Great Audiobooks

North and South is set in the fictional industrial town of Milton in the North of England. Forced to leave her home in the tranquil rural south, Margaret Hale settles with her parents in Milton where she witnesses the brutal world wrought by the industrial revolution and employers and workers clashing in the first organized strikes. Sympathetic to the poor whose courage and tenacity she admires and among whom she makes friends, she clashes with John Thornton, a cotton mill manufacturer who belongs to the nouveaux riches and whose contemptuous attitude to workers Margaret despises.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

North and South is set in the fictional industrial town of Milton in the North of England. Forced to leave her home in the tranquil rural south, Margaret Hale settles with her parents in Milton where she witnesses the brutal world wrought by the industrial revolution and employers and workers clashing in the first organized strikes. Sympathetic to the poor whose courage and tenacity she admires and among whom she makes friends, she clashes with John Thornton, a cotton mill manufacturer who belongs to the nouveaux riches and whose contemptuous attitude to workers Margaret despises.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

North and South is set in the fictional industrial town of Milton in the North of England. Forced to leave her home in the tranquil rural south, Margaret Hale settles with her parents in Milton where she witnesses the brutal world wrought by the industrial revolution and employers and workers clashing in the first organized strikes. Sympathetic to the poor whose courage and tenacity she admires and among whom she makes friends, she clashes with John Thornton, a cotton mill manufacturer who belongs to the nouveaux riches and whose contemptuous attitude to workers Margaret despises.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

North and South is set in the fictional industrial town of Milton in the North of England. Forced to leave her home in the tranquil rural south, Margaret Hale settles with her parents in Milton where she witnesses the brutal world wrought by the industrial revolution and employers and workers clashing in the first organized strikes. Sympathetic to the poor whose courage and tenacity she admires and among whom she makes friends, she clashes with John Thornton, a cotton mill manufacturer who belongs to the nouveaux riches and whose contemptuous attitude to workers Margaret despises.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

North and South is set in the fictional industrial town of Milton in the North of England. Forced to leave her home in the tranquil rural south, Margaret Hale settles with her parents in Milton where she witnesses the brutal world wrought by the industrial revolution and employers and workers clashing in the first organized strikes. Sympathetic to the poor whose courage and tenacity she admires and among whom she makes friends, she clashes with John Thornton, a cotton mill manufacturer who belongs to the nouveaux riches and whose contemptuous attitude to workers Margaret despises.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The short, simple lines of these delicate poems resemble song lyrics, emphasizing the concrete but hinting at transcendent realities, although a few deal with abstractions directly. Many voices are heard: of children (once possibly a fetus), animals, parents, and narrators.The two companion volumes deal with the inevitable passage from the child’s wonder and delight in the creation to the adult’s understanding of it. This transition is fraught with dangers and can result in unhealthy attitudes. Blake has little good to say about human institutions dedicated to education, but sometimes lucky children do hit upon wholesome means of passing from innocence into experience.Interconnections between poems are vital to interpretation: not only sequential poems like "Little Boy Lost" and "Little Boy Found" but also counterparts with the same name in each volume, such as those entitled "Nurse's Song."Other interconnections can be discovered only by examining the total work, including the drawings. For, like all of Blake's works, these little poems are composite works of art, the words being supplemented and qualified by pictorial art as in today's graphic novels. For example, "Nurse's Song" and "The Fly" in Songs of Experience are illustrated with drawings whose similarity in general form emphasizes their sharp contrast in significance, one presenting a repressive, controlling approach to education and the other a kindly, supportive approach. There are also many small figures and repeated vegetative forms that fill the corners and spaces between the lines or decorate the titles, and each of these bears upon the interpretation of the work.Yet, although the poetry is not to be mistaken for the complete work, it can be appreciated for itself alone.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Storm (1704) holds a special place in the writings of Daniel Defoe. Widely considered a founding document of modern journalism, The Storm narrates the calamitous events of November 1703 that are framed by the author in the first four chapters. These are followed by verbatim eyewitness accounts, solicited from survivors through a newspaper advertisement that Defoe placed shortly after the hurricane struck. Defoe is primarily known for his later fiction, loosely based on historical calamities, such as his Journal of the Plague Year (1722), and by fictionalized novels purporting to be first-person accounts, including Robinson Crusoe (1719) and Moll Flanders (1722). It can be argued that The Storm was the journalistic crucible in which the master realist Defoe forged his later novelistic artistry, with its penchant for "the telling detail." In fact, his fiction novel The Plague Year remains a required reading for journalism students to this day, side-by-side with the non-fiction account of The Storm.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Storm (1704) holds a special place in the writings of Daniel Defoe. Widely considered a founding document of modern journalism, The Storm narrates the calamitous events of November 1703 that are framed by the author in the first four chapters. These are followed by verbatim eyewitness accounts, solicited from survivors through a newspaper advertisement that Defoe placed shortly after the hurricane struck. Defoe is primarily known for his later fiction, loosely based on historical calamities, such as his Journal of the Plague Year (1722), and by fictionalized novels purporting to be first-person accounts, including Robinson Crusoe (1719) and Moll Flanders (1722). It can be argued that The Storm was the journalistic crucible in which the master realist Defoe forged his later novelistic artistry, with its penchant for "the telling detail." In fact, his fiction novel The Plague Year remains a required reading for journalism students to this day, side-by-side with the non-fiction account of The Storm.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Storm (1704) holds a special place in the writings of Daniel Defoe. Widely considered a founding document of modern journalism, The Storm narrates the calamitous events of November 1703 that are framed by the author in the first four chapters. These are followed by verbatim eyewitness accounts, solicited from survivors through a newspaper advertisement that Defoe placed shortly after the hurricane struck. Defoe is primarily known for his later fiction, loosely based on historical calamities, such as his Journal of the Plague Year (1722), and by fictionalized novels purporting to be first-person accounts, including Robinson Crusoe (1719) and Moll Flanders (1722). It can be argued that The Storm was the journalistic crucible in which the master realist Defoe forged his later novelistic artistry, with its penchant for "the telling detail." In fact, his fiction novel The Plague Year remains a required reading for journalism students to this day, side-by-side with the non-fiction account of The Storm.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Storm (1704) holds a special place in the writings of Daniel Defoe. Widely considered a founding document of modern journalism, The Storm narrates the calamitous events of November 1703 that are framed by the author in the first four chapters. These are followed by verbatim eyewitness accounts, solicited from survivors through a newspaper advertisement that Defoe placed shortly after the hurricane struck. Defoe is primarily known for his later fiction, loosely based on historical calamities, such as his Journal of the Plague Year (1722), and by fictionalized novels purporting to be first-person accounts, including Robinson Crusoe (1719) and Moll Flanders (1722). It can be argued that The Storm was the journalistic crucible in which the master realist Defoe forged his later novelistic artistry, with its penchant for "the telling detail." In fact, his fiction novel The Plague Year remains a required reading for journalism students to this day, side-by-side with the non-fiction account of The Storm.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy