The Next Reel Film Podcast

In 1977, Devil's Tower went from being known as the first National Monument (for those who had actually heard of it) to the iconographic image marking the rendezvous point where the aliens want to meet the humans in Steven Spielberg's third theatrical film, "Close Encounters of the Third Kind." The release and success of the movie saw visits to the monument skyrocket, which shows the power in Spielberg's film. Join us — Pete Wright and Andy Nelson — as we jump back into our Original SciFi series with this fantastic entry into the genre. We talk about the way this film has changed in our eyes as we've gotten older, and how the parenting of both Roy and Gillian, played by Richard Dreyfuss and Melinda Dillon, now feels incredibly poor. We discuss the nature of the 3 existing cuts of this film, what's different, what works and what doesn't in the changes, why the changes were made and which to watch. We chat about the nature of this film in the world of scifi films and why is feels very naturalistic, playing to realistic sensibilities that fit very much with Spielberg's views at the time he made this that it was more science speculation than it was science fiction — it's a story of alien visitors in a world where he believed we had already been visited. We go through the incredible talents behind the amazing special effects, the music, the editing and the production design, as well as the line up of the cast, even if Pete feels Spielberg should've swapped Dillon and Teri Garr in their roles. And we question the decision to put a "PRESENT DAY" title card up at the start of this film when watching it today clearly dates the film (leading us to question the import of ever using this title card). It's a fantastic and lengthy discussion over one of our favorite science fiction films of all time. Tune in! Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we’re doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it’s just a nice thing to do. Thanks!! The Next Reel on iTunesThe Next Reel on FacebookThe Next Reel on TwitterThe Next Reel on FlickchartThe Next Reel on LetterboxdGuess the Movie with The Next Reel on InstagramCheck out the Posters with The Next Reel on Pinterest And for anyone interested in our fine bouquet of show hosts: Follow Andy Nelson on TwitterFollow Pete Wright on TwitterFollow Steve Sarmento on TwitterCheck out Tom Metz on IMDBFollow Mike Evans on TwitterFollow Chadd Stoops on TwitterSupport The Next Reel Family of Film Podcasts:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Letterboxd Pro/Patron discount | Audible

Wong Kar-Wai's sumptuous film "In the Mood for Love" premiered at the Cannes Film Festival in 2000 and, while it lost the Palm d'Or, it left an indelible impression on everyone who saw it. A story of a connection between a man and woman who learn their spouses are having an affair, the film deals with their growing friendship as they help each other come to terms with the infidelity. In the process, they also struggle with their own draw to each other. Join us — Pete Wright and Andy Nelson — as we discuss the first of our Listener's Choice films. Steven Smart won the drawing and chose this film for us to discuss, and we're thrilled he did because we both fell in love with it. We talk about the nature of the love between the two leads played by Tony Leung and Maggie Cheung and how, on the one hand, the draw they have to each other is never consummated because they don't want to stoop to the level of their spouses, while on the other hand, they both are afraid that it's not what the other person wants so they don't act. We discuss the stunning look of the film, both from a cinematography standpoint as well as costumes and production design, and how the artists behind those elements make the film what it is. And we chat about director Wong Kar-Wai and how he started making one film but ended up with this one (perhaps because he did this without a script?). It's a beautiful film that touched both of us with its art and finesse. We had a wonderful time watching this film and have a great time chatting about it. Tune in! Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we’re doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it’s just a nice thing to do. Thanks!! The Next Reel on iTunesThe Next Reel on FacebookThe Next Reel on TwitterThe Next Reel on FlickchartThe Next Reel on LetterboxdGuess the Movie with The Next Reel on InstagramCheck out the Posters with The Next Reel on Pinterest And for anyone interested in our fine bouquet of show hosts: Follow Andy Nelson on TwitterFollow Pete Wright on TwitterFollow Steve Sarmento on TwitterCheck out Tom Metz on IMDBFollow Mike Evans on TwitterFollow Chadd Stoops on TwitterSupport The Next Reel Family of Film Podcasts:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Letterboxd Pro/Patron discount | Audible

Richard Dysart is one of those faces that you instantly recognize. He's acted on the stage, on the movie screen and on the TV screen most of his life. In his films, he generally played strong supporting characters, helping to fill any given scene with what it needed. (Look at him in the films we've discussed in our Dysart series as well as several past shows — The Hospital and The Thing — to really get a sense as to what he brought to those movies.) On TV, he often carried the projects, whether he was playing a US President (he played Truman and Eisenhower twice each), a studio head (Jack Warner and Louis B. Mayer), or his most iconic character, Leland McKenzie on the entire run of L.A. Law. He's worked in about every genre there is (as well as animation), has played some of the kindest characters on screen and some of the most vile, and has worked with an incredibly wide array of actors, directors and others in the industry. Join us — Pete Wright and Andy Nelson — as we have a special episode talking with the incredible, humble and versatile Richard Dysart. We talk with Dick about where his passion for this crazy industry grew from and how he took that passion and turned it into a career in radio, which led to theatre, eventually TV and inevitably film. We chat about the way 'live TV' worked and how everyone was still kinda winging it in this fledgling industry at the time, and talk about how it's changed as the industry matured. We discuss his move into film, first playing an uncredited role in a Steve McQueen film, and then touch on a wide variety of movies that he worked in over the years. We point out several of our favorites and talk about the work on those specific projects. And we ask him about what he's up to now and if he has any regrets with his career. It's a delightful conversation with a funny, congenial man full of insight about the industry, stories about experiences on set, and a genuine passion for the world of acting. We're thrilled to ask you to join us for this special episode. Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we’re doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it’s just a nice thing to do. Thanks!! The Next Reel on iTunesThe Next Reel on FacebookThe Next Reel on TwitterThe Next Reel on FlickchartThe Next Reel on LetterboxdGuess the Movie with The Next Reel on InstagramCheck out the Posters with The Next Reel on Pinterest And for anyone interested in our fine bouquet of show hosts: Follow Andy Nelson on TwitterFollow Pete Wright on TwitterFollow Steve Sarmento on TwitterCheck out Tom Metz on IMDBFollow Mike Evans on TwitterFollow Chadd Stoops on TwitterSupport The Next Reel Family of Film Podcasts:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Letterboxd Pro/Patron discount | Audible

"Pale Rider" marks Clint Eastwood's 10th time directing himself in a film, something he went on doing until 2008's "Gran Torino" and something he clearly knows how to do well. This seems to hold true especially in westerns, even though he only directed himself in four of them. Perhaps that's because he had so much experience in them and learned from other directors like Sergio Leone how to stand, how to ride, how to stare, how to shoot on film. And while "Pale Rider" is an obvious retelling of the classic 1953 film "Shane," it can stand on its own merits and doesn't feel like a ripoff. Join us -- Pete Wright and Andy Nelson -- as we come to the last film in our Richard Dysart series, 1985's "Pale Rider." We talk about the story of this film and how lean it is, while also apparently being a ghost story, something neither of us ever caught on to until reading up on it. We discuss the actors, notably Eastwood, Michael Moriarty, Carrie Snodgress, Richard Kiel, Sydney Penny, and of course Richard Dysart, and how well they work in this film. We chat about the Biblical references in the film, the idea of Eastwood's character, Preacher, being a ghost, and how that structure works in context of this story. We talk about the nature of the little man versus the corporate machine, something we've talked about in a few recent episodes, and how it works in this film. We go over the look of this film and discuss what Bruce Surtees and Eastwood bring to the film by using low lighting, particularly for the night and interior scenes. And we touch on Lennie Niehaus's music and why it works so well in context of the film. It's a classic western with some great moments that further cement Eastwood as the true iconic 'stranger' character. Give it a watch then tune in! Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we’re doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it’s just a nice thing to do. Thanks!! The Next Reel on iTunesThe Next Reel on FacebookThe Next Reel on TwitterThe Next Reel on FlickchartThe Next Reel on LetterboxdGuess the Movie with The Next Reel on InstagramCheck out the Posters with The Next Reel on Pinterest And for anyone interested in our fine bouquet of show hosts: Follow Andy Nelson on TwitterFollow Pete Wright on TwitterFollow Steve Sarmento on TwitterCheck out Tom Metz on IMDBFollow Mike Evans on TwitterFollow Chadd Stoops on TwitterSupport The Next Reel Family of Film Podcasts:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Letterboxd Pro/Patron discount | Audible

Hal Ashby made a number of stand-out films in the 70s, films that looked at human nature in offbeat stories that didn't feel like they came from a mold. When Peter Sellers presented him with the opportunity to direct an adaptation of Jerzy Kosinski's novella "Being There" shortly after the book's publication, he loved the idea and spent the next 9 years working to find the funding to get it made. The film was finally released in 1979 and was considered by many to be Peter Sellers' return to greatness. Join us — Pete Wright and Andy Nelson — as we continue our Richard Dysart series with this fantastic film. We look at the era of the film and, while it's certainly a 70s film, it still feels timeless. We talk about the nature of Sellers's fascinating portrayal of Chance the Gardener (or as Chauncey Gardiner, as he comes to be known), and what our own interpretations of this character are. We chat about the way the film ends and what we think Kosinski and Ashby were wanting to say... if anything. We discuss the nature of the footage during the end credits and debate whether it takes away from the mysterious and beautiful mood the end of the film creates or not. And we discuss both cast and crew in this film, including the wonderful Richard Dysart who brings an amazing, quiet gracefulness to his benevolent doctor who is the only one not fooled by Sellers' Chance. It's a film we love and love to discuss. Watch it and tune in! Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we’re doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it’s just a nice thing to do. Thanks!! The Next Reel on iTunesThe Next Reel on FacebookThe Next Reel on TwitterThe Next Reel on FlickchartThe Next Reel on LetterboxdGuess the Movie with The Next Reel on InstagramCheck out the Posters with The Next Reel on Pinterest And for anyone interested in our fine bouquet of show hosts: Follow Andy Nelson on TwitterFollow Pete Wright on TwitterFollow Steve Sarmento on TwitterCheck out Tom Metz on IMDBFollow Mike Evans on TwitterFollow Chadd Stoops on TwitterSupport The Next Reel Family of Film Podcasts:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Letterboxd Pro/Patron discount | Audible

There have been a good number of films made about the film industry, but few have taken such a dark and surreal look at the Hollywood machine as John Schlesinger's 1975 "The Day of the Locust" did. While it's based on the Nathanael West book from 1939 and takes place at that time, it feels like a modern — or possibly even timeless — story of the business and the fringe-dwellers who want to be a part of its magic. Join us — Pete Wright and Andy Nelson — as we begin our Richard Dysart series with Schlesinger's film. We talk about our experiences with this film (which is at times mind-boggling, slow, horrifically violent, absurd, and pointedly smart) and how it's one of those films that sticks with you whether you want it to or not. We discuss the performances and how perfect they are for the story — William Atherton, Karen Black, Donald Sutherland, Billy Barty, and of course Richard Dysart. We chat about the interesting structure this film has, feeling more like a novel than a 3-act screenplay, and how it challenges us with trying to determine who we would call the protagonist. And we work to figure out what the film is saying through some of its incredibly haunting imagery. It's not a film for everyone, but it's certainly a film worth watching if you're looking for a dark tale spun about the movie machine and how it destroys people. It certainly is a film that warrants a lot of discussion. Think you're up for it? Give it a watch then tune in! Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we’re doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it’s just a nice thing to do. Thanks!! The Next Reel on iTunesThe Next Reel on FacebookThe Next Reel on TwitterThe Next Reel on FlickchartThe Next Reel on LetterboxdGuess the Movie with The Next Reel on InstagramCheck out the Posters with The Next Reel on Pinterest And for anyone interested in our fine bouquet of show hosts: Follow Andy Nelson on TwitterFollow Pete Wright on TwitterFollow Steve Sarmento on TwitterCheck out Tom Metz on IMDBFollow Mike Evans on TwitterFollow Chadd Stoops on TwitterSupport The Next Reel Family of Film Podcasts:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Letterboxd Pro/Patron discount | Audible

Happy New Year! To ring in 2014, we wanted to find a tie-in to the new year so landed on 1994's Coen brothers comedy, "The Hudsucker Proxy." Join us — Pete Wright and Andy Nelson — as we delve back into the comedies from our good friends the brothers Coen and ring in 2014 with this fun film. We talk about the overall feel of the Coens' films and compare their comedies to their dramas. We discuss what it takes to be a great film and what would make one 'lesser' and where we'd put this film. We chat about any deeper meaning about corporate greed that can be read into this film, and whether or not it was intentionally put there by the Coens and their co-writer, Sam Raimi, or not. And we talk about how Roger Deakins' work has evolved over the years with the Coens and what changes he's made in his own style from watching in their washroom. It's a fun movie and one worth watching and discussing. Check it out! Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we’re doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it’s just a nice thing to do. Thanks!! The Next Reel on iTunesThe Next Reel on FacebookThe Next Reel on TwitterThe Next Reel on FlickchartThe Next Reel on LetterboxdGuess the Movie with The Next Reel on InstagramCheck out the Posters with The Next Reel on Pinterest And for anyone interested in our fine bouquet of show hosts: Follow Andy Nelson on TwitterFollow Pete Wright on TwitterFollow Steve Sarmento on TwitterCheck out Tom Metz on IMDBFollow Mike Evans on TwitterFollow Chadd Stoops on TwitterSupport The Next Reel Family of Film Podcasts:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Letterboxd Pro/Patron discount | Audible

It's the holiday season again which means it's time for us — Pete and Andy — to talk about another holiday classic! Join us as we talk about Peter Godfrey's screwball war comedy from 1945, "Christmas in Connecticut." We talk about how much fun the movie is and how it feels a bit pro-feminist yet how it definitely shows its age at the same time. We talk about the great cast, particularly the wonderful Barbara Stanwyck, Sydney Greenstreet, S.Z. "Cuddles" Sakall, Dennis Morgan, Reginald Gardiner and Una O'Connor, and how well they fit in their roles. We discuss Godfrey and his place in Hollywood, as well as his hobby as an amateur magician. And we chat about how this film fits in our holiday lists — is this one we'd put on every year or not? It's a fun, albeit dated, movie and we have a great time chatting about this movie. Give it a watch then tune in! Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we’re doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it’s just a nice thing to do. Thanks!! The Next Reel on iTunesThe Next Reel on FacebookThe Next Reel on TwitterThe Next Reel on FlickchartThe Next Reel on LetterboxdGuess the Movie with The Next Reel on InstagramCheck out the Posters with The Next Reel on Pinterest And for anyone interested in our fine bouquet of show hosts: Follow Andy Nelson on TwitterFollow Pete Wright on TwitterFollow Steve Sarmento on TwitterCheck out Tom Metz on IMDBFollow Mike Evans on TwitterFollow Chadd Stoops on TwitterSupport The Next Reel Family of Film Podcasts:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Letterboxd Pro/Patron discount | Audible

It's easy to compare "City of God" to "GoodFellas" — they both have a frenetic filmmaking style, they both revolve around youth growing up in a world of violence, and they both take that violence to awful places. Plus, they're both brilliant films. Join us — Pete Wright and Andy Nelson — this week on The Next Reel as we finish our Foreign Language series with a true highlight — Fernando Mereilles' and Katia Lund's 2002 film "City of God." We talk about the story and how it introduces us to this world of the favelas of Rio that not only gives us a sense of the time and place in the film incredibly effectively, but also connects us to characters that fit in this world and take us on a journey over several decades here, yet in a way that still feels intimate. We discuss the energetic and wild cinematography and directing style of the film and why it works so well. We chat about how the film was received around the world and why so many people have connected with it. And we talk about other projects Mereilles has done and how they differ or are similar to his style we see here. It's a great conversation about a great film. Tune in! Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we’re doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it’s just a nice thing to do. Thanks!! The Next Reel on iTunesThe Next Reel on FacebookThe Next Reel on TwitterThe Next Reel on FlickchartThe Next Reel on LetterboxdGuess the Movie with The Next Reel on InstagramCheck out the Posters with The Next Reel on Pinterest And for anyone interested in our fine bouquet of show hosts: Follow Andy Nelson on TwitterFollow Pete Wright on TwitterFollow Steve Sarmento on TwitterCheck out Tom Metz on IMDBFollow Mike Evans on TwitterFollow Chadd Stoops on TwitterSupport The Next Reel Family of Film Podcasts:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Letterboxd Pro/Patron discount | Audible

Even though Edward Yang's final film, "Yi Yi, A One and a Two," was critically acclaimed, it is a long film and requires patience, the right frame of mind when watching, or something similar to really connect with the film. At just shy of three hours and exploring pretty much every aspect of life in one Taipei family over the course of a year, it's certainly something that can tax some viewers, but for those who click with it, it's a masterful, powerful, poignant film. Join us — Pete Wright and Andy Nelson — as we continue our Foreign Language film series with this Taiwanese entry from 2000. We discuss what works so well in this film... for Andy and what doesn't work at all in this film... for Pete, having very interesting discourse back and forth in the struggle to explore this film. We talk about the characters in the film and what they're bringing to the story, most notably the young Yang-Yang who ends up providing the most poignant elements of the story. We chat about the New Wave of Taiwanese cinema in the 80s-90s when Yang was beginning his career and how that group and their sensibilities informed Yang's filmmaking. And we discuss what works and doesn't work for us in the cinematography and the editing, and why it works so well for Andy but not Pete. It's a fascinating exploration into a film that clearly works for some but not others, and one that's full of fun facts and interesting arguments. Watch the movie and tune in! Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we’re doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it’s just a nice thing to do. Thanks!! The Next Reel on iTunesThe Next Reel on FacebookThe Next Reel on TwitterThe Next Reel on FlickchartThe Next Reel on LetterboxdGuess the Movie with The Next Reel on InstagramCheck out the Posters with The Next Reel on Pinterest And for anyone interested in our fine bouquet of show hosts: Follow Andy Nelson on TwitterFollow Pete Wright on TwitterFollow Steve Sarmento on TwitterCheck out Tom Metz on IMDBFollow Mike Evans on TwitterFollow Chadd Stoops on TwitterSupport The Next Reel Family of Film Podcasts:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Letterboxd Pro/Patron discount | Audible