New Books in Western European Studies

In Converging on Cannibals: Terrors of Slaving in Atlantic Africa, 1509-1670 (Ohio UP, 2019), Jared Staller tells the history of how the myth of cannibalism in West Central Africa developed between 1509 and 1670 in the context of mis-understandings between European and Africans. Many of these misunderstandings were in fact intentional, given that the myth of cannibalism proved very useful to Portuguese slavers seeking to bypass the restrictions imposed by the Papacy as to who could be justifiably enslaved. On the African side, rulers of the Kongo kingdom used the discourse of cannibals to secure Portuguese support at a time of political upheaval. The increasing chaos and violence that resulted from the slow decline of existing political structures such as the Kongo, coupled with a protracted drought, contributed to the formation of new political formations that relied heavily on violence and terror and who found the myth of cannibalism useful in their attempts to compete and survive in a dangerous and insecure world. Back in Europe, stories about African cannibals were also used as a means to reflect on the religious conflicts of the Reformation and Counter-Reformation era, allowing the myth to be passed on and survive into the modern world. Staller tells this compelling story by re-reading the most important European sources where African cannibals are mentioned as well as the few African sources that exist for this period. By carefully cross-referencing these sources and building on the knowledge that historians of Africa have been able to secure from oral and ethnographic sources, Staller is able to revisit old debates in African historiography and demonstrate that European sources, when carefully read, can illuminate our understanding of African perspectives. The book includes a detailed explanation of the methodology used, suggested readings for every chapter and brief excerpts from the sources, all of which make this book a robust contribution to the history and historiography of Africa and the Atlantic world.Esperanza Brizuela-Garcia is an associate professor of history at Montclair State University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Today I spoke to Prof. Adrian Shubert, professor of History at York University and a fellow of the Royal Society of Canada about his book on the nineteenth century Spanish soldier statesman Baldomero Espartero published by the University of Toronto Press in 2021.Baldomero Espartero (1793–1879) who Shubert compares to Napoleon and Garibaldi and on whom a postage stamp was released in May 2020 in Spain (after the publication of The Sword..), led a life resembling that of a character created by Stendhal or Gabriel García Márquez. Indeed Espartero was famed to have been the peacemaker who promoted national unity who had brought an end to the horrific Carlist civil war, a highly internationalized conflict. He became the harbinger of a nationalism that was not elitist but collective.In The Sword of Luchana: Baldomero Espartero and the Making of Modern Spain, 1793–1879 (U Toronto Press, 2021), based on comprehensive archival research in Spain, Argentina, and the United Kingdom, the historian explores the public and private lives of Espartero and his wife Jacinta who he describes as the power couple of 19th century Spain. He affirms that her role in his life and public life brought to the fore gender issues in the 19th century and were a constitutive part of the liberal revolution.Shubert’s work touches diverse aspects during times of war, revolution, and political and social change and brings to life a Spanish hero who Karl Marx mentioned in his writings and who has fallen into oblivion.Minni Sawhney is a professor of Hispanic Studies at the University of Delhi Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

As modern empires rise and fall, ancient Rome becomes ever more significant. We yearn for Rome's power but fear Rome's ruin--will we turn out like the Romans, we wonder, or can we escape their fate? That question has obsessed centuries of historians and leaders, who have explored diverse political, religious, and economic forces to explain Roman decline. Yet the decisive factor remains elusive.In New Rome: The Empire in the East (Harvard UP, 2022), Paul Stephenson looks beyond traditional texts and well-known artifacts to offer a novel, scientifically-minded interpretation of antiquity's end. It turns out that the descent of Rome is inscribed not only in parchments but also in ice cores and DNA. From these and other sources, we learn that pollution and pandemics influenced the fate of Constantinople and the Eastern Roman Empire. During its final five centuries, the empire in the east survived devastation by natural disasters, the degradation of the human environment, and pathogens previously unknown to the empire's densely populated, unsanitary cities. Despite the Plague of Justinian, regular "barbarian" invasions, a war with Persia, and the rise of Islam, the empire endured as a political entity. However, Greco-Roman civilization, a world of interconnected cities that had shared a common material culture for a millennium, did not.Politics, war, and religious strife drove the transformation of Eastern Rome, but they do not tell the whole story. Braiding the political history of the empire together with its urban, material, environmental, and epidemiological history, New Rome offers the most comprehensive explanation to date of the Eastern Empire's transformation into Byzantium. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Patronage has long been an important topic of study in musicology, but is much more likely to be one that specialists in medieval or renaissance music research. In The Creative Labor of Music Patronage in Interwar France (Boydell Press, 2021), Louis Epstein turns to patronage in the twentieth century to reveal an important part of the musical economy that is often overlooked. Many different types of patrons existed in this period, from music publishers and the French government to institutions and wealthy individuals. Far from mere sources of funding, early twentieth-century patrons collaborated closely with composers, treating commissions for new music as opportunities to express their own artistry. Although some of these patrons tried to interfere with the compositional process, most were engaged in a more subtle form of labor. For instance, they curated like-minded composers, encouraged people to write in expensive genres like opera or orchestral music, and supported French nationalism. Epstein also finds that the French example helped to influence the flowering of institutional patronage in post-World War II America.Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Poland in a Colonial World-Order: Adjustments and Aspirations, 1918-1939 (Routledge, 2021) is a study of the interwar Polish state and empire building project in a changing world of empires, nation-states, dominions, protectorates, mandates, and colonies.Drawing from a wide range of sources spanning two continents and five countries, Piotr Puchalski examines how Polish elites looked to expansion in South America and Africa as a solution to both real problems, such as industrial backwardness, and perceived issues, such as the supposed overrepresentation of Jews in "liberal professions." He charts how, in partnership with other European powers and international institutions such as the League of Nations, Polish leaders made attempts to channel emigration to South America, to establish direct trade with Africa, to expedite national minorities to far-away places, and to tap into colonial resources around the globe. Puchalski demonstrates the intersection between such national policies and larger processes taking place at the time, including the internationalist turn of colonialism and the global fascination with technocratic solutions.Carefully researched, the volume is key reading for scholars and advanced students of twentieth-century European history.Piotr Puchalski is Assistant Professor at the Institute of History and Archival Studies of the Pedagogical University of Kraków, Poland. His academic interests include Polish, French, British, and American diplomacy, as well as Western colonialism, totalitarian regimes, and modern ideologies.Steven Seegel is Professor of Slavic and Eurasian Studies at The University of Texas at Austin. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Julius Caesar was no aspiring autocrat seeking to realize the imperial future but an unusually successful republican leader who was measured against the Republic's traditions and its greatest heroes of the past. Catastrophe befell Rome not because Caesar (or anyone else) turned against the Republic, its norms, and institutions, but because Caesar's extraordinary success mobilized a determined opposition that ultimately preferred to precipitate civil war rather than accept its political defeat. Based on painstaking re-analysis of the ancient sources in the light of recent advances in our understanding of the participatory role of the People in the republican political system, a strong emphasis on agents' choices rather than structural causation, and profound skepticism toward the facile determinism that often substitutes for historical explanation, Julius Caesar and the Roman People (Cambridge University Press, 2021) offers a radical reinterpretation of a figure of profound historical importance who stands at the turning point of Roman history from Republic to Empire.Robert Morstein-Marx is Professor of Classics at the University of California, Santa Barbara. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Today we speak to Rebecca Cypess, Associate Professor at Rutgers University, about her new book: Musical Salons in the Enlightenment (University of Chicago, 2022). Interest in music sociability during the eighteenth century, including domestic and semi-domestic music-making, has been steadily growing. As scholars have noted, musical salons were crucial in providing a space where women could perform in public, which was otherwise impossible, for the most part. In this book, music scholar and performer Rebecca Cypess focuses on the figure of the salonnière, the female host at the center of most musical salons in Europe and America in the second half of the eighteenth century. Through case studies include the salons of Anne-Louise Brillon in Paris, Marianna Martines in Vienna, Sara Levy in Berlin, Elizabeth Graeme in Philadelphia, and the painter Angelika Kauffman in Rome, Cypess addresses several far-reaching issues in Enlightenment musical culture. Among them are questions having to do with collaboration and improvisation vs. authorship, sensual vs. intellectual experiences, the role of women in 'governing' the salons and collecting musical scores and instruments, and how these collections can function as texts that illuminate the lived experiences of eighteenth-century music. In this richly written book, Cypess draws on letters, diaries, and other written documents, as well as iconography, to make connections with non-musical practices, including games, and to recreate the salon as an immersive musical and creative environment.Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Dr. Lucy Donkin’s Standing on Holy Ground in the Middle Ages (Cornell University Press, 2022) illuminates how the floor surface shaped the ways in which people in Medieval Western Europe and beyond experienced sacred spaces.The ground beneath our feet plays a crucial, yet often overlooked, role in our relationship with the environments we inhabit and the spaces with which we interact. “The ground beneath our feet goes unnoticed for the most part. Yet it guides our steps and shapes our identity in many ways. We obey or disregard markings that indicate where to cross the road, stand back from the edge of the platform, or position ourselves on a sports pitch…Differencing convention in homes and places of worship remind us that our own treatment of the surface is culturally constructed."Dr. Donkin argues that “In the Middle Ages too, the surface of the ground conveyed information to those who stood on it, prompted physical and imaginative responses, and marked out individual and groups in accordance with the values and concerns of the time. Indeed, in some respects, it played a greater role today in articulating space and identity, especially within ecclesiastical settings…. This book focuses on Medieval interaction with holy ground, within and beyond the church interior, asking how these shaped both place and people.”By focusing on this surface as a point of encounter, Dr. Donkin positions it within a series of vertically stacked layers—the earth itself, permanent and temporary floor coverings, and the bodies of the living above ground and the dead beneath—providing new perspectives on how sacred space was defined and decorated, including the veneration of holy footprints, consecration ceremonies, and the demarcation of certain places for particular activities.Using a wide array of visual and textual sources, Standing on Holy Ground in the Middle Ages also details ways in which interaction with this surface shaped people's identities, whether as individuals, office holders, or members of religious communities. Gestures such as trampling and prostration, the repeated employment of specific locations, and burial beneath particular people or actions used the surface to express likeness and difference. From pilgrimage sites in the Holy Land to cathedrals, abbeys, and local parish churches across the Latin West, Dr. Donkin frames the ground as a shared surface, both a feature of diverse, distant places and subject to a variety of uses over time—while also offering a model for understanding spatial relationships in other periods, regions, and contexts.This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

According to the definition offered by Tate on the occasion of the exhibition Surrealism Without Borders, Surrealism “aims to revolutionise human experience. It balances a rational vision of life with one that asserts the power of the unconscious and dreams.” Surrealism, therefore, produces images and artefacts that are rooted outside the real and that evade rational description.For many artists, however, the practice of Surrealist art took on an explicitly political and therefore practical dimensions. In Surrealist Sabotage and the War on Work (Manchester UP, 2021), art historian Abigail Susik argues that many Surrealists tried to transform the work of art into a form of unmanageable anti-work.Abigail Susik speaks with Pierre d’Alancaisez about what the politics of work meant to the early French Surrealists, the ambiguous labour practices of artists like Simone Breton, and the imagery of typewriters and sewing machines that permeates the work of artists such as Oscar Domínguez. She brings these questions into the present by engaging with the work of the Chicago Surrealists of the 1960s and 70s.Abigail Susik is Associate Professor of Art History at Willamette University and co-editor of Surrealism and film after 1945. Man Ray, Séance de rêve éveiillé Oscar Domínguez, Machine à coudre électro-sexuelle Surrealism Without Borders at Tate Modern Abigail’s op-eds in the Washington Post and New York Times Abigail’s forthcoming book Radical Dreams Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

On Sunday April 3rd, Hungarians decide whether to elect Viktor Orbán and his special form of eurosceptical "illiberal democracy" to a fourth consecutive term in office as war rages on their northeastern border.Since he returned to power in 2010, Orbán has established a new style of government that is hard to capture with standard political vocabulary. In previous podcasts, András Körösényi opted for plebiscitary leader democracy, Gábor Scheiring for authoritarian capitalism, and Tímea Drinóczi and Agnieszka Bień-Kacała for illiberal constitutionalism. Whatever term best explains it, Orbánism has attracted a fan base among national-conservatives globally: most prominently Donald Trump's intellectual outriders and Fox News host Tucker Carlson.In his new edition of Orbanland: Why Viktor Orbán's Hungary Matters (New Europe Books, 2022), Lasse Skytt - a Danish journalist who has lived in provincial Hungary since 2013 - investigates what is uniquely Hungarian about Orbanism and what is just a more politically efficient channelling of the global reaction against liberalism and globalisation. He writes: "Through understanding what is going on in Hungary - and why - perhaps we will be able to predict how the current polarisation might shape the future of both sides of the Atlantic''.*The authors' own book recommendations are: After Europe by Ivan Krastev (University of Pennsylvania Press, 2017) and Think Again: The Power of Knowing What You Don't Know by Adam Grant (WH Allen, 2021).Tim Gwynn Jones is an economic and political-risk analyst at Medley Advisors (a division of Energy Aspects). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies