New Books in African American Studies

In Dividing the Faith: The Rise of Segregated Churches in the Early American North (NYU Press, 2020), Richard J. Boles argues that, contrary to traditional American religious historiography, interracial worship was a common and accepted practice in many northern Protestant churches in the seventeenth and early eighteenth centuries. As Northern states outlawed slavery, Christians hardened their stances on segregation and discrimination, leading to racially divided Protestantism in the nineteenth century. Using archival sources from over four hundred congregations, Boles illuminates the complex racial and religious dynamics of the early American north and adds significant understanding to our knowledge of race in American religious history.Lane Davis is a doctoral candidate in the Graduate Program in Religious Studies at Southern Methodist University where he studies American religious history. Find him on Twitter @TheeLaneDavis Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Today on New Books in African American Studies I am chatting with Carleton College Assistant Professor of Africana Studies and Political Science Dr. Charisse Burden-Stelly. Dr. Burden-Stelly is a critical Black Studies scholar of political theory, political economy, intellectual history, and historical sociology. On today's episode we discuss Dr. Burden-Stelly's path from graduate school through, teaching, and scholarship as a committed scholar of Black Studies. We also discuss how she plans out her research and writing agenda. Dr. Burden-Stelly is one of my favorite thinkers in Blackademia, and by the end of this episode, you might just say the same thing. Enjoy, New Books in African American Studies family.Adam McNeil is a third-year PhD Student in colonial and American Revolutionary Era Black Women's History at Rutgers University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Hubert Harrison: The Struggle for Equality, 1918-1927 (Columbia University 2020) by Jeffrey B. Perry, independent scholar and archivist, is an extensive intellectual history of the life and work of Black radical and autodidact Hubert Harrison. Perry is also editor of A Hubert Harrison Reader (Wesleyan, 2001) and author of Hubert Harrison: The Voice of Harlem Radicalism, 1883-1918 (Columbia, 2008). He is the chief biographer of Hubert Harrison and Hubert Harrison: The Struggle for Equality is a follow up to his aforementioned text on Harrison. (these two volumes can be ordered from Columbia University Press at 20% discount by using Code CUP20). Perry’s volume on Harrison’s life from 1883 to 1918 is considered to be the first volume of an Afro-Caribbean “and only the fourth of an African American after those of Booker T. Washington, W.E.B. Du Bois, and Langston Hughes” (1). This current text is a continuation of the argument advanced in Perry’s initial text on Harrison. Harrison is often left out of major surveys of the Harlem Renaissance and New Negro Era, as Perry notes, and this is likely because the Renaissance is often viewed as a movement of Black intellectual elites with formal higher education. That said, Harrison was a working-class self-taught man who wrote reviews, essays, orations and was recognized by intellectual elites of his day and a member of the Socialist Party of America.Harrison was born in Saint Croix, U.S. Virgin Islands in 1883 but relocated to the Harlem section of New York City in 1900, at age seventeen, where he eventually became a recognized writer, cultural critic, orator, editor and political activist including working with Marcus Garvey’s Universal Negro Improvement Association (UNIA). Perry defines Harrison as “the voice” of Harlem radicalism and also a “radical internationalist.” This is a challenge to standard views of the New Negro Era that tend to place intellectuals such as Alain Locke and W.E.B. Du Bois at the helm of Black thought and culture during the Harlem Renaissance moment in African American history. That said, Harrison was also involved with Garvey’s UNIA as editor of the Negro World and in labor activism. Harrison formed the Liberty League in 1917 and The Voice that helped to lay the foundation of the Garvey Movement and the Rise of the UNIA. He was involved in the major debates of his day including discussions about class consciousness, Black nationalism, internationalism, freethought and trade unionism. This second volume by Perry is very necessary given Harrison’s extensive engagement with the ideas and the production of knowledge as a self-taught organic intellectual with deep concerns about human liberation across class and race.Hubert Harrison: The Struggle for Black Equality is organized into four major sections divided by twenty chapters including an “Epilogue.” It is a far-reaching text of more than 700 pages. Part I focuses on Harrison’s work with The Voice and his political activities in places such as Washington, D.C. and Virginia, In Part II, Harrison’s role as editor of the Negro World is assessed with a discussion of his debates and writings. Part III concerns Harrison’s work as a “freelance educator” and his work as a writer and speaker, while the final part of the text Part IV covers his role as a Black radical internationalist. This is a critically important text. Scholars of the Harlem Renaissance will find it difficult to dismiss Hubert Harrison as a major voice of the New Negro Era with the publication of this text. Perry’s painstaking coverage of Harrison gives him his rightful place in history as “the voice of Harlem radicalism.”Hettie V. Williams Ph.D., is an Assistant Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Down the Up Staircase: Three Generations of a Harlem Family (Columbia UP, 2019) tells the story of one Harlem family across three generations, connecting its journey to the historical and social forces that transformed Harlem over the past century. Bruce D. Haynes and Syma Solovitch capture the tides of change that pushed blacks forward through the twentieth century--the Great Migration, the Harlem Renaissance, the early civil rights victories, the Black Power and Black Arts movements--as well as the many forces that ravaged black communities, including Haynes's own. As an authority on race and urban communities, Haynes brings unique sociological insights to the American mobility saga and the tenuous nature of status and success among the black middle class.In many ways, Haynes's family defied the odds. All four great-grandparents on his father's side owned land in the South as early as 1880. His grandfather, George Edmund Haynes, was the founder of the National Urban League and a protégé of eminent black sociologist W. E. B. Du Bois; his grandmother, Elizabeth Ross Haynes, was a noted children's author of the Harlem Renaissance and a prominent social scientist. Yet these early advances and gains provided little anchor to the succeeding generations. This story is told against the backdrop of a crumbling three-story brownstone in Sugar Hill that once hosted Harlem Renaissance elites and later became an embodiment of the family's rise and demise. Down the Up Staircase is a stirring portrait of this family, each generation walking a tightrope, one misstep from free fall. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Today I talked to Rachel Berenson Perry about her book The Life and Art of Felrath Hines: From Dark to Light (Indiana University Press, 2019). Felrath Hines (1913–1993), the first African American man to become a professional conservator for the Smithsonian National Portrait Gallery, was born and raised in the segregated Midwest. Leaving their home in the South, Hines's parents migrated to Indianapolis with hopes for a better life. While growing up, Hines was encouraged by his seamstress mother to pursue his early passion for art by taking Saturday classes at Herron Art Institute in Indianapolis. He moved to Chicago in 1937, where he attended the Art Institute of Chicago in pursuit of his dreams.Kirstin L. Ellsworth holds a Ph.D. in the History of Art from Indiana University and is Associate Professor of Art History at California State University Dominguez Hills. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

This is a Special Series on Third World Nationalism.In the wake of a rise in nationalism around the world, and its general condemnation by liberals and the left, in addition to the rise of China and Russia, we have put together this series on Third World Nationalism to nuance the present discourse on nationalism, note its centrality to anti-imperial, anti-colonial politics around the world, the reconfiguration of global power, and its inextricability from mainstream politics in Africa, Asia, Latin America and the Caribbean.Today my guests are Brian Roberts and Keith Foulcher, editors of Indonesian Notebook: A Sourcebook on Richard Wright and the Bandung Conference (Duke UP, 2016).While Richard Wright's account of the 1955 Bandung Conference has been key to shaping Afro-Asian historical narratives, Indonesian accounts of Wright and his conference attendance have been largely overlooked. Indonesian Notebook contains myriad documents by Indonesian writers, intellectuals, and reporters, as well as a newly recovered lecture by Wright, previously published only in Indonesian. Brian Russell Roberts and Keith Foulcher introduce and contextualize these documents with extensive background information and analysis, showcasing the heterogeneity of postcolonial modernity and underscoring the need to consider non-English language perspectives in transnational cultural exchanges. This collection of primary sources and scholarly histories is a crucial companion volume to Wright'sThe Color Curtain.This, then, is a very interesting exploration of the congruences and contradictions between Third World Nationalism and African-American struggles.Kirk Meighoo is a TV and podcast host, former university lecturer, author and former Senator in Trinidad and Tobago. He hosts his own podcast, Independent Thought & Freedom, where he interviews some of the most interesting people from around the world who are shaking up politics, economics, society and ideas. You can find it in the iTunes Store or any of your favorite podcast providers. You can also subscribe to his YouTube channel. If you are an academic who wants to get heard nationally, please check out his free training at becomeapublicintellectual.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

One of the most notable African American intellectuals of his generation, Lawrence Reddick helped to spearhead the early Black history movement, served as the second curator of the Schomburg Library during the 1930s, guided the Southern Christian Leadership Conference during the Cold War, mentored Dr. Martin Luther King, Jr. throughout his entire public life, and played a major role in the Black Studies movement of the late 1960s and early 1970s. A lifelong Pan-Africanist, Reddick also fought for decolonization and Black self-determination alongside key Black diasporic politicians and critical thinkers such as Kwame Nkrumah, Nnamdi Azikiwe, and W.E.B Du Bois. Beyond participating in these interconnected struggles, Reddick helped to document and interpret them for Black and white audiences alike.In The Scholar and the Struggle: Lawrence Reddick's Crusade for Black History and Black Power (University of North Carolina Press, 2020), David A. Varel recovers Reddick's compelling story and reveals the many essential but underappreciated roles played by Black intellectuals during the long Black freedom struggle.David A. Varel is an affiliate faculty member at Metropolitan State University, Denver.James West is a historian of Black activism and print culture in the United States and diaspora. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Black Lives and Spatial Matters: Policing Blackness and Practicing Freedom in Suburban St. Louis (Cornell University Press, 2020), Dr. Jodi Rios examines relationships between blackness, space, and racism, in the northern suburbs of St. Louis. She argues that the “double bind of living as Black in North St. Louis County means that Black residents both suffer from, and pay for, the loss of economic and political viability that occurs when they simply occupy space” (1). Rios theorizes “Blackness-as-risk” as foundational to the historical and contemporary construction of metropolitan space. She documents the ways in which Black residents in the north St. Louis suburbs are subject to excessive ordinances and constant policing. Yet, these residents also resist such constraints. After the murder of Michael Brown in August 2014, Black Lives Matter protests erupted throughout St. Louis as well as across the country. Through the lens of such protests, Rios theorizes “Blackness-as-freedom” as “the unique capacity of blackness to embody freedom in the face of death and to imagine other worlds, other futures” (5). Black Lives and Spatial Matters is a transdisciplinary work that draws from history, ethnography, geography, as well as architecture and design, to show how anti-blackness is produced and contested when Black people occupy space.Jodi Rios is a scholar, designer, and educator whose work is located at the intersection of physical, social, and political space.Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

During the eighteenth century, hundreds of thousands of free descendants of Africans in Mexico faced a highly specific obligation to the Spanish crown, a tax based on their genealogy and status. This royal tribute symbolized imperial loyalties and social hierarchies. As the number of free people of color soared, this tax became a reliable source of revenue for the crown as well as a signal that colonial officials and ordinary people referenced to define and debate the nature of blackness.Taxing Blackness: Free Afromexican Tribute in Bourbon New Spain (University of Alabama Press, 2019) examines the experiences of Afromexicans and this tribute to explore the meanings of race, political loyalty, and legal privileges within the Spanish colonial regime. Norah L. A. Gharala focuses on both the mechanisms officials used to define the status of free people of African descent and the responses of free Afromexicans to these categories and strategies. This study spans the eighteenth century and focuses on a single institution to offer readers a closer look at the place of Afromexican individuals in Bourbon New Spain, which was the most profitable and populous colony of the Spanish Atlantic.As taxable subjects, many Afromexicans were deeply connected to the colonial regime and ongoing debates about how taxpayers should be defined, whether in terms of reputation or physical appearance. Gharala shows the profound ambivalence, and often hostility, that free people of African descent faced as they navigated a regime that simultaneously labeled them sources of tax revenue and dangerous vagabonds. Some free Afromexicans paid tribute to affirm their belonging and community ties. Others contested what they saw as a shameful imposition that could harm their families for generations. The microhistory includes numerous anecdotes from specific cases and people, bringing their history alive, resulting in a wealth of rural and urban, gender, and family insight.Rachel Grace Newman is Lecturer in the History of the Global South at Smith College. She has a Ph.D. in History from Columbia University, and she writes about elite migration, education, transnationalism, and youth in twentieth-century Mexico. She is also the author of a book on a binational program for Mexican migrant children. She is on Twitter (@rachelgnew). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Placing the West's failure to acknowledge the Haitian Revolution--the most successful slave revolt in history--alongside denials of the Holocaust and the debate over the Alamo, Michel-Rolph Trouillot offers a stunning meditation on how power operates in the making and recording of history.Trouillot, Silencing the Past: Power and the Production of History (Beacon Press, 1995) is a modern classic. It resides at the intersection of history, anthropology, Caribbean, African-American, and post-colonial studies, and has become a staple in college classrooms around the country. In a new foreword, Hazel Carby explains the book's enduring importance to these fields of study and introduces a new generation of readers to Trouillot's brilliant analysis of power and history's silences. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies