New Books in Biography & Memoir

The stories of individual lives are endlessly complex, weaving together the contemporary events, the surrounding culture, and incorporating random factual odds and ends. This is one of the challenges of writing biography- one must become expert on so many things- and also one of the pleasures of reading it: the fact that a biography can reveal something not simply about another person, but also provide an in-depth glimpse into other worlds. Such is the case with Gayle K. Brunelle and Annette Finley-Croswhite‘s Murder in the Metro: Laetitia Toureaux and the Cagoule in 1930s France (Louisiana State University Press, 2013) which, in the course of exploring a grisly unsolved murder, immerses the reader in the 1930s Paris underworld. In 1937, Laetitia Toureaux was discovered in the first class car of ametrotrain with a 9-inch knife stuck in her neck. In Murder in the Metro, Brunelle and Finley-Croswhite untangle Toureaux’s complicated life–she was, at one time, simultaneously spying for the Italian government, the Paris police, and the French terrorist organization the Cagoule–in an effort to give a plausible explanation for how and why she might have died. However, their work extends beyond sleuthing; Murder in the Metrois a gripping story, but it’s also an effort to call scholarly attention to the use of terrorism during France’s Third Republic and, following World War II, the subsequent downplaying–even, at times, obfuscation–of such acts. Brunelle and Finley-Croswhite write that, in 1937, Toureaux’s life and death “offered a perfect tableau for the press to explore and expound upon the issues of gender and, to a lesser extent, class.” Today, she still acts as a tableau of sorts, her history merging with that of the Cagoule to provide a canvas from which scholars–with Brunelle and Finley-Croswhite leading the charge–can explore the nuances of the times in which she lived: a period marked by progress and innovation, but also violence and political unrest, all set against the clouds of a fast-approaching war. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Few history books sell better than biographies of Nazi leaders. They attract anyone even tangentially interested in World War Two or Nazi Germany.  It’s not surprising, then, that there are dozens of biographies of Himmler, Goering, and Hitler himself. Oddly, though, Reinhard Heydrich is relatively understudied.  Robert Gerwarth’s wonderful new biography of Heydrich, titled Hitler’s Hangman: The Life of Heydrich (Yale UP, 2012), fills this gap admirably.  Gerwarth’s book is part of a new wave of serious biographies that have appeared in the last years.  All are characterized by a thoughtful engagement with recent research on the Holocaust.  All devote considerable attention to their subjects’ lives in the period before the Nazi takeover.  All emphasize the choices made by their subjects and the way these choices were not predetermined.  Hitler’s Hangman is an outstanding example of this new scholarship. Gerwarth’s work, in particular, is distinguished by its particularly effective writing.  He synthesizes a great deal of information gracefully, a demanding task in a biography this concise.  At the same time, he preserves space for anecdotes and details that illuminate his topic and add color to his narrative. Hitler’s Hangman has been widely praised by reviewers across the spectrum.  It is praise that is richly deserved. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

The title says it all: Diana Vreeland was, in fact, that Empress of Fashion, reigning over Harper’s Bazaar, Vogue, and the Metropolitan Museum of Art’s Costume Institute for half a century. As a result, her life story stretches the conventions of biography, which so often presents mid-century women’s lives merely as a series of relationships. Amanda MacKenzie Stuart‘s Empress of Fashion: Diana Vreeland, A Life (Thames & Hudson, 2013) provides a stunning alternative: the work narrative. Vreeland’s is the story of an individual who, through sheer will, became the person she wanted to be. Today, we often read biography for inspiration and Vreeland herself searched for such in the lives she encountered and read, as Stuart writes: “At this point Diana wobbled back toward the idea of finding a great person on whom to model herself: ‘then by that I can become great.'” And yet she came up short, writing in her diary, “You know for years I am and always have been looking out for girls to idolize because they are things to look up to because they are perfect. Never have I discovered that girl or that woman. I shall be that girl.” Stuart’s portrait of Vreeland revolves around this notion that she, a woman who was not considered conventionally attractive, excelled in the world of beauty by virtue of this vision- this driving idea of being The Girl and showing readers how they might be their own version of The Girl as well. The element that separates the notion of The Girl from fashion journalism today is that The Girl was- at least in the beginning- attainable, more an attitude supplemented by seasonal accessories and small touches than a look defined by brand names. In the end, as Stuart mentions in our interview, Vreeland’s is a story of great hope: that one doesn’t have to a be a conventional beauty to be fashionable, one doesn’t have to be a man to produce exceptional work, one doesn’t have to conform to the lives and standards of others to be great. Simply by being herself, by being that girl she couldn’t find anywhere else, Vreeland became an icon. As a friend recalled: “She didn’t merely enter a room, she exhilarated it.” Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

You sometimes see bumper stickers that say “What would Jesus do?” It’s a good question, at least for Christians. You don’t see bumper stickers that say “What would Washington do?” But that, Logan Beirne says, is a question Americans should be asking. In Blood of Tyrants: George Washington & the Forging of the Presidency (Encounter Books, 2013), Beirne shows that the American presidency was born as much out of the personality of one man–George Washington–as it was out of the political philosophies of the founding fathers. After all, the framers had never seen a presidency before–almost all previous states were led by monarchs, and that was not an option for the new American Republic. So they looked at Washington, what he had done during the Revolutionary War, and modeled the presidency after him. Not surprisingly since Washington was a military man, they got a presidency that was, well, rather martial. Listen in and find out why. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

What can be gained from another biography of Abraham Lincoln? A lot, it turns out. Michael Burlingame has been researching the life and times of Abraham Lincoln during his entire career as a historian. As he explains in this interview, Abraham Lincoln: A Life (Paperback; Johns Hopkins University Press, 2013) is based on decades of archival research, much of it stemming from the observations of personal secretaries, journalists, colleagues, and other people who knew Abraham Lincoln personally. Burlingame does not hesitate to make bold assessments about Lincoln’s personality, his relationship with his wife and father, and his evolution as a war leader. Those interpretations, combined with new source materials and a highly readable style, will make this new biography the definitive one for Lincoln studies for years to come. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Nature or nurture? Inborn or learned? Genetic or extra-genetic? Humans are so complicated that in many cases we can’t really know what is “in us” from the beginning and what is “acquired” as we learn. And even when we find something that is “in us,” we can often find a way to modulate or mask it. Given all this, sometimes the best–and certainly most convincing–evidence that some trait is inborn rather than acquired is simple, honest testimony. Such is the case, I think, with homosexuality. In Jonathan Rauch‘s remarkable and moving memoir Denial: My 25 Years Without a Soul (The Atlantic Books, 2013) the author explores exactly what it was like to deny his own sexual orientation for over two decades. Actually, “deny” is not really the right word, at least for what Rauch did in his early years. To “deny” is to realize the possibility of something and reject it. For much of his early life, Rauch never even entertained the idea he was gay, so he couldn’t very well deny it. It just wasn’t possible. He thought he was just weird. But as he matured, it did dawn on him that maybe, just maybe, he might be gay. Not surprisingly given the prejudice against homosexuality at the time he was growing up, the very possibility frightened him. He did not want to be gay. Who would want to be gay? Why would you put yourself through that? So he denied it. Until there came a time when he met kind, loving people who told him that he really should and could be who he was. They would help him. And they did. Jonathan Rauch then became what he had never really been–Jonathan Rauch. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

It’s rare that a person’s name comes to represent an object, but such is the case with Lilly Pulitzer. Just say ‘Lilly’ and it conjures images of simple sheath dresses in vivid colors. But what of Lilly Pulitzer herself? As Kathryn Livingston’s Lilly: Palm Beach, Tropical Glamour, and the Birth of a Fashion Legend (Wiley, 2012) reveals, the woman was just as vivid as the dresses her name came to evoke. Born and married into privilege, Lilly Pulitzer wasn’t your typical debutante. She walked around Palm Beach barefoot and had a pet monkey. Boasting a similar background Jackie Kennedy and an extra shot of joie de vivre, she seems, from Livingston’s portrait, like a woman who would make excellent company at cocktail hour. She was also a bit of an entrepreneurial genius. Hoping to break out of a post-partum depression, Pulitzer opened an orange juice stand on Worth Avenue, selling juice to tourists and the Palm Beach hoi polloi, including the Kennedys. Ultimately, she would build an entire empire based solely upon the pattern for a simple sheath dress intended to hide orange juice and sweat stains. But, as the title suggests, Lilly is as much the story of Pulitzer as of Palm Beach itself. Unlike most residents, who were seasonal, the Pulitzers lived in Palm Beach year-round. Thus, Lilly’s story is one of both personal and local success. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Pretty much everyone who’s done a linguistics course has come across the name of Ferdinand de Saussure – a name that’s attached to such fundamentals as the distinction between synchrony and diachrony, and the arbitrariness of the linguistic sign. Yet when it comes to the man behind the ideas, most people know much less. Who was this man – this aristocrat with a Calvinist upbringing who shook the foundations of the linguistic establishment, and whose influence was felt more strongly after his death than it ever was in life? When John Joseph started looking into these questions, he found only scattered information. As a result, he ended up having to write the book that he himself had wanted to read. The result, Saussure (OUP, 2012), is a detailed but nevertheless readable account of the life and works of one of the most respected figures in the history of linguistics. In this interview we discuss some of the questions that arise in connection with Saussure: his major intellectual influences, his remarkable lack of publications during his adult life, the originality (and historical antecedents) of some of his central ideas, and “Calvinist linguistics”. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Forty years after its debut, The Mary Tyler Moore Show remains one of the most beloved and successful television sitcoms of all time. But Jennifer Keishin Armstrong‘s Mary and Lou and Rhoda and Ted: And all the Brilliant Minds Who Made The Mary Tyler Moore Show a Classic (Simon and Schuster, 2013) isn’t a simple episode recap. Rather, it’s a deep excavation of the show’s history from the perspective of the cast, the producers, a fan, and- perhaps most fascinating- the writers. You might ask, How is this biography? It is because, ultimately, Armstrong is writing about lives- the lives of the people involved in the show, the lives from which they pulled their material, and how their lives together, often haphazardly, to produce extraordinary TV. The Mary Tyler Moore Show depicted a woman’s work life, so it’s not too surprising that Mary and Lou and Rhoda and Ted does the same. However, the workplace that emerges is a revelation: with men recognizing the value of women’s stories and actively seeking women for the writing staff; with women writers mining their own lives for material and producing scripts that incorporate the everyday experiences of women, which were- at that time- seldom represented on TV. We remember The Mary Tyler Moore Show because it was well-crafted and funny. But, as Mary and Lou and Rhoda and Ted reminds us, the show came about in an environment that promoted equality and where the gifts of women were encouraged. Such environments are, sadly, still rare. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

As a reader, biography offers not simply an opportunity to read about the life of another, but also an invitation to ponder the choices that are available in life, the choices that comprise a life. Towards the end of Coco Chanel: An Intimate Life(Penguin, 2011) biographer Lisa Chaney allows her subject to speak for herself. Chanel writes: ‘Today, alone in the sunshine and snow… I shall continue, without husband, without children, without grandchildren, without these delightful illusions… I am not a heroine. But I have chosen the person I wanted to be.’ Chanel’s is a life that, all these years later, still reads as radical, which puts into perspective how terribly shocking it must have appeared in the early 20th century. Chaney has chosen an unusually challenging subject. Mired in myths, some of them of her own devising, the image of Chanel that has been passed down to us is clouded at best and, as Chaney acknowledges, quoting L.P. Hartley’s statement in The Go-Between, ‘The past is a foreign country. They do things differently there.’ The story of Chanel’s life emerges in more muted tones than one might expect, with gray areas aplenty, from which it is unreasonable to demand clarity or place judgment. And yet Coco Chanel remains an uncompromising account. Chaney doesn’t ignore Chanel’s capacity for storytelling but, rather, explores the meanings of her stories, their unrealities, and the significance of the details that Chanel chose to omit. She doesn’t side-step the controversies surrounding Chanel’s life during the occupation of Paris, but instead grapples head-on with the moral ambiguities and compromises that occurred during the Occupation and in Vichy France. What emerges is an unflinching portrait of a complex, intelligent, unapologetic, incredibly hard working woman. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography