New Books in Biography & Memoir

In this NBN episode, host Hollay Ghadery speaks with Treena Orchard about her memoir, Sticky, Sexy, Sad: Swipe Culture and the Darker Side of Dating Apps (Aevo, U Toronto Press, 2024).  Jane Goodall meets Carrie Bradshaw in Sticky, Sexy, Sad – an insightful, empowering memoir by an anthropologist who lays her own life bare as she explores the cultural matrix of digital courtship. Lifelong luddite Treena Orchard was a newly sober woman coming off a much-needed break from relationships, reluctantly taking the digital plunge by downloading a dating app. Instead of the fun, easy experiences advertised on swiping platforms, she discovered endless upkeep, ghosting, fleeting moments of sexual connection, and a steady flow of misogyny. In Sticky, Sexy, Sad, Orchard uses her skills as both an anthropologist who studies sexuality and a sex-positive feminist to explore what it feels like to want love while also resisting the addictive pull of platforms designed to make us swipe-dependent. She asks important questions for those searching for love in the modern era: What are the social and human impacts of using dating apps? How can we maintain our integrity and warm-blooded desire for intimacy while swiping? Can we resist some of the problematic aspects of swipe culture? Is love on dating apps even possible? Revealing how dating apps are powerful social and sexual technologies that are radically transforming sexuality, relationships, and how we think about ourselves, this remarkable book cracks the code of modern romance. Told with humor and vulnerability, Sticky, Sexy, Sad is a riveting and inspiring guide to staying true to ourselves amid the digitization of love in the twenty-first century. Treena Orchard is an anthropologist and associate professor in the School of Health Studies at Western University. She researches and engages in activist debates about sexuality, gender, and health among diverse cultural and digital communities. Deeply committed to public scholarship, she regularly writes for and is featured in leading online publications, including Cosmopolitan, Men’s Health, and The Conversation. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

H. C. C. Astwood: minister and missionary, diplomat and politician, enigma in the annals of US history. In Dominican Crossroads: H.C.C. Astwood and the Moral Politics of Race-Making in the Age of Emancipation (Duke UP, 2024), Christina Cecelia Davidson explores Astwood’s extraordinary and complicated life and career. Born in 1844 in the British Caribbean, Astwood later moved to Reconstruction-era New Orleans, where he became a Republican activist and preacher in the African Methodist Episcopal (AME) Church. In 1882 he became the first Black man named US consul to the Dominican Republic. Davidson tracks the challenges that Astwood faced as a Black politician in an era of rampant racism and ongoing cross-border debates over Black men’s capacity for citizenship. As a US representative and AME missionary, Astwood epitomized Black masculine respectability. But as Davidson shows, Astwood became a duplicitous, scheming figure who used deception and engaged in racist moral politics to command authority. His methods, Davidson demonstrates, show a bleaker side of Black international politics and illustrate the varied contours of transnational moral discourse as people of all colors vied for power during the ongoing debate over Black rights in Santo Domingo and beyond. Kiana M. Knight is a Postdoctoral Research Associate in Africana Studies at the University of Notre Dame. Kiana’s Webpage Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

What does it feel like to experience your body cleaving into two while public discussion of reproductive healthcare centers around the viability line: the fantasized moment when a fetus could feasibly be extracted from a uterus? What happens to the psychology of parents who spend years scrolling through photographs of children crushed in war while babies sleep beside them, indistinguishable from the dead children in expression and bodily habit? Emma Heaney addresses these questions in This Watery Place: Four Essays on Gestation (Pluto Press, 2025), situated between the particular historical moments of her pregnancies and the transhistorical continuities of sensations, emotions, socialities, and conceptual provocations that have long accompanied gestation. She focuses on the embodied realities that are mystified in the sentimentalization of motherhood, a political process that enables the material abandonment of those who do the labor of gestation and care, as well as of children. As a result, gestation is revealed as a process against cisness, wage work, and the death cult of war. Emma Heaney is the author of The New Woman, the forthcoming The Ghost Cousins, and the editor of the collection Feminism Against Cisness. She lives in Queens, New York City. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Wilberforce, Clarkson, Wesley. Britain’s great abolitionist activist Granville Sharp. Each of these consequential figures of the eighteenth-century Atlantic world were galvanized by the moral power of a modest Quaker teacher who never ventured more than a few miles from his home in Philadelphia: Anthony Benezet. While Benezet was buried in an unmarked grave, his fingerprints are all over the extinction of the Atlantic slave trade and the gathering strength of America’s own burgeoning abolitionist movement. He was a figure of global importance, “a saint,” Garry Wills called him, a great bearer to the rest of the world of the American ideals (no matter how compromised) of equality and liberty.Anthony Benezet lived, by chance, at the nexus of radical Christianity and revolutionary democracy, and he fused the power of those two streams of morality in a way that changed lives and challenged political institutions so compellingly that the world became a different place because of him. But for all the magnitude of Benezet’s impact, he is largely unknown outside scholars of the period. He does not exist in any meaningful way in the widely read histories and biographies that define and amplify America’s historical consciousness.In Anthony Benezet: Quaker, Abolitionist, Anti-Racist (U Georgia Press, 2025), preeminent biographer Dr. David Chanoff tells Benezet’s story—who he was, what he did, how he did it, and why it was that William Penn’s “Holy Experiment” of Pennsylvania provided the matrix for the historic transformation the abolitionist educator brought about. Indeed, Dr. Chanoff carves out a place for this forgotten American hero as a pioneering figure among those who launched American ideals onto the world stage. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Like any set of star-crossed lovers, Elaine and Charles came from different worlds. Elaine, an acclaimed childhood poet from a remote corner of the Massachusetts Berkshires, traveled to the Dakota Territories to teach Native American students, undaunted by society’s admonitions. Charles, a Dakota Sioux from Minnesota, educated at Dartmouth and Boston University Medical School, was considered by his Euro-American mentors the epitome of an assimilated Indian. But when they met just ahead of the Wounded Knee Massacre in 1890, the magnetic pull of love brought them together despite the tremendous odds stacked against them.Love and Loss After Wounded Knee: A Biography of an Extraordinary Interracial Marriage (NYU Press, 2025) by Dr. Julie Dobrow offers a dual biography of Elaine Goodale and Ohíye’Sa, (Dr. Charles Alexander Eastman), exploring their individual lives as well as their highly publicized interracial marriage. Both well-known in their own time– Elaine as a poet, journalist, and advocate for Indian education and Charles as writer, public speaker, and ardent activist for Indian rights– their marriage started with a shared vision to work on behalf of Indians. In the face of extreme prejudice, financial burden, and personal tragedy however, the marriage began to unravel.Dr. Dobrow paints an intimate, emotional portrait of the Eastmans’ lives drawn from Elaine and Charles’s letters, papers, and hundreds of accounts of the Eastmans’ lives from newspapers. Along the way, she skillfully illuminates the shifting late 19th and early 20th century definitions of Indigenous identity, and reveals how the Eastmans’ legacies reflect changing American attitudes toward gender, interracial relationships and biracial children. The result is a compelling new history that weds the private and the political, and Native America and the United States of America– entwined yet separated, inextricable yet never fully joined, just like Elaine and Charles themselves. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Drawing Liberalism: Herblock's Political Cartoons in Postwar America (U Virginia Press, 2023) is the first book-length critical examination of the political and social impact of the political cartoonist Herbert Block--popularly known as Herblock. Working for the Washington Post, Herblock played a central role in shaping, propagandizing, and defending the ideals of postwar liberalism, a normative set of values and assumptions that dominated American politics and culture after World War II. Best remembered for his unrelenting opposition to and skewering cartoons of Joseph McCarthy and Richard Nixon, Herblock introduced the term "McCarthyism" into the American political lexicon. With its unstinting and unapologetic support for the liberal agenda, across a career spanning over fifty years at the Post, Herblock's work affords a unique lens through which to interpret and understand the shifts and contours of twentieth-century American political culture, from the postwar period through the civil rights era into the Nixon presidency. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

An Imaginary Cinema: Sergei Eisenstein and the Unrealized Film (Cornell UP, 2024) explores the unfinished cinematic projects developed and abandoned by Soviet filmmaker Sergei Eisenstein between 1927 and 1937. Centred on seven major film concepts, the book examines what it means for a work of art—particularly a film—to remain unfinished or unrealised, and how these projects fit within Eisenstein’s broader theoretical and practical framework. Offering unique insight into the history of film production in Stalinist Russia, An Imaginary Cinema contrasts Eisenstein’s experiences with both the Soviet film industry and Hollywood, and considers the technological transitions that shaped early cinema. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Steven Spielberg's extraordinary career redefined Hollywood, but his achievement goes far beyond shattered box office records. Rejecting the view of Spielberg as a Barnumesque purveyor of spectacle, Lester D. Friedman presents the filmmaker as a major artist who pairs an ongoing willingness to challenge himself with a widely recognized technical mastery.This new edition of Citizen Spielberg (University of Illinois Press, 2022) expands Friedman’s original analysis to include films of the 2010s like Lincoln and Ready Player One. Breaking down the works by genre, Friedman looks at essential aspects of Spielberg’s art, from his storytelling concerns and worldview to the uncanny connection with audiences that has powered his longtime influence as a cultural force. Friedman's examination reveals a sustained artistic vision--a vision that shows no sign of exhausting itself or audiences after Spielberg's nearly fifty years as a high-profile filmmaker.Incisive and discerning, Citizen Spielberg, Second Edition, offers a career-spanning appraisal of a moviemaking icon.Nathan Abrams is a professor of film at Bangor University in Wales [https://research.bangor.ac.uk/...(b8c6d91f-14c5-4862-8745-0f5d0e938a28).html]. His most recent work is on film director Stanley Kubrick [https://oxford.universitypress...]. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Philip Nash's book Clare Boothe Luce: American Renaissance Woman (Routledge, 2022) is a concise and highly readable political biography that examines the life of one of the most accomplished American women of the 20th century.Wife and mother, author, editor, playwright, political activist, war journalist, Congresswoman, ambassador, pundit, and feminist—Luce did it all. Carefully placing Luce in a series of shifting historical contexts, this book offers the reader an insight into mid-century American political, cultural, gender, and foreign relations history. Eleven primary sources follow the text, including excerpts from Luce’s diary, letters, speeches, and published works, as well as a TV talk-show appearance and a critic’s diary entry describing an evening with her, helping readers to understand her fascinating life. Together, the narrative and documents afford readers a brief yet in-depth look at Luce with all her complications: glamorous intellectual, acid-tongued diplomat, and feminist conservative, she was a deeply flawed high-achiever who repeatedly challenged the entrenched sexism of her age to become a significant actor in the rise of the “American Century.”Addressing the neglect suffered by women in foreign relations history, this will be of interest to students and scholars of US foreign relations, 20th-century US history, and US women’s history.Victoria Phillips is a Visiting Fellow at the London School of Economics in the Department of International History. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

A platinum beauty with an ugly secret; a tall, dark, and handsome husband with murder in his eyes; starkly lit interiors that may or may not include the silhouette of a rotund British gentleman…. This may sound like a catalog of images from the films of Alfred Hitchcock, but it is just as much an encapsulation of the works of Joan Harrison, a studio-era producer, a prolific cinematic storyteller, and a pioneer of female-centered suspense media at mid-century. Harrison remains best known as Alfred Hitchcock’s right-hand woman—that is, to the extent that she is known at all.Christina Lane has written the first-ever book dedicated to the life and art of Joan Harrison, entitled Phantom Lady: Hollywood Producer Joan Harrison, The Forgotten Woman Behind Hitchcock (Chicago Review Press, February 2020). Born into a middle-class family in Surrey, Harrison took a secretarial job with Alfred Hitchcock as an aimless twenty-something, only to become a producer on films including Foreign Correspondent (1940), Rebecca (1940), and Suspicion (1941). In the 1940s, Harrison branched out, building a solo career producing movies for RKO and Universal Studios, only to return to the Hitchcock fold to run TV’s Alfred Hitchcock Presents (1955-1962).In this discussion, Lane shares how she uncovered this obscure history, placing this “phantom lady” at the center of her own story. She also discusses the trajectory of Harrison’s career and how she adapted her research for a broader readership.Christina Lane is Professor in the Cinematic Arts Department at the University of Miami and Edgar®-Award winning author of Phantom Lady: Joan Harrison, the Forgotten Woman Behind Hitchcock. She provides commentary for such outlets as the Daily Mail, CrimeReads and AirMail, and has been a featured guest speaker at the Film Forum, and on NPR and Turner Classic Movies.Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography