New Books in Western European Studies

Today on New Books in History, Rod Phillips, Professor of History at Carleton University in Ottawa, Canada, talks about his book, French Wine: A History, out in 2016 with the University of California Press, and published in paperback in 2020.For centuries, wine has been associated with France more than with any other country. France remains one of the world’s leading wine producers by volume and enjoys unrivaled cultural recognition for its wine. If any wine regions are global household names, they are French regions such as Champagne, Bordeaux, and Burgundy. Within the wine world, products from French regions are still benchmarks for many wines.French Wine is the first synthetic history of wine in France: from Etruscan, Greek, and Roman imports and the adoption of wine by beer-drinking Gauls to its present status within the global marketplace. Rod Phillips places the history of grape growing and winemaking in each of the country’s major regions within broad historical and cultural contexts.Examining a range of influences on the wine industry, wine trade, and wine itself, the book explores religion, economics, politics, revolution, and war, as well as climate and vine diseases. French Wine is the essential reference on French wine for collectors, consumers, sommeliers, and industry professionals. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

“What are we thinking about when we think about music in non-naturalistic terms?” asks Benjamin Steege—Assistant Professor of Music Theory, Columbia University—in his new book An Unnatural Attitude: Phenomenology in Weimar Musical Thought (University of Chicago Press, 2021). This deceptively subtle question exercised the minds of some of Europe's most delicate musical thinkers at a time of great social and political upheaval, and continues to be of interest to musicologists today. Putting a little-discussed set of German-language primary sources into historical context (among others, the writing of Günther Anders (né Stern), Gustav Güldenstein, and Herbert Eimert) and expertly introducing them to an Anglophone audience, Steege explains the shared interests of a post–World War I constellation of musical thinkers whose disinterest in psychological and music-historical orthodoxy coalesces into a vital, if not entirely homogeneous, program for the phenomenology of music. Enriched by convincing music-analytical examples, careful handling of philosophical terms of art, and an ethical sensitivity not unlike that of its historical interlocutors, Steege's book—and the writers whose work it examines—is sure to draw attention from music historians and historians of philosophy alike, who will question the relative unfamiliarity of its subject matter and set out to reach out across this gap to explore the models of historical listening it offers.Eamonn Bell (@_eamonnbell) is a postdoctoral Research Fellow at Trinity College Dublin in the Department of Music. His current research project examines the story of the compact disc from a viewpoint between musicology and media studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

In this wide-ranging and authoritative book, the first of its kind in English, Christopher Wood tracks the evolution of the historical study of art from the late middle ages through the rise of the modern scholarly discipline of art history. Synthesizing and assessing a vast array of writings, episodes, and personalities, this original account of the development of art-historical thinking will appeal to readers both inside and outside the discipline.A History of Art History (Princeton UP, 2019) shows that the pioneering chroniclers of the Italian Renaissance—Lorenzo Ghiberti and Giorgio Vasari—measured every epoch against fixed standards of quality. Only in the Romantic era did art historians discover the virtues of medieval art, anticipating the relativism of the later nineteenth century, when art history learned to admire the art of all societies and to value every work as an index of its times. The major art historians of the modern era, however—Jacob Burckhardt, Aby Warburg, Heinrich Wölfflin, Erwin Panofsky, Meyer Schapiro, and Ernst Gombrich—struggled to adapt their work to the rupture of artistic modernism, leading to the current predicaments of the discipline.Allison Leigh is Assistant Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Today on the podcast, Ruth Mazo Karras, the Lecky Professor of History at Trinity College Dublin talks about her new book, Thou Art the Man: The Masculinity of David in the Christian and Jewish Middle Ages, out this year, 2021 with University of Pennsylvania Press."How do we approach the study of masculinity in the past?" Ruth Mazo Karras asks. Medieval documents that have come down to us tell a great deal about the things that men did, but not enough about what they did specifically as men, or what these practices meant to them in terms of masculinity. Yet no less than in our own time, masculinity was a complicated construct in the Middle Ages.In Thou Art the Man, Karras focuses on one figure, King David, who was important in both Christian and Jewish medieval cultures, to show how he epitomized many and sometimes contradictory aspects of masculine identity. For late medieval Christians, he was one of the Nine Worthies, held up as a model of valor and virtue; for medieval Jews, he was the paradigmatic king, not just a remnant of the past, but part of a living heritage. In both traditions he was warrior, lover, and friend, founder of a dynasty and a sacred poet. But how could an exemplar of virtue also be a murderer and adulterer? How could a physical weakling be a great warrior? How could someone whose claim to the throne was not dynastic be a key symbol of the importance of dynasty? And how could someone who dances with slaves be noble?Exploring the different configurations of David in biblical and Talmudic commentaries, in Latin, Hebrew, and vernacular literatures across Europe, in liturgy, and in the visual arts, Thou Art the Man offers a rich case study of how ideas and ideals of masculinity could bend to support a variety of purposes within and across medieval cultures. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Today I talked to Rob Tempio, the editor of a wonderful collection of books from Princeton University Press called "Ancient Wisdom for Modern Readers." The series presents the timeless and timely ideas of classical thinkers in lively new translations. Enlightening and entertaining, these books make the practical wisdom of the ancient world accessible for modern life. The titles of the various volumes gives you a good idea of what's on offer.  How to Drink (Obsopeous) How to Be Content (Horace) How to Be a Bad Emperor (Suetonius) How to Think about God (Cicero) How to Win an Argument (Cicero) How to Be Free (Epicutetus) How to Run a Country (Cicero) How to Grow Old (Cicero)  How to Keep your Cool (Seneca) There are 19 pearls of Ancient Wisdom currently in the series with more to come. Enjoy! Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Any study of the Crusades — the religious wars waged by Latin Catholics to recapture the Holy Land — is primarily an exploration of men and their military deeds, with scant consideration of women, save perhaps the redoubtable Eleanor of Aquitaine who accompanied her husband, King Louis VII of France, on the Second Crusade. But the history of the Christian Crusader states established after the success of the First Crusade is a different matter. From 1099 to 1187, the four polities, known collectively as “Outremer” or “the lands beyond the sea” — the Kingdom of Jerusalem, the Principality of Antioch, and the Counties of Tripoli and Edessa — were more often ruled by queens, princesses, and countesses in their own right.The captivating story of these women is the subject of Queens of Jerusalem: The Women Who Dared to Rule (Hachette, 2021) by Katherine Pangonis. In taking up the story of Queen Melisende of Jerusalem, her rebel sister, Princess Alice of Antioch, and their descendants, Pangonis set herself the challenging task of peeling back the layers of recorded history — primarily chronicles written by men — to create a realistic portrait of these vital, ambitious, and dynamic women, a task that requires the historian to wear many hats: archivist, detective, archeologist, and psychologist.Pangonis is well up to the task; she is an outstanding narrative historian, and in addition to scrutinizing all extant sources on Outremer, Pangonis also took the time to walk in the footsteps of her protagonists, and this allows readers of “Queens of Jerusalem” to experience medieval Outremer in vibrant detail. The queens, princesses, and countesses of Outremer were keen builders of edifices, which still form parts of the skylines of of the region: the Crusader castles, the Convent of Bethany, and the all-important Church of the Holy Sepulchre. In “Queens of Jerusalem” this topography leaps off the page in very satisfying detail.Pangonis’s writing is elegant and evocative, always informative but never pedantic. Her ability to marshall her sprawling cast of characters, many of whom confusingly share the same names, is impressive, with each person emerging as a separate and vivid personality with distinct character traits. Pangonis argues that like their European cousins, none of the women of Outremer was ever destined to rule, but that the inherent violence of Outremer rendered the mortality rate for men such that women were often the only potential heirs. Some women, such as Queen Melisende of Jerusalem, were well prepared for their task from childhood, while others, like her sister Alice, struggled to establish and maintain power. Pangonis also considers the fates of several Byzantine princesses who married into the Crusader states, such as the colorful Theodora Komnene, foreigners forced to weather their own challenges in navigating power in Outremer.Jennifer Eremeeva is an American expatriate writer who writes about travel, culture, cuisine and culinary history, Russian history, and Royal History, with bylines in Reuters, Fodor's, USTOA, LitHub, The Moscow Times, and Russian Life. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

In 2020-21, the UK left first the EU and then the 30-nation European Economic Area. Much of the impact has been masked by the coronavirus pandemic but, as that lifts, there will be profound effects on patterns of employment, national strategic positioning, political cleavages and even on the continued cohesion of the kingdom itself.This did not have to be the case. Short of never leaving the EU, there were less disruptive exit models available. Why weren’t they taken and why did the Brexit process radicalise between 2016 and 2019?These are the questions Christopher Grey explores in Brexit Unfolded: How No One Got What They Wanted (and Why They Were Never Going To) (Biteback, 2021). Emeritus Professor of Organisation Studies at Royal Holloway, University of London, Chris Grey previously taught at Leeds, Cambridge and Warwick and is the author and co-author of nine other books. He stumbled into the Brexit debate during the referendum campaign and started writing a blog (Brexit and Beyond) that soon turned into a must-read - propelling him into the front rank of Brexitologists and earning @chrisgreybrexit 54,000 Twitter followers.*The author's own book recommendations are Heroic Failure: Brexit and the Politics of Pain by Fintan O'Toole (Apollo, 2019) and A Question Of Loyalties by Allan Massie (Canongate Books, 2002 - first published in 1989)Tim Gwynn Jones is an economic and political-risk analyst at Medley Global Advisors. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

The highest literacy rates worldwide, free universal healthcare, social security, strong economies —these are traits commonly associated with the Nordic countries.They also reflect the equally renowned, well-developed system of education available to the residents of each country.Despite the similarities, each country’s education system is distinct, thanks to their differing historical experiences and shifts in political climates. And the complexities of each system unfold neatly on pages of the school textbooks that have been used in each country throughout this time.In this episode, Merethe Roos and Henrik Edgren, two of the editors of “Exploring Textbooks and Cultural Change in Nordic Education 1536–2020”talk about delving deep into the centuries-old history of the education systems in the Nordic countries through their school textbooks, right from the era of the Reformation in the 16th century and through the subsequent educational acts that shaped the systems in each country. Their book encapsulates the rich academic traditions in each country and highlights the role that textbooks have had to play in building each nation by influencing national cultural politics and legislation.This episode is a part of a new special series by Brill, which focuses on Brill’s commitment to the United Nations’ Sustainable Development Goals (SDGs). Each episode is related to a specific SDG. This episode covers SDG 4: Quality Education. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Since the 2008 financial crisis, complex capital flows have ravaged everyday communities across the globe. Housing in particular has become increasingly precarious. In response, many movements now contest the long-held promises and established terms of the private ownership of housing. Immigrant activism has played an important, if understudied, role in such struggles over collective consumption. In Dispossession and Dissent: Migrants and the Struggle for Housing in Madrid (Stanford UP, 2021), Sophie Gonick examines the intersection of homeownership and immigrant activism through an analysis of Spain's anti-evictions movement, now a hallmark for housing struggles across the globe.Madrid was the crucible for Spain's urban planning and policy, its millennial economic boom (1998–2008), and its more recent mobilizations in response to crisis. During the boom, the city also experienced rapid, unprecedented immigration. Through extensive archival and ethnographic research, Gonick uncovers the city's histories of homeownership and immigration to demonstrate the pivotal role of Andean immigrants within this movement, as the first to contest dispossession from mortgage-related foreclosures and evictions. Consequently, they forged a potent politics of dissent, which drew upon migratory experiences and indigenous traditions of activism to contest foreclosures and evictions.This interview is part of an NBN special series on “Mobilities and Methods.”Sophie L. Gonick is Assistant Professor in the Department of Social and Cultural Analysis at New York University.Alize Arıcan is an incoming Postdoctoral Fellow at Rutgers University's Center for Cultural Analysis. She is an anthropologist whose research focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey. Her work has been featured in Current Anthropology, City & Society, Radical Housing Journal, and entanglements: experiments in multimodal ethnography. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Leah DeVun is an Associate Professor of History at Rutgers University. Leah DeVun focuses on the history of gender, sexuality, science, and medicine in pre-modern Europe and on contemporary queer and transgender studies. Her first book Prophecy, Alchemy, and the End of Time won the 2013 John Nicholas Brown Prize for an outstanding first book on medieval history. She has published articles in the GLQ, WSQ, Journal of the History of Ideas, among others, and co-edited Trans Historicities, a special issue of the Transgender Studies Quarterly in 2018. Leah is also an artist and curator whose work explores queer, feminist, and gender nonconforming history. Her work has appeared in the ONE Archives Gallery, the Leslie-Lohman Museum, and the Houston Center for Photography, among other venues. This episode discusses Leah’s second book The Shape of Sex: Nonbinary Gender from Genesis to the Renaissance published in 2021 by Columbia University Press and which sold out of its first printing.Leo Valdes is a Ph.D. student in the History department at Rutgers University. They study 20th century Black American and Latinx history centering trans and gender variant people’s politics and resistance. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies