New Books in Western European Studies

It’s hard to overestimate the role of Raphael Lemkin in calling the world’s attention to the crime of genocide.  But for decades his name languished, as scholars and the broader public devoted their time and attention to other people and other things. In the past few years, this has changed.  We now have a greater understanding of Lemkin’s role in pushing the UN to write and pass the Convention on the Prevention and Punishment of Genocide.  Moreover, researchers have a newfound appreciation for the depth and insights of his research.  Genocide scholars talk about their field experiencing a ‘return to Lemkin’ It seems an appropriate time, then, to reexamine Lemkin’s ideas and career. We’re doing so in a special, two-part series of interviews with scholars who have edited and published Lemkin’s writings.  Earlier this month, I posted an interview with Steve Jacobs, who carefully edited and annotated an edition of Lemkin’s writings about the history and nature of genocide, simply titled Lemkin on Genocide. This time, I talked with Donna-Lee Frieze, who has meticulously edited Lemkin’s unpublished autobiography Totally Unofficial: The Autobiography of Raphael Lemkin (Yale University Press, 2013).  The book gives us a new appreciation for Lemkin’s work.  It offers us a deeper insight into who he was and how he fit into his times.  And it shows how his experiences shaped his lifelong crusade to create an framework within international law that would protect persecuted ethnic and religious groups. One brief note about the sound.  We taped this interview in what was late winter in Wichita.  Bizarrely enough, New York that day was evidently much warmer than Wichita.  Donna accordingly taped this interview sitting next to an open window.  Occasionally, you can hear the passing traffic in the background.  If you’re not in New York, consider this local color.  If you are, feel free to brag that spring comes early in your town.  You don’t get that chance often. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Winner of the 2013 Samuel Johnson Prize, Lucy Hughes-Hallett‘s biography of Gabriele d’Annunzio is a book with a big mission: to write inventively about the life of someone with whom most everyone outside of Italy is entirely unfamiliar whilst also promoting the literary legacy of a man celebrated within his own country and little translated (much less read) everywhere else. In the end, Gabriele d’Annunzio: Poet, Seducer, and Preacher of War (Knopf, 2013) succeeds on both fronts, which is precisely why it remains one of the most lauded biographies of the last year. It’s not a straightforward day-by-day narrative. Rather, the story zooms in and out, taking flight and exuberantly soaring through whole weeks, months, years only to, at other moments, slow down to sensuously revel in the details of a weekend on the beach or an afternoon spent in bed. There’s something about this technique that beautifully mimics the ways in which we often reflect upon our own lives, with whole boring years blotted from memory whilst every single detail of a particularly haunting evening is eternally seared upon the brain. This is, I imagine, in large part why the book is such joy to read- because (at the risk of making sound simple something which very much isn’t) we’re reading the life of a flamboyant character written in much the same way we tend to think upon our own. d’Annunzio thought words, written well, could inflame nations and excite history and change the world. For him, writes Hughes-Hallett, “writing was a martial art.” Artistically, he was a poet, novelist, playwright and lover (the classification isn’t accidental- for d’Annunzio experienced love affairs as real relationships and literary creations), but also a soldier, flier, and politician. Those are the raw ingredients of his story. Superficially fascinating, to be sure, but it’s Hughes-Hallet’s mixing of them that so animates the biography of this short, bald man with narrow sloping shoulders and terrible teeth. And it’s the tensions that emerge through the telling that ensure that, even if you’ve never read a word of d’Annunzio’s poetry, his story sticks with you, which is a sign of an both a good book and an interesting life. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Federico Fabbrini is Assistant Professor of European & Comparative Constitutional Law at Tilburg Law School in the Netherlands. In his new book, entitled Fundamental Rights in Europe: Challenges and Transformations in Comparative Perspective (Oxford University Press, 2014), Fabbrini analyses the constitutional implications of the highly complex European architecture for the protection of fundamental rights and the interactions between the various European human rights standards. By innovatively comparing this architecture with the United States Federal System, the book advances an analytical model that systematically explains the dynamics at play within the European multilevel human rights architecture. The book however also goes beyond simple theory and tests the model of challenges and transformations by examining four very interesting and extremely relevant case studies. In the end, a ‘neo-federal’ theory is proposed that is able to frame the dilemmas of ‘identity, equality, and supremacy’ behind this multilevel architecture in Europe. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Robert Mitchell‘s new book is wonderfully situated across several intersections: of history and literature, of the Romantic and contemporary worlds, of Keats’ urn and a laboratory cylinder full of dry ice. In Experimental Life: Vitalism in Romantic Science and Literature (Johns Hopkins University Press, 2013), Mitchell argues that we are in the midst of a vitalist turn in the humanities, social sciences, and natural sciences, and that this is only the latest in a series of eras of what he calls “experimental vitalism.” Experimental Life is largely devoted to exploring the first of those eras by tracing an experimental vitalism through a wide range of Romantic textual worlds from the late eighteenth and early nineteenth centuries. After a wonderful discussion of the meanings of the “experimental” in the arts and sciences, Mitchell’s book proceeds to look at a series of cases through which we can understand how Romantic thinkers sought out the points of perplexity in vital phenomena, encouraged that perplexity, and often did so by exploring “altered states” that seemed to confuse life and death. These altered states included suspended animation, disorientation, digestion and collapsurgence, mediality, and encounters with the uncanniness of plant life, and Mitchell’s treatment of each case is both beautifully articulated and full of unusual and illuminating juxtapositions. Ultimately, Experimental Life offers readers not just a way of understanding these Romantic contexts, but also engages each case in a way that informs how we think about contemporary biomedical sciences and biopolitics. Experimental Life has also just won the annual book prize for the British Society for Literature and Science. Congratulations, Rob! Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

It’s hard to overestimate the role of Raphael Lemkin in calling the world’s attention to the crime of genocide.  But for decades his name languished, as scholars and the broader public devoted their time and attention to other people and other things. In the past few years, this has changed. We now have a greater understanding of Lemkin’s role in pushing the UN to write and pass the Convention on the Prevention and Punishment of Genocide.  Moreover, researchers have a newfound appreciation for the depth and insights of his research.  Genocide scholars talk about their field experiencing a ‘return to Lemkin.’ It seems an appropriate time, then to reexamine Lemkin’s ideas and career.  We’ll do so in a special two-part series of interviews with scholars who have edited and published Lemkin’s writings.  Later this month, I’ll post an interview with Donna Lee Frieze, who has meticulously edited Lemkin’s unpublished autobiography, Totally Unofficial. First, however, I’ll talk with Steven L. Jacobs.  Steve recently published a carefully edited and annotated edition of Lemkin’s writings about the history and nature of genocide, simply titled Lemkin on Genocide (Lexington Books, 2012).  This work was written during the 1940s, but never published.  Through it, we gain a new appreciation for the depth of Lemkin’s theoretical understanding and the breadth of his research.  In addition, reading Jacob’s book provides us a richer sense of how Lemkin fit into the ideological currents of his time.  In editing this work, Steve has done a great service to all those interested in genocide. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

In Empire and Underworld: Captivity in French Guiana (Harvard University Press, 2012), historian Miranda Spieler tells of the transformation of a slave plantation colony into a destination for metropolitan convicts in the eight decades following the French Revolution. Unlike the better-known case of British Australia, French Guiana failed to turn from penal colony to economically viable territory and today remains a sparsely populated overseas department of France. The cover photograph of a forested riverbank shrouded in mist evokes the continual disappearance of  human settlement in Guiana. Spieler approaches this erasure not as a failure of French colonial policy, but rather as an expression and product of its design. Her book is a marvelous legal history that shows how the laws of empire shaped a colonial topography, relocated its inhabitants and played a decisive part in their ongoing destruction. In understanding laws and penal colonies as sites of experimentation, where new methods of subjugation and new subjectivities were produced, Spieler picks up Michel Foucault’s seminal work of 1975, Discipline and Punish. Yet whereas Foucault saw the emergence of a disciplinary society in which the techniques of the prison were multiplied and scattered throughout society, Spieler insists on the importance of certain spaces, certain targets and certain laws. She insists on the importance of margins, of borders, of non-citizens and of the non-free. In short, she insists on the importance of colony and its imperial context in understanding the development of modern rights, laws and space. In this way, she makes a significant contribution not only to the history colonialism, but to central debates in social and critical theory. In recognition of this achievement her book won the George L. Mosse Prize for European intellectual history and the J. Russell Major Prize for French history, both of the American Historical Association. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Believe it or not, the origins of this podcast and the entire New Books Network can be traced to a conversation I had in a cafein Ann Arbor, Michigan (Sweetwaters in Kerrytown, as it happens) in 2004. I was sitting there minding my own business when I overheard Ed Vielmetti and Lou Rosenfeldtalking about something called “del.icio.us” [sic]. It sounded interesting, so I asked them–complete strangers though they were–about it. They kindly brought me up to speed on something else called “Web 2.0.” Then I begin thinking… Turns out a lot thinking is done in cafes, as Leona Rittner, W. Scott Haine, and Jeffrey H. Jacksonpoint out in their fascinating book The Thinking Space: The Cafe as a Cultural Institution in Paris, Italy and Vienna (Ashgate, 2013). At one time or another, most modern Western intellectuals found themselves in one or another cafedrinking coffee, dreaming big dreams, and often arguing with another. The caffeine helped, but the atmosphere and company helped even more. Unhurried, quiet, comfortable, warm, public, inexpensive, full of reading material, open long hours, and right on the corner. The coffee house is an ideal “third place” for cerebral types. To my mind the most fascinating thing about this remarkable collection of essays is the variety of kinds of coffee houses found around Europe. Needless to say, they didn’t (and don’t) all look like your local Starbucks. If you like cafes, you should grab a copy of this book and read it . . . in a cafe, of course. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

The pages of Matthew C. Hunter‘s wonderful new book are full of paper fish, comets, sleepy-eyed gazes, drunk ants, and a cast full of fascinating (and sometimes hilarious) members of the experimental community of Restoration London. Wicked Intelligence: Visual Art and the Science of Experiment in Restoration London (University of Chicago Press, 2013) maps the visual traces of drawing, collecting, and building practices between 1650 and 1720 to narrate the emergence of a particular kind of intelligence that was formed by visualization techniques. Hunter’s book pays close attention to the work of Robert Hooke while situating Hooke within a community of painters, architects, writers, customs brokers, telescope makers, and other fashioners of early modern experiments of all sorts. A significant contribution to both the histories of science and of art, Wicked Intelligence pays equal attention to the flat spaces of the imaged page and the built spaces of the museum, the city, and the “laboratory of the mind.” It is a beautifully written book based on a gorgeously weird archive. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

From the end of the nineteenth century through the middle of the twentieth, Paris was a center for the publication of numerous English-language books, including many of a sexually explicit, pornographic nature. Colette Colligan‘s new book, A Publisher’s Paradise: Expatriate Literary Culture in Paris, 1890-1960 (University of Massachusetts Press, 2014) explores the rich and fascinating history of these “Paris editions” across seven decades of literary publishing in France, in English. Troubling too-simplistic notions of British prudishness versus French sexual liberalism and “high” versus “low” literatures, Colligan’s book makes a significant contribution to our understanding of Paris’s expatriate past, a past that remains part of the city’s mythology to this day. The book includes discussion of the cultural, legal, and commercial sides of this story, as well as closer textual analyses of some key examples of “degraded” and high modernist literature. In its chapters, readers will be introduced to characters and works that may not be so well known, including the British expatriate publisher Charles Carrington (whose publishing credits include Oscar Wilde’s The Picture of Dorian Gray in 1908). In addition to illuminating the lives of lesser known figures and texts, A Publisher’s Paradise also situates the history of “dirty books” published in the French capital to literary legends Sylvia Beach (the owner of the Parisian landmark English-language bookstore Shakespeare and Co. and publisher of James Joyce’s Ulysses in 1922) and Vladimir Nabokov (whose novel Lolita was first published by Maurice Girodias’ Olympia Press in Paris in 1955). The book will be a rewarding read to anyone interested in the histories of publishing, pornography, and/or Parisian cultural life. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

The British Marxist economist Maurice Dobb is now largely forgotten. That’s too bad for a number of reasons. He was a brilliant thinker who wrote some of the most insightful analyses of the development and workings of capitalism around. You can still read his work and profit. He was the intellectual godfather of several notable British Marxist historians of the “New Left” of the 1960s and 1970s: Rodney Hilton, Christopher Hill, E.P. Thompson, among others. And, perhaps most importantly, his life gives us a window into a forgotten time, one in which a economists took communism seriously and fellows at Cambridge could earnestly believe in a bright communist future. This, I think, is a time we must not forget. Thanks to Timothy Shenk‘s well-researched, readable biography Maurice Dobb: Political Economist (Palgrave-Macmillan, 2013), we won’t have to. Shenk tells Dobb’s tale in all its tortured complexity. A member of the establishment and an anti-establishmentarian. A dyed-in-the-wool Marxist and a deadly serious empirically-oriented economist. A supporter of the Soviet Union and a critic of Soviet power. Listen in. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies