New Books in Western European Studies

Benjamin Martin’s The Nazi-Fascist New Order for European Culture (Harvard University Press, 2016) examines the attempt by Nazi Germany and Fascist Italy to forge a European cultural empire out of their military conquests during World War II. Martin shows that the idea of Europe as a discrete political and cultural entity did not come from the postwar period (much less the European Union of the 1990s), but owes much to the cultural discourses of the 1930s. Germany in particular pushed for a kind of authentic “volkisch” cultural nationalism with a basis in folk traditions of central and eastern Europe. Germany’s initiatives in music, film, and literature appealed to the cultural sensibilities of Europe’s conservative cultural elite, offering a third way between American commercialism (epitomized by jazz and Hollywood films) and Soviet Bolshevism. With the Fall of France in 1940, the Nazi-fascist new order aimed to replace Anglo-French Civilization the universalist basis of European culture since the Enlightenment, with Kultur, a vision of culture that was transcendent and deeply rooted in national specificity. Nazi Germany’s attack on modernism created friction between its ally fascist Italy. Mussolini’s government promoted modernist experimentation in music and art as well the unconventional style of the futurists. Unlike Hitler, who abhorred modernism, Mussolini was a patron to modernism as well as more traditional artistic styles. Both coexisted in the fascist state. Martin shows that although Italy could scarcely compete with Germany militarily, the Italians believed they could export their culture in such a way as to build a kind of Italian-focused cultural hegemony in Europe, supplementing and even competing with Germany. James Esposito is a historian and researcher interested in digital history, empire, and the history of technology. James can be reached via email at espositojamesj@gmail.com and on Twitter @james_esposito_ Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Assistant Professor Federica Goffi fills a blind spot in current architectural theory and practice with this book, Time Matter(s): Invention and Re-Imagination in Built Conservation: The Unfinished Drawing and Building of St. Peter’s, the Vatican (Routledge, 2013). In proposing a hybrid approach which merges architectural and conservation theory the work offers the reader a counter-viewpoint to common understandings of preservation as singular moment from the past which has been frozen and brought forward to the present. Through a micro-historical study of a Renaissance concept of restoration, a theoretical framework to question the issue of conservation as a creative endeavor arises. It focuses on Tiberio Alfarano’s 1571 ichnography of St. Peter’s Basilica in the Vatican, into which a complex body of religious, political, architectural and cultural elements is woven. By merging past and present temple’s plans, Alfarano created a track-drawing questioning the design pursued after Michelangelo’s death (1564), opening the gaze towards other possible future imaginings. Federica Goffi book further uncovers how the drawing was acted on by Carlo Maderno (1556-1629), who literally used it as physical substratum to for new design proposals, completing the renewal of the temple in 1626. This research shows how architectural and conservation practices can be merged in contemporary renovation. By creating hybrid drawings, the retrospective and prospective gaze of built conservation forms a continuous and contiguous reality, where a pre-existent condition engages with future design joining multiple temporalities within a continuity of identity. The study might provide a paradigmatic and timely model to retune contemporary architectural sensibility when transforming a building of recognized significance. Brant Matthew Tate https://au.linkedin.com/in/t8architect https://uq.academia.edu/BrantMatthewTate branttate@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Scholars have long treated cities as spaces in which indigenous people have little presence and less significance. This notion that urbanity and indignity stand at odds results from a potent mix of racist essentialism and the historical myth of progress from savagery to civilization. Just as this paradigm excludes native peoples from the City, it excludes them from modernity. Perhaps no city expresses this erasure of Indigenous bodies, minds, and histories so effectively as London, the capital of the British Empire. Yet as Dr. Coll Thrush demonstrates in his new book Indigenous London: Native Travelers at the Heart of Empire (Yale University Press, 2016), beneath this erasure lie centuries of indigenous experience. In his hands London becomes not merely the Heart of Empire but the periphery of a richly textured indigenous diaspora, a Red Atlantic. Dr. Thrush ambitiously recasts five centuries of London’s history through the lived experiences of native visitors from Canada, the United States, New Zealand, and Australia. These travelers were royal statesmen and diplomats, missionaries and athletes. They came to further the complex interests of their own Nations. They critiqued the metropolis’s excess, its ecological unsustainability, and its inhumanity towards the poor. In doing so, they participated in creating London’s present. Their impact remains in London’s material culture and its understanding of its own urban and suburban realities. Join us as Dr. Thrush invites us into an Indigenous London that is not so much hidden as deliberately silenced, and which courses throughout the fabric of the modern city. Jeremy Wood is a Seattle attorney. Much of his legal and scholarly work has concerned Native American interests. Additionally he serves as a Human Rights Commissioner for the City of Seattle and teaches Jewish literature to middle and high school students in an after school program. You can find out more about his work by visiting https://www.linkedin.com/in/jeremyfwood. He can be reach at jeremywood10@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

James Kloppenberg is the Charles Warren Professor of American history at Harvard University. Toward Democracy: The Struggle for Self-Rule in European and American Thought (Oxford University Press, 2016) offers a detailed and sweeping intellectual history of the ideas that are at the heart of the democratic process. Kloppenberg traces the features of democracy beginning with ancient Athens and Rome to revolutionary America and Europe to the challenge of the American Civil War. He examines the conflict fraught process of applying the principles of deliberation, pluralism, and reciprocity in establishing a form of government in which popular sovereignty, autonomy and equality would be realized. Drawing from the works of multitude religious and Enlightenment thinkers and placing ideas within cultural and often violent political upheaval, Kloppenberg challenges us to reflect on the unfulfilled promise of American democracy. Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her current book project is entitled The World Come of Age: Religion, Intellectuals and the Challenge of Human Liberation. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Kelly Watson’s Insatiable Appetites: Imperial Encounters with Cannibals in the North Atlantic World (New York University Press, 2015) explores the history of the New World through the lens of the cannibal myth. Watson establishes that accusations of cannibalism in the Americas during the early modern period became a valuable discursive tool to justify the European imperial project. She shows how early accounts of crazed cannibal women grounded the often discordant voices of Spanish explorers, colonial officials, and clergy into one persuasive call for action in the Caribbean and Mexico. Watson shows how Spanish accounts followed similar calls for action against cannibals in ancient and medieval texts echoing the writings of Pliny and Herodotus. Although these claims were often exaggerated or fabricated, the cannibal myth became a kind of prehistory essential for the atrocities and enslavement of native peoples of the Americas. French and English colonists also employed the cannibal myth for their own interests. Watson shows how French Jesuit missionaries used the spectre of native cannibalism as a means to amplify their own sense of Christian martyrdom in Quebec. The English too used captivity narratives to reinforce their claim to North American lands as a something that was once wild and savage now made civilized through great diligence and personal risk. In all contexts, the cannibal myth identified and enhanced the masculine identities of the colonizers, enhancing a claim to subjectivity, justice, and reason to the perceived chaos of effeminized native peoples. James Esposito is a historian and researcher interested in digital history, empire, and the history of technology. James can be reached via email at espositojamesj@gmail.com and on Twitter @james_esposito_ Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

How is the notion of the avant-garde in art relevant today? What can contemporary social movements learn from the Situationists? What is the meaning of artistic value to forms of resistance? These, and many other, questions associated with the role of art in modern society are at the heart of The Composition of Movements to Come (Rowman and Littlefield, 2016). Stevphen Shukaitis, a senior lecturer in work and organisation at the University of Essex, approaches these issues from an Autonomist Marxist perspective, thinking through a diverse range of issues, for example cultural labour, and practices, for example the art strike. The book also uses a range of artistic examples, including a detailed engagement with Neue Slowenische Kunst to think through the composition of movements to come. The podcast discusses a forthcoming exhibition of the work of Gee Vaucher at Firstsite in Essex, UK. The book will be of interest to critical theorists, as well as scholars from art, politics and social movement studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Richard Bourke, Professor in the History of Political Thought in the School of History at Queen Mary University of London, began developing his history of Edmund Burke’s political thought in 1991. Empire and Revolution: The Political Life of Edmund Burke (Princeton University Press, 2015) uses Burke as a window into the eighteenth-century articulations of British imperial power, exploring the way that Burke approached relations between Britain, Ireland, America, India, and France. Beginning with Burke’s boyhood in Ireland, and closing with the challenge of grappling with Burke’s ongoing legacy, this beautifully written book displays Professor Bourke’s long study, attention to detail, and gift for trenchant observation. Our conversation ranged over subjects as familiar today as they were in the 1700s, including Burke’s understanding of representative politics as a means of resolving conflicts present in the public at large, struggles between state and corporate power, and the warrant for popular revolution. “A career doesn’t have the coherence we impose upon it belatedly, but there exist preoccupations that recur and drive our action.” Carl Nellis is an academic editor and writing instructor working north of Boston, where he researches contemporary American community formation around appropriations of medieval European culture. You can learn more about Carl’s work at carlnellis.wordpress.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

In Orientalists, Propagandists and Ilustrados: Filipino Scholarship and the End of Spanish Colonialism (University of Minnesota Press, 2012), Megan Thomas offers a thoroughly researched and closely attentive account of how anthropological sciences contributed to the making of the Philippines. While attending to the political concerns that drive Edward Said’s critique of orientalism, Thomas corrects his thesis by pointing to how orientalist forms of knowledge and modes of inquiry could be put to the service of nascent nationalist projects. Filipino polymaths used expertise obtained in ethnology, philology, orthography, folklore and history to advance claims that situated them as the equals of, and sometimes superiors to, their archipelago’s Hispanic rulers. Drawing on Spanish, German, French, English and Tagalog language sources, Orientalists, Propagandists and Ilustrados is a study of the colonial encounter in the best traditions of Southeast Asian scholarship. Not only does it offer a nuanced telling of the colonial intellectual encounter with the islands, and an intelligent and engaged critique of postcolonial scholarship; it is also a compelling history of the Filipino present. Megan Thomas joins New Books in Southeast Asian Studies to discuss colonial forms of knowledge and the difference between India and the Philippines, racial theory in 19th century Filipino nationalism, the letter K controversy, and the legacy of the late, great Ben Anderson. (Visitors to the website in the Philippines can go to the Anvil Publishing website to order the 2016 reprint of the book, with a new introduction by Caroline Hau.) Nick Cheesman is a fellow at the College of Asia and the Pacific, Australian National University and in 2016-17 a member of the Institute for Advanced Study, Princeton. He can be reached at nick.cheesman@anu.edu.au Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Why did Michel Foucault radically recast the project of The History of Sexuality? How did he work collaboratively? What was the influence of Antiquity on his thought? In Foucault’s Last Decade (Polity Press, 2016) Stuart Elden, Professor of Political Theory and Geography at the University of Warwick explores these, and many more, questions about the final years in a rich intellectual life. The book combines detailed studies of Foucault’s recently collected lecture series with archival material and his publications, to give an in depth engagement with the changes and continuities in his thought during the last decade. Addressing questions associated with key terms, such as governmentality, as well as confession, the self, power, truth telling, and many other core ideas and themes, the book will be essential reading for anyone interested in this most important of Western thinkers. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Why were German Jews so fascinated by Iberian Sephardic history? In Role Model and Countermodel: The Golden Age of Iberian Jewry and German Jewish Culture during the Era of Emancipation (Lexington Books, 2015), University of Oklahoma Professor Dr. Carsten Schapkow looks beyond the typical model of German-Jewish assimilation in response to emancipation in German lands a failed model, according to many to uncover the paradigm that Jews in Germany really spoke, wrote, and dreamed about during the long 19th century: the history of the Iberian Sephardic Jews as their model. From popular journalists and authors such as Heinrich Graetz and Ludwig Philippson to elite academics, from scientists to philosophers, Jews in Germany imagined their future according to their understanding of Jewish life under Muslims and Christians in Spain and Portugal during the so-called Golden Age and the period of la convivencia. According to their understanding of that era in Iberia, Jews had served as cultural mediators, their language and other skills enabling Jews to benefit the majority culture. Jews integrated into the majority culture, according to this view, without sacrificing their identity. They were able to make a difference not only within Jewish history, that describes this era as a Golden Age, but also be regarded as important participants in Iberian culture, diplomacy, science, and philosophy. Dr. Schapkow draws on an impressive variety of sources to prove his point. Dr. Schapkow spoke to New Books in Jewish Studies from Germany, sharing very interesting insights into both the history of Iberian Jews and the history of German Jews offering a window onto extraordinarily engaging questions. Read this exceptional book! Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies