Afropop Worldwide

Known by names like krar, kisara, tambur, simsimiyya and masinkob, the lyres of East Africa represent some of the world’s oldest string instruments. The Otaak Band is dedicated to uplifting and advancing these traditions. Otaak founder Miguel Merino tells the story with audio from his work in Egypt during the pandemic. Produced by Miguel Merino. Afropop Closeup Season Six.

When it comes to popular music, it's hard to top Brazil for variety, excellence and sheer volume. On this program, Georges Collinet welcomes co-host Béco Dranoff in Brazil. Béco is a producer, broadcaster and lifelong connoisseur of Brazilian music. He recently returned to Sao Paulo after some three decades in New York City. He takes us on a whirlwind tour of music produced during the pandemic, from funk to hip-hop, to mangue beat and cool singer-songwriters, it's a feast of new talent for Brazilian music fans everywhere. Produced by Sean Barlow and Beco Dranoff. APWW #838

It’s a truism that jazz has roots in Africa, but compared with other forms of Black American music, it doesn’t have a large audience there. Just the same, African musicians have long been smitten with jazz, and have always found inventive ways to incorporate jazz elements into their sounds. On this program we meet young artists forging new paths in Afro-Jazz: Etuk Ubong from Nigeria, Awale Jant Band from Senegal by way of London, Afrikan Protokol form Burkina Faso by way of Belgium. It’s a freewheeling musical joyride. Produced by Banning Eyre. [APWW #827]

Producer Matthew Key—AKA DJ M-Point goes deep with a rising South African artist/producer on the evolution of kwaito and hip-hop in one of Africa’s most exciting contemporary music scenes. Afropop Closeup Season Six

The dembow, the beat behind reggaetón, is much more than just a backdrop for a night of partying and dancing. The style of music, widely associated with Puerto Rico and forged from a mixture of Jamaican dancehall, Panamanian reggae en español, and American hip hop, has always existed as a form of social and political resistance, and continues to do so in 2020. And as such, it has endured constant attempts to criminalize, censor, and police both the music and those who consume it, from the early tape-confiscations by Puerto Rican law enforcement in the 1990s underground scene to the present day, arguing its hypersexual content. In this episode we speak with Latin and Caribbean music scholars and social workers to break down the racist and sexist undertones of the genre's constant policing, as well as examples of songs by artists such as Tego Calderón and Ivy Queen, that counter these assumptions. We also take a couple of detours to explore how this music, and these criticisms, manifest in the Dominican Republic and Cuba. Produced by Luis López. APWW #824

Belo Horizonte is Brazil’s sixth largest city and including its surrounding districts, the country’s third largest metropolitan area. The capital of Minas Gerais, a state built on mining, dairy products and coffee production, Belo Horizonte is often seen as a parochial, conservative backwater, yet its thriving alternative arts scene provides robust forms of musical and cultural resistance to the exclusionary policies of reactionary president, Jair Bolsonaro, especially through local variants of hip-hop and reggae. Produced in Belo Horizonte by David Katz, this program explores the intricacies of the city’s homegrown resistance movements, based in squatted buildings and public spaces in the city center and peripheral favelas on the outskirts. It reveals the surprising complexities of the renowned Belo Horizonte rap scene, which is intricately linked to improv theatre and urban poetry movements, with a revived Carnival culture, African-Brazilian Candomblé and baile funk all part of the local form’s very distinctive musical backdrop; the smaller reggae scene also addresses issues such as social exclusion, income disparity, racial bias, gender discrimination, transphobia and environmental crises. In the show, we’ll hear from rappers such as Roger Deff, Samora Nzinga and the leftfield duo of Hot e Oreia, as well as Leo Vidigal of the Deska Reggae sound system and Zaika dos Santos of Salto, the city’s first female-run sound; Tiago Lopes of the Rastafari collective Roots Ativa and former rapper Kdu dos Anjos and guide us through the permaculture and upcycled fashion projects they have established in the massive favela complex of Aglomerada da Serra, providing employment and social integration to some of the city’s most disenfranchised residents. Produced by Matt Katz in 2020 APWW #812

Prior to the pandemic, London’s jazz scene was blooming and gaining a worldwide reputation for innovation. The folks at Jazz Refreshed had everything to do with that. Jazz singer and producer Tess Hirst tells the story. Afropop Closeup Season 6

Live from the Archive When Afropop Worldwide launched back in 1988, a key goal was to capture the live energy of incredible artists emerging from Africa, the Caribbean and beyond. Most of those recordings were preserved on reel-to-reel tapes. The coronavirus lockdown has given us a chance to start revisiting and preserving. And we have been amazed to rediscover the energy of that thrilling era. On this music-rich program, we hear live music from Congo’s Papa Wemba, South African township heroes Mahlathini and the Mahotella Queens, a queen of Algerian rai music Chaba Fadela, Martinique zouk stars Marce and Tumpac and more. It’s a riveting blast from the past! Produced by Banning Eyre. APWW #819

Pat and Vincent Chin founded VP Records, one of the world’s biggest and most consequential reggae record labels. At 80, Miss Pat looks back on a legendary life. This Afropop Closeup Season 6 premiere is hosted by Banning Eyre.

Known as Australia’s music and cultural capital, Melbourne is a hub of creativity boasting a diverse arts scene. The African community in Melbourne has been growing with Africans from all parts of the continent bringing their fashion, food and music to the city. In this episode we’ll explore African musicians and music curators who are making their mark in Melbourne. Expect to hear a blend of traditional African instruments by the Melbourne African Traditional Ensemble (MATE); funky jazz fusion by Black Jesus Experience; South-Sudanese modern rock by Ajak Kwai, and hip-hop from IJALE and Sampa the Great. We’ll also meet the presenter of the longest running African radio program in Australia, Stani Goma. Guiding us through our journey of Melbourne’s African music scene will be DJ Kix, bringing to light some of the nuances of migration, identity and life in Melbourne. Produced by DJ Kix APWW # 836