Off Panel: A Comics Interview Podcast

In this week's episode of Off Panel, writer Vita Ayala joins the show to talk about their work. Ayala discusses old video game loves, their gateway characters, the power of spinner racks, the importance of representation, bringing your worldview into your work, The Wilds, Emily Pearson's art, adding depth to reads, working at Forb idden Planet, how that changed their perspective about comics, DC's Talent Workshop, doing fill-in work, telling Livewire's first solo story, working with varying publishers, the con experience, the glory of cats, and more.

In this week's landmark 200th episode of Off Panel, friend of the show Brandon Burpee returns for a look back on 10 years of writing about comics in the podcast's longest episode ever. Topics discussed include giving out some awards for the decade, including MVP, most improved, publisher of the decade, and more, answering listener questions, like our comic book origin stories, thoughts on the comics internet, where back issues fit in comics, and more, before we close with sharing our ten favorite comics from the past ten years.

In this week's landmark 200th episode of Off Panel, friend of the show Brandon Burpee returns for a look back on 10 years of writing about comics in the podcast's longest episode ever. Topics discussed include giving out some awards for the decade, including MVP, most improved, publisher of the decade, and more, answering listener questions, like our comic book origin stories, thoughts on the comics internet, where back issues fit in comics, and more, before we close with sharing our ten favorite comics from the past ten years.

In this week's episode of Off Panel, cartoonist Lucy Knisley joins the show to talk about her work and recent graphic novel, Kid Gloves. Knisley discusses the appeal of telling her own story in comics, how that changes fan interactions, the Instagram Effect, reflecting on her art as an artist and a person, the origins of Kid Gloves, representing all facets of having kids, how her art has evolved, food comics, the expansion of the comic market, making picture books, living and creating in Chicago, and more, before closing with five questions about food.

In this week's episode of Off Panel from Emerald City Comic Con, writer Matthew Rosenberg joins the show to talk about his path to Marvel and the experience of writing the X-Men. Rosenberg discusses how his work experience in comic shops impacts him, the role his Black Mask work played in getting him on radars, the DC Writers Program, why Marvel has been a good fit for him, the Bendis vacuum, tying his early X-Men work into his Uncanny run, Peter David's X-Factor, his oddball Uncanny team, their strange mix of costumes, managing expectations, what the X-Men mean to people, and more. Note: this was recorded before the announcement about Jonathan Hickman's pending arrival on the X-Books.

In a special episode of Off Panel recorded at Emerald City Comic Con, writer Jim Zub joins the show to discuss his freshly announced and released ComiXology Originals series with artist Max Dunbar, Stone Star. Zub discusses the art of con karaoke, the con experience, Stone Star's bold release strategy, experimenting with comics, accessing the larger Amazon umbrella, downsides, what Stone Star is all about, Dunbar's art, making comics for everyone, world building, the ideal format to work in, and more.

In this week's episode of Off Panel, artist Jamie McKelvie joins the show from Emerald City Comic Con for a chat about his art and The Wicked + The Divine. McKelvie discusses fandom, his partnership with Kieron Gillen, long running titles, cover design, the importance of highlighting other artists, formalistic experimentation, the faux cartoonist, what he's learned in the process of making The Wicked + The Divine, getting things right with your art, the physical toll of art, and more.

In this week's episode of Off Panel, cartoonist Eric Powell joins the podcast to discuss the 20th anniversary of The Goon. Powell takes us into the origins of the series and its cast, the experience of building an independent success, what the look of The Goon and Franky says about them, concept books, the learning curve of making a comic all on your own, when the idea of Chinatown came together, why he's doing more of The Goon and going back to self publishing, whether he considered changing the format of the book, what his art process is, how he uses color, why he's bringing in other creators into The Goon, building and keeping an audience, and more.

In this week's episode of Off Panel, BOOM! Studios' President of Publishing and Marketing Filip Sablik joins the show to discuss the world of BOOM! and his recent speech at ComicsPRO's annual meeting. Sablik discusses his time at Diamond Comic Distributors, his role at BOOM!, the value of licensed books, what's dictating their move towards younger readers and women, where they are seeing growth, their bold plan for Kieron Gillen and Dan Mora's Once and Future, why they did it, what makes it stand out, staying in favor with multiple markets, servicing different audiences, marketing comics, the greatness of Giant Days, and more.

In this week's episode of Off Panel, writer Garth Ennis joins the show to talk his love of war comics and his latest series from TKO Studios, Sara. Ennis discusses where his love of war stories came from, why they speak to him as a writer, fitting those types of tales into Marvel and DC, the importance of editorial allies, the origins of Sara, Russia's secret police, the Eastern Front of World War II in fiction, how Sara thinks about war, the pacing and structure of the story, Steve Epting's art, why he worked with TKO on this book, why he works with so many different publishers, the importance of realism in his stories, and more.