New Books in African American Studies

Vorris Nunley‘s Keepin it Hushed: The Barbershop and African American Hush Harbor Rhetoric (Wayne State University Press, 2011), uses the black barbershop as a trope to discuss black talk within literary, cultural, and political sites. Nunley’s brilliant analysis of Aaron McGruder’s cartoon Boondocks, the well-known play Ceremonies in Dark Old Men by Lonne Elder III, and Barack Obama’s Race Speech, substantiates his bold claim that “to not know [African American Hush Harbor Rhetoric] is to not know Black people, their subjectivities, their perspectives” (3). By reading this book you will understand just how African American Hush Harbor Rhetoric is specific to black people, generated by them, and speaks to their worldviews and experiences–even when black talk is directed to white people. As I understand it, Hush Harbor Rhetoric is often undervalued and grossly misunderstood in the mainstream because whites sometimes prefer to hear what Nunley calls the African American Podium-Auction Block Rhetoric, racially domesticated talk that both caters to and comforts white sensibilities and concerns. While hush harbor rhetoric is criticized sometimes for not being as palatable as podium-auction block rhetoric, Nunley’s book underscores why “palatable” is in the ears of the beholder. He encourages us to stop finding unnecessary fault with black people’s philosophical tongues and start listening more astutely to the type of talk they express, particularly in that corner barbershop on the West Side of Chicago. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

“I’m sure if it wasn’t for Joe Louis,” acknowledged Jackie Robinson, “the color line in baseball would not have been broken for another ten years.” To Muhammad Ali, Joe Louis was an inspiration and an idol. “I just give lip service to being the greatest,” said Ali in 1981, after Louis’ death. “He was the greatest.” Yet, while Jackie Robinson is now one of the most revered athletes in American history and Ali remains a cultural icon, the man who paved the way for both is lesser known today, more a distant folk hero than a historical figure whose accomplishments are understood and respected. Unlike Robinson, Louis was not the pioneering black athlete in his sport, and unlike Ali, he did not translate his success in the ring into a platform for larger media fame and political statements. Nevertheless, as Randy Roberts shows in his acclaimed biography Joe Louis: Hard Times Man (Yale University Press, new in paperback in February 2012), the heavyweight champion was an athlete without peer in his sport, one of the most talked-about celebrities of the day, and a man who did effect change, in some positive way, in white Americans’ perceptions of black athletes. He was a symbolic figure of the Thirties and Forties and, as Randy argues, an essential character for understanding the history of that era. A distinguished professor of history at Purdue University, award-winning teacher, and author of books on Jack Dempsey, Jack Johnson, Charles Lindbergh, and John Wayne, Randy brings to the book an expert understanding of sports and celebrity in American history and a lively, arresting style. With attention to colorful detail and to the larger context of early 20th-century American history, he describes Joe Louis as a man of his times–and as a giant of the age. This is a story that certainly deserves retelling. New Books in Sports is now available on the Stitcher radio app for iPhone and Android. Friend us at Facebook and follow us on Twitter to leave feedback, receive updates of new podcasts, and get daily links to quality shorter sports writing.   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In the preface to this book, Keith Gilyard describes his career as 30 years of roaming the areas of rhetoric, composition, sociolinguistics, creative writing, applied linguistics, education theory, literary study, history, and African American studies. That gives some impression of the range of topics covered in this compilation of selected highlights of his work, including several brand new contributions. He goes on to affirm that he is “not great in any of these fields”, but on this evidence he is being too modest. True to the Language Game: African American Discourse, Cultural Politics, and Pedagogy (Routledge, 2011) is an engaging, entertaining and challenging book. Moving from the author’s ‘disciplinary birth’ as a teacher of composition, through an overview of some of the language controversies in the US classroom, to his recent work in literary history, it serves as an introduction not only to Gilyard’s research and ideas but to those of many other educational, cultural and literary theorists. In this interview, we cover a little of this ground. We talk about the importance to society of critical thinking, the role of AAVE in bilingual education, the construction of race as a tool for social progress, and the status of the Black American literary canon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Jerald Walker‘s critical autobiography, Street Shadows: A Memoir of Race, Rebellion, and Redemption (Bantam, 2010), is a sheer pleasure to read. A book-length series of vignettes, reflections that alternate between his present life (he’s currently an English professor at Emerson College) and his life as a wannabe thug and habitual drug user on the streets of Chicago, Walker ponders thorny questions of racial identity in such chapters as “Orientation,” where he decides it’s better to identify with other writers (who happen to be white) than with fellow blacks. However, Walker isn’t always this decisive. Indeed the book is filled with stony ambivalence. But the beauty of Walker’s writing is that he uses sharp, searing prose not to probe but to crack ambivalence in the face and ape its gory middle. Although he ends up at times sounding just like the black neo-conservative Shelby Steele, Walker is much more complicated–since he also sounds sometimes like the black radical, Al Sharpton! Ultimately treating such subjects as interracial dating, adolescent rebellion, disability, dooms-day religious cults, homophobia, college education, myths about black sexual prowess, and, yes, love (if nothing else, you know he unequivocally loves his wife, Brenda), Walker’s Street Shadows is a very good book. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

When she emerged triumphant in a legal battle with the Texas beef industry, Oprah Winfrey took to the steps of the Amarillo court house and declared: “Free speech rocks!” She was likely a little less enthusiastic about the First Amendment following the publication of Kitty Kelley‘s unauthorized book Oprah: A Biography, which is now out in paperback. The match-up of the daytime television queen and the unauthorized biographer, Kitty Kelley, is one for the ages. The author of eight books– five of them New York Times number one bestsellers, all of them about living people and none of them authorized– Kelley has spent thirty years writing unflinchingly candid accounts of the most influential celebrities of our age. Even the New Yorker allowed that “A Kitty Kelley biography of Oprah Winfrey is one of those King Kong vs. Godzilla events in celebrity culture.” With the help of over 800 interviews and four years of research, she provides an insightful analysis of Winfrey’s cultural significance, as an African-American woman and a survivor of sexual abuse. But, perhaps the biggest contribution of Oprah: A Biography is that it picks away at the seemingly impenetrable persona Winfrey has presented and paints a nuanced portrait of a woman far more complicated, ambitious and interesting than the one seen on TV. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Daniel Sharfstein‘s The Invisible Line: Three American Families and the Secret Journey from Black to White (Penguin Press, 2011) is the latest and perhaps best book in the growing genre of neo-passing narratives. The Invisible Line easily rests between Philip Roth’s The Human Stain and Blis Broyard’s One Drop, though it is different and in ways richer than both. Part American history, part legal analysis (Sharfstein is a legal scholar), part ethnographic study, it is a wholly gripping and exquisitely written narrative that tracks the racial passing of three black families over several centuries, leading us right up to their living “white” descendents today. You will certainly learn a lot about the history of race in the United States from The Invisible Line and, if you’re like me, you won’t be able to put it down. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Hip-hop has, within a short time span, moved from a free-flowing expression of urban youth to a global–and highly marketable–musical genre. Its influence in culture, fashion, film, and music is ubiquitous, and theories about hip-hop’s importance in the political sphere abound. But what, exactly, is the relationship between hip-hop and politics? Does hip-hop influence the expression and formation of political thought? Does it influence the expression and formation of political action? If the influence exists, what are its boundaries? These are some of the questions tackled in Stare in the Darkness: The Limits of Hip-Hop and Black Politics by Lester K. Spence. Spence traces the concurrent neoliberal turn in hip-hop and American politics and examines the implications of both for the politics of black Americans. He infuses the narrative of neoliberal transformation with empirical examination of hip-hop’s impact on the political attitudes of the hip-hop generation and of urban youth. Analyzing track lyrics, survey data, and original experiments, Spence theorizes the boundaries of the space in black American life that is occupied by both hip-hop and politics. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In his new book, The Agony of Masculinity: Race, Gender, and Education in the Age of the “New” Racism and Patriarchy (Peter Lang, 2010), Pierre Orelus analyzes the “heartfelt stories of fifty men of African descent who vary in age, social class, family status, sexual orientation, ethnicity, nationality, and ability” (1). One of the purposes of the book is to allow black men to share how they both perpetuate and are negatively impacted by heteronormativity, that is, the oppression of women and other men on the basis of how well they perform heterosexuality. During my interview with Pierre, I was surprised that he labeled some of the men as closeted bisexuals and homosexuals simply because they did not disclose their sexualities to him. This was surprising since the book itself seeks to undo heteronormativity, which enforces the requirement to announce a heterosexual identity. This announcement is made both by how a man performs his masculinity, and in his actual sex life. Since the bedroom is private (we don’t know who people actually have sex with), one is supposed to feel unrestrained in disclosing his sexual practice by stating that he is heterosexual. If a man doesn’t make this pronouncement, he is deemed non-normative (otherwise, it’s assumed that he would proudly proclaim his straightness). What’s more, Orelus gives the men the choice to remain silent regarding their sexuality, yet when some take the option, it is read as a fear of coming out. This may be an instance when Orelus himself perpetuates the exact crisis he hopes to end. This isn’t a criticism of this good book. Orelus begins by placing himself as a subject of analysis. He states that he has his own ongoing personal struggle with patriarchy, a fact often brought to his attention by his wife. It’s this experience he shares with other black men that prompted him to write the book. Please, listen in to our discussion of it. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

There are beautiful sports photos, and dramatic sports photos. There are sports photos that are funny, and others that are poignant. There are photos that capture athletic brilliance, and tenacity, and passion. But there are few images from the modern history of sports that have transcended the games, photos that have inspired and provoked those with little interest in athletics. Perhaps the only image to have had such a far-reaching effect is that of Tommie Smith and John Carlos on the medal stand at the 1968 Mexico City Olympics. But some would object–and many did in 1968–that what Smith and Carlos did on the medal stand after the 200-meter finals was not a sports moment. It was a political moment, a protest, and therefore it was outside the boundary of athletics. Smith and Carlos had violated a fundamental principle of sport by mixing it with politics. But those who made that criticism in 1968 likely did not denounce George Foreman ten days later, when he waved the American flag in the ring after winning the boxing gold medal. Likewise, fans who objected to NBA player Steve Nash’s criticism of Arizona’s law on illegal immigrants likely did not oppose the prominent military presence in NFL commemorations of the 9/11 terrorist attacks, or the contributions that sports owners make to political parties and candidates. As sports journalist Dave Zirin notes in our interview, politics are always present in sports. People get upset, though, when their sports are mixed with somebody else’s politics. And in 1968–and the years that followed–people were furious with the politics of Smith and Carlos. Dave Zirin has written a number of books on sports in U.S. history and contemporary society, and he comments regularly on sports and politics for The Nation and the weekly Sirius XM program, Edge of Sports Radio. As co-author of The John Carlos Story: The Sports Moment That Changed the World (Haymarket Books, 2011), he helps tell the story of an extraordinary athlete and activist. In the interview, we talk of Carlos’ youth in Harlem, the events that led him and teammate Tommie Smith to make their shocking protest, and the burdens that Carlos endured after 1968. And we talk about the hard work of telling another man’s life, of trying to convey not only his experiences but also his motivations, his commitments, and the way he understands the legacy of one transcendent act. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In his new bookActing White: The Curious History of a Racial Slur (Thomas Dunne Books, 2010), former White House aide Ron Christie recounts the history of the pejorative term “acting white.” He traces its lineage from the present day through the Black Power movement back to Uncle Tom’s Cabin, unraveling a fascinating history in the process. In our interview, we talked about Ron’s experiences as an African-American Republican, his ambitious vow to eradicate the term “acting white,” and his hopes for the future of America’s African-American community. Read all about it, and more, in Christie’s thought-provoking new book. Please become a fan of “New Books in Public Policy” on Facebook, if you haven’t already. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies