New Books in Western European Studies

The Great War was perhaps the greatest single upheaval of the 20th century. While World War II saw more lives lost, in terms of the shock to European/Western civilization, the Great War was a more horrendous event. Perhaps nothing was as unexpected in this conflict as the sudden termination of the same in November 1918. From that time to this, historians have been considering why Germany and its allies decided to terminate the conflict when they did. Here to consider the matter once again, in this newest episode of Arguing History is Professor of History Emeritus Jeremy Black and Dr. Charles Coutinho of the Royal Historical Society.Professor Jeremy Black MBE, Is Professor of History Emeritus at the University of Exeter. And a Senior Associate at the Foreign Policy Research Institute. A graduate of Queens College, Cambridge with a First, he is the author of well over one-hundred books. In 2008 he was awarded the “Samuel Eliot Morison Award for Lifetime Achievement.”Dr. Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written recently for Chatham House’s International Affairs Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

While the concept of "type" has been present in architectural discourse since its formal introduction at the end of the eighteenth century, its role in the development of architectural projects has not been comprehensively analyzed. This book proposes a reassessment of architectural type throughout history and its impact on the development of architectural theory and practice. Beginning with Laugier's 1753 Essay on Architecture, Pablo Meninato's Unexpected Affinities: The History of Type from Laugier to Duchamp (Routledge, 2018) traces type through nineteenth- and twentiethth-century architectural movements and thoeries, culminating in a discussion of the affinities between architectural type and Duchamp's concept of the readymade. Includes over sixty black and white images.Pablo Meninato, PhD is an architect, architectural critic, and educator whose research focuses on the conception and development of the architectural project. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Brian Greene is a Professor of Mathematics and Physics at Columbia University in the City of New York, where he is the Director of the Institute for Strings, Cosmology, and Astroparticle Physics, and co-founder and chair of the World Science Festival. He is well known for his TV mini-series about string theory and the nature of reality, including the Elegant Universe, which tied in with his best-selling 2000 book of the same name. In this episode, we talk about his latest popular book Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe (Random House, 2020)Until the End of Time gives the reader a theory of everything, both in the sense of a “state of the academic union”, covering cosmology and evolution, consciousness and computation, and art and religion, and in the sense of showing us a way to apprehend the often existentially challenging subject matter. Greene uses evocative autobiographical vignettes in the book to personalize his famously lucid and accessible explanations, and we discuss these episodes further in the interview. Greene also reiterates his arguments for embedding a form of spiritual reverie within the multiple naturalistic descriptions of reality that different areas of human knowledge have so far produced.John Weston is a University Teacher of English in the Language Centre at Aalto University, Finland. His research focuses on academic communication. He can be reached at john.weston@aalto.fi and @johnwphd. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

The “Mongol turn” in the thirteenth and fourteenth centuries forged new political, commercial, and religious circumstances in Eurasia. This legacy can be found in the “sudden appearances” of common themes, styles, motifs, and even pigments that circulated across the continents. Drawing on visual as well as textual sources from eight unique locations that spanned between Siena in Italy and Quanzhou in China, Roxann Prazniak maps out in Sudden Appearances an elaborate thirteenth-century network of cultural and commercial exchanges that “produced an ascendant materialism and intervisuality that emphasized human agency.”Join me as I discuss Sudden Appearances: The Mongol Turn in Commerce, Belief, and Art (University of Hawaii Press 2019) with Dr. Prazniak.Daigengna Duoer is a PhD student at the Religious Studies Department, University of California, Santa Barbara. Her dissertation researches on transnational/transregional networks of Buddhism in twentieth-century Inner Mongolia and Manchuria that connected to the Republic of China, Tibet, and the Empire of Japan. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

As historical topics, political revolutions come in and out of fashion. At the moment the American Revolution as an ideological struggle engages the public, but historians are less sure. Books that used to have the Revolution at their centre now approach it from the edges and peripheries, integrating the experiences of people and communities excluded by studies of ideological origins.In the United Kingdom, still mired in BREXIT, the civil war past inflects present politics even if the conflict itself has been nudged off the school curriculum. In the 1990s, historians of England re-fought the civil wars in battles of footnotes. It took entire books to summarise the scholarship on events that were sometimes civil wars, at others revolutions, here wars of religion, there the wars of the three kingdoms.Michael Braddick is Professor of History at the University of Sheffield, and is a leading voice in the study of England’s revolutionary past. In The Common Freedom of the People: John Lilburne and the English Revolution (Oxford University Press, 2018), he takes a fresh look at the turmoil that gripped England for three decades in the middle of the seventeenth century. His focus is one man’s path through these years, a path that was one of stark public suffering, personal conviction, principled argument, and an unwavering dedication to the idea that common liberties were the highest political goods.Charles Prior is Senior Lecturer in Early Modern History at the University of Hull (UK), who has written on the politics of religion in early modern Britain, and whose work has recently expanded to the intersection of colonial, indigenous, and imperial politics in early America. He co-leads the Treatied Spaces Research Cluster. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Kevin Duong, a political theorist in the Politics Department at the University of Virginia, has written a fascinating analysis of the way that violence has been used, in a sense, to create or promote solidarity during the course of the “long nineteenth century” in France. Duong explores four separate periods and experiences in France, starting with the French Revolution and the trial of Louis XVI, moving to the long military engagement in Algeria, then to the Paris Commune in later half of the century, and finally to the preparations and the run up to World War I. And while The Virtues of Violence: Democracy Against Disintegration in Modern France (Oxford University Press, 2020) is about the French engagement with violence, it is a much broader analysis of the role that violence plays, particularly the concept of redemptive violence, in constructing democracy and establishing a cohesive social body among the citizenry.Duong makes a complex and important argument that the establishment of democracy is built on an often-violent overthrow of an old order, and instead of the move from the state of nature that social contract theorists like Hobbes and Locke argue for in their texts, the democratic state comes into existence not in the welcome transition from the cruelty of the state of nature, but in the violent convulsions of bloody revolution more like the French experience. In order to create a democratic people, violence is often implemented as the means to pulling people together, and it is a kind of collective violence. Duong’s analysis posits that modern society is held together by social cohesion, which comes out of unifying violent experiences that bring people together. While mass violence is often associated with anarchy and disorder, The Virtue of Violence makes a different case, compelling us to consider how violence solves a kind of social solidarity problem, and is a means of knitting together potentially disparate members of society. While this is a book that explores the French experience, France provides the case studies to consider how violence works constructively within democratic thought, and, how redemptive violence has a kind of revitalizing power in these political contexts.Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015).  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

The culture of insurgents in early modern Europe was primarily an oral one; memories of social conflicts in the communities affected were passed on through oral forms such as songs and legends. This popular history continued to influence political choices and actions through and after the early modern period. The chapters in Rhythms of Revolt: European Traditions and Memories of Social Conflict in Oral Culture (Routledge, 2018), edited by Éva Guillorel, David Hopkin, and William G. Pooley, examine numerous examples from across Europe of how memories of revolt were perpetuated in oral cultures, and they analyse how traditions were used. From the German Peasants’ War of 1525 to the counter-revolutionary guerrillas of the 1790s, oral traditions can offer radically different interpretations of familiar events. This is a ‘history from below’, and a history from song, which challenges existing historiographies of early modern revolts.Rachel Hopkin PhD is a UK born, US based folklorist and radio producer. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

The life of Theodor Herzl (1860–1904) was as puzzling as it was brief. How did this cosmopolitan and assimilated European Jew become the leader of the Zionist movement? How could he be both an artist and a statesman, a rationalist and an aesthete, a stern moralist yet possessed of deep, and at times dark, passions? And why did scores of thousands of Jews, many of them from traditional, observant backgrounds, embrace Herzl as their leader?In his new book Theodor Herzl: The Charismatic Leader (Yale UP, 2020), historian Derek Penslar shows that Herzl’s path to Zionism had as much to do with personal crises as it did with antisemitism. Once Herzl devoted himself to Zionism, Penslar shows, he distinguished himself as a consummate leader—possessed of indefatigable energy, organizational ability, and electrifying charisma. Herzl became a screen onto which Jews of his era could project their deepest needs and longings. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

In his book Fatal Love: Spousal Killers, Law, and Punishment in the Late Colonial Spanish Atlantic (Stanford University Press 2016), Victor Uribe-Urán compares the cases of Spain, and the late-colonial societies of Mexico and Colombia, in a historical moment characterized by corporate patriarchy and enlightened punishment. Focusing on crimes of spousal murders, Uribe-Urán asks intriguing questions: who were the men and women that committed these crimes, and what were their reasons for doing so? How did the law, both royal and ecclesiastical, responded to such murders? In which instances did the monarch decide to forgive or show leniency, and when did justice opt for harsher punishment?In answering these questions, Uribe-Urán challenges some traditional notions of how honor is supposed to work in Iberian societies. Also, he contributes to a growing scholarship that demonstrates that far from being secluded in their homes, women in colonial Spanish America had active public lives. This book is a fascinating read for those interested in Atlantic history, and also, for those who want to understand the long history of domestic and gender violence. As Uribe-Urán tells us by the end, domestic violence is the most widespread human right’s violations today; histories of this phenomenon, widespread and pervasive, are necessary for our contemporary quest for truly making domestic violence the serious crime that it really is.Lisette Varón-Carvajal is a PhD student at Rutgers University-New Brunswick. You can tweet her and suggest books at @LisetteVaron Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

In his new book, The German Epic in the Cold War: Peter Weiss, Uwe Johnson, and Alexander Kluge (Northwestern University Press, 2018), Matthew Miller explores the literary evolution of the modern epic in postwar German literature. Examining works by Peter Weiss, Uwe Johnson, and Alexander Kluge, it illustrates imaginative artistic responses in German fiction to the physical and ideological division of post–World War II Germany.Miller analyzes three ambitious German-language epics from the second half of the twentieth century: Weiss’s Die Ästhetik des Widerstands (The Aesthetics of Resistance), Johnson’s Jahrestage (Anniversaries), and Kluge’s Chronik der Gefühle (Chronicle of Feelings). In them, he traces the epic’s unlikely reemergence after the catastrophes of World War II and the Shoah and its continuity across the historical watershed of 1989–91, defined by German unification and the dissolution of the Soviet Union.Building on Franco Moretti’s codification of the literary form of the modern epic, Miller demonstrates the epic’s ability to understand the past; to come to terms with ethical, social, and political challenges in the second half of the twentieth century in German-speaking Europe and beyond; and to debate and envision possible futures.Matthew D. Miller is associate professor of German at Colgate University.Craig Sorvillo is a PhD candidate in modern European history at the University of Florida. He specializes in Nazi Germany, and the Holocaust. He can be reached at craig.sorvillo@gmail.com or on twitter @craig_sorvillo. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies