black cultural studies and musicology. Representing twenty-five years of commentary and scholarship, these essays document Ramsey's search to understand America's Black musical past and present and to find his own voice as an African American writer in the field of musicology.Who Hears Here?: On Black Music, Pasts and Present (U California Press, 2022) embraces historiography, ethnography, cultural criticism, musical analysis, and autobiography, traversing the landscape of Black musical expression from sacred music to art music, and jazz to hip-hop. Taken together, these essays and the provocative introduction that precedes them are testament to the legacy work that has come to define a field, as well as a rousing call to readers to continue to ask the hard questions and write the hard truths. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In The Deepest Dye: Obeah, Hosay, and Race in the Atlantic World (Harvard University Press, 2021), Aisha Khan explores how colonial categories of race and religion together created identities and hierarchies that today are vehicles for multicultural nationalism and social critique in the Caribbean and its diasporas.When the British Empire abolished slavery, Caribbean sugar plantation owners faced a labor shortage. To solve the problem, they imported indentured “coolie” laborers, Hindus and a minority Muslim population from the Indian subcontinent. Indentureship continued from 1838 until its official end in 1917. The Deepest Dye begins on post-emancipation plantations in the West Indies—where Europeans, Indians, and Africans intermingled for work and worship—and ranges to present-day England, North America, and Trinidad, where colonial-era legacies endure in identities and hierarchies that still shape the post-independence Caribbean and its contemporary diasporas.Aisha Khan focuses on the contested religious practices of obeah and Hosay, which are racialized as “African” and “Indian” despite the diversity of their participants. Obeah, a catch-all Caribbean term for sub-Saharan healing and divination traditions, was associated in colonial society with magic, slave insurrection, and fraud. This led to anti-obeah laws, some of which still remain in place. Hosay developed in the West Indies from Indian commemorations of the Islamic mourning ritual of Muharram. Although it received certain legal protections, Hosay’s mass gatherings, processions, and mock battles provoked fears of economic disruption and labor unrest that led to criminalization by colonial powers. The proper observance of Hosay was debated among some historical Muslim communities and continues to be debated now.In a nuanced study of these two practices, Aisha Khan sheds light on power dynamics through religious and racial identities formed in the context of colonialism in the Atlantic world, and shows how today these identities reiterate inequalities as well as reinforce demands for justice and recognition.Aisha Khan is Associate Professor of Anthropology at New York University. She is a cultural anthropologist whose research interests focus on the ways that race and religion intersect in the Atlantic world, particularly in the production of identities and political culture. Her work also is concerned with Asian and African diasporas in the Americas, indenture as a system of labor, the carceral state, and the prison industrial complex. She has published in numerous journals and anthologies. Her other books include Callaloo Nation: Metaphors of Race and Religious Identity among South Asians in Trinidad (Duke University Press, 2004) and Islam and the Americas (University Press of Florida, 2015). She has also been awarded fellowships from the National Endowment for the Humanities and the Radcliffe Institute for Advanced Study.Aleem Mahabir is a PhD candidate in Geography at the University of the West Indies, Mona, Jamaica. His research interests lie at the intersection of Urban Geography, Social Exclusion and Psychology. His dissertation research focuses on the link among negative psychosocial dispositions, exclusion, and under-development among marginalized communities in Port of Spain, Trinidad and Tobago. You can find him on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Canadians are proud of their multicultural image both at home and abroad. But that image isn t grounded in historical facts. As recently as the 1960s, the Canadian government enforced discriminatory, anti-Black immigration policies, designed to restrict and prohibit the entry of Black Barbadians and Black West Indians. The Canadian state capitalized on the public s fear of the Black unknown and racist stereotypes to justify their exclusion.In Flying Fish in the Great White North: The Autonomous Migration of Black Barbadians (Fernwood, 2016), Christopher Stuart Taylor utilizes the intersectionality of race, gender and class to challenge the perception that Blacks were simply victims of racist and discriminatory Canadian and international, immigration policies by emphasizing the agency and educational capital of Black Barbadian emigrants during this period. In fact, many Barbadians were middle to upper class and were well educated, and many, particularly women, found autonomous agency and challenged the very Canadian immigration policies designed to exclude them.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

What can a French translator do with a novelist who writes brilliantly about the “confrontation between Englishes?” How can such a confrontation be made legible across the boundaries of language, nation, and history? Renowned scholar and translator Brent Hayes Edwards sits down with publisher and translator Jean-Baptiste Naudy to consider these questions in a wide-ranging discussion about translating the Jamaican American writer Claude McKay. They focus especially on the recent translation into French of McKay’s 1941 Amiable with Big Teeth, which paints a satirical portrait of efforts by 1930s Harlem intelligentsia to organize support for the liberation of fascist-controlled Ethiopia. Brent and Jean-Baptiste consider McKay’s lasting legacy and ongoing revival in the U.S. and France. Translating McKay into French, they note, is a matter of reckoning with France’s own imperial history. That history, along with McKay’s complex understanding of race both in the U.S. and abroad, is illuminated in this conversation about one of the Harlem Renaissance’s most celebrated writers. Be sure to check out this episode’s special bonus material for a dramatic, bilingual reading from Amiable with Big Teeth by Jean-Baptiste!Find out more about Novel Dialogue and its hosts and organizers here. Contact us, get that exact quote from a transcript, and explore many more conversations between novelists and critics. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In 1865, the Confederacy was defeated, but the military victory did not end the tensions of the war or signal acceptance of a new, more equal nation. In Civil War by Other Means: America's Long and Unfinished Fight for Democracy (PublicAffairs, 2022), Jeremi Suri argues that, instead, efforts to bolster white supremacy began immediately. The big questions and conflicts of the Civil War lingered, continuing to cause other types of conflict among Americans. From conflicting interpretations of Abraham Lincoln's assassination by John Wilkes Booth to postwar riots to contested elections and stymied presidential agendas, Suri shows how the battles of the Civil War continued in other forms in the decades after the military conflict ended. Suri argues that, in fact, competing visions of democracy, freedom, and race still evident today have their roots in this period. In this episode of the podcast, Suri, who is the Mack Brown Distinguished Professor for Global Leadership, History, and Public Policy at the University of Texas at Austin, discusses this historical moment, what led him to research and write about it, and what it means for understanding the current challenges facing American democracy.Christine Lamberson, PhD, is a historian. Her research focuses on 20th century U.S. legal, political, and cultural history. She’s currently working on a book manuscript about the role of violence in shaping U.S. political culture in the 1960s and 1970s. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Today I talked to Matthew Delmont about his new book Half American: The Epic Story of African Americans Fighting World War II at Home and Abroad (Viking, 2022)Delmont is the Sherman Fairchild Distinguished Professor of History at Dartmouth College. A Guggenheim Fellow and expert on African American history and the history of civil rights, he is the author of four books: Black Quotidian, Why Busing Failed, Making Roots, and The Nicest Kids in Town. His work has also appeared in The New York Times, The Atlantic, the Washington Post, NPR, and several academic journals. Originally from Minneapolis, Minnesota, Delmont earned his B.A from Harvard University and his M.A. and Ph.D. from Brown University.Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The African Heritage of Latinx and Caribbean Literature (Cambridge University Press, 2022) unearths a buried African archive within widely-read Latinx writers of the last fifty years. It challenges dominant narratives in World Literature and transatlantic studies that ignore Africa's impact in broader Latin American culture. Sarah Quesada argues that these canonical works evoke textual memorials of African memory. She shows how the African Atlantic haunts modern Latinx and Caribbean writing, and examines the disavowal or distortion of the African subject in the constructions of national, racial, sexual, and spiritual Latinx identity. Quesada shows how themes such as the 19th century 'scramble for Africa,' the decolonizing wars, Black internationalism, and the neoliberal turn are embedded in key narratives. Drawing from multilingual archives about West and Central Africa, she examines how the legacies of colonial French, Iberian, British and U.S. Imperialisms have impacted on the relationships between African and Latinx identities. This is the first book-length project to address the African colonial and imperial inheritance of Latinx literature. -From the Cambridge University Press website.Anna E. Lindner is a doctoral candidate in the Communication Department at Wayne State University in Detroit, Michigan. On Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies