New Books in Biography & Memoir

As a whole, the genre of biography trends towards linear narratives–wherein the events of a subject’s life are tracked in the order that they occurred. This makes sense, as it’s how we live our lives, but there are advantages that come with non-linear structure. In the case of Karen Abbott‘s American Rose: A Nation Laid Bare: The Life & Times of Gypsy Rose Lee (Random House, 2012), the benefit is that the book reads like a slick, sexy film noir and it is virtually impossible to put down. The life of Gypsy Rose Lee- “this Dorothy Parker in a G-string”, famous for her “burlesque of burlesque”- is perhaps best likened to a Greek drama. The relationship between Gypsy, her controlling mother and the younger sister who stole her name offers enough material for a whole master’s thesis on Freud, and that’s just one of the many tangled relationship dynamics here worthy of analysis. And yet, Abbott exercises masterful control over her colorful cast of characters, all while guiding three separate narrative strands. We enter the narrative at three distinct points and flip between them throughout: Gypsy, post-1939; Gypsy, pre-1939; and the Minsky Brothers burlesque clubs in the 1920s. If you’re not a biographile, the transitions might even slip by unnoticed, incrementally heightening the drama with each page until, at the book’s crescendo, you find you’re almost winded. American Rose is an ambitious story told in an ambitious style and, much like modern art, it looks effortless because it is impeccably well done. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Nearly twenty years after the death of Jacqueline Kennedy Onassis, biographers are not only continuing to tell her story but finding provocative new ways to do so. In particular, a big bravo to William Kuhn for considering the former First Lady in a context that (a) has nothing to with her husbands, and (b) brings fresh perspective. Jackie’s post-“Camelot” years–namely, her marriage to Onassis and her publishing career–are often given short shrift, but Reading Jackie: Her Autobiography in Books (Anchor Books, 2011) steps in to fill the later gap and it’s downright revelatory. What we read reveals much about who we are. That’s the idea behind Reading Jackie and it seems simple enough. But, in viewing Jackie Onassis’s life through the lens of the books she edited, Kuhn produces something quite sophisticated- a nuanced portrait of a thwarted artist for whom reading was a vital means of participating in the art world. As Kuhn writes: “That sense early on of what she could not do was at the nub of Jackie’s self-image as a reader. Coupled with the sense of limitation was a determination to work around it, to participate in the creative and artistic activity that gripped her imagination.” It’s a daring approach and more than a little meta –to write a biography examining a series of books with the claim that they comprise the biographical subject’s autobiography– but Kuhn more than pulls it off. He clearly delights in both his subject and her work, and one leaves Reading Jackie not only with an appreciation of Jackie Onassis’s books, but also a renewed appreciation of her- this woman “who helped put enduring statements of why art matters into print.” Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Zellig Harris’s name is famous in linguistics primarily for his early work on transformational grammar and his influence on his most famous student, Noam Chomsky. However, much of his linguistic work has since fallen into comparative obscurity. Moreover, his political research and activism – about which he was especially guarded throughout his lifetime – has received scant attention. In this meticulously-researched biography, Zellig Harris: From American Linguistics to Socialist Zionism (MIT Press, 2011), Robert Barsky casts a great deal more light upon Harris’s story. Exploring his involvement in the Avukah student group in the 1930s and 40s, Barsky shows how Harris not only strove to advance the cause of socialist Zionism, but also shaped the destinies of several influential thinkers. He also traces the course of the revolutionary programme of linguistic enquiry that Harris laid out, inspired by the example of theoretical physics, and how this ongoing work came to be regarded as eccentric by practitioners of the dominant contemporary research trends. In this interview, we discuss the utopian ideals of socialist Zionism, and the influence of Harris upon Chomsky’s political thought. We look at the contradictory facets of Zellig Harris as an individual. And we consider whether rationality is an unreasonable assumption, when it comes to inter-personal dynamics. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Edith Piaf’s story is rife with drama. The daughter of an acrobat and a singer, she was the first French superstar and sang with wild abandon in a voice that rivaled Judy Garland’s. And yet, so often Piaf’s high-spirits are used against her and her life is made to fit the standard template of the tortured artist: early ambition, a meteoric rise to fame, a string of meaningless love affairs and substance abuse leading to an early death. In light of this tendency, Carolyn Burke‘s No Regrets: The Life of Edith Piaf (Knopf, 2011) serves as a much needed corrective, breathing life back into the chanteuse’s legacy. During her short life Piaf consistently demonstrated an extraordinary boldness- in her relationships, yes, but also in her singing, her spirituality, her artistic collaborations and her commitment to France during World War II. And the music! That voice! “Non Je Ne Regrette Rien” seems to pulse beneath the text of Burke’s book and, reading it, one cannot help but be steered back to Piaf’s records. Burke was undoubtedly conscious of this as it’s where she got her title. “That kid Piaf tears your guts out.” So said Maurice Chevalier after hearing the 19-year-old newcomer sing in a Parisian nightclub. Nearly 50 years after death, as No Regrets proves, she still does. *No Regrets will be available in paperback on April 1, 2012, from Chicago Review Press. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Howard Cosell was fond of saying that American television in the 1970s was dominated by three C’s, representing each of the broadcast networks: revered CBS news anchor Walter Cronkite, NBC’s late-night talk show host Johnny Carson, and Cosell himself, the marquee sports announcer for the ABC network.  Cosell was known for an inflated sense of self-importance, but in this claim he was accurate.  From his interviews of Muhammad Ali on Wide World of Sports in the Sixties, through his 13-year tenure in the broadcast booth of Monday Night Football, Cosell came to be the most prominent personality in sports television and one of the most recognizable figures–certainly, the most recognized voice–in all of American popular culture. Throughout his career, Cosell aspired to be more like the trusted journalist Cronkite than the entertainer Carson.  And one of the main points of historian John Bloom’s biography, There You Have It: The Life, Legacy, and Legend of Howard Cosell (University of Massachusetts Press, 2010), is that Cosell was an innovative, probing, and fearless reporter.  Cosell defended Ali when the boxer was stripped of his heavyweight title.  He spoke on behalf of Tommie Smith and John Carlos when they were sent home after their protest at the 1968 Mexico City Olympics.  And he denounced boxing and refused to work in the sport again, after announcing the horribly one-sided Holmes-Cobb championship fight in 1982. At the same time, Cosell recognized that sports was entertainment.  He played his role for laughs in the Woody Allen film Bananas and on the made-for-TV “athletic competitions” of lesser actors and actresses.  But as his fame peaked, Cosell’s stated opinion of sports turned sharply and dismissively critical.  The broadcaster always felt himself an outsider in the world of sports, a characteristic that Bloom attributes to Cosell’s Jewish background.  And as a trained attorney, Cosell felt himself intellectually superior to the jocks and shills, as he called them.  He gained wealth and fame through sports, but he came to see himself as bigger than sports.  In that sense, Cosell can be seen not only as a legendary figure, but also as a tragic one. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

I can’t remember when I first saw one of those horrible photographs of a lynching, with crowds of white people, kids included, laughing and pointing at the mangled black body hanging from a tree. I do know that such images were part of my childhood mental archive of atrocities, together with stacks of dead bodies in the liberated concentration camps and naked children running from napalm in Vietnam. Images like that made me a historian. But I didn’t have to live any of that history. Ida B. Wells did. A young journalist, she happened to be out of town when a game of marbles escalated into the lynching of three men who were pillars of the Memphis black community. She knew all of them; one was a close friend. Ida B. Wells was nobody’s fool – she’d already sued two train companies for denying her a seat in the “Ladies’ Car” and she’d long written about racial injustice. But she wasn’t prepared for the viciousness of this lynching, or for the subsequent defamation of its victims in the white press. She published a strongly-worded editorial, moved north – after that editorial, there was a warrant on her life in the South – and became an internationally-known crusader against lynching. In her book, To Tell the Truth Freely: The Life of Ida B. Wells (Hill and Wang, 2009), historian Mia Bay takes us from Wells’s Reconstruction-era Mississippi childhood, through the anti-lynching work for which she’s best remembered, and on to her work for urban reform in Chicago during the Great Migration. Along the way we see struggles around race, class, and gender in American history: the linkage of sexual and racial terror in lynching, of course, but also questions about what it meant for a minimally-educated Black woman to be an activist. Mia Bay is associate professor of history and the associate director of the Center for Race and Ethnicity at Rutgers University. Read her book – you’ll be glad you did. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Few people can claim to have created a literary genre… Phillis Wheatley did. By the time she was twenty, her name- taken from the slave ship that carried her to America and the family that bought her upon arrival- would be known throughout the world. Extraordinarily well-educated for a woman of her time and place- much less a slave- Wheatley began writing poetry at a young age. The 1773 publication of her first book, entitled Poems on Various Subjects, Religious and Moral, brought her fame and, ultimately, freedom. Though she’s celebrated as the mother of African American literature and her poems are taught in schools to this day, Wheatley remains a shadowy figure. In Phillis Wheatley: Biography of a Genius in Bondage (University of Georgia Press, 2011), Vincent Carretta lets the light in. It’s a daunting task. When one is writing about 18th people of African descent, sources are often scarce. But Carretta, a professor of English at the University of Maryland, rises to the challenge and painstakingly pieces together what is known about Wheatley’s life. In particular, Carretta illuminates how Wheatley’s evangelical Christianity was a subtle rebellion against slavery and also the means by which she got her words into print. The Phillis Wheatley that emerges in Biography of a Genius in Bondage is an alarmingly modern character- canny, innovative and determined to get her poems into print. That she was able to do so as a woman in the 18th century is impressive. That she was able to do so as a slave is extraordinary. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

“When your grandmother gets raped, put it on the front page.” That was the Medill family editorial policy and Eleanor Medill “Cissy” Patterson embraced it enthusiastically. The granddaughter of the Chicago Tribune‘s founder, the cousin of the Tribune‘s editor and the sister of the founder of the New York Daily News, Patterson’s family were said to have ink in their veins and she was no exception. By the early 1930s, this titian-haired heiress was the only female editor of a U.S. major metropolitan daily. Patterson’s life held tremendous contrasts–great beauty, big scandals and bitter animosities and intrigue– all of which Amanda Smith elegantly explores in Newspaper Titan: The Infamous Life and Monumental Times of Cissy Patterson (Knopf, 2011). As the title indicates, there is no shortage of drama here. The heiress to a newspaper fortune, the young Cissy Patterson slinked through Gilded Age society, famous for her inimitable gait. Following the trend of Americans making socially advantageous marriages to European aristocrats, Patterson wed a Russian count who abused her and kidnapped their only child. It’s an incredible story given new life through Smith’s research, which uncovered sources that reveal how- through the intervention of Patterson’s family, President Taft and the Russian Czar- Patterson’s three-year-old daughter was finally returned home. As a society girl, a Countess, an essayist, a rancher, a novelist and, most memorably, a newspaperwoman, Cissy Patterson pushed the boundaries of what women of her time were expected to do and her newspaper was almost a mirror of her self. Under her leadership, the Washington Times (later the Washington Times-Herald) became DC’s most profitable paper thanks to Patterson’s gossipy editorials, her fierce isolationism and her distinctive editorial bite. There was venom in her pen and readers were hooked. It’s a testament to Smith’s skill as a writer that even the ancillary characters in Newspaper Titan seem to burst fully alive from the page, giving the reader insight not only into Patterson’s social circle but also an unusually keen sense of the personalities with whom she tussled. Ultimately, by Newspaper Titan‘s end, the impression one gains of Cissy Patterson is that of a woman who prized newsprint over people, a woman who was delightful after a drink but whose claws came out after three. Patterson was the first to admit this. She was quoted telling TIME, “The trouble with me is that I am a vindictive old shanty-Irish bitch.” And yet, it’s that same cattiness that made her an influential force in the development of tabloid media then and which makes her such a beguiling biographical subject now. As Cissy Patterson herself said: “I’d rather raise hell than raise vegetables.” Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

The integration of baseball is most often cast in terms of black and white, but biographer Adrian Burgos, Jr.— a professor at the University of Illinois, Urbana-Champaign– is out to change that. In his new biography, entitled Cuban Star: How One Negro-League Owner Changed the Face of Baseball (Hill and Wang, 2011), Burgos explores the nuances of baseball’s color line through the story of the Negro League owner, Alex Pompez. The son of a Cuban father and a “mulatto” mother, Pompez, a black Latino, was an influential force in the integration of Negro League baseball and, by extension, the Major Leagues. Importing talent from Cuba, Puerto Rico, Venezuela, Mexico and the Dominican Republic for his Cuban Stars, he assembled the most racially diverse team within the Negro League. An outrageously successful entrepreneur, Pompez overcame the two primary problems facing Negro League owners: a lack of capital and a lack of stadiums. Using the money earned through his Harlem numbers racket, Pompez both financed the Cuban Stars and purchased the Dykeman Oval in which they played. As Burgos writes in Cuban Star, “Pompez was a trailblazer who over the span of seven decades–from his Negro League days through his major-league scouting work–opened pathways for talent from once-insignificant baseball territories.” In recognizing and importing Latin American talent and supporting players as they transitioned to life in the U.S., Pompez had a lasting impact on the face of major league baseball. His influence is still visible in the names gracing rosters today. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

“I’m sure if it wasn’t for Joe Louis,” acknowledged Jackie Robinson, “the color line in baseball would not have been broken for another ten years.” To Muhammad Ali, Joe Louis was an inspiration and an idol. “I just give lip service to being the greatest,” said Ali in 1981, after Louis’ death. “He was the greatest.” Yet, while Jackie Robinson is now one of the most revered athletes in American history and Ali remains a cultural icon, the man who paved the way for both is lesser known today, more a distant folk hero than a historical figure whose accomplishments are understood and respected. Unlike Robinson, Louis was not the pioneering black athlete in his sport, and unlike Ali, he did not translate his success in the ring into a platform for larger media fame and political statements. Nevertheless, as Randy Roberts shows in his acclaimed biography Joe Louis: Hard Times Man (Yale University Press, new in paperback in February 2012), the heavyweight champion was an athlete without peer in his sport, one of the most talked-about celebrities of the day, and a man who did effect change, in some positive way, in white Americans’ perceptions of black athletes. He was a symbolic figure of the Thirties and Forties and, as Randy argues, an essential character for understanding the history of that era. A distinguished professor of history at Purdue University, award-winning teacher, and author of books on Jack Dempsey, Jack Johnson, Charles Lindbergh, and John Wayne, Randy brings to the book an expert understanding of sports and celebrity in American history and a lively, arresting style. With attention to colorful detail and to the larger context of early 20th-century American history, he describes Joe Louis as a man of his times–and as a giant of the age. This is a story that certainly deserves retelling. New Books in Sports is now available on the Stitcher radio app for iPhone and Android. Friend us at Facebook and follow us on Twitter to leave feedback, receive updates of new podcasts, and get daily links to quality shorter sports writing.   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography