The Jazz Real Book

Sam Sadigursky is widely recognized as one of the most talented clarinetists and reed doublers of his generation. He has released eleven acclaimed albums as a leader and appears on over sixty recordings as a sideman, including numerous Grammy-nominated and Grammy Award-winning projects. A member of the Philip Glass Ensemble, he has also toured and recorded with Brad Mehldau, David Byrne, Bruce Hornsby, Darcy James Argue’s Secret Society, the Mingus Orchestra, and U.S. Poet Laureate Robert Pinsky. From 2017 to 2019, Sadigursky was the onstage clarinetist in the Grammy, Tony, and Emmy Award-winning Broadway production of The Band’s Visit, and he has performed in over twenty other Broadway productions.Blending Jewish spiritual and Klezmer music with post-minimalist classical, jazz, and elements of American folk, Sadigursky and accordionist/multi-instrumentalist Nathan Koci recently released Volumes IV and V of The Solomon Diaries on Adhyaropa Records. This five-album series reflects on the Borscht Belt—the once-thriving Jewish resort region that helped shape 20th-century American culture—while also exploring contemporary experiences of immigration and Jewish identity.The Solomon Diaries Volume IV .https://open.spotify.com/album/6aueHALAzKJf0eDoo048ek?si=LVmkM3hhQiSBUJJBb1egAwThe Solomon Diaries Volume V https://open.spotify.com/album/6dkN03M2qai0xXNC38VTSa?si=bBjX0IVXQQyJO4J1hjKtVA

Enjoy this replay of a 2022 Ron Carter interview conducted for Jersey Jazz Magazine https://njjs.org/magazine/to celebrate the Maestro's 85th Birthday.View the Interview at https://youtu.be/suzcfI7VznI?si=1vRV-w6KCfuBTBGIRead the article at https://www.jaysweetmusic.com/blog

(70) “Contemplation” and Ron Carter Standard Rating 6  Difficulty Rating 6 Ron Carter, born in 1937, is one of the most influential jazz bassists in history, with a career spanning over six decades and more than 2,000 recordings. Originally a cellist from Detroit, Carter switched to bass at 14 and studied at the Eastman School of Music before becoming a staple of the New York jazz scene in the 1960s. His work with Miles Davis’ “Second Great Quintet” solidified his legacy, and he has since led numerous projects, including his Grammy-winning 2022 album Skyline. A dedicated educator at Juilliard since 2008, Carter remains a humble and passionate advocate for lifelong learning in music. “Contemplation,” from McCoy Tyner’s 1967 album The Real McCoy, features Carter’s signature bass work and showcases his subtlety and depth. The piece is a meditative 16-bar waltz in C minor, with a minimalist bass line built on just three notes—C, F, and G—creating a grounded, reflective mood. The melody, played by Joe Henderson, is sparse and introspective, while Tyner’s harmonic language offers modal richness and emotional depth. Carter’s solo is melodic and thoughtful, aligning with the tune’s mood. A 2003 reimagining on Land of Giants features Bobby Hutcherson on vibraphone, offering a fresh take on this timeless composition.McCoy Tyner-The Real McCoy McCoy Tyner -Land of Giant The Jazz Real Book

(69) “Confirmation” and Max Roach Standards Rating 8   Difficulty Rating 8Max Roach (1924–2007) was a pioneering jazz drummer and composer who played a key role in shaping modern jazz. Raised in Brooklyn and classically trained at the Manhattan School of Music, Roach rose to prominence at 18 when he filled in for Duke Ellington’s drummer. A central figure in the bebop movement, he collaborated with icons like Charlie Parker, Dizzy Gillespie, and Miles Davis, helping redefine the drummer’s role as a melodic and expressive force. Roach co-led a quintet with trumpeter Clifford Brown, merging bebop with gospel and blues to form hard bop. His 1960 work We Insist! Freedom Now Suite boldly addressed civil rights through music. In 1970, Roach continued innovating by founding M’Boom, a percussion ensemble exploring rhythmic textures. He also devoted himself to education and received many honors for his lasting contributions to jazz. Charlie Parker’s bebop standard “Confirmation” exemplifies the genre’s complexity, with rapid ii-V progressions and surprising resolutions in a 32-bar F major form. Charlie Parker Gillespie and Parker Spotify Playlist 

(S4 Ep18) The Real McCoy (Blue Note) October 1967, Recorded April 21, 1967 The Real McCoy (1967) is a landmark album by jazz pianist McCoy Tyner, marking his first solo release after leaving John Coltrane’s legendary quartet. With a stellar lineup featuring tenor saxophonist Joe Henderson, bassist Ron Carter, and drummer Elvin Jones, the album showcases Tyner's unique modal jazz style, blending African rhythmic influences and his signature wide interval voicings. The album’s compositions, all written by Tyner wrote, demonstrate his incredible range as a pianist and composer, with tracks like "Passion Dance" and "Contemplation" now regarded as jazz standards. The interplay between the musicians is dynamic, with Henderson's fluid solos, Carter's solid bass work, and Jones's explosive drumming providing a perfect backdrop for Tyner's improvisations. The album balances uptempo tracks, like "Four by Five," with slower, more meditative pieces, such as "Search for Peace," highlighting Tyner’s ability to navigate diverse moods and textures. The Real McCoy is widely praised for its deep emotional resonance and technical brilliance, solidifying McCoy Tyner as one of his generation's most influential jazz pianists.Signature Tracks: "Passion Dance", "Contemplation", "Four By Five" Full Album YouTube Spotify  Playlist     YouTube  Spotify 

(68) “Conception” and George Shearing Standards Rating 5   Difficulty Rating 9 George Shearing, a blind British jazz pianist and composer, is celebrated for his significant contributions to jazz, particularly his distinctive harmonic style. Born in 1919 in London, Shearing's musical journey began early, despite his blindness, and his exceptional talents led him to international acclaim. In the 1940s, he moved to the United States, where his work, including the creation of the George Shearing Quintet, solidified his place in jazz history. His compositions, including "Lullaby of Birdland" and "Conception," are revered for their complex harmonies and innovative structures.  "Conception," composed in 1949, exemplifies Shearing's bebop influence and harmonic creativity. This challenging 44-bar composition is notorious for its intricate melodies filled with accidentals, fast chromatic movements, and frequent key shifts. Set in the difficult key of Db, it presents a formidable challenge for any jazz musician. The tune's harmony is dense, and the melody is note-heavy, making it one of the hardest melodies in the Real Book. George Shearing Miles Davis Spotify Playlist 

Endea Owens is a jazz talent known for her unique bass playing, compositions, and dynamic performances. She has gained widespread recognition as a member of The Late Show with Stephen Colbert band, where her versatile bass playing has captivated a broad television audience. Her 2023 debut album, Feel Good Music, blends intricate arrangements with an accessible, feel-good vibe, appealing to casual listeners and jazz critics.Owens' roots in Detroit and her diverse musical background inform her distinct style, which blends jazz with other genres like house music and soul. She has collaborated with major artists such as Jon Batiste and Juicy J, and her work with Batiste’s band earned her Grammy recognition. Beyond her musical success, Owens is also committed to philanthropy. In 2020, she founded the Community Cookout project, which provides meals and connects with underprivileged communities.

(67) “Con Alma” and Dizzy Gillespie Standing Rating 6 Difficulty Rating 8Dizzy Gillespie, a pioneering figure in bebop, blended technical mastery with a unique style, making significant contributions to jazz, particularly through his compositions like “Con Alma.” This 1954 tune, from his Afro album, merges bebop’s harmonic complexity with Latin rhythms, showcasing Gillespie’s innovative approach to jazz. The song features frequent key changes and a rhythmic pulse that challenges even seasoned musicians. “Con Alma” reflects Gillespie's deep engagement with Afro-Cuban music, a style he helped popularize within jazz.  Gillespie’s solo, full of grace and improvisational freedom, highlights his ability to navigate both complex harmonic changes and emotional depth. Gillespie’s commitment to jazz evolution is evident in his technical prowess and ability to seamlessly integrate Latin elements into the bebop genre. “Con Alma” remains one of his signature pieces, representing the sophisticated interplay of harmonic innovation and cultural fusion that defined his groundbreaking career.Dizzy Gillespie Oscar Peterson TrioSpotify Playlist 

(66) “Como en Vietnam" and Gary Burton Standards Rating 2 Difficulty Rating 6 Gary Burton, a pioneering jazz vibraphonist, is celebrated for his groundbreaking four-mallet grip, which revolutionized vibraphone technique and became a standard in modern jazz. His career began at a young age, self-teaching on marimba and vibraphone, and studying at Berklee College of Music. Burton's early work with Stan Getz and his formation of the Gary Burton Quartet in the late 1960s set the stage for his influence in jazz fusion. His collaborations with musicians like Chick Corea, Pat Metheny, and Herbie Hancock solidified his status as a jazz icon. Burton also had a significant role as an educator at Berklee College of Music, where he taught for over three decades."Como En Vietnam," composed by Steve Swallow, comes from the album Gary Burton and Keith Jarrett  and features a latin feel, and an early jazz fusion feel. While not a particularly popular tune it is well constructed with a unique harmonic landscape. Gary Burton and Keith Jarrett Thomas ClausenSpotify Playlist 

(65) “Come Sunday” and Johnny HodgesStandards Rating 7 Difficulty Rating 3 Johnny "Rabbit" Hodges was a master of the alto saxophone, renowned for his expressive solos and smooth, emotive tone. A central figure in Duke Ellington's Orchestra, Hodges was instrumental in shaping the "Ellington sound," with memorable contributions to ballads and blues, such as his work on "Prelude to a Kiss" and "I Got it Bad and That Ain't Good." While often overshadowed by Ellington's legacy, Hodges' influence on future alto saxophonists, including Charlie Parker, is undeniable. "Come Sunday," a ballad composed by Duke Ellington, is a perfect showcase for Hodges' delicate phrasing and vibrato. The song’s straightforward melody, rich with emotional depth, allows Hodges to express the soulful quality that defined his playing. His ability to convey feeling through subtle nuances in tone and phrasing is exemplified in his rendition of "Come Sunday," a beautiful moment within the larger context of Ellington's visionary work.Duke EllingtonEric Dolphy Spotify Playlist