New Books in African American Studies

In this this interview, Carrie Tippen talks with Catherine Keyser about early twentieth century fiction and the role that modern food plays in literature as a language for talking about race and racial categories. In Artificial Color: Modern Food and Racial Fictions, published in 2019 by Oxford University Press, Keyser explores the ways that modern fiction writers responded to the theories and anxieties about race in the early twentieth century through related anxieties about modern industrial food. In each chapter, Keyser focuses on a few closely related authors and texts, linked by their common use of food for plot, imagery, and metaphor, each one shedding some light on how that food carried meanings of racial identity. Keyser uncovers the historical context around each food to help today’s readers see what it might have meant to the writers and their contemporary readers. Keyser examines the use of soda pop and syrup or images of effervescence in Jean Toomer’s Cane as a metaphor for inevitable racial intermixing; the promises of raw food for revitalizing African American resistance in George Schuyler’s speculative fiction; Ernest Hemingway and Gertrude Stein’s search for a cosmopolitan identity through European terroir; the fragility of whiteness in F. Scott and Zelda Fitzgerald’s anxieties about coffee, wine, and the sticky Mediterranean; and the failure of capitalism to secure black masculinity through the figure of the grocer in Zora Neale Hurtson’s Their Eyes Were Watching God and Dorothy West’s The Living is Easy. Keyser’s careful pairing of familiar texts with their less canonical contemporaries brings an important new perspective to both.Catherine Keyser is Associate Professor and McCausland Fellow at the University of South Carolina. Cat’s research focuses on Modern American Literature, African American Literature, Periodicals, Gender, and Food. She is also the author of the 2010 book Playing Smart: New York Women Writers and Modern Magazine Culture from Rutgers University Press, 2010. You can follow Cat on Twitter @Cat_Keyser.Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature.  Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Allison Davis (1902-1983) was a pioneering anthropologist who did ground-breaking fieldwork in the Jim Crow south,  challenged the racial bias of IQ tests, and became the first African American to be tenured at the University of Chicago. And yet despite these contributions Davis's work is little read today. The Lost Black Scholar: Resurrecting Allison Davis in American Social Thought(University of Chicago Press, 2018) is the first full-length biography of Davis ever written. In it, historian David Varel documents Davis's remarkable life. In this episode in New Books in Anthropology we talk about Davis's collaboration with authors such as W.E.B. Du Bois, Edward Sapir, John Dollard, W. Lloyd Warner Warner, St. Clair Drake, and many others. We also discuss how Davis pioneered concepts such as structural racism and explored the relationship between race and class. David Varel talks about the choices he made as a White academic writing about an African American life, and the importance of widening intellectual genealogies by including 'lost' figures such as Davis.David Varel earned his Ph.D. in history from the University of Colorado, Boulder. The Lost Scholar: Resurrecting Allison Davis in American Social Thought (University of Chicago Press, 2018) is his first book.Alex Golub is an associate professor of anthropology at the University of Hawai‘i at Mānoa. He is the author of the article "Welcoming the New Amateurs: A future (and past) for non-academic anthropologists" as well as other books and articles. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Early American libraries stood at the nexus of two transatlantic branches of commerce—the book trade and the slave trade. Slavery and the Making of Early American Libraries: British Literature, Political Thought, and the Transatlantic Book Trade, 1731-1814 (Oxford University Press, 2019) bridges the study of these trades by demonstrating how Americans' profits from slavery were reinvested in imported British books and providing evidence that the colonial book market was shaped, in part, by the demand of slave owners for metropolitan cultural capital. Drawing on recent scholarship that shows how participation in London cultural life was very expensive in the eighteenth century, as well as evidence that enslavers were therefore some of the few early Americans who could afford to import British cultural products, Seán Moore, Associate Professor of English at the University of New Hampshire as well as journal Editor for Eighteenth Century Studies, merges the fields of the history of the book, Atlantic studies, and the study of race, arguing that the empire-wide circulation of British books was underwritten by the labor of the African diaspora.The volume is the first in early American and eighteenth-century British studies to fuse our growing understanding of the material culture of the transatlantic text with our awareness of slavery as an economic and philanthropic basis for the production and consumption of knowledge. In studying the American dissemination of works of British literature and political thought, it claims that Americans were seeking out the forms of citizenship, constitutional traditions, and rights that were the signature of that British identity. Even though they were purchasing the sovereignty of Anglo-Americans at the expense of African-Americans through these books, however, some colonials were also making the case for the abolition of slavery.Ryan Tripp is adjunct history faculty for Los Medanos Community College as well as the College of Online and Continuing Education at Southern New Hampshire University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In this highly engaging book, fashionista and pop culture expert Tanisha C. Ford investigates Afros and dashikis, go-go boots and hotpants of the sixties, hip hop's baggy jeans and bamboo earrings, and the #BlackLivesMatter-inspired hoodies of today.The history of these garments is deeply intertwined with Ford’s story as a black girl coming of age in a Midwestern rust belt city. She experimented with the Jheri curl; discovered how wearing the wrong color tennis shoes at the roller rink during the drug and gang wars of the 1980s could get you beaten; and rocked oversized, brightly colored jeans and Timberlands at an elite boarding school where the white upper crust wore conservative wool shift dresses.Dressed in Dreams: A Black Girl's Love Letter to the Power of Fashion (St. Martins Press, 2019) is a story of desire, access, conformity, and black innovation that explains things like the importance of knockoff culture; the role of “ghetto fabulous” full-length furs and colorful leather in the 1990s; how black girls make magic out of a dollar store t-shirt, rhinestones, and airbrushed paint; and black parents' emphasis on dressing nice. Ford talks about the pain of seeing black style appropriated by the mainstream fashion industry and fashion’s power, especially in middle America. In this richly evocative narrative, she shares her lifelong fashion revolution―from figuring out her own personal style to discovering what makes Midwestern fashion a real thing too.Adam McNeil is a PhD Student in the Department of History at Rutgers University-New Brunswick. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In her new book, Collisions at the Crossroads: How Place and Mobility Make Race (University of California Press, 2019), Professor Genevieve Carpio considers tensions around mobility and settlement in the 19th- and 20th-century American West, especially California’s Inland Empire. In this wide-ranging study, the first academic work to draw on the Inland Mexican Heritage archives, Carpio examines policies and forces as disparate as bicycle ordinances, immigration policy, incarceration, traffic checkpoints, and Route 66 heritage. She shows how regional authorities constructed racial hierarchies by allowing some people to move freely while placing limits on the mobility of others. Highlighting the ways that people of color have negotiated and resisted their positions within these systems, Carpio offers a compelling and original analysis of race through spatial mobility and the making of place.Carrie Lane is a Professor of American Studies at California State University, Fullerton and author of A Company of One: Insecurity, Independence, and the New World of White-Collar Unemployment (Cornell University Press, 2011). Her research concerns the changing nature of work in the contemporary U.S. She is currently writing a book on the professional organizing industry. To contact her or to suggest a recent title, email clane@fullerton.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Annette Joseph-Gabriel talks with Tiffany Gill about the history of African American travel in the late twentieth century and its significance to Black communities across the lines of class and gender. Joseph-Gabriel is an assistant professor of French at the University of Michigan, College of Literature, Science and the Arts.Gill is an Associate Professor of Africana Studies & History and Cochran Scholar at the University of Delaware. She is the author of Beauty Shop Politics: African American Women’s Activism in the Beauty Industry and the co-editor (with Keisha Blain) of To Turn the Whole World Over: Black Women and Internationalism (University of Illinois Press, 2019). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Yuko Miki’s book, Frontiers of Citizenship: A Black and Indigenous History of Postcolonial Brazil(Cambridge University Press, 2018), was the recent recipient of LASA’s 19th-century section Honorable Mention for Best Book. Frontiers of Citizenship is a beautifully written book that integrates quite seamlessly the history black and indigenous peoples in 19th century Brazil. The book explores the intersections of race and ethnicity, borderlands studies, as well as the intersecting histories of citizenship, popular politics, national identity, emancipation, and labor. In the book, Dr. Miki explores the quandaries of citizenship in a multiracial society and challenges the idea that citizenship is an equally important and equally valued goal for everyone. The book not only demonstrates otherwise, but really helps the reader challenge these widely held assumptions in a compelling and grounded manner. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Suspect Freedoms: The Racial and Sexual Politics of Cubanidad in New York, 1823-1957 (NYU Press, 2017), Nancy Mirabal details New York Cuban diasporic history between the nineteenth and twentieth centuries with keen attention to how political debates about the potential future, visibility, and belonging in Cuba played out along issues of race and gender. By shifting moments of importance in Cuban and U.S. history, it becomes clear exactly how contentious the differing opinions on how to move the island away from Spanish colonial rule and the role it would come to play – if any – on the political, racial, and economic landscape of the United States. Mirabal utilizes vast archival material spanning club records, literary texts, newspapers, photographs, and oral histories to tell how exiled Cuban migrants formed, maintained, and disagreed within social clubs in New York. Her inclusion of labor history, intellectual history, political history, social history, and immigration history makes for an incredibly detailed and dynamic history.Mirabal is committed to writing a history that focuses on the experiences and intellectual debates of Afro-Cubans during a period of enslavement, empire, and colonialism. Further, she tells how the movement of peoples and ideas of revolution and independence were both being informed and redefined by an exiled Afro-Cuban experience well before and after 1898. Mirabal writes, “Afro-Cuban migrants were some of the most incisive, powerful, and radical voices in the exile nationalist movement, so much so that by the mid- to late nineteenth-century, meanings of Cubanidad were inextricably tied to ending slavery, racial equality, and a promise of enfranchisement” (6). Suspect Freedoms recounts a history of how nation-building in Cuba, which was dependent largely on diasporic intellectuals, was a racialized and masculinist project dependent on the white supremacy, anti-blackness, and patriarchy. Even then, the intricacies with which Dr. Mirabal recounts Black migrant’s, women’s, and Black women’s experiences and resistance to such fault lines within this century-long period of Cuban diasporic history is masterful.Jonathan Cortez is a Ph.D. candidate of American Studies at Brown University. They are a historian of 20th-century issues of race, labor, (im)migration, surveillance, space, relational Ethnic Studies, and Latinx Studies. Their research focuses on the rise of federally-funded encampments (i.e., the concentration of populations) from the advent of the New Deal until post-WWII era. Their dissertation, “The Age of Encampment: Race, Surveillance, and the Power of Spatial Scripts, 1933-1975” reveals underlying continuities between the presence of threatening bodies and the increasing surveillance of these bodies in camps throughout the United States. You can follow Jonathan on Twitter @joncortz and their personal website www.historiancortez.com Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

There's so much discussion in the contemporary United States about marijuana. Debates focus on legalization and medicalization. Usually, Reefer Madness, Harry Anslinger, and race are brought into the conversation. But a big part of the larger marijuana story is missing. In Chris S. Duvall's new book, The African Roots of Marijuana (Duke University Press, 2019), he tells a distinctly non-American story that nevertheless has important lessons for current debates. Duvall helps us understand cannabis as a crop, commodity, and tool in African culture and in the history of slavery. He showcases the plant-person relationship and offers valuable lessons about colonialism and rise of 'big marijuana' in 2019.Lucas Richert is an associate professor in the School of Pharmacy at the University of Wisconsin, Madison. He studies intoxicating substances and the pharmaceutical industry. He also examines the history of mental health. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Worldmaking: Race, Performance, and the Work of Creativity (Duke University Press 2018), Dorinne Kondo brings together critical race studies, affect theory, psychoanalysis and her critically keen awareness of the politics and potential of theatre production and reception to ask how theatre ‘makes, unmakes and remakes’ race. Building on over 20 years of experience as an ethnographer, dramaturg and playwriter, Kondo exposes the racial structures that are mutually constitutive of the theatre specifically, and the arts more generally. So doing, she attends to the economic forces and representational practices that have not only enabled the affective violence through which the theatre so often operates; she also draws attention to how these forces and practices can produce the grounds for theatre’s restorative and transformative potential.Dorinne Kondo is Professor of American Studies and Ethnicity and Anthropology at the University of Southern California. Her research focuses on cultural theory, performance, aesthetics and politics, cross-racial identification/ multiracial collaboration, modes of embodiment, ethnography and genre, the integration of "creative" and "critical" writing.She is also the author of About Face: Performing Race in Fashion and Theater, and Crafting Selves: Power, Gender, and Discourses of Identity in a Japanese Workplace.Sitara Thobani is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate to formations of nation, gender, sexuality and religion. She received her DPhil in Social and Cultural Anthropology form Oxford University, and is the author of Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire’s Stage (Routledge 2017). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies