New Books in South Asian Studies

Unmaking the East India Company: British Art and Political Reform in Colonial India, c. 1813-1858 (Paul Mellon Centre, 2023) by Dr. Tom Young illuminates how new modes of artistic production in colonial India shaped the British state’s nationalisation of the East India Company, transforming the relationship between nation and empire.This pioneering book explores how art shaped the nationalisation of the East India Company between the loss of its primary monopoly in 1813 and its ultimate liquidation in 1858. Challenging the idea that parliament drove political reform, it argues instead that the Company’s political legitimacy was destabilised by novel modes of artistic production in colonial India. New artistic forms and practices—the result of new technologies like lithography and steam navigation, middle-class print formats like the periodical, the scrapbook and the literary annual, as well as the prevalence of amateur sketching among Company employees—reconfigured the colonial regime’s racial boundaries and techniques of governance. They flourished within transimperial networks, integrating middle-class societies with new political convictions and moral disciplines, and thereby eroding the aristocratic corporate cultures that had previously structured colonial authority in India.Unmaking the East India Company contributes to a reassessment of British art as a global, corporate and intrinsically imperial phenomenon—highlighting the role of overlooked media, artistic styles and print formats in crafting those distinctions of power and identity that defined ‘Britishness’ across the world.This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Advance Directives in Asia: A Socio-Legal Analysis (Cambridge UP, 2023) , edited by Daisy Cheung and Michael Dunn is the first book to consider the concept of advance directives in Asia. It is unique in its depth and breadth as it brings together an extensive number of Asian jurisdictions to draw out the ways that advance directives are regulated in law and practice across the region. In their analysis Cheung and Dunn provide overall observations towards a concept of "generative accomodation". As a concept, generative accomodation has the potential to foreground new explorations of bioethics in Asia and globally. It also seeks to understand the role of the family in medical decision making. These are key concerns that come through in this comprehensive and groundbreaking book. It will be useful for regulators, Asia scholars, students, and practitioners in the field of health-law and ethics, and end of life care. The book has wider application for scholars in law, ethics and healthcare. Daisy Cheung is an Assistant Professor in the Department of Law and the Centre for Medical Ethics and Law at The University of Hong Kong.Dr Michael Dunn is an Associate Professor and the Co-Director of Education at the Centre for Biomedical Ethics in the Yong Loo Lin School of Medicine.Jane Richards is a doctoral student at the University of Hong Kong. You can find her on twitter where she follows all things related to human rights and Hong Kong politics @JaneRichardsHK Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

In this episode, Kenneth King (University of Edinburgh) & Meera Venkatachalam (University of Mumbai), discuss their recently co-edited volume, India's Development Diplomacy and Soft Power in Africa, published by Boydell and Brewer in 2021.India has understood its relations with Africa within the framework of South-South cooperation, where postcolonial states collaborated for scientific and technological exchanges, as well as to craft common political positions against the hegemony of 'northern' powers. However, following economic liberalisation and the rise of the political right, India's relationship with Africa has changed. Kenneth & Meera discuss some of the main themes in their book, including how the nature of Indian aid to Africa has changed over the decades; how symbols such as Gandhi have been used by the Indian government as part of its soft power strategy; how mantras of post-colonial solidarity and South-South Cooperation have been replaced by a growing sense of Indian exceptionalism in recent years, and, most importantly, what Africans make of India's growing footprint on the continent.Kenneth Bo Nielsen is an Associate Professor at the dept. of Social Anthropology at the University of Oslo and one of the leaders of the Norwegian Network for Asian Studies.The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, and Asianettverket at the University of Oslo.We aim to produce timely, topical and well-edited discussions of new research and developments about Asia. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Brenda Beck discusses her lifelong work on a Tamil folk legend, resulting in a graphic novel, an English translation and Hidden Paradigms: Comparing Epic Themes, Characters, and Plot Structures (U Toronto Press, 2022) which identifies important symbolic patterns connecting this tale to other epic stories.Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

In Hailing the State: Indian Democracy Between Elections (Duke UP, 2023), Lisa Mitchell explores the methods of collective assembly that people in India use to hold elected officials and government administrators accountable, demand inclusion in decision making, and stage informal referendums. Mitchell traces the colonial and postcolonial lineages of collective forms of assembly, in which—rather than rejecting state authority—participants mobilize with expectations that officials will uphold the law and fulfill electoral promises. She shows how assembly, which ranges from sit-ins, hunger strikes, and demands for meetings with officials to massive general strikes and road and rail blockades, is fundamental to the functioning of democracy in India. These techniques are particularly useful for historically marginalized groups and others whose voices may not be easily heard. Moving beyond an exclusive focus on electoral processes, Mitchell argues that to understand democracy—both in India and beyond—we must also pay attention to what occurs between elections, thereby revising understanding of what is possible for democratic action around the world.Sneha Annavarapu is Assistant Professor of Urban Studies at Yale-NUS College. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Children are considered to be a group of special interest by media scholars and advocates, especially because they are seen as a vulnerable group whose rights must be protected and also because they represent the future of the world, and so their education and socialisation is of particular importance. While there has been global research on children’s media practices, in India, there has been very little critical work in this area.Usha Raman and Sumana Kasturi’s edited book Childscape, Mediascape: Children and Media in India (Orient BlackSwan, 2023) fills this gap by bringing together, for the first time, a variety of perspectives from media researchers, practitioners and those involved in secondary school education, with a focus on children, childhood and media. Questioning what it means to ‘grow up digital’ in twenty-first century India, this collection explores a variety of themes relating to children and the media landscape. The volume contains twelve essays on relevant topics such as digital media literacy among children and their new media practices; mediated childhood and child rights; children as both consumers and producers of social media; digitality and education; children’s entertainment and leisure practices, and issues of identity, representation and community in a mediated world. The book also contains a comprehensive introduction by the volume editors.This volume will be of value to scholars of media and communication studies and cultural studies, while also drawing readers from psychology and journalism. The chapters offer critical insights of relevance to parents, teacher training institutes, child-focused NGOs, and others who work with children.Rituparna Patgiri, PhD is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

In Indian philosophical traditions, a reflection in a mirror frequently serves as a metaphor, suggesting that just as a face in a mirror appears where it is not, so does consciousness. Mirror of Nature, Mirror of Self: Mirror of Self: Models of Consciousness in Sāṃkhya, Yoga, and Advaita Vedānta (Oxford UP, 2023) utilizes this metaphor to address metaphysical, epistemological, and theological problems within non-reductionist approaches to consciousness. Author Dimitry Shevchenko contends that consciousness and its properties--such as the sense of self, subjectivity, and experience of qualia--stand in falsely perceived relations to cognitive and perceptive processes. This book explores models of interaction between consciousness, the mind-body complex, and the world in the philosophical schools of Sāṃkhya, Yoga, and Advaita-Vedant. In a dialogue with psychoanalytical theory and analytic philosophy of mind, Shevchenko defends a new model of consciousness, integrating consciousness-mind dualism, mind naturalism, and representationalism about consciousness.Despite the overwhelming presence of pratibimbavadas, or "theories of reflection", in major philosophical traditions in India, they have received little scholarly attention. Mirror of Nature, Mirror of Self is the first systematic exploration of mirror models of consciousness across traditions. By grounding these theories in their historical intellectual context, Shevchenko contributes to an intense philosophical conversation between Indian reductionists and non-reductionists about consciousness. The book explores the impact of Indian mirror models on theories of mental representation, theories of knowledge, philosophy of language, debates on illusory causality and the relationship between noumena and phenomena, as well as soteriological and theological theories. Finally, by comparing mirror models of consciousness in Indian philosophy with Jacques Lacan's theory of the mirror stage and by engaging with theories of consciousness in analytic philosophy, this study contributes to contemporary debates across philosophical disciplines.In Indian philosophical traditions, a reflection in a mirror frequently serves as a metaphor, suggesting that just as a face in a mirror appears where it is not, so does consciousness. Mirror of Nature, Mirror of Self utilizes this metaphor to address metaphysical, epistemological, and theological problems within non-reductionist approaches to consciousness.The book is available open access here. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

In this episode of High Theory, we continue our conversation with Debashree Mukherjee about the pioneering film studio Bombay Talkies, founded in 1934 in the city of Bombay (now Mumbai) by Himansu Rai and Devika Rani. Here, she focuses on cinematographer Josef Wirsching, whose rare behind-the-scenes photographs of life and work at the studio appear in her new book Bombay Talkies: An Unseen History of Indian Cinema. Wirsching fled fascism in Europe, and brought the influence of German Expressionism to Indian cinema, and was responsible for the cinematic stylings of groundbreaking films like Achhyut Kanya (1936), Mahal (1949), and Pakeezah (1972). His experiences teach us about the stifling effects of fascism on art and the peculiarity of national cinema as an analytic category. The diverse global origins and training of the cast and crew his photographs document offer new ways of writing the history of labor in Indian Cinema.If you want to learn more about Debashree’s research, and her new book, listen back to our earlier episode called “Bombay Talkies.”Debashree Mukherjee is Associate Professor of film and media in the Department of Middle Eastern, South Asian, and African Studies (MESAAS) at Columbia University. Her first book, Bombay Hustle: Making Movies in a Colonial City (2020), approaches film history as an ecology of material practices and practitioners. Her second book project, Camera Obscura: Media at the Dawn of Planetary Extraction, develops a media history of oceanic migrations and plantation capitalism. Debashree edits the peer-reviewed journal BioScope: South Asian Screen Studies and in a previous life she worked in Mumbai’s film and TV industries as an assistant director, writer, and cameraperson.Image: Sourced from Bombay Talkies: An Unseen History of Indian Cinema with permission. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Debashree Mukherjee talks about the pioneering film studio founded in 1934 in the city of Bombay (now Mumbai) by Himansu Rai and Devika Rani. Its cast and crew of diverse global origins and training, offer new ways of writing the history of labor in Indian Cinema. In the accompanying B-Side episode, she focuses on her new book Bombay Talkies: An Unseen History of Indian Cinema, which features rare behind-the-scenes photographs from the personal archive of cinematographer Josef Wirsching. Wirsching brought the influence of German Expressionism to Indian cinema, and was responsible for the cinematic stylings of groundbreaking films like Achhyut Kanya (1936), Mahal (1949), and Pakeezah (1972).Debashree Mukherjee is Associate Professor of film and media in the Department of Middle Eastern, South Asian, and African Studies (MESAAS) at Columbia University. Her first book, Bombay Hustle: Making Movies in a Colonial City (2020), approaches film history as an ecology of material practices and practitioners. Her second book project, Camera Obscura: Media at the Dawn of Planetary Extraction, develops a media history of oceanic migrations and plantation capitalism. Debashree edits the peer-reviewed journal BioScope: South Asian Screen Studies and in a previous life she worked in Mumbai’s film and TV industries as an assistant director, writer, and cameraperson.Image: Sourced from Bombay Talkies: An Unseen History of Indian Cinema with permission. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Brahma Prakash's book Body on the Barricades: Life, Art and Resistance in Contemporary India (LeftWord, 2023) is an interesting gaze into life, art, and resistance in contemporary India. Through a wide canvas of contemporary events, the book has tried to look at how barricade becomes a symbol of excessive policing as well as a metaphor for containment. The book also reflects upon marginalized identities and the conflicting narratives of such identities with the State; which unfolds almost like a horror story. The book has interestingly engaged with each of such suppressive events through the affect it generates on the victimized body. The book has beautifully captured bodily acts like breathing, mourning, dancing, singing, and other creative expression as an act of resistance. Thus, resistance becomes an act that is not just visible out there, but it also becomes an inward experience. The book has lucid language, yet it is written with a sense of authenticity, that dares to speak out. The book ends with a clarion call for hope among the despair that prevails. The author has ensured that every narrator who has been a victim gets enough space to think about their acts of resistance, rather than being a passive dead protagonist lying on the barricade. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies