New Books in Western European Studies

For the past two decades, the arts and cultural establishment in the UK has been trying to engage a broader set of audiences in their work. Countless initiatives to make the arts more accessible to the public and to make them more relevant have been advocated for in policy and funding settlements.But the dial on who participates and how much has not shifted, despite many thousands of projects trying to address the problem. And this isn’t even the punchline. Not only do the interventions not work, nobody involved in them admits that the interventions may have been a failure.Having spent many years working in cultural policy studies and in arts practice, Leila Jancovich and David Stevenson take the arts and culture sector to task over this fiction. Their book Failures in Cultural Participation (Palgrave Macmillan, 2022) puts a mirror to the industry and invites cultural policymakers, organisations, and practitioners to confront their failures.David Stevenson speaks to Pierre d’Alancaisez about the culture sector’s refusal to acknowledge failure in widening participation and moving the debate from the ‘value’ of culture to considering how policies can be designed and implemented. David argues for an honest and transparent acknowledgement of failure at individual, organisational and governmental levels. The Failspace Project tools A special issue of the Transdisciplinary Journal of Cultural Participation edited by Leila and David David’s “I hate opera” paper. Leila Jancovich is a professor of Cultural Policy and Participation at the University of Leeds. Before entering academia, she worked for many years in the arts and festivals sector as a producer, researcher, and policy maker.David Stevenson is the Dean of The School of Arts, Social Sciences, and Management at Queen Margaret University. His research focuses on relations of power and the production of value within the cultural sector.Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

The story of the British amusement arcade from the 1800s to the present. Amusement arcades are an important part of British culture, yet discussions of them tend to be based on American models. Alan Meades, who spent his childhood happily playing in British seaside arcades, presents the history of the arcade from its origins in traveling fairs of the 1800s to the present. Drawing on firsthand accounts of industry members and archival sources, including rare photographs and trade publications, he tells the story of the first arcades, the people who made the machines, the rise of video games, and the legislative and economic challenges spurred by public fears of moral decline. Arcade Britannia: A Social History of the British Amusement Arcade (MIT Press, 2022) highlights the differences between British and North American arcades, especially in terms of the complex relationship between gambling and amusements. He also underlines Britain’s role in introducing coin-operated technologies into Europe, as well as the industry’s close links to America and, especially, Japan. He shows how the British arcade is a product of centuries of public play, gambling, entrepreneurship, and mechanization. Examining the arcade’s history through technological, social, cultural, biographic, and legislative perspectives, he describes a pendulum shift between control and liberalization, as well as the continued efforts of concerned moralists to limit and regulate public play. Finally, he recounts the impact on the industry of legislative challenges that included vicious taxation, questions of whether copyright law applied to video-game code, and the peculiar moment when every arcade game in Britain was considered a cinema.Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Has the liberal order been taken for granted? The post war consensus and the impact of the cold war may have helped establish a way of doing politics that in fact was on less secure foundations that it seemed. That’s the view of Professor James E Cronin of Boston College who has written Fragile Victory: The Making and Unmaking of the Liberal Order (Yale University Press, 2023)  – listen to him in conversation with Owen Bennett-Jones.Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Practicing shame investigates how the literature of medieval England encouraged women to safeguard their honour by cultivating hypervigilance against the possibility of sexual shame. A combination of inward reflection and outward comportment, this practice of 'shamefastness' was believed to reinforce women's chastity of mind and body, and to communicate that chastity to others by means of conventional gestures. Practicing Shame: Female Honour in Later Medieval England (Manchester UP, 2019) uncovers the paradoxes and complications that emerged from these emotional practices, as well as the ways in which they were satirised and reappropriated by male authors. Working at the intersection of literary studies, gender studies and the history of emotions, it transforms our understanding of the ethical construction of femininity in the past and provides a new framework for thinking about honourable womanhood now and in the years to come.Mary C. Flannery is a Swiss National Science Foundation Eccellenza Professorial Fellow at the University of BernMorteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

In The Darkest Year: The British Army on the Western Front 1917 (Helion and Company, 2021), leading First World War historians examine key aspects of the British Army's campaign on the Western Front in 1917. It includes studies of the Battle of Arras, Third Battle of Ypres, and Battle of Cambrai, as well as examinations of British Army strategy, morale, tactics, training, and intelligence gathering. It is the fourth book in Spencer Jones's award-winning series which examines the British Army on the Western Front year-by-year and marks a major contribution to our understanding of the Army in this controversial year.Philip Blood is a British born independent historian and freelance author living in Aachen, Germany. Previously senior fellow at the American in Berlin, a military history advisor to the Association of the US Army Book Program, and senior lecturer as RWTH-Aachen (Technical University). Previous lecturer positions at Surrey University and London University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Jorge Marco and Gutmaro Gomez Bravo's book The Fabric of Fear: Building Franco's New Society in Spain, 1936-1950  (Liverpool UP, 2023) deals comprehensively with the process of Francoist state- and nation-building in Spain. Franco's chosen tools were mass repression and cleansing, undertaken both during the battlefield war of 1936-39 and in the decade afterwards, when war against defeated constituencies continued by institutional means. Mobilising its grass roots supporters made them complicit in the state's project. The complex process of cleansing and conversion of the political enemy required classifying soldiers from the defeated Republican army and Republican-zone civilians into pro-Franco, indifferent, or internal enemy. Many of the latter were either extrajudicially murdered or executed after cursory military trials. Classification used ultra-traditionalist Catholic means, including segregation and forced conversion. The new society programme implemented between 1936 and 1950 was applied nation-wide to political activists, members of Republican parties, labour organisations, and (poor) urban and (landless) rural social constituencies. The Francoist project adapted to the changing national and international contexts across the period 1936-1950: from a civil war; through the period of relations with the Axis powers at the same time as receiving Nazi assistance in building up Franco's police force as an agent of repression; to the transformation of Franco into an anti-Communist client of the Cold War West. The Fabric of Fear addresses the social effects of the cleansing process on both victors and vanquished. On the one hand, Franco's violent policy forged a new society and tightened the links between the regime and its social base. On the other hand, the violence and coercion exerted on the vanquished resulted in their civil and legal death: they were expelled from Franco's national community and deprived of all rights in what became de facto an apartheid society in Spain.Ethan Besser Fredrick is a graduate student in Modern Latin American history seeking his PhD at the University of Minnesota. His work focuses on the Transatlantic Catholic movements in Mexico and Spain during the early 20th century. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

How were understandings of chance, luck, and fortune affected by early capitalist developments such as the global expansion of English trade and colonial exploration? And how could the recognition that fortune wielded a powerful force in the world be squared with Protestant beliefs about the all-controlling hand of divine providence? Was everything pre-determined, or was there room for chance and human agency? Jane Hwang Degenhardt's book Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) addresses these questions by demonstrating how English economic expansion and global transformation produced a new philosophy of fortune oriented around discerning and optimizing unexpected opportunities. The popular theater played an influential role in dramatizing the new prospects and dangers opened up by nascent global economics and fostering a set of ethical practices for engaging with fortune's unpredictable turns. While largely derided as a sinful, earthly distraction in the Boethian tradition of the Middle Ages, fortune made a comeback on the English Renaissance stage as a force associated with valiant risks, ennobling adventures, and purposeful action. The early modern stage also reveals how a new philosophy of fortune led to economic exploitation and racialized exclusions.Offering in-depth discussions of plays by Shakespeare, Marlowe, Heywood, Dekker, and others, Globalizing Fortune demonstrates how the history of the English commercial theater--like that of English seaborne expansion--was also a history of fortune. The public theater not only shaped popular understandings of fortune's role in a culture undergoing economic transformation, but also addressed this transformation from a unique position because of its own implication in London commerce, its reliance on paying customers, and its vulnerability to the risks and contingencies of live performance. Drawing attention to an archive of plays dramatizing maritime travel, trade, and adventure, this book shows how the popular stage shaped evolving understandings of fortune by cultivating new viewing practices and mechanisms of theatrical wonder, as well as modeling proper ways of acting in the face of unknown outcomes and contingency. In short, Globalizing Fortune demonstrates how the public theater offered the first modern understanding of fortune as a globalizing commercial and ethical phenomenon.John Yargo holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including The Tempest, Oroonoko, and the poetry of Milton. He has published in Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Thinking through serious questions about racial, ethnic, and religious difference, Jonathan Ervine’s Humour in Contemporary France: Controversy, Consensus and Contradictions (Liverpool University Press, 2019) traces the ways that comedy pulls communities apart and brings them together in the French context. Ervine began the research for this project in advance of the fatal Charlie Hebdo shootings of 2015. The book he published four years later starts with an analysis of the intense debates about humour and freedom of the press that proliferated in the wake of these violent and tragic events.Situating Charlie Hebdo within the context of French humour more broadly, and turning to stand-up/sketch comedy in particular, Ervine’s remaining three case studies approach issues of universalism, cultural and political conflict using a range of examples. Focused on the provocations of the Black comedian Dieudonné, the Jamel Comedy Club, and the television series A part ça tout vie bien, the book examines: antiracism and antisemitism, minority comedians, urban culture, the legacies of immigration, and the complex relationship between Islam and comedy in contemporary France. Considering the possibilities and politics of multiculturalism in and through comedy, the book is a vital source for readers interested in what does and doesn’t make different French people laugh, and why. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

The Salt Roads: How Fish Made a Culture (Birlinn, 2022) by John Goodlad is the extraordinary story of how salt fish from Shetland became one of the staple foods of Europe, powered an economic boom and inspired artists, writers and musicians.It ranges from the wild waters of the North Atlantic, the ice-filled fjords of Greenland and the remote islands of Faroe to the dining tables of London’s middle classes, the bacalao restaurants of Spain and the Jewish shtetls of Eastern Europe.As well as following the historical thread and exploring how very different cultures were drawn together by the salt fish trade, Goodlad meets those whose lives revolve around the industry in the twenty-first century and addresses today’s pressing themes of sustainability, climate change and food choices.This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

In recent years, stories of religious universities and institutions grappling with their slave-owning past have made headlines in the news. People find it shocking that the Church itself could have been involved in such a sordid business. The Slaves of the Churches: A History (Oxford UP, 2020), the result of many years of research, is a study of the origins of this problem.Mary E. Sommar examines how the church sought to establish norms for slave ownership on the part of ecclesiastical institutions and personnel, and for others' behavior towards such slaves. The story begins in the New Testament era, when the earliest Christian norms were established, and continues up to thirteenth-century establishment of a body of canon law that would persist into the twentieth century. Along with her analysis of the various policies and statutes, Sommar draws on chronicles, letters, and other documents from each of the various historical periods to provide insight into the situations of unfree ecclesiastical dependents. She finds that unfree dependents of the Church actually had less chance of achieving freedom than did the slaves of other masters. The church authorities' duty to preserve the Church's patrimony for the needs of future generations led them to hold on tightly to their unfree human resources. This accessibly written book does not present an apology for the behavior of past Christian leaders, but attempts to learn what they did and to arrive at some understanding of why they made those choices.Mary Sommar has taught ancient and medieval history for the past twenty years, most of them at Millersville University in Pennsylvania. She also spent two years as a visiting scholar at the Stephan Kuttner Institute for Medieval Canon Law in Munich, Germany and a year as a Visiting Fellow at Yale University.Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies