The Waterstones Podcast

When Caitlin Moran was out promoting her series of books about women and feminism, she would often encounter the same question from audiences at the end of the event: What about Men? At a time when people can claim that men actually have it harder than women in some respects, what advice did she have for them? So she went away, spoke to male friends, did the research and came back with her thoughts. We sat down to talk about the strange ways men talk to each other, the dangers of the manosphere and what positive aspects of masculinity we should be celebrating.

Lorrie Moore has continued to delight readers with her short stories but it has been 14 years since her last novel, the Women’s Prize-shortlisted A Gate at the Stairs. Her new novel, I Am Homeless If This Is Not My Home, contains dual narratives which deal with the themes of love, loss and memory. As one of America’s most distinctive voices it’s best not to try and summarise things for a pith intro, far better to join our conversation about literary forms, the absurdity of loss and why romantic love is a tricky thing.

Caroline O’Donoghue’s new novel for adults, The Rachel Incident, is a love story but just not the one you might be expecting from the book’s premise. Set in the post-economic crash Republic of Ireland of 2009 it sees our eponymous heroine looking for love and to be taken seriously in a world full of uncertainty. We sat down to talk about friendship, making memories and cultural touchstones.

After her attention-grabbing debut novel, The Girls, Emma Cline has been quietly getting on with the business of writing. A story collection, Daddy, is now followed by a new novel, The Guest, another stylish display of Cline’s considerable skills that follows a young woman, drifting amongst the elite of Long Island, with the threat of everything being washed away with one wrong decision. We sat down to speak about literary influences, avoiding the obvious and portraying femininity.

Stories of seafaring, shipwreck, mutiny and murder have long held a fascination, particularly for dwellers of this island nation and in his latest investigative piece of narrative non-fiction, David Grann has a tale that grips from first page to last. The Wager was a vessel shipwrecked in the 1740s, its crew presumed lost, until a group of survivors washed up on the coast of Brazil. Their story of survival would have been incredible enough except for a second group of survivors to appear in Chile with stories of mutiny, murder and even cannibalism. What follows is not so much a question of who is telling the truth, but of who gets to tell the story that will become the truth. A court martial of individuals but also the idea of Empire itself. We sat down to talk about the pursuit of truth, human survival and the power of stories to endure.

It’s an old question but one that seems to be asked with increasing frequency in the era of so-called cancel culture: can you separate the art from the artist? After Essayist and memoir-writer Claire Dederer wrote a viral article about her own response to Roman Polanski she looked further into the lives and works of other problematic figures. The result, Monsters, is a personal and entirely subjective look at creatives like Woody Allen, Miles Davis, Michael Jackson, Pablo Picasso and more, that invites the reader to really think about how they feel about the art they love that comes to be stained in some way. We sat down to talk about art monsters, creative genius, and self-indictment.

There is no stopping Rebecca Kuang. With the Poppy War trilogy already under her belt and the fantastic success of Waterstones Book of the Year nominee Babel, she has reinvented herself once again this year with Yellowface, a literary thriller that satirises the very industry she’s involved in, publishing and bookselling. As someone who has worked in both of those industries myself, not to mention the world of social media for 15 years, I couldn’t wait to read this one and was even more excited to sit down and talk with Rebecca about her approach to writing, her insights from the industry, and where she might take readers next.

Caleb Azumah Nelson made a huge impression with his debut novel Open Water, an emotionally complex novel of love that was also a celebration of black creativity. His new novel, Small Worlds, continues both of those themes, whilst also looking at notions of family, home and a connection with the authors own Ghanaian culture. We sat down for a talk about love, memory and the creative urge.

When Han Kang won the International Booker Prize in 2016 the bonus for readers was that there were more of her books ready to be translated into English. Her latest, Greek Lessons, features a woman who has stopped speaking and her professor, a man who has gradually been losing his sight in a tale of human connection and communication, translated once again by her fellow Booker-winner Deborah Smith, working this time with Emily Yae Won. I sat down with her and interpreter Mi Na Sketchley to talk about the novel’s inspiration, style and experience for the reader.

Emily Henry had already published four young adult novels before turning 30 but with her fifth, Beach Read, and a switch to writing romantic comedy for adults she found a whole new level of engagement with readers. With huge popularity on TikTok and a boom in romantic fiction in general, we sat down to talk about writing through phases in life, creating relatable characters and whether those cartoon covers are hiding something a little darker inside.