New Books in African American Studies

What kind of discrimination do Black women face in the legal profession? Tsedale Melaku explores this question and more in her new book: You Don’t Look Like a Lawyer: Black Women and Systemic Gendered Racism (Rowman & Littlefield, 2019). Using in-depth interviews with Black women about their lived experiences working in elite law firms, Melaku explores topics including double burden, system gendered racism, and color-blind ideology. She also pushes our thinking further about these issues through discovery of issues including the invisible labor clause and inclusion tax. Her respondents elaborate on their experiences of having their appearances and positions continually scrutinized, leading to hypervisibility and invisibility. Melaku also explores women’s experiences of isolation, exclusion, and ultimately attrition through daily experiences as well as through important relationships within professional networks.This book will be of interest to many readers inside and outside of Sociology. Scholars of race, gender, and work will find this to be an important reading for their own work and a critical addition to their classrooms. Anyone working in professional institutions could benefit from reading the experiences of these women and Melaku’s clear and thorough analysis of next steps and take-aways.Sarah E. Patterson is a postdoctoral fellow at the University of Michigan. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Officer Clemmons: A Memoir (Catapult, 2020), François Clemmons tells the story of how he became the first ever African-American recurring character on a children’s television when he took on the role of the friendly police officer in Mr. Rogers’ Neighborhood. But this book is more than a behind-the-scenes show business memoir. It is a touching coming of age story that reveals what it felt like to be young, gifted, black, and gay during a time of intense racism and homophobia. We come to understand that Clemmons found in Mr. Rogers a mentor figure who made Clemmons feel loved and appreciated, just as Mr. Rogers made millions of children feel through his program. Officer Clemmons: A Memoir is a testament to the quiet power of love.Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached atandyjamesboyd@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

African Americans have a long history of emigration. In Exiles, Entrepreneurs, and Educators: African Americans in Ghana, Steven J. L. Taylor explores the second wave of African American exiles or repatriates to Ghana in post-1980s.Unlike the first wave of emigrants during the Kwame Nkrumah years (1957-1966), Taylor argues that the second wave is far more diverse and have largely been attracted to entrepreneurial opportunities. More importantly, this book examines the political engagement of African Americans in Ghana’s two-party political system.Steven Taylor is Associate Professor in the Department of Government at the American University, Washington, DCSharika Crawford is an associate professor of history at the United States Naval Academy.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In his powerful new book, A Long, Long Way: Hollywood’s Unfinished Journey from Racism to Reconciliation (Oxford University Press, 2020), Greg Garrett brings his signature brand of theologically motivated cultural criticism to bear on this history.After more than a century of cinema, he argues, movies have altered our cultural perspectives in the same way that religious narratives have. And in fact, religious traditions offer powerful correctives to our cultural narratives.A Long, Long Way incorporates both cinematic and religious truth-telling to the subject of race and reconciliation. In acknowledging the racist history of America's national art form, Garrett offers the possibility of hope for the future.Greg Garrett is a professor at Baylor University, teaching classes in creative writing & religion and culture. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The golden key to understanding the last 75 years of American political development, the eminent labor relations scholar Michael Goldfield argues, lies in the contests between labor and capital in the American South during the 1930s and 1940s. Labor agitation and unionization efforts in the South in the New Deal era were extensive and bitterly fought, and ranged across all of the major industries of the region.In The Southern Key: Class, Race, and Radicalism in the 1930s and 1940s (Oxford UP, 2020), Goldfield charts the rise of labor activism in each and then examines how and why labor organizers struggled so mightily in the region. Drawing from meticulous and unprecedented archival material and detailed data on four core industries-textiles, timber, coal mining, and steel-he argues that much of what is important in American politics and society today was largely shaped by the successes and failures of the labor movements of the 1930s and 1940s. Most notably, Goldfield shows how the broad-based failure to organize the South during this period made it what it is today. He contends that this early defeat for labor unions not only contributed to the exploitation of race and right-wing demagoguery in the South, but has also led to a decline in unionization, growing economic inequality, and an inability to confront and dismantle white supremacy throughout the US.A sweeping account of Southern political economy in the New Deal era, The Southern Key challenges the established historiography to tell a tale of race, radicalism, and betrayal that will reshape our understanding of why America developed so differently from other advanced industrial nations over the course of the last century.Beth A. English is director of the Liechtenstein Institute’s Project on Gender in the Global Community at Princeton University. She also is a past president of the Southern Labor History Association. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

How did Africans become 'blacks' in the Americas? Becoming Free, Becoming Black: Race, Freedom, and Law in Cuba, Virginia, and Louisiana (Cambridge University Press, 2020) tells the story of enslaved and free people of color who used the law to claim freedom and citizenship for themselves and their loved ones. Their communities challenged slaveholders' efforts to make blackness synonymous with slavery. Looking closely at three slave societies - Cuba, Virginia, and Louisiana - Alejandro de la Fuente and Ariela J. Gross demonstrate that the law of freedom - not slavery - established the meaning of blackness in law. Contests over freedom determined whether and how it was possible to move from slave to free status, and whether claims to citizenship would be tied to racial identity. Laws regulating the lives and institutions of free people of color created the boundaries between black and white, the rights reserved to white people, and the degradations imposed only on black people.Adam McNeil is a third year Ph.D. in History student at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In this episode, Siobhan talks with Robert T. Chase about his book, We Are Not Slaves: State Violence, Coerced Labor, and Prisoners’ Rights in Postwar America (UNC Press, 2020).In the early twentieth century, the brutality of southern prisons became a national scandal. Prisoners toiled in grueling, violent conditions while housed in crude dormitories on what were effectively slave plantations. This system persisted until the 1940s when, led by Texas, southern states adopted northern prison design reforms. Texas presented the reforms to the public as modern, efficient, and disciplined. Inside prisons, however, the transition to penitentiary cells only made the endemic violence more secretive, intensifying the labor division that privileged some prisoners with the power to accelerate state-orchestrated brutality and the internal sex trade. Reformers' efforts had only made things worse--now it was up to the prisoners to fight for change.Drawing from three decades of legal documents compiled by prisoners, Chase narrates the struggle to change prison from within. Prisoners forged an alliance with the NAACP to contest the constitutionality of Texas prisons. Behind bars, a prisoner coalition of Chicano Movement and Black Power organizations publicized their deplorable conditions as “slaves of the state” and initiated a prison-made civil rights revolution and labor protest movement. These insurgents won epochal legal victories that declared conditions in many southern prisons to be cruel and unusual--but their movement was overwhelmed by the increasing militarization of the prison system and empowerment of white supremacist gangs that, together, declared war on prison organizers. Told from the vantage point of the prisoners themselves, this book weaves together untold but devastatingly important truths from the histories of labor, civil rights, and politics in the United States as it narrates the transition from prison plantations of the past to the mass incarceration of today.Chase is Associate Professor of History at Stony Brook UniversityThis episode is part of a series featuring legal history works from UNC Press. Support for the production of this series was provided by the Versatile Humanists at Duke program.Siobhan M. M. Barco, J.D. explores U.S. legal history at Duke University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Everything Man: The Form and Function of Paul Robeson (Duke University Press, 2020), Shana Redmond explores the ways in which Paul Robeson, silenced by state repression in his lifetime, still speaks to us today.Through explorations of Robeson’s genre-defying genius as well as reflections on how Robeson’s legacy continues today, Redmond re-contextualizes Robeson as a thoroughly contemporary figure. Robeson’s brutal mistreatment by the US government provides a case study in how far our supposed democracy will go to crush dissent, particularly black radical dissent.Still, his vision of anti-racism grounded in global solidarity and anti-capitalism is perhaps more necessary now than ever. Redmond points out that the word that Robeson sang about Joe Hill are true also of him: “I never died, said he.”Shana Redmond is Professor, Global Jazz Studies Musicology, UCLA Herb Alpert School of Music.Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached atandyjamesboyd@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Over recent years, scholarship centering Afrolatinidad has pushed the bounds of the field towards greater forms of racial and ethnic understanding. Dr. Monika Gosin’s monograph, The Racial Politics of Division: Interethnic Struggles For Legitimacy in Multicultural Miami (Cornell University, 2019), adds to this burgeoning literary canon.By examining how controversial waves of Cuban immigration during the late 20th century intensified the friction between African Americans and the existing Cuban immigrant population in Miami, Gosin reveals how differing notions of “worthy citizenship” encouraged interethnic conflict.Dr. Gosin’s The Politics of Division “forces a relooking at the poles of black and white as they operate in the lives of people who are phenotypically black” (20).The author’s ability to hold and move between so many complex identities, histories, and frameworks is exemplary of the approach necessary to conduct relational research. Gosin’s communities of study include African American, white Cubans, Afro-Cubans, Haitians, and the ever-present looming structures of white supremacy both in the United States and Cuba.Traversing between intersecting and transnational racial ideologies, the book highlights three racializing frames (black/white, good/bad immigrant, and native/foreigner) through which communities facilitated their own relationship of belonging to the US nation-state.Gosin conducts extensive research in newspaper archives to understand how various racial and ethnic communities constructed media discourses about one another. She utilizes the archives of the Miami Times, an African American-owned and controlled paper, and El Nuevo Herald, the Spanish-language adaptation of the mainstream Miami Herald, to show the complexities of race, immigration, and citizenship.Throughout the book, Dr. Gosin maintains a strong commitment to the presence and histories of Afro-Cubans in both the African-American and white Cuban controlled newspapers. She supplements this work with in-depth personal interviews with Afro-Cubans living in Miami and Los Angeles, which further adds a dynamic to the history of racial complexity in southern Florida.As Gosin writes, “Examining how Afro-Cuban immigrants negotiate the intersections of blackness and Latinidad and rejections they sometimes face from other Latinos allows an important critique of the ways white supremacist notions have been embraced or perpetuated by nonblack Latinos” (191).This call for a better understanding of the ways white supremacy has infiltrated thought processes -- and scholarship -- in non-black Latinx peoples and Latinx Studies is critical to the book’s goal.The Racial Politics of Division is a book for those interested in race and race-making between non-white communities, how issues of racialization and immigration merge into sociopolitical consequences, and for students of (Afro)Latinx studies.Monika Gosin is Associate Professor in Sociology at William & Mary.Jonathan Cortez is a Ph.D. candidate of American Studies at Brown University. They are a historian of 20th-century issues of race, labor, (im)migration, surveillance, space, relational Ethnic Studies, and Latinx Studies. Their research focuses on the rise of federally-funded encampments (i.e., the concentration of populations) from the advent of the New Deal until post-WWII era. Their dissertation, “The Age of Encampment: Race, Surveillance, and the Power of Spatial Scripts, 1933-1950” reveals underlying continuities between the presence of threatening bodies and the increasing surveillance of these bodies in camps throughout the United States. Jonathan is currently a Ford Predoctoral Fellow as well as a curatorial assistant at the Smithsonian National Museum of American History. You can follow Jonathan on Twitter @joncortz and on their personal website www.historiancortez.com Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Macbeth in Harlem: Black Theater in America from the Beginning to Raisin in the Sun (Rutgers University Press, 2020) by Clifford Mason, celebrated actor, director, writer, and playwright, and author of thirty-four plays, is a sweeping history of Black theatre from the early nineteenth century through 1959. With an “Introduction” section, and six concise chapters, Macbeth in Harlem traverses such subjects as the Black hero, plot, narrative, and the African American intellectual in the history of African American theater including an entire chapter on Paul Robeson. From the Black Shakespearean troupe formed in 1821 Greenwich Village, that performed Richard III, Othello, and Macbeth in the 1820s, through the emergence of minstrelsy in the mid-nineteenth century, to the work of Robeson and Lorraine Hansberry at the rise of the Civil Rights Era, Mason tells the story of Black performers, and intellectuals, in the development of American theater. He details how integral Black artists have been in the history of American theater while “fighting against the odds” to demand freedom of expression and human dignity.In the first chapter, Mason discusses early Black theater and theater troupes in Greenwich Village which was a center of Black life within the Manhattan section of New York City in the early nineteenth century. The African Grove Theatre, as Mason notes, was a group of Black actors including James Hewlett and Ira Aldridge that performed Macbeth as a “the heart of their repertoire” (9). This group was self-sustaining and produced shows without the support of white benefactors. Both Hewlett and Aldridge rose to acclaim and were recognized for their craft by the larger entertainment world. The evolution of minstrelsy in the long nineteenth century is the focus of Chapter Two and the degradation of the Black image as illustrated with the proliferation of stereotypes that emerged at this time. Minstrel shows led to the rise of the Tom shows then the “coon” shows amid the collapse of Reconstruction and the rise of Jim Crow in the late nineteenth century. African Americans and the rise of vaudeville and the musical through the New Negro Era is the focus of the next chapter. Mason assiduously notes the impact that Black actors and entertainers had on the development of musical theater in America in this Third Chapter of the book. The final three chapters focus on Black theater in the twentieth century including some discussion of milestones such as Lorraine Hansberry’s Raison in the Son and the rise and fall of Paul Robeson. Macbeth in Harlem is a noteworthy text that reveals some unknown history about the integral place of African Americans in the history of American theater. It is easily a text that might be used in courses on African American history, theater history, and American intellectual history.Hettie V. Williams Ph.D., is an Assistant Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. She has published book chapters, essays, and edited/authored five books. Her latest publications include Bury My Heart in a Free Land: Black Women Intellectuals in Modern U.S. History (Praeger, 2017) and, with Dr. G. Reginald Daniel, professor of historical sociology at the University of California, Santa Barbara, Race and the Obama Phenomenon: The Vision of a More Perfect Multiracial Union (University Press of Mississippi 2014). You can follow Dr. Williams on Twitter:  @DrHettie2017  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies