New Books in Russian and Eurasian Studies

Tetyana Lokot's new book Beyond the Protest Square: Digital Media and Augmented Dissent (Rowman & Littlefield, 2021) examines how citizens use digital social media to engage in public discontent and offers a critical examination of the hybrid reality of protest where bodies, spaces and technologies resonate. It argues that the augmented reality of protest goes beyond the bodies, the tents, and the cobblestones in the protest square, incorporating live streams, different time zones, encrypted conversations, and simultaneous translation of protest updates into different languages. Based on more than 60 interviews with protest participants and ethnographic analysis of online content in Ukraine and Russia, it examines how citizens in countries with limited media freedom and corrupt authorities perceive the affordances of digital media for protest and how these enable or limit protest action. The book provides a nuanced contribution to debates about the role of digital media in contentious politics and protest events, both in Eastern Europe and beyond.Tanya (Tetyana) Lokot is Associate Professor in Digital Media and Society at the School of Communications, Dublin City University.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Between the world wars, a generation of Jewish leftist poets reached out to other embattled peoples of the earth--Palestinian Arabs, African Americans, Spanish Republicans--in Yiddish verse. Songs in Dark Times examines the richly layered meanings of this project, grounded in Jewish collective trauma but embracing a global community of the oppressed.The long 1930s, Amelia M. Glaser proposes, gave rise to a genre of internationalist modernism in which tropes of national collective memory were rewritten as the shared experiences of many national groups. The utopian Jews of Songs in Dark Times: Yiddish Poetry of Struggle from Scottsboro to Palestine (Harvard UP, 2020) effectively globalized the pogroms in a bold and sometimes fraught literary move that asserted continuity with anti-Arab violence and black lynching. As communists and fellow travelers, the writers also sought to integrate particular experiences of suffering into a borderless narrative of class struggle. Glaser resurrects their poems from the pages of forgotten Yiddish communist periodicals, particularly the New York-based Morgn Frayhayt (Morning Freedom) and the Soviet literary journal Royte Velt (Red World). Alongside compelling analysis, Glaser includes her own translations of ten poems previously unavailable in English, including Malka Lee's "God's Black Lamb," Moyshe Nadir's "Closer," and Esther Shumiatsher's "At the Border of China."These poets dreamed of a moment when "we" could mean "we workers" rather than "we Jews." Songs in Dark Times takes on the beauty and difficulty of that dream, in the minds of Yiddish writers who sought to heal the world by translating pain.Amelia Glaser is Associate Professor of Russian and Comparative Literature at the University of California, San Diego, where she also directs the Russian, East European, and Eurasian Studies, and Jewish Studies, programs.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Often referred to as “the Russian Leonardo”, religious philosopher and Orthodox parish priest Pavel Florensky was a pivotal figure in the Russian religious renaissance at the turn of the 20th century. In Visual Thought in Russian Religious Philosophy: Pavel Florensky's Theory of the Icon (Routledge 2019), art historian Clemena Antonova (Research Director at Eurasia in Global Dialogue, Institute for Human Sciences in Vienna) challenges prevailing readings of Florensky’s oeuvre, presents an analysis of the thinker’s theory of pictorial space in the icon, and argues for the relevance of his thought to contemporary debates on religion and secularism. In this interview we discuss the religious and pictorial turn in contemporary modernity, the clash between Russian Orthodox clergy and theologians and religious philosophers in the early 20th century, the influence of St. Gregory Palamas on Florensky and his contemporaries, the Slavophile roots and fin-de-siecle manifestations of the theory of full unity, the limits of Florensky’s work in art history, and the challenges that contemporary scholars of Russian religious thought encounter when confronting its problematic aspects. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Marko Dumancic's book Men Out of Focus: The Soviet Masculinity Crisis in the Long Sixties (University of Toronto Press, 2021) charts conversations and polemics about masculinity in Soviet cinema and popular media during the liberal period - often described as "The Thaw" - between the death of Stalin in 1953 and the invasion of Czechoslovakia in 1968. The book shows how the filmmakers of the long 1960s built stories around male protagonists who felt disoriented by a world that was becoming increasingly suburbanized, rebellious, consumerist, household-oriented, and scientifically complex. The dramatic tension of 1960s cinema revolved around the male protagonists' inability to navigate the challenges of postwar life.Selling over three billion tickets annually, the Soviet film industry became a fault line of postwar cultural contestation. By examining both the discussions surrounding the period's most controversial movies as well as the cultural context in which these debates happened, the book captures the official and popular reactions to the dizzying transformations of Soviet society after Stalin.Jill Massino is a scholar of modern Eastern Europe with a focus on Romania, gender, and everyday life. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Conflicting notions about the dynamics of race in Russia and the Soviet Union have made it difficult for both scholars and other observers of the region to understand rising racial tension in Russian and Eurasian societies. Ideologies of Race: Imperial Russia and the Soviet Union in a Global Context (McGill-Queen's University Press, 2019) is an interdisciplinary anthology that brings together historians, literary scholars, and anthropologists of Russia, the Soviet Union, Western Europe, the United States, the Caribbean, and Latin America to examine the intersection between ideas about race and racializing practices. In this interview, editor David Rainbow (University of Houston) discusses Russian and Soviet ideologies in a global history of race, defining the evolving understanding of race vis-à-vis nationality and ethnicity in Russia, accounting for state sanctioned racist practice in the ostensibly antiracist Soviet state, the legacy of Alexander Pushkin, the consequences of a prevailing attachment to Russian exceptionalism in the study of race, challenges for North American scholars studying the subject, and key takeaways for the undergraduate classroom.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

In Migration and Hybrid Political Regimes: Navigating the Legal Landscape in Russia (University of California Press, 2020), Dr. Rustam Urinboyev presents rich ethnographic material to reconceptualize how migrants adapt to new legal environment in hybrid political regimes that are neither democratic nor conventionally authoritarian. Focused on Uzbek labor migrants from the Fergana Valley in Uzbekistan, Urinboyev’s book makes an important contribution to the literature on migration studies, socio-legal scholarship and Russian and Central Asian Studies by ethnographically demonstrating how Uzbek migrants negotiate the Russia’s immigration legal regime by relying on various informal and illegal practices that offer alternative means of adaptation under the conditions of shadow economy. Placing emphasis on the agency of Uzbek labor migrants, Urinboyev shows how they use informal channels to secure employment, wages, and other forms of protection despite the difficulty of operating within the official legal framework. Accessible to a wide audience, the book will be of interest to policy makers, scholars, students, and anyone else interested in contemporary global migration, Central Asia, and Russia. The book was published open-access and can be found here.Nicholas Seay is a PhD student at Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Stella Ghervas's Conquering Peace: From the Enlightenment to the European Union (Harvard University Press, 2021) is a bold new look at war and diplomacy in Europe that traces the idea of a unified continent in attempts since the eighteenth century to engineer lasting peace.Political peace in Europe has historically been elusive and ephemeral. Stella Ghervas shows that since the eighteenth century, European thinkers and leaders in pursuit of lasting peace fostered the idea of European unification.Bridging intellectual and political history, Ghervas draws on the work of philosophers from Abbé de Saint-Pierre, who wrote an early eighteenth-century plan for perpetual peace, to Rousseau and Kant, as well as statesmen such as Tsar Alexander I, Woodrow Wilson, Winston Churchill, Robert Schuman, and Mikhail Gorbachev. She locates five major conflicts since 1700 that spurred such visionaries to promote systems of peace in Europe: the War of the Spanish Succession, the Napoleonic Wars, World War I, World War II, and the Cold War. Each moment generated a "spirit" of peace among monarchs, diplomats, democratic leaders, and ordinary citizens. The engineers of peace progressively constructed mechanisms and institutions designed to prevent future wars.Arguing for continuities from the ideals of the Enlightenment, through the nineteenth-century Concert of Nations, to the institutions of the European Union and beyond, Conquering Peace illustrates how peace as a value shaped the idea of a unified Europe long before the EU came into being. Today the EU is widely criticized as an obstacle to sovereignty and for its democratic deficit. Seen in the long-range perspective of the history of peacemaking, however, this European society of states emerges as something else entirely: a step in the quest for a less violent world.Stella Ghervas is Professor of Russian History at Newcastle University (UK) and a Fellow of the Royal Historical Society. She is also an Associate of the History Department at Harvard University and Visiting Professor at Harvard Summer School since 2015. Her main interests are in intellectual and international history of modern Europe, with special reference to the history of peace and peace-making, and in Russia’s intellectual and maritime history.She is the author of Alexandre Stourdza (1791-1854): Un intellectuel orthodoxe face à l’Occident (1999), Réinventer la tradition: Alexandre Stourdza et l’Europe de la Sainte-Alliance (which won several book prizes, including the Guizot Prize from the Académie Française, 2008) and Conquering Peace: From the Enlightenment to the European Union (2021), and the editor of Penser l’Europe – Quarante ans d’études européennes à Genève (2003), Lieux d’Europe: Mythes et limites (2008) and A Cultural History of Peace in the Age of Enlightenment (Bloomsburg, with David Armitage, 2020).Her website is at https://www.ghervas.net/ and you can follow her on Twitter @StellaGhervasSteven Seegel, Professor of History, University of Northern ColoradoMaphead, Founding Board @H__Ukraine, Borderologist, Translator for the US Holocaust Memorial Museum, Podcast Host, Proud Slow Runner, Dog Valet Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Dr. Carol Any’s The Soviet Writer’s Union and Its Leaders: Identity and Authority Under Stalin (Northwestern University Press, 2020) covers the writer’s union’s formation and functions, from its inception in 1932 to the aftermath of de-Stalinization. This coverage is placed in context of the pre-1932 Association of Proletarian Writers, and so the book provides a useful interpretation of Soviet writers’ interrelationships as well as their relationship with the state, for much of the Soviet era. Particularly interesting is how Any analyzes the psychological universe Soviet writers inhabited. Many writers wrote what they were supposed to; some resisted doing so. But either way, the state was largely successful at controlling the intellectual terms of engagement for Soviet writers in its official union.Aaron Weinacht is Professor of History at the University of Montana Western, in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

The Ukrainian literary scene today is particularly vibrant. The voice of Serhiy Zhadan is distinct, well-known, and easily-recognizable. In 2021, Yale University Press published his novel titled The Orphanage (Yale UP, 2021), which originally appeared in 2017. In this interview, translators Reilly Costigan-Humes and Isaac Stackhouse Wheeler talk about their team work on the novel translation into English. This is not their first translation of Zhadan’s works: Voroshilovgrad in their translation was published a few years ago. When answering the question about why they chose The Orphanage as their translation project, Reilly Costigan-Humes and Isaac Stackhouse Wheeler mentioned that they wanted to make this novel available to Anglophone readers. They find it transformative, as such that can change the way we look at life. Reilly Costigan-Humes and Isaac Stackhouse Wheeler share their reading of the novel while drawing attention to the episodes that they found compelling. They also comment on the language of Serhiy Zhadan and how they tried to render the most essential linguistic nuances so that the English version of the text had a similar impact on readers as the original on those who read in Ukrainian. The Orphanage is a commentary on the current Russo-Ukrainian conflict but the events that are depicted in the novel seem to take place outside of some specifically marked location: these are, however, easily recognized by everyone who is displaced—physically or imaginatively—by the current war. This simultaneous sense of both everywhere and nowhere enables an insight into a war beyond the limits of states and nations. As Reilly Costigan-Humes and Isaac Stackhouse Wheeler point out, a humane dimension is the center of Zhadan’s The Orphanage.Nataliya Shpylova-Saeed is a PhD student in the Department of Slavic and East European Languages and Cultures. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

The Volga begins as a small trickle in the Valdai Hills in the north of Russia, and broadens and expands as it heads south, past the storied medieval cities of Tver, Kostroma, and the great trading hub of the nineteenth century, Nizhniy Novgorod, down to Kazan, the capital of Muslim Tatarstan, then Ulyanovsk, the birthplace of Vladimir Lenin, on to Samara, site of the great peasant revolts led by Stenka Razin and Yemelyan Pugachyov. From there, the river flows down to Volgograd, better known as Stalingrad, where the Red Army pushed back the seemingly unstoppable Nazi offensive during World War II, and finally down to Astrakhan, where the Mongol invaders kept their court until Ivan the Terrible conquered the city in 1556. Then, finally, the mighty river empties into the Caspian Sea. So much of Russian history has played out on the banks of this mighty river.The Volga cleaves European Russia from north to south and divides it from east to west, and for centuries, the mighty Volga has challenged and inspired Russians in their quest for expansion, modernization, and self-identification. The river and its role in Russian history is the subject of a new book by Professor Janet Hartley, Emeritus Professor of International History at the London School of Economics: “The Volga: A History of Russia’s Greatest River” (Yale University Press, 2021).The Volga: A History of Russia’s Greatest River (Yale UP, 2021) examines the role of the river in Russia’s development as a political and economic power, but also the river’s enormous impact on Russian culture and national identity. Though the structure of the book is chronological, Hartley brings in the major events of Russian history as convenient mile markers, but it is the compelling narrative of social history which pulls us into the slipstream of the book.Several through lines emerge in Hartley’s account of “Mother Volga.” The river divides Russia from East to West, and often this division plays out in stories of contrasts: Muslim versus Christian, outlaws versus the state, pirates versus traders, and invading armies pitted against each other. But the river also unites Russia along the North/South axis, acting as a conduit for trade, culture, and political ideas.As Russians struggled through the centuries with their national identity, the Volga offered a potent symbol and cultural touchstone, which was amplified in poetry, painting, song, and later famously in sculpture. Though the river is most commonly evoked as a “mother” figure, Hartley points out that throughout Russian history rulers have often sought to “tame” the Volga: Ivan the Terrible famously had the river whipped, and contemporary poets portrayed the river as a supplicant to Catherine II as she expanded the borders of the Russian empire. Hartley also takes us inside twentieth-century attempts to tame the Volga, which have resulted in lasting environmental harm to the life-giving river, and leaves us hopeful that the generation now coming of age will take on the challenge of redressing this damage.Janet Hartley is Professor Emeritus of International History at the London School of Economics and Political Science, where she worked for over 30 years. Jennifer Eremeeva is an American expatriate writer who writes about travel, culture, cuisine and culinary history, Russian history, and Royal History, with bylines in Reuters, Fodor's, USTOA, LitHub, The Moscow Times, and Russian Life. She is the award-winning author of Lenin Lives Next Door: Marriage, Martinis, and Mayhem in Moscow and Have Personality Disorder, Will Rule Russia: A Pocket Guide to Russian History. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies