Afropop Worldwide

APWW #794 We’re hopeless at making Top-10 lists--or even top-40s—so you’ll have to settle for this: a whole hour of some of our favorite tunes of 2018. Casting the net deep and wide, Banning and Georges spin new records by our old favorites, the freshest cuts from new artists and reissues that have gone unheard for years. If you’re looking for gifts for the African-music lover in your life—even if that’s you!—you’ll find something to love here. From Parisian Afro-trap to Angelique Kidjo’s reimagined Talking Heads record, from buzzing Saharan blues to swaying Cape Verdean song, 2018 is leaving us richer in music. Produced by Banning Eyre

We just wrapped up our third season of our podcast series Afropop Closeups, and it may have been the best season yet. Afropop producers traveled from watching reggae artists in chilly Berlin to Thomas Mapfumo’s triumphant return concert in Harare, Zimbabwe. They witnessed how digital technology is changing carnival in Haiti and how--for centuries--the cutting edge in long-distance communication was Asante drumming in what is now Ghana. For this week’s program, we picked three shows from season 3 that will give you a taste of what an Afropop Closeup is all about. From an interview with the pioneering Caribbean feminist Calypso Rose, to the homegrown music scene African immigrants are creating outside Lisbon, to the story of a mysterious kidnapping of a musical legend--pull back the curtain and see the stories behind the music and see them close up. Produced by Dan Rosenberg, Morgan Greenstreet and Sebastian Bouknight.

712 Sounds Like Brooklyn At Afropop, we have gone far and wide, from Brazil to England to Madagascar to Egypt, tracking down incredible music to bring back home to our headquarters in Brooklyn. For this program, "Sounds Like Brooklyn," we stay closer to home, tracing a hidden music economy of CD vendors in bodegas, copy shops and food markets around the five New York boroughs. Accompanying us on our travels is poet and "Bodega Pop" WFMU radio host Gary Sullivan. Along the way, we check out a Caribbean gospel rap performance in Bed-Stuy's Restoration Plaza, dust off some cassettes at VP Records in Jamaica, and chat with DJ Wow at his African CD store in Harlem. New York is a city of immigrants and we salute the creativity they bring with them from all corners of the world! Produced by Jesse Brent.

New Orleans, Louisiana is home to some of America's greatest musical traditions, and plays an outsized influence on the evolution of everything from jazz through to r&b, rock and funk. Today, the city is still legendary for its second line brass bands and brightly costumed Mardi Gras Indians. But if you've rolled through New Orleans on pretty much any night in the last 30 years, you've probably heard another sound—the clattering, booming, hip-shaking, chant-heavy roll of bounce, a form of hip-hop music, dance and culture unique to the Crescent City. Pulling from the national mainstream but remaking it the way that only New Orleans can, bounce has become a sonic touchstone for an entire generation of residents. For this Hip Deep edition, Afropop digs into the close-knit scene, talking to dancers, producers, MCs, and managers from over 30 years of bounce, all to explore the beat that drives New Orleans—and to find out what it means to the people who bring it to life. Produced by Sam Backer and Jessi Olsen.

As Afropop Worldwide marks the week of its 30th anniversary on the public airwaves, we take a look at the story that led up to the program’s creation. We hear excerpts from the podcast A Show of Hearts profiling the program’s founders Sean Barlow and Banning Eyre. And host Georges Collinet recalls his audition for the job that has shaped three decades of his storied life. And of course, we will hear highlights from the music that has made Afropop Worldwide one of the longest running music programs in public radio history.

Fela Anikulapo-Kuti would be 79 years old this month, had he not died from complications of AIDS in 1997. By the time of his death, Fela was the inventor of the enduring and influential Afrobeat music style, the composer of an enormous body of music, and one of the bravest political voices in 20th century African music. It is fair to say that no African musician before or since has sacrificed more for the principles he believed in. Nigerian history and music have barreled forth during the two decades since Fela left us. A powerful new generation of Nigerian musicians have emerged in that time, and the music they now champion has been dubbed “Afrobeats,” an appropriation of the name Fela gave his original sound during its heyday. The youngest artists on the scene today have no direct memory of Fela, though his legacy is impossible to escape. In this program, we hear from current day Nigerians from multiple generations and genres—fuji, juju, hip-hop (Afrobeats) and highlife—on how they remember this musical giant, and how they reckon with his complex and challenging legacy. Produced by Banning Eyre and Morgan Greenstreet. Hosted by Sahr Ngaujah. APWW #764

Gael Faye is a musician and best-selling author, born in Burundi and living in France. In this podcast, Elodie Maillot introduces Faye’s music and breakthrough book Petit Pays (Small Country). Faye speaks about his precarious life as an exile, and about the growing community of Afropean artists in France. Faye now spends a lot of time in Rwanda, and reports on the growing impact of diaspora artists like himself, Congolese rapper Baloji and the Belgian-Rwandan singer Stromae and others are having in Africa, where they now mount major tours. Maillot updates the story of Africa’s artistic European diaspora with surprising and moving developments. Produced by Elodie Maillot and Nina Pareja

Matanzas, Cuba has long been regarded as the source (la fuente) of many rich Afro-Cuban folkloric traditions. These ceremonial and secular Afro-Cuban musics are, for the most part, alive and well, and being documented for the first time by Matanceros themselves, rather than exclusively by Havana-based or non-Cuban imprints. The Matanzas record label and artist collective, Sendero Music/El Almacén, faces several challenges: oversight from the state, limited access to resources, curating which groups to record while paradoxically convincing the folkloric community of the value of their endeavors, and the conundrum of establishing meaningful connections outside of Cuba to disseminate the city’s music to the world. Produced by Harris Eisenstadt.

Jazz legend, Randy Weston left us on September 1, 2018. He more than any contemporary jazz artist understood, honored and explored the roots of American music in Africa. He lived there, traveled there often, and spoke of his connections to his African ancestors in every interview during his 92 years. In this program, we revisit our musical conversation with Weston in 1998, and sample some of his late solo piano recordings. [APWW #789]

In 2008, before Sudan became two separate countries, Afropop explored the country’s troubled history through music. After all, Sudan was once a musical powerhouse in East Africa, producing richly swinging orchestral pop. In recent years, much has changed. Sudan is now two countries, still troubled, but still inheritors of great musical traditions. In this program we revisit and update Sudan’s musical history, including recently released gems from a remarkable musical past, and new sounds from the Sudanese diaspora. [APWW #788]