Songwriters on Process

Sabrina Teitelbaum (aka Blondshell) wants more joy in her songs. But that can be a problem because happiness is not a productive state for her songwriting process.  "When I'm happy, I don't feel the need to write as much," she told me. No matter her emotional state, though, the key Teitelbaum's fruitful songwriting process is not making it look too much like a process. The more precious she makes the process, the harder it can be to write. "Normalizing it makes me more productive," she says. For example, Teitelbaum often finds herself inspired at inopportune times, like when she's rushing to get somewhere. Yet some awareness of what works is important too, which is why I love the perfect balance in her credo: "Know your process but respect the mystery."Blondshell's self-titled debut album is out now on Partisan Records.  It's really, really good. 

At some point in my interview with Jerry Harrison, guitarist and keyboardist for Talking Heads, I asked him to respond to a quote by the iconic Beat poet Allen Ginsberg. Harrison told me that Ginsberg was a friend. And that is why he is Jerry Harrison. Talking Heads are one of the most influential acts of the past 50 years. Call it new wave, art pop, post punk, whatever: any act with that label can at least partially thank Talking Heads. This conversation centers not just on the writing process--Harrison loves felt tip pens because of the "scraping feeling," by the way--but on literature. We talked extensively about prose and poetry, which should tell you something. Great musical artists are voracious readers.  As for the writing ritual, Harrison said, "The rituals are a way for our minds to accept that we're writing. They create signals of positive reinforcement as a way of saying, 'There are no excuses since I'm in my writing space.'"Talking Heads' Stop Making Sense  is considered one of the greatest concert films, and in September it's being re-released in 4k. The band will reunite for the first time in 21 years for a Q&A with Spike Lee at the Toronto International Film Festival on September 11.ED NOTE: yes, it's "Talking Heads," not "The Talking Heads."

Jenny Owen Youngs had me at "Shitty First Drafts." This is the Anne Lamott essay espousing the idea that the first draft of anything is supposed to be atrocious. Just get it down, dammit. "Almost all good writing begins with terrible first efforts," Lamott writes. The polish comes later. I always assigned this essay to my students when I was a professor. The challenge comes when you're a parent, as Youngs is. (We have four kids,  so I know the feeling.) How do you even find the time to create multiple drafts and feel like you're not wasting your time by intentionally writing a terrible one? As you'll hear, the shitty first draft method is not only a more efficient process, but when your time is no longer your own, you become a much more efficient writer. So a win all around. Youngs's new album Avalanche is fantastic and is out September 22 on Yep Roc Records. 

ED note: I mispronounced Cosentino’s name in the podcast intro: the first “o” should be long (as in snow), but I used a short “o” (as in top). I’m sorry Bethany!If you have plans to meet Bethany Cosentino and she’s late, look outside. There’s a good chance she’s there writing. Cosentino loves to write in her car—when it’s not moving, of course. She gets great ideas just sitting in it.  “I’ll be late to things because I’ve been sitting in my car for too long. I’ll get there early or on time and then just sit there,” she told me on this episode of the podcast.This is my third time interviewing Cosentino (the others were 2010 and 2015). Each has been so enjoyable because her answers were always different and always so expansive. There’s a reason for that: each album embraces a different process.  Cosentino wrote one in front of a TV on mute and another in front of a big window. She wrote a good chunk of her debut solo album Natural Disaster on the floor.

John McCauley and Ian O’Neil of Deer Tick stop by talk about what makes for an effective songwriting process. In no particular order: laundry rooms, a kitchen, a nice rug, running shoes, recumbent bikes, Raymond Carver, and turn signals. Deer Tick’s latest album is Emotional Contracts, out now on ATO Records.

Academy Award nominee Emile Mosseri stops by the podcast to talk about the challenges that come with writing a solo album when all you’ve known is collaboration (his time in The Dig) and film & television composing (like his film score for Minari , for which he received a 2021 Academy Award nomination for Best Original Score). We talk about why he likes to write when he’s not supposed to be writing, why having a child is often good for his process, and why social media is never good  for it. Mosseri’s debut solo album Heaven Hunters is out now on Greedy Heart Records.

Josh Ritter stops by Songwriters on Process to declare that while we like to think he writes with a quill pen, he actually writes almost all of his lyrics on his phone. That's a first: many songwriters tell me they write on a computer, but Ritter eschews even that because he prefers the spontaneity that his phone provides.Ritter's latest album is Spectral Lines, out now. 

"I'm pretty much always thinking about lyrics every day of my life." That quote represents the energy that Jess Williamson brings to this episode of the podcast. Her level of introspection and enthusiasm made this conversation so much fun.But what happens when you're always thinking about songwriting and you can't write a song? Williamson discusses the anxiety she felt during a year-long songwriting draught that lasted for all of 2022 and even into 2023. It eventually broke one day when she "threw the capo on the sixth fret, started playing some chords, and that was it."Williamson's new album is called Time Ain't Accidental, out June 9 on Mexican Summer Records. In 2022, Williamson and Katie Crutchfield of Waxahatchee  formed Plains and put out their debut album I Walked With You a Ways.  

"We don't write on lined paper. That's a big no-no." This episode with Etta Friedman and Allegra Weingarten of Momma goes deep. We dig into the whys of the writing process, not just the hows.  We also discuss, for example, why mundane activities are never good for their creative process--a pretty unique answer among the songwriters I've interviewed. Most tell me that walking stimulates the writing process, but not these two: they use mundane activities like walking as a means to escape, not to create. I LOVE this band. Love them. Their 2022 album Household Name was one of my favorites of 2022 and heck even 2023. I am a huge fan, so this conversation was a blast. 

"A washing machine with a clumpy pair of shoes can be a beautiful thing."Legendary drummer Dave Lombardo, a founding member of Slayer, finds beauty in the mundane. And also in the annoying: "Even the rhythm of a jackhammer and the bumps in a road can be inspiring," he says in the latest Songwriters on Process podcast. Lombardo's debut solo album Rites of Percussion (Ipecac Recordings) is an instrumental effort consisting entirely of percussive instruments. What kind? Here's the list: two drum sets (single and double bass kits), a large concert bass drum, a timpani, a grand piano, and a flock of shakers, maracas, Chinese and symphonic gongs, Native American drums, congas, timbales, bongos, batás, wood blocks, djembes, ibos, darbukas, octobans, cajóns, and cymbals.