New Books in Western European Studies

Before the sixteenth century, bugs and other creepy-crawlies could be found in the margins of manuscripts.  Over the course of the sixteenth and seventeenth centuries, insects crawled their way to the center of books, paintings, and other media of natural history illustration. Janice Neri‘s wonderful book charts this transformation in the practices of depicting insects through the early modern period. Inspired by the archaeology of Foucault but using an approach that spans the history of science, art history, and visual studies, The Insect and the Image: Visualizing Nature in Early Modern Europe, 1500-1700 (University of Minnesota Press, 2011) identifies a “specimen logic” through which images of insects were removed from their habitats, decontextualized, and mobilized into networks of regional and global exchange and circulation. Part I of the book traces the emergence of insects as subject matter for artistic representation, looking in turn at the work of Joris Hoefnagel, Ulisse Aldrovandi, Thomas Moffet, and still-life painters from 1580-1620. The choices made by these artists contributed to the transformation of ideas about nature as controllable and commodifiable. Part II shifts our attention to the later seventeenth century, and considers how the work of artists such as Robert Hooke and Maria Sibylla Merian helped visualize insects (as well as their own professional identities) anew across several media. Neri’s work urges us to reconsider some common binaries that tend to characterize thinking and writing about images in history: art/science, professional/amateur, image/object. To see some of the images that we talked about in the interview, check out the following links: Hoefnagel images can be found here, and the stag beetle is here. Digitized images from Aldrovandi’s work can be navigated to from here [site is in Italian]. The Van Der Ast image can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Sanjay Subrahmanyam‘s new book explores translations across texts, images, and cultural practices in the early modern world. Courtly Encounters: Translating Courtliness and Violence in Early Modern Eurasia (Harvard University Press, 2012) uses three key themes in early modern history – diplomacy, warfare, and visual representation – to show how commensurability across cultures, rather than existing prior to an encounter, had to be actively made by its agents. Subrahmanyam brings us into the many faces of a key battle in the sixteenth-century history of the Deccan, a dramatic martyrdom by cannon in the Malay world, and a circulation of visual tropes across European and Mughal contexts in a fascinating analysis of the ways that insult, intimacy, violence, and paint shaped relationships within and among the courtly ecologies of the sixteenth and seventeenth centuries. The book expertly weaves a series of compelling microhistorical narratives into a larger story that takes us across the Indian Ocean and beyond, and is a must-read for anyone interested in global history or early modernity. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

This past September an independent panel commissioned in 2009 by the British government released its 395-page report on the Hillsborough Stadium disaster of April 1989. The published findings and the accompanying release of documents confirmed what had long been charged: the deaths of 96 Liverpool fans at the grounds in Sheffield were the result of unsafe stadium design, insufficient crowd management, and failed policing and emergency response. Most significantly, the report gave proof that authorities in Sheffield had covered their failure by casting blame on the supposedly drunken and unruly fans. This line had been carried in the papers, most notoriously by The Sun, which published false reports that Liverpool fans had picked the pockets of the dead and wounded and even urinated on corpses. Such stories gained traction because they fit a general narrative that the press and politicians, both Labour and Conservative, had been repeating since the 1960s: football fans were delinquents, and their violent behavior at grounds in Britain and abroad was a black mark on the nation’s reputation Brett Bebber investigates the origins of this narrative and the corresponding government measures against fan violence in his book Violence and Racism in Football: Politics and Cultural Conflict in British Society, 1968-1998 (Pickering and Chatto, 2011). As he acknowledges, much has been written about football violence in the UK. But Brett brings a fresh approach to this familiar topic. As an American who admits to having been cool to soccer, he has an outsider’s perspective to the deep passions and divisions in English football. And unlike the journalists and social scientists who have focused on the fans, Brett is a historian whose research brought him to the archives of government offices and the records of police departments. What these documents show is that the Home Office and other government departments adopted strategies that typically exacerbated, rather than reduced, the tense atmosphere at football grounds, and planted seeds that would bear ill fruit in 1989. The Hillsborough report stated that Sheffield authorities viewed the task of crowd management “exclusively through a lens of potential crowd disorder.” This hostile perspective was guiding government policy already in the 1960s, when officials began to mandate the penning of spectators, and commissioned tests on how much force a human body could endure when pressed against a steel barrier. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

On July 10, 1941, Poles in the town of Jedwabne together with some number of German functionaries herded nearly 500 Jews into a barn and burnt them alive. In 2000, the sociologist Jan Gross published a book about the subject that, very shortly thereafter, started a huge controversy about Polish participation in the Holocaust. In the furor that followed, many simply took it for granted that Gross’s interpretation of what happened–that radically anti-Semitic Poles murdered the Jews with little prompting from the Germans–was simply correct. But was it? This is the question Marek Jan Chodakiewicz tries to answer in The Massacre in Jedwabne, July 10, 1941: Before, During, After (Columbia University Press; East European Monographs, 2005). After an exhaustive and meticulous investigation of the sources (which are imperfect at best), Chodakiewicz concludes that we don’t and will never know exactly what happened on that horrible July day in Jedwabne, but it was certainly more complicated and mysterious than Gross imagines. Chodakiewicz puts the massacre in its wider context or, perhaps more accurately, contexts. These include: Jedwabne itself, Polish life there, Jewish life there, the interaction between the two communities in the town, the Soviet occupation, the coming of the Germans, German policies toward Poles and Jews, the Polish resistance, Polish anti-Semitism, Polish anti-Communism, and the intersection of the two (“Zydokomuna“). No punches are pulled: Chodakiewicz places much of the blame for the atrocity squarely on the Poles (or, rather, some faction of them) in Jedwabne. But he puts their actions–insofar as we can know them–into a much wider frame and therefore helps us understand why they did what they did. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Pamela O. Long‘s clear, accessible, and elegantly written recent book explores the ways that artisan/practitioners influenced the development of the new sciences in the years between 1400 and 1600. Artisan/Practitioners and the Rise of the New Sciences, 1400-1600 (Oregon State University Press, 2011) introduces the notion of a “trading zone,” building on the articulation of the concept in anthropology and in the work of Peter Galison, to explain the gradual breaking-down of the distinction between learned scholars and artist/practitioners as distinct and coherent entities in early modern Europe. Several kinds of trading zones, from the Vitruvian tradition to the physical spaces of arsenals and the city of Rome, provided common ground on which both practitioners and university-educated men came together to share ideas about substantive issues. As a result of this interchange, Long argues, empirical values that had been intrinsic to artisanal work came to be embedded more broadly in European culture, and categories that had initially been bifurcated (like art and nature) became more interchangeable. Long guides readers from a historiographical account of the idea of artisanal influence on the new sciences as it has emerged and developed since the 1920s, and through a series of engaging chapters that introduce works and figures that are crucial to the development of these ideas, including a wonderful account of the architecture of Rome from the pages of Vitruvius through the streets of a city dotted with obelisks and occasionally overcome with waters. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

At the end of World War II, the Western Allies seized pretty much every official German document they could find and moved the lot out of Germany and often overseas. They had, effectively, taken the German past. And they kept it for the better part of a decade. Why did they take the records and why did they eventually return them? In her fascinating book The Struggle for the Files: The Western Allies and the Return of German Archives after the Second World War (Cambridge University Press, 2012) Astrid M. Eckert explains. The Western Allies saw that the archives could be used for a number of purposes: military intelligence (the Germans knew a lot about the Soviets), occupational administration, prosecuting war criminals, and making sure that the history of World War II was written just the way they wanted it written. And they used them in all these ways. The Germans, of course, wanted their documents back. They wanted to write their own history. But the Western Allies were skeptical that the Germans could really manage their archives (many German archivists had been active Nazis) or portray their past truthfully (it was, after all, a rather ugly past). In the end, the Allies relented and the archives were given back, new archivists were trained, and Germans faced their past themselves. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

When I was young I liked to go to bars, especially bars where bands were playing. But when I got there, I often didn’t listen very carefully. And in truth, I wasn’t there to see the band; I was there to “make the scene,” which is to say see and be seen by my peers. As Jennifer Hall-Witt explains in her fascinating book Fashionable Acts: Opera and Elite Culture in London, 1780-1880 (University of New Hampshire Press, 2007), that’s apparently why English notables went to the opera in the late eighteenth and early nineteenth century. They dressed up, went out, and “made the scene.” All the while there was an opera being performed, but it doesn’t seem anyone was paying close attention to it. They milled about, traded glances, visited each other’s boxes, talked, joked and generally had a good time. That all changed in the second half of the century. Most significantly, people began to watch and listen to the opera instead of each other. Jennifer tells us why. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

From artificial talking heads to the famed defecating duck and beyond, Sublime Dreams of Living Machines: The Automaton in the European Imagination (Harvard University Press, 2011) offers readers an intellectual and cultural history of Europe on the mechanical wings and flexing backs of its automata. Balancing a cognitive argument with careful historical contextualization, Minsoo Kang maps the landscape of self-moving entities as actual and conceptual objects. He allows us a glimpse into the many ways that these categorical anomalies, as perennial figures in what we might think of as a cultural imagination, have helped shape some of the most influential work in the history of science, literature, and ideas. Kang also offers many chapters worth of fascinating examples in this carefully curated cabinet of wonders. In the course of our conversation, we also spoke about the particular joys and challenges of balancing the work of a historian with a concurrent career in fiction writing, and debated the benefits of being an AM vs. PM writer. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

With Terror in the Balkans: German Armies and Partisan Warfare (Harvard University Press, 2012), Ben Shepherd, a Reader at Glasgow Caledonian University, offers us insight into the complex and harrowing history of the German Army’s occupation of the former Yugoslavia from 1941-1943. By analyzing the command structures at the divisional and regimental level, Shepherd helps to explain how and why the violence ebbed and flowed in the various occupied regions. But he also looks further down, to see how the behavior of specific units was shaped by the vagaries of terrain, supply, the character of the opposition, and even certain commanders’ backgrounds and experiences. Always cautious not to make claims beyond the limits of his evidence, Shepherd nevertheless draws important conclusions about how history, personality, and National Socialist ideology shaped the behavior of the German Army in the Second World War. For that and for illuminating in clear and concise prose the foggy and chaotic political and military environment in the Balkans during those years, Shepherd should be congratulated. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Denise Phillip’s meticulously researched and carefully argued new book deeply excavates a period in which many of the basic components that we take for granted as characterizing modern science were coming into being: the scientific method, the concept of a unified science, the increasing divergence of what we might translate as theoretical and practical scientific pursuits. Though these concepts will seem familiar to readers, Phillips’ careful study pays special attention to how science emerged and transformed in German-speaking Europe in very locally-specific ways. Following the transformation of Naturwissenschaft from an eighteenth century invention to a “rallying-cry” by the middle of the nineteenth century, Acolytes of Nature: Defining Natural Science in Germany, 1770-1850 maps the relationships between the collective use of words, the development of concepts, and the creation and ramification of collective social sites. Phillips reveals a world of many distinct but overlapping publics, spanning private learned societies, technical academies, gardens, agricultural societies, and universities, among others. Phillips urges to move beyond simple binaries in our understanding of history, demonstrating that the conceptual and material foundations of modern science in German-speaking Europe, and the figures that populated its spaces, emerged out of border zones and juxtapositions. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies